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Think of One
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TRI ET FILTRES
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Vous avez sélectionné:
Think of One
GUITARE
Guitare notes et tablatures
Partitions à imprimer
18 partitions trouvées
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1
Kelly Jones: Everyday I Think Of Money for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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Kelly Jones
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Virtualsheetmusic
Instantly printable sheet music by Stereophonics for guitar (tablature) of MEDIUM skill level. / rock
Instantly printable sheet music by Stereophonics for guitar (tablature) of MEDIUM skill level. / rock
$8.97
Blazing Flatpicking Guitar Solos for One Player or More
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Country
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Steve Kaufman
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Blazing Flatpicking Guitar Sol
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.99642EB Composed by Steve Kaufman. BLuegrass. Country. Ebook and online audio. 94 pages. Mel Bay Publications - Digital ...
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Guitar - Intermediate - SKU: M0.99642EB Composed by Steve Kaufman. BLuegrass. Country. Ebook and online audio. 94 pages. Mel Bay Publications - Digital Sheet Music #99642EB. Published by Mel Bay Publications - Digital Sheet Music (M0.99642EB). ISBN 9781513473468. 8.75x11.75 inches.The vision behind Blazing Solos for Flatpicking Guitar for One Player or More was inspired by the simple beauty of two instruments playing in harmony. In order to harmonize, the lead note and the harmony note need to be in harmonic agreement with one another, as well as with the background chord and the key of the song. Steve found that in most cases, but not always, that thinking in thirds will usually achieve the desired sound. The book also contains a section on how to read tablature plus discography. In notation and tablature. Intermediate level. Includes access to online audio.
$19.99
Fingerstyle Guitar Tunes - Beautiful Airs & Ballads of the British Isles
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Fingerstyle/Fingerpicking
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Fingerstyle Guitar Tunes - Bea
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Ballads/Love Songs. British Isles. Ebook and online audio. 65 pages. Mel Bay Publications - Digital Sheet Music #30915MEB. Published by Mel Bay Public...
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Ballads/Love Songs. British Isles. Ebook and online audio. 65 pages. Mel Bay Publications - Digital Sheet Music #30915MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459950. 8.75x11.75 inches.
This fingerstyle guitar collection features 20 engaging lyrical tunes from England, Ireland, Scotland, and Wales plus three original pieces by accomplished guitarist, trumpeter and composer William A. Bay, president, and editor-in-chief at Mel Bay Publications. Tasked with writing intermediate-level arrangements in either standard or dropped-D tuning, guitarist/arranger Raymond Gonzalez displays uncommon music rethinking skills while preserving the plaintive and lilting nature of these enduring melodies. Unique to these settings, you will find sparse, open-chord harmonies accentuated by double hammer-ons and pull-offs, and the odd harmonic mixed with normal tones within a melodic line all reminiscent of gentle waves washing up against a rocky island shore. Conceived to be played on either steel or nylon-string guitar, these pieces are written in both standard notation and tablature. Includes online access to the authors own audio recordings.
$17.99
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Snowfall
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Guitare notes et tablatures
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AVANCÉ
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Dale K
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Approximately 3 1/2 minutes
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Snowfall
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Dale K. Rodgers
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SheetMusicPlus
Guitar - Level 5 - SKU: A0.943810 Composed by Dale K. Rodgers. Christmas,Concert,Contemporary,Holiday,Wedding. Guitar Tab. 7 pages. Dale K. Rodgers #497...
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Guitar - Level 5 - SKU: A0.943810 Composed by Dale K. Rodgers. Christmas,Concert,Contemporary,Holiday,Wedding. Guitar Tab. 7 pages. Dale K. Rodgers #4978125. Published by Dale K. Rodgers (A0.943810). Guitar Solo for classical or finger-style players. Standard tuning, key of D major. Approximately 3 1/2 minutes. Romantic and haunting melody... think of two wine glasses and a warm blanket by the fire on a still and quiet evening. Two versions provided: one in standard notation with all fingerings and chords, and one also including TAB.
$3.99
Then Friends - Three Fingerstyle Pieces for Intermediate Guitar Players
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Contemporain
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Frank Reifenstahl
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Then Friends - Three Fingersty
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Frank Reifenstahl
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.944675 Composed by Frank Reifenstahl. Contemporary. Guitar Tab. 12 pages. Frank Reifenstahl #6083727. Published by Frank Reif...
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Guitar - Level 3 - SKU: A0.944675 Composed by Frank Reifenstahl. Contemporary. Guitar Tab. 12 pages. Frank Reifenstahl #6083727. Published by Frank Reifenstahl (A0.944675). 40 years ago, in the early years of my musical journey with guitars, me and two other guys founded a guitar trio. For those two guys and the sister (G.) of one of them I wrote some pieces which are assembled here in this small collection. While musescoring them using my old manuscripts it was nice to think and feel back...
$9.99
Triad Chord Worksheet
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Guitare notes et tablatures
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DÉBUTANT
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Methodes
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Brian Streckfus
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Triad Chord Worksheet
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfu...
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Guitar - Level 1 - SKU: A0.1175289 Composed by Brian Streckfus. Instructional. Guitar Tab. 5 pages. Brian Streckfus #774500. Published by Brian Streckfus (A0.1175289). Pages: 5 (84 chords to name)Objective:Instead of learning chords one by one, you instead learn how to build chords yourself. Also, this mindset helps in composing, because instead of seeing things as wrong chord versus correct chord, you simply see it as every harmony as a name. Like many things in life, theoritcal concepts can allow you to formulate thousands of outcomes in a single day. Tips:1. You start counting from 0 for this exercise if that makes any sense. Avoid the common fence post error by overcounting by 1. Other times you start counting from 1 in music is when talking about scale degrees. What is the distance from C to E? C(0) C#(1) D(2) D#(3) E(4).2. Use the chromatic scale at the top to help in counting.3. E# = F...Fb = E...B# = C...Cb = B...In otherwords, don't let strange enharmonics confuse you. Picture the black key sometimes missing between white keys on a piano in your mind if it helps. 4. Even though enharmonics like E# can seem confusing, they can actually add clarity sometimes because they cause the chord to stack perfectly in the sheet music and letter names. A# C# E#...versus...A# C# F...Sure, F is easier to understand in a part, but it actually makes the harmony harder to understand because not it looks like it isn't 3rds, even though it is.5. I included tab just to make this worksheet a little bit more interesting; however, the guitar chords that result are NOT practical. Voicings of common guitar chords are much more spread out, and often contain more duplicate letter names. Practical guitar chords is sort of a different conversation. I sort of did this intentionally to prove that perfectly stacked voicings do not work well on guitar. C E G Bb perfectly in order in harmony, sounds like it would be easy on guitar, but it is not.6. To make this more practical on guitar, I recommend building the chords yourself by simply knowing letter names well on guitar. The next time something asks for G major, don't just play a common voicing, actually find G B D randomly on the guitar neck. 7. Often the fifth of a chord is removed since it is the least important to invoking the flavor of the chord. This is especially true on guitar because we quickly run out of fingers and strings.8. The nature of the piano lends pianists to constantly seeing these distances on a linear plane. Conversely, guitar is a very murky instrument since the real distances of pitches is counterintuitive to arbitrary (usually) fret numbers! That is why many guitarists would benefit from thinking this way, instead of thinking of chords simply as shapes (which is also important for different reasons). In other words, try to build a chord on one string on guitar. It is impractical, but the half step distances required for chords will make much more sense.To Do:1. Slight differences in how the sheet look need to be made similiar.2. Remove green line.
$1.99
Nick Oliveri: You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Metal/Hard Rock
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Nick Oliveri
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Virtualsheetmusic
Instantly printable sheet music by Queens Of The Stone Age for guitar (tablature) of MEDIUM skill level. / metal
Instantly printable sheet music by Queens Of The Stone Age for guitar (tablature) of MEDIUM skill level. / metal
$8.97
Steven Morrissey: Stop Me If You Think You've Heard This One Before for guitar
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock Alternatif
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Steven Morrissey
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Virtualsheetmusic
Instantly printable sheet music by The Smiths for guitar (tablature) of MEDIUM skill level. / alternative
Instantly printable sheet music by The Smiths for guitar (tablature) of MEDIUM skill level. / alternative
$8.97
Everyday I Think Of Money
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Guitare notes et tablatures
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Rock
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Stereophonics
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Everyday I Think Of Money
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Stereophonics. For guitar. Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music...
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By Stereophonics. For guitar. Rock. Guitar TAB. 8 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Frederic Chopin
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Brian Streckfus
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Nocturne Op 48 No 1 EXCERPT
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,...
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Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99
Both Sides Now
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Joni Mitchell
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edited by Dr
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Both Sides Now
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Dr. LeRoy Henry
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.1375701 By Joni Mitchell. By Joni Mitchell. Arranged by edited by Dr. LeRoy Henry. 20th Century,Blues,Contemporary,Jazz,Pop. ...
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Guitar - Level 4 - SKU: A0.1375701 By Joni Mitchell. By Joni Mitchell. Arranged by edited by Dr. LeRoy Henry. 20th Century,Blues,Contemporary,Jazz,Pop. Guitar Tab. 8 pages. Dr. LeRoy Henry #960246. Published by Dr. LeRoy Henry (A0.1375701). As performed by Pat Martino on the Creative Force video Both Sides, Now is a song by Canadian singer-songwriter Joni Mitchell. First recorded by Judy Collins, it appeared on the US singles chart during the fall of 1968. The next year it was included on Mitchell's album Clouds, and became one of her best-known songs. It has since been recorded by dozens of artists, including Dion in 1968, Clannad with Paul Young in 1991, and Mitchell herself who re-recorded the song with an orchestral arrangement on her 2000 album Both Sides Now.Mitchell has said that Both Sides, Now was inspired by a passage in Henderson the Rain King, a 1959 novel by Saul Bellow.I was reading ... Henderson the Rain King on a plane and early in the book Henderson ... is also up in a plane. He's on his way to Africa and he looks down and sees these clouds. I put down the book, looked out the window and saw clouds too, and I immediately started writing the song. I had no idea that the song would become as popular as it did.Pat Martino recorded a short version of the tune on his 1975 album Consciousness. I was talking to him about the tune and said I seemed to have remebered a longer version. He said, yeah, there might be one somewhere. I think he was just messing with me and wanted me to look for it. I found it as one of the solo performances from his VHS, Creative Force. As what definately feels like a gift to me, Pat included all the bits and pieces of this extended composition in his True Fire course. I managed to put the pieces together and here is Both Sides Now/Inside synced to the recording.
$9.99
5 Scale Forms for Guitar
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Guitare notes et tablatures
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DÉBUTANT
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Methodes
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Brian Streckfus
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Brian Streckfus
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5 Scale Forms for Guitar
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian S...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1177429 Composed by Brian Streckfus. Arranged by Brian Streckfus. Instructional. Tablature. 13 pages. Brian Streckfus #777440. Published by Brian Streckfus (A0.1177429). Major/Minor/Pentatonic Forms for Guitar (Sheet Music + Tab + Fretboard)Learn every key on guitar with very few pages. Pages: 13Bonus Pages:1. A Major Scale across the full neck (to see how they all combine resulting in knowing the full neck)2. Blank scale chart to add in memorization and making alterations.Scales included:1. F Major2. C Major3. G Major4. D Major5. A MajorTips:1. There is a reason why it is not 12 or 24 scales. Since these scales are easy to move higher or lower, just these 5 Major will lead to all 24 major/minor keys throughout the entire fretboard. Therefore, making a C# Major scale chart is uneccessary, and if you are doing so, you may be over thinking music. Instead, it is better to ask yourself how do I play C major but 1 pitch higher and use previous work you have done to your advantage. 2. These scales do not end on the home note. This is a disadvantage in this way, however, knowing large portions of the scale neck in one position will allow you to play a key throughout the fretboard with no gaps in notes. In otherwords, learning one ocatave scales can have concise music theory, but it's impossible to know the scale in every part of the neck completely that way. Features:1. Color coding. Blue notes are home (tonic) notes. Red notes are away (dominant) notes. Simplifying harmony this much can often make you more creative not less since you are crafting the harmonies yourself. 2. Left hand fingerings added. Don't mistake these for fingering numbers.3. Letter names to aid in memorization.Notes:I realize that the hand written font doesn't look the most professional, however this is intentional. I tried making these in photo editors, but since every shape was perfect they were actually harder to memorize from (kind of living driving in a tunnel with no landmarks).
$1.99
"The Old Rugged Cross"
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Guitare notes et tablatures
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INTERMÉDIAIRE
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George Bennard
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R
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"The Old Rugged Cross&quo
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ralph scott carrier
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.924160 Composed by George Bennard. Arranged by R.S. Carrier. Christian,Easter,Folk,Sacred. Guitar Tab. 4 pages. Ralph scott c...
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Guitar - Level 3 - SKU: A0.924160 Composed by George Bennard. Arranged by R.S. Carrier. Christian,Easter,Folk,Sacred. Guitar Tab. 4 pages. Ralph scott carrier #3101803. Published by ralph scott carrier (A0.924160). Standard old hymn written for solo guitar in the key of A Major, including lyrics. An unusual key for this work, but guitar friendly. One of the best known and loved hymns EVER I think.
$1.99
Entropy
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Michael Bufalini
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Entropy
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Michael Bufalini
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.996223 Composed by Michael Bufalini. Blues,Concert,Contemporary,Instructional,World. Guitar Tab. 2 pages. Michael Bufalini #4...
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Guitar - Level 3 - SKU: A0.996223 Composed by Michael Bufalini. Blues,Concert,Contemporary,Instructional,World. Guitar Tab. 2 pages. Michael Bufalini #4837643. Published by Michael Bufalini (A0.996223). This is a rhythmic guitar piece that keeps moving. I'm not sure why I called it Entropy I was searching names and I was in an E section of the dictionary and I was just looking for names but I think it sounds pretty good, one of my better guitar pieces, not my best, but better. .
$3.00
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitare notes et tablatures
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DÉBUTANT
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire
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Guitare notes et tablatures
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Metal/Hard Rock
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Queens Of The Stone Age
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You Think I Ain't Worth A
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Queens Of The Stone Age. For guitar. Metal. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music...
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By Queens Of The Stone Age. For guitar. Metal. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Recuerdos
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Eduardo Díaz
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Recuerdos
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Eduardo Diaz
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SheetMusicPlus
Composed by Eduardo Díaz. Contemporary Classical, Repertoire, Recital. Sheet Music Single, Tablature. 3 pages. Published by Eduardo Diaz ...
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Composed by Eduardo Díaz. Contemporary Classical, Repertoire, Recital. Sheet Music Single, Tablature. 3 pages. Published by Eduardo Diaz
This is my new composition called "Recuerdos" I composed this one thinking of my Parents, all the memories i have with them. I hope you enjoy this one as much as i do.
$5.00
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