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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Lyrics also by the composer
Non classifié
217
Piano & claviers
Piano, Voix
87
Piano seul
37
Instruments en Do
19
Piano Facile
18
Piano, Voix et Guitare
17
Piano Quatuor: piano, violon, alto, violoncelle
2
1 Piano, 4 mains
2
Orgue
1
+ 3 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
36
Guitare
7
Guitare notes et tablatures
3
Mandoline, Guitare (duo)
1
Ukulele
1
Piano, Guitare (duo)
1
Mandoline
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
31
Chorale 3 parties
21
Voix Alto, Piano
9
Chorale 2 parties
6
Chorale TTBB
6
Voix haute
6
Chorale Unison
4
Voix Mezzo-Soprano, Piano
3
Voix moyenne, Piano
3
Chorale SSAA
2
Voix Baryton, Piano
1
Voix basse
1
Voix Soprano, Piano
1
+ 8 instrumentations
Retracter
Vents
Ensemble de saxophones
27
Quintette de Saxophone: 5 saxophones
27
Flûte traversière et Piano
19
Saxophone Alto et Piano
15
Saxophone Tenor et Piano
14
Clarinette et Piano
14
Hautbois, Piano (duo)
13
Saxophone Soprano et Piano
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Baryton, Piano
11
Clarinette
9
Quatuor de Saxophones: 4 saxophones
9
Cor anglais, Piano
8
Ensemble de Clarinettes
6
Clarinette Basse, Piano
6
Saxophone Tenor
5
Quintette de Flûte : 5 flûtes
5
3 Saxophones (trio)
5
Ensemble de Flûtes
4
Saxophone Alto
4
Quatuor de Clarinettes: 4 clarinettes
4
Saxophone (partie séparée)
3
Flûte traversière
3
3 Clarinettes (trio)
3
Ocarina
2
Quatuor de Flûtes à bec
2
Flûte, Hautbois, Clarinette, Basson
2
Trio de Flûtes: 3 flûtes
2
Flûte à bec Alto
1
2 Clarinettes (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Piccolo, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte à bec Soprano
1
Harmonica
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Hautbois
1
2 Flûtes traversières (duo)
1
2 Saxophones (duo)
1
+ 36 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor et Piano
13
Trompette
12
Trombone et Piano
12
Euphonium, Piano (duo)
11
Cor anglais, Piano
8
Ensemble de Trompettes
5
Ensemble de Trombones
5
Trombone
4
Trompette, Piano
3
Tuba et Piano
2
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
+ 12 instrumentations
Retracter
Cordes
Violon et Piano
15
Alto, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
10
Violoncelle, Piano
9
Trio à Cordes: violon, alto, violoncelle
7
Violon
6
Ensemble de Violons
4
Violon, Guitare (duo)
3
Ensemble d'Altos
2
Violoncelle
2
Contrebasse, Piano (duo)
1
Alto, Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
4 Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre
10
Ensemble de cuivres
7
Orchestre d'harmonie
6
Orchestre à Cordes
4
Jazz combo
3
Ensemble Jazz
2
+ 1 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BASSE
BASSON
BATTERIE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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Crtitères actifs :
Lyrics also by the composer
Flûte, Hautbois, Clarinette, Basson
Partitions à imprimer
2 partitions trouvées
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5 Famous Songs by Bach for Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Classique
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Christian Petzold, Johann Seba
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Ander
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5 Famous Songs by Bach for Woo
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Woods Only, Arrangements
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ande...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1137818 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 44 pages. Woods Only, Arrangements #738076. Published by Woods Only, Arrangements (A0.1137818). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for woodwind quartet, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$31.99 ≈
$44.92
Solage: Le basile for Mixed Woodwind Quartet
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Solage
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James M
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Solage: Le basile for Mixed Wo
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,H...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95 ≈
$46.27
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Lyrics also by the composer
