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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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1
Complete Johnny Hiland Licks & Tricks
Guitare notes et tablatures
Composed by Johnny Hiland. Johnny Hiland. Country. E-book and online audio. Mel Bay …
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Composed by Johnny Hiland. Johnny Hiland. Country. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30809MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619118744.<br> <br> Recorded lessons from one of America's greatest guitarists. Johnny Hiland teaches essential Licks and Tricks every great Blues, Rock and Country player should know. Lessons in standard notation and TAB. Includes access to online audio.
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Guitare notes et tablatures
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Johnny Hiland
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Complete Johnny Hiland Licks & Tricks
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
ISADAR - The Journey (complete collection)
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New A…
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Piano Solo - Level 4 - Digital Download SKU: A0.1224308 By Isadar. By Isadar. New Age. Score. 63 pages. Mainya Music Publishing (BMI) #820403. Published by Mainya Music Publishing (BMI) (A0.1224308). Sounds like:  Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artistsTranscribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recordingContents: 1. Joyful Running 2. Fountain Of Life 3. Voice Of God (Thanksgiving) 4. Pocket Change 5. The Journey 6. Smoke Signals 7. Horseman's Thrill Ride 8. End Of The LineAlbum & Songbook review by:  Kathy Parsons (MainlyPiano.com):Isadar’s fourth solo piano album is a blend of smooth jazz and new age stylings, showing both his impressive technique and sensitivity to melody. Several of the eight selections are free-form and improvisational, revealing some of Liz Story’s influence on his music. Some of Isadar’s earlier recordings have very dark, moody sections, but this one stays fairly upbeat and optimistic without being ear candy. The music is complex enough to sink your teeth into, and yet is accessible enough to enjoy as a backdrop to a quiet dinner or an evening with a good book. Joyful Running begins the journey with an exuberant and uplifting piece that reminds me a little of some of Spencer Brewer’s bouncier compositions. Fountain of Life is a beautiful piece with a water-like flow that never stops in its 10 1/2 minutes. I listened to this CD several times without realizing that this song was that long. It flows and meanders so effortlessly that it seemed no longer than the other seven selections, most of which are between four and five minutes in length. Unstructured and free, this is one of my favorite tracks. I also really like the title track, which is even more abstract and unstructured. The tone is of searching and moving forward. End of the Line is my favorite on this album. Very introspective and contemplative, this seems to be a very personal piece. It is the most somber track, but one still senses hope despite the ending of something dear and important. Or maybe it’s simply the end of the journey and the dread of returning to real life - I feel this way on the last day of my vacations! It is a wonderful and moving closing to an excellent album.The companion songbook is expertly transcribed and engraved by David Shenton of New York Music Publishing. The layout of the music is clear and uncluttered, and the notation includes pedal markings and dynamics that allow the pianist to express the music as closely as possible to how Isadar played it on the recording.  A few of the pieces are quite long and require a more advanced pianist who is able to express the nuances that keep the recording so interesting, but several of the pieces are well within the capabilities of upper intermediate players.  Some of the rhythms are a little bit tricky, but the majority of the left hand parts are running eighth notes, which make it easier.  None of the key signatures are difficult, and none of the chords have a reach of more than an octave, making this music very playable for smaller hands.  My favorite pieces to play in this book are Joyful Running, Voice of God (Thanksgiving), Smoke Signals, and End of the Line.Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more... Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player piano.
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Piano seul
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Isadar
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ISADAR - The Journey
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Mainya Music Publishing
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SheetMusicPlus
Ring Of Fire
Guitare notes et tablatures
Guitar - Level 4 - Digital Download SKU: A0.936728 By Johnny Cash. By June Carter a…
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Guitar - Level 4 - Digital Download SKU: A0.936728 By Johnny Cash. By June Carter and Merle Kilgore. Arranged by Scot Taber. Contemporary. Guitar Tab. 3 pages. Paper Moon Music, Inc. #6037377. Published by Paper Moon Music, Inc. (A0.936728). This solo guitar arrangement of Johnny Cash's classic Ring of Fire includes the complete melody and chords played in a Travis Picking style. A great version for intermediate and upper intermediate guitarists, and fun to play! Watch out for the odd measures! See more arrangements like this on our YouTube channels: https://www.youtube.com/papermoonmusichttps://www.youtube.com/user/scottaberguitarist
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Guitare notes et tablatures
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Johnny Cash
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Scot Taber
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Ring Of Fire
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Paper Moon Music, Inc.
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SheetMusicPlus
String Quintet based on Beethoven's sketches, op. 79
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.1004728 Co…
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String Quartet String Quartet,Viola - Level 4 - Digital Download SKU: A0.1004728 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. 20th Century,Classical,Contemporary. Score and parts. 205 pages. Adrian Gagiu #6365523. Published by Adrian Gagiu (A0.1004728). This composition is a premiere, speculative, yet as faithful as possible embodiment of all of Beethoven’s sketches for his String Quintet in C major, Hess 41 (WoO 62), as they have been left by the composer. The usefulness and integrity of more or less hypothetical completions of sketches by great composers remains from case to case controversial. Due to the paucity of the sketches for the aim of attempting a true reconstruction, the present composition in no way falls within such category. It is obviously quite different from what Beethoven himself would have produced if he had lived more, also due to the fact that he usually transformed his preliminary sketches substantially during the compositional process. However, there are some of his frequent, subtle thematic relationships between the sketches for the Quintet movements, and probably some features in the sketches would have been kept in the completed composition. The four-movement design hypothesized by Martin Staehelin and others, as well as other retrospective or relaxed features in the sketches may be a result of a still early stage of the compositional process, or perhaps an indicator of a fourth, neoclassical creative period, together with Op. 135 and the new Finale for Op. 130.To generate a continuity draft of the Quintet, all of Beethoven’s sketches for it were used, with the addition of several ones from the same context within the respective sketchbook and which could be related to the identified Quintet sketches: some sketches are clearly labeled as being for the Quintet, while others are thematically related or written down close to them. With the possible exception of bars 75-94 and 136-155 in movement II (which are variations on the theme) and bars 140-145 in movement IV (which fill in the blank bars in the sketch with a progression based on it), virtually every bar of this composition includes the notes from the sketches in at least one of the instruments. Some of those notes were subject to transpositions and adaptations to fit the formal design, and to editorial choices for the unclear pitches and duration in the sketches.This publication includes the score, parts and continuity draft, the latter being marked with the sources in the sketches for each passage.Total duration: 33 minutes. The mp3 audio clip is the 3rd movement. Performing Rights Organization: SOCAN.
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ludwig van Beethoven
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Adrian Gagiu
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String Quintet based on Beethoven's sketches, op. 79
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Adrian Gagiu
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SheetMusicPlus
Menuet from Le Tombeau de Couperin (for Solo Guitar)
Guitare notes et tablatures
Guitar Tab, Classical Guitar - Advanced Intermediate - Digital Download Composed by M…
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Guitar Tab, Classical Guitar - Advanced Intermediate - Digital Download Composed by Maurice Ravel (1875-1937). Arranged by Kenneth Pasciak. Repertoire, Recital. Individual Part, Score, Tablature. 13 pages. Published by Kenneth Pasciak
Le Tombeau de Couperin, by Maurice Ravel, completed in 1917 for piano is modeled after a Baroque suite. This arrangement of the Menuet from this influential piece maintains the key and features of the original while taking full advantage of the range and timbres of the guitar. Includes 6-page score with tablature, plus 4-page guitar part without tab.
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Guitare notes et tablatures
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Maurice Ravel (1875-1937)
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Kenneth Pasciak
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Menuet from Le Tombeau de Couperin
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Kenneth Pasciak
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SheetMusicPlus
Piano Works
Piano seul
Piano - intermediate to advanced - Digital Download SKU: S9.Q48116 Composed by Alex…
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Piano - intermediate to advanced - Digital Download SKU: S9.Q48116 Composed by Alexis Weissenberg. This edition: Sheet music. Downloadable. Schott Music - Digital #Q48116. Published by Schott Music - Digital (S9.Q48116). This book presents pianists and ambitious amateur musicians with unfamiliar, surprisingly flamboyant and often witty compositions. These piano works are by one of the greatest pianists of the twentieth Century, one of the most recent all-round musical grand masters: Alexis Weissenberg, who was born in Sofia on 26 July 1929 and died in Lugano on 8 January 2012. This first edition includes all Weissenberg’s surviving completed piano works, apart from those written for two pianos and for piano duet, stage works and the Romance for piano and violin. Fingerings and pedal markings by Alexis Weissenberg are printed in italics (fingerings and allocation of notes between hands, too) or in large type (pedal markings); recommendations added by the editor are shown in roman font (fingerings and allocation of notes between hands) or in smaller type (pedal markings).
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Piano seul
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Alexis Weissenberg
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Piano Works
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Schott Music - Digital
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SheetMusicPlus
The Mandalorian
Banjo
Banjo - Level 4 - Digital Download SKU: A0.1294826 Composed by Ludwig Goransson. Ar…
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Banjo - Level 4 - Digital Download SKU: A0.1294826 Composed by Ludwig Goransson. Arranged by Daniel Fitzpatrick. Film/TV. Score. 21 pages. Fitzpatrick Media #882142. Published by Fitzpatrick Media (A0.1294826). “The Mandalorian (FITZPATRICK Banjo Remix)†is a genre-defying arrangement unlike anything else for the banjo. Perfectly fitting the space-western nature of Star Wars: The Mandalorian, this arrangement will not only immerse you in a galaxy far, far away but also expand your abilities on the banjo. In this piece, you will be playing with an alternate tuning (gCGCD) that will provide a new and exciting sound to explore. Additionally, the technique of tapping (traditionally an electric guitar technique) is employed throughout the arrangement and will provide a fun challenge that will add to your versatility as a banjo player. This sheet music also comes with comprehensive performance notes that will provide valuable insight into the music. Furthermore, this arrangement is not just tablature; it also includes standard musical notation to provide a complete view of the piece. Included in this PDF are four versions of the arrangement:1. The Mandalorian (FITZPATRICK Banjo Remix) - Notation & TAB2. The Mandalorian (FITZPATRICK Banjo Remix) - TAB3. The Mandalorian Theme - Notation & TAB4. The Mandalorian Theme - TABWhile primarily focusing on the Mandalorian Theme, this arrangement also features the Dark Trooper Theme providing a cool, contrasting, and sinister sound. The Mandalorian (FITZPATRICK Banjo Remix) includes both the Mandalorian and Dark Trooper themes. However, an edit providing just the Mandalorian Theme is also provided in this package.Don't hesitate to pick up this ground-breaking arrangement of the Mandalorian for the banjo! This is the way of the Banjolorian!
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Banjo
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Ludwig Goransson
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Daniel Fitzpatrick
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The Mandalorian
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Fitzpatrick Media
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SheetMusicPlus
I Don’t Want to Play in Your Yard: Trumpet Feature
Quatuor de Cuivres
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by…
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
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Quatuor de Cuivres
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H
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F
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I Don’t Want to Play in Your Yard: Trumpet Feature
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Sweetwater Brass Press
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SheetMusicPlus
There’ll Be Some Changes Made
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Ov…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
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Ensemble de cuivres
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W
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F
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There’ll Be Some Changes Made
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Sweetwater Brass Press
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SheetMusicPlus
Alexander’s Ragtime Band
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berli…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
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Ensemble de cuivres
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Ya Donkey Honk, guitar
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.947529 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.947529 Composed by George Arvola, Virginia Mathews. Country,Holiday,Instructional,Rock,Standards. Score and parts. 7 pages. George Arvola and Virginia Mathews #513321. Published by George Arvola and Virginia Mathews (A0.947529). A new release in 2015, Ya Donkey Honk is one of 12 INSPIRING arpeggio studies from our book Delicious Licorice. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggios studies. Ya Donkey Honk runs 2:52 in length. Have fun and let it rip. Hill-billy tunes like this are for parties. Wrong notes? Of course they matter but not enough to stop just in case you play a few. Just be sure to make the same error on the next pass. If the dancers are going strong at the end, just go back to the beginning and start all over, preferably without stopping.
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Ensemble Jazz
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George Arvola, Virginia Mathews
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Ya Donkey Honk, guitar
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George Arvola and Virginia Mathews
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SheetMusicPlus
Ya Donkey Honk, alto sax.
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.947526 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.947526 Composed by George Arvola, Virginia Mathews. Country,Holiday,Instructional,Rock,Standards. Score and parts. 7 pages. George Arvola and Virginia Mathews #513319. Published by George Arvola and Virginia Mathews (A0.947526). A new release in 2015, Ya Donkey Honk is one of 12 INSPIRING arpeggio studies from our book Delicious Licorice. Includes piano accompaniment and bass parts. arpeggioartistry.com hosts the full recordings and complete list of fun arpeggios studies. Ya Donkey Honk runs 2:52 in length. Have fun and let it rip. Hill-billy tunes like this are for parties. Wrong notes? Of course they matter but not enough to stop just in case you play a few. Just be sure to make the same error on the next pass. If the dancers are going strong at the end, just go back to the beginning and start all over, preferably without stopping.
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Ensemble Jazz
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George Arvola, Virginia Mathews
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Ya Donkey Honk, alto sax.
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George Arvola and Virginia Mathews
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SheetMusicPlus
Five Foot Two (Has Anybody Seen My Gal)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. S…
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Brass Quintet - Advanced Intermediate - Digital Download Arranged by F. Leslie Smith. Score, Set of Parts. 31 pages. Published by Sweetwater Brass Press
The popular song ?Five Foot Two? dates back to 1914. So who wrote it? Good question, since the song was changed so often. Leo Feist, Inc. published a version in 1925 crediting Ray Henderson with music; Sam Lewis and Joseph Widow Young, with words. That same year The California Ramblers made the song?s first recording and used the Feist-published version. Since then, ?Five Foot Two? has been recorded many times by many different artists as well as being used in film and TV productions. This arrangement was inspired by a vocal interpretation the arranger heard in the 1950s while working at an Adirondacks resort hotel. It starts and ends with brief slow sections but most of the way through breezes along at a suggested 112 tempo. All notes are within normal playing range of the five instruments, although Tuba does play its lowest E and F a couple of times. The melody consists mainly of half notes, quarter notes and whole notes, but the variations include lots of eighth notes and a few tricky rhythms. Written as a companion piece to Sweetwater Brass? popular ?Somebody Stole My Gal,? this ?Five Foot Two? is upbeat and fun and includes plenty of delightful 1920s-style doo-wacka-doo and ricky-ticky turns. Completed in 2020, performance time for ?Five Foot Two? runs about 2 minutes, 39 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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F
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Five Foot Two
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Sweetwater Brass Press
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SheetMusicPlus
The Holly and the Ivy
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score,…
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Composed by English Traditional. Arranged by F. Leslie Smith. Christian, Christmas. Score, Set of Parts. 30 pages. Published by Sweetwater Brass Press (S0.175595). - Score,Set of Parts - Christian,Christmas - Sweetwater Brass Press
?The holly and the ivy/When they are both full grown/Of all the trees that are in the wood/The holly bears the crown.? So go the opening words to this cheerful, upbeat Christmas song. The lyrics appeared as broadsides in early nineteenth century Birmingham, England. The melody was first published in Cecil J. Sharp?s 1911 English Folk-Carols; on page 63 of the collection?s ?Notes on the Carols? section, Sharp wrote that he heard the tune sung by "Mrs. Mary Clayton, at Chipping Camden." (An alternative version linked the words to a melody identified as "old French carol.") This version is a fast-moving and fun treatment of the Sharp/Clayton melody. It includes, among other things, a call-and-response variation, a running tuba solo, an alternative ?verse? tune and a countermelody section featuring ?Deck the Halls.? There are two key changes, trumpets play a couple of B-above-the-staff notes, and the time signature changes from ¾ to 4/4 near the end. Completed in 2016, this arrangement runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this one, don?t miss Les? arrangements of ?Silver Bells,? ?Jingle Bells,? ?Jolly Old St. Nicholas,? ?Up On The Housetop,? ?Deck the Halls? and many other Christmas songs and carols. Enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus search box.
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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English Traditional
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F
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The Holly and the Ivy
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Sweetwater Brass Press
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