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19 partitions trouvées
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Resonances and Alleluias
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Cloches
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INTERMÉDIAIRE/AVANCÉ
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Cathy Moklebust
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Resonances and Alleluias
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Chorister's Guild - Digital
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SheetMusicPlus
3 or 5 octaves handbells - Level 4 - SKU: C7.CGB516 Composed by Cathy Moklebust. General. Master Ringer. Score. 12 pages. Chorister's Guild - Digital #C...
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3 or 5 octaves handbells - Level 4 - SKU: C7.CGB516 Composed by Cathy Moklebust. General. Master Ringer. Score. 12 pages. Chorister's Guild - Digital #CGB516. Published by Chorister's Guild - Digital (C7.CGB516). UPC: 749193012192.This engaging original composition was commissioned in honor of Fred Gramann, for his 30 years of music ministry at the American Church in Paris. The piece opens with a rhythmic fuguing tune in a minor key, which appears in a variety of ways throughout the work. The sections are labeled Lightly, Slowly, with feeling, then concluding with a joyful Allegretto, with a rhythmic malleted bass part. Techniques include LV, malleted bells on the table and shaking.
$4.95 ≈
$6.89
Hey Man Take Me With You
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Nick Clow
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Hey Man Take Me With You
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Nick Clow
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow ...
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Solo Guitar - Level 4 - SKU: A0.940535 Composed by Nick Clow. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 2 pages. Nick Clow #3383785. Published by Nick Clow (A0.940535). This is an advanced intermediate piece for solo guitar. It's around Trinity Grade 7. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is just one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this up to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99 ≈
$4.16
The Guitar
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Nick Clow
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The Guitar
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Nick Clow
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.940536 Composed by Nick Clow. Contemporary,Instructional,Standards. Individual part. 2 pages. Nick Clow #3383783. Publis...
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Solo Guitar - Level 4 - SKU: A0.940536 Composed by Nick Clow. Contemporary,Instructional,Standards. Individual part. 2 pages. Nick Clow #3383783. Published by Nick Clow (A0.940536). This is an advanced intermediate solo guitar piece - around Trinity Grade 6. You can find a performance on YouTube.My scores are intentionally devoid of expressive and dynamic markings (even tempo indications). Dynamics and other markings not only seem crude to me, but also imply there is only one interpretation of the piece. There should be significant development of dynamics, tempo and colour within my pieces, but I leave this to the interpretation of the player.Notwithstanding the above, my fingerings are important. My pieces are 'guitaristic' in that certain notes need to be played at specific places on the fretboard in order to exploit resonances or harmonies only available when playing them there.
$2.99 ≈
$4.16
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Symphony No. 2, "Litanies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255....
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Chamber Orchestra - Level 4 - SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95 ≈
$23.60
Prelude in G for Unaccompanied Cello
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sam Tillman
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Prelude in G for Unaccompanied
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Samuel Tillman
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SheetMusicPlus
Cello Solo - Level 4 - SKU: A0.1017285 Composed by Sam Tillman. Contemporary. Individual part. 4 pages. Samuel Tillman #6169695. Published by Samuel Til...
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Cello Solo - Level 4 - SKU: A0.1017285 Composed by Sam Tillman. Contemporary. Individual part. 4 pages. Samuel Tillman #6169695. Published by Samuel Tillman (A0.1017285). Composed (2020) by Sam Tillman (b. 1999)Inspired by J.S. Bach's Unaccompanied Suite No. 5, this energetic piece for solo cello uses alternative tuning, with the A string tuned down to G. The unique qualities of this setup allows for chords and resonances that are not possible with standard tuning.
$4.00 ≈
$5.57
Vert
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Francois Du Bois
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Vert
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D-Project Co., Ltd.
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SheetMusicPlus
Percussion Ensemble,Percussion Quartet Multi-Percussion - Level 4 - SKU: A0.1504779 By Francois Du Bois. By Francois Du Bois. Broadway,Comedy,Contempora...
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Percussion Ensemble,Percussion Quartet Multi-Percussion - Level 4 - SKU: A0.1504779 By Francois Du Bois. By Francois Du Bois. Broadway,Comedy,Contemporary,Musical/Show,New Age,Spiritual. 88 pages. D-Project Co., Ltd. #1080199. Published by D-Project Co., Ltd. (A0.1504779). Vert : (morceau de l’album “dive into silence”), est un morceau de Musique Médita (musique conçue pour la méditation).Il représente le foie dans la technique de méditation chinoise : Le Liu Zi Jue.– Le morceau commence par un ostinato au marimba puis un ensemble composé de petites percussions s’anime et s’enrichit dans la partie finale de percussions à résonances. Pour un marimbiste et trois percussionnistes. Instruments : Marimba/Harmonic Slit Drum (or) Kalimba/High Slit Drum/Bass Slit Drum/Bell/2 Bowls Gongs/Wood Blocks (Middle and Large)https://youtu.be/RcZyQNGFwDo?feature=sharedVert（アルバム『Dive into Silence』から）は、Medita Music（瞑想用音楽）の曲です。この曲は、中国の瞑想法「六字訣」の「肝臓」を表現しています。マリンバのオスティナートで始まり、次第に小さな打楽器群が生き生きとし、最後の部分で共鳴する打楽器によって豊かさが加わります。マリンバ奏者１名と打楽器奏者３名で演奏されます。使用楽器：マリンバ／ハーモニックスリットドラム（または）カリンバ／ハイスリットドラム／バススリットドラム／ベル／2つのボウルゴング／木魚（中型、大型）https://youtu.be/RcZyQNGFwDo?feature=sharedVert: (track from the album Dive into Silence), is a piece of “Medita Music” (music designed for meditation).It represents the liver in the Chinese meditation technique: Liu Zi Jue.- The piece begins with a marimba ostinato, then a set of small percussion instruments comes alive, enriched in the final part by resonating percussion.For one marimbist and three percussionists. Instruments: Marimba/Harmonic Slit Drum (or) Kalimba/High Slit Drum/Bass Slit Drum/Bell/2 Bowl Gongs/Wood Blocks (Middle and Large)https://youtu.be/RcZyQNGFwDo?feature=shared
$22.00 ≈
$30.64
Van y Vienen, for Mezzo-soprano and Piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Marcos Fernandez-Barrero
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Van y Vienen, for Mezzo-sopran
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Marcos Fernandez-Barrero
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1470648 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Christian,Opera,Sacred. Sco...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1470648 By Marcos Fernandez-Barrero. By Marcos Fernandez-Barrero. 21st Century,Chamber,Christian,Opera,Sacred. Score. 17 pages. Marcos Fernandez-Barrero #1048301. Published by Marcos Fernandez-Barrero (A0.1470648). Work commissioned for mezzo-soprano Sandra Ferrández and pianist Irene Alfageme to be premiered at the Teatro de la Zarzuela (Madrid) on 1st April 2024.The piece takes inspiration from the the XV Century Spanish poem by anonymous author 'Van Y Vienen', which gave the lyrics of the work. Although the poem was written in the Middle Ages, it resonates with a timeless universality, allowing for a deep connection with the contemporary audience. Its metaphor of the sea as a reflection of human emotions – that come and go like the waves of the sea – transcends eras, resonating with the instability and hope that characterize the human experience.By using it as lyrics for a sort of contemporary habanera, I saw the possibility of merging the nostalgia of the past with the artistic expression of the present, creating a bridge between different historical moments through music and poetry. ____________________________________________________________________Obra encargo para el estreno a cargo de la mezzosoprano Sandra Ferrández y la pianista Irene Alfageme en el Teatro de la Zarzuela (Madrid) el 1 de abril de 2024. La pieza se utiliza el poema anónimo del siglo XV 'Van y Vienen'. Aunque fue escrito en la Edad Media, resuena con una universalidad atemporal, permitiendo una profunda conexión en la era actual. Su metáfora del mar como reflejo de las emociones humanas – que van y vienen como las olas del mar – trasciende épocas, resonando con la inestabilidad y la esperanza que caracterizan la experiencia humana. Al utilizarlo como letra para una especie de habanera contemporánea, vi la posibilidad de fusionar la nostalgia del pasado con la expresión artística del presente, creando un puente entre diferentes momentos históricos a través de la música y la poesía.
$9.85 ≈
$13.72
STREETS OF SHANGHAI
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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STREETS OF SHANGHAI
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415784 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415784 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 7 pages. White Piano International Publishing #994357. Published by White Piano International Publishing (A0.1415784). STREETS OF SHANGHAI (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo7 pagesDuration approximately 4 minutes.In 1984, while aboard the cruise ship MS PEARL OF SCANDINAVIA navigating the waters of Asia, I had the privilege of exploring the vibrant city of Shanghai, China. Immersed in its bustling streets, I was struck by the energetic chaos: packed buses, swarms of bicycles darting in every direction, and people bustling about, engaged in shopping or hurrying to various destinations. The vivid memory of this scene inspired me to compose the music for STREETS OF SHANGHAI.My aim was to craft an album comprising ten piano pieces, each resonating with the captivating essence of Chinese music. Hence, I titled the album “CHINA LOVE.â€The sheet music for STREETS OF SHANGHAI is clearly notated, featuring detailed instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and pertinent musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors, offering a rewarding musical journey.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of STREETS OF SHANGHAI can be enjoyed on Robert’s “CHINA LOVE†album.For those interested in experiencing the performance firsthand, an original 2009 YouTube video of Robert performing STREETS OF SHANGHAI can be found at: http://www.youtube.com/watch?v=6OEb3RWJp_IFurthermore, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE, is available for purchase through: SHEET MUSIC PLUSSHEET MUSIC DIRECTPublished by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99 ≈
$6.95
We Three Kings
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Justin K
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Justin K
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We Three Kings
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Justin Kenlon Reeve
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1410772 By Justin K. Reeve. By Justin K. Reeve. Arranged by Justin K. Reeve. Christmas,Holiday,New Age,Traditional. Score...
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Piano Solo - Level 4 - SKU: A0.1410772 By Justin K. Reeve. By Justin K. Reeve. Arranged by Justin K. Reeve. Christmas,Holiday,New Age,Traditional. Score. 4 pages. Justin Kenlon Reeve #993168. Published by Justin Kenlon Reeve (A0.1410772). Crafted in 1857 by John Henry Hopkins, Jr., “We Three Kings†stands as a perennial ode to the Nativity story, drawing inspiration from the biblical account in Matthew 2, where visitors from the East present gifts to the newborn Jesus. While the Bible does not specify their number or title them as “kings,†Hopkins introduced the imaginative trio — Melchior, Caspar, and Balthazar — in his carol, each carrying symbolic gifts that have woven themselves into the fabric of Christmas lore.The first of these gifts, gold, serves as a regal tribute, symbolizing Jesus as a king and emphasizing his divine authority. It’s a nod to the recognition of his elevated status. Frankincense, the second offering, not only possesses aromatic allure but also holds spiritual significance. In the biblical context, its smoke was thought to carry prayers heavenward, making it a fitting symbol for acknowledging Jesus’ divine nature and spiritual importance.The third and perhaps most poignant gift is myrrh, an aromatic resin associated with burial rituals. This gift, laden with symbolism, foreshadows Jesus’ sacrificial journey and eventual crucifixion. Myrrh becomes a poignant acknowledgment of the mortality inherent in Jesus’ earthly existence, tying together the joy of his birth with the somber events that would unfold in his life.The enduring appeal of “We Three Kings†lies not only in its musical composition but also in its ability to distill profound theological themes into a simple and evocative narrative. The carol has become a cherished part of Christmas traditions, resonating through generations as it invites listeners to reflect on the profound meanings woven into the fabric of the Nativity narrative.
$1.99 ≈
$2.77
Ubi Caritas
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jay Dougherty
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Ubi Caritas
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Jay Dougherty
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1401582 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Christian,Contest,Festival...
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Choral Choir,Choral,SATB Chorus divisi - Level 4 - SKU: A0.1401582 Composed by Jay Dougherty. 21st Century,A Cappella,Chamber,Christian,Contest,Festival. 17 pages. Jay Dougherty #984765. Published by Jay Dougherty (A0.1401582). The timeless text of the Liber Usualis, Ubi Caritas, has been a source of inspiration for composers for centuries. Dating back to the 10th century AD, this poem conveys a profound message of love and unity, resonating through the ages. In Jay Dougherty's original setting, Ubi Caritas takes on a new dimension, crafted for double choir in an antiphonal style. Drawing from a rich palette of musical elements, Dougherty blends modern pandiatonic chord clusters with echoes of Renaissance polyphony, fugue, and cadences. A noteworthy touch lies in the incorporation of the original chant melody, delicately interwoven within the fabric of the piece. Dougherty's setting breathes fresh life into this timeless text, offering a captivating synthesis of tradition and innovation.Please purchase one copy per singer.For more information on compositions and arrangements by Jay Dougherty, visit: www.jmdougherty.com.
$2.99 ≈
$4.16
Love is
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Ares Kennedy
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Sam Duru
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Love is
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Ares Kennedy
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SheetMusicPlus
4 Pedal Drums 1 Piano,12-String Guitar,4 Hands,Accordion - Level 4 - SKU: A0.1401267 By Ares Kennedy. By Sam Duru. Arranged by Sam Duru. Folk,New Age,Po...
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4 Pedal Drums 1 Piano,12-String Guitar,4 Hands,Accordion - Level 4 - SKU: A0.1401267 By Ares Kennedy. By Sam Duru. Arranged by Sam Duru. Folk,New Age,Pop,R & B. Full Performance. Duration 200. Ares Kennedy #984453. Published by Ares Kennedy (A0.1401267). The track Your Love Is explores the emotional turmoil of discovering deceit in a relationship. It delves into the feeling of betrayal and disappointment when someone you love turns out to be insincere. The song captures the raw emotions of heartbreak and disillusionment, resonating with listeners who have experienced similar situations. The lyrics paint a vivid picture of the pain and confusion that come with realizing the truth about someone you once trusted. The music itself mirrors the intensity of these emotions, creating a powerful and evocative listening experience. Overall, Your Love Is a Lie serves as a cathartic expression of the complexities of love and the harsh realities of deceit.
$890.00 ≈
$1239.34
Cervus Canticum Pacis ( s a t b )
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Clifford W
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Cervus Canticum Pacis
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Clifford W. King
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1271759 Composed by Clifford W. King. 21st Century,A Cappella,Contemporary,Latin,Sacred. 8 pages. ...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1271759 Composed by Clifford W. King. 21st Century,A Cappella,Contemporary,Latin,Sacred. 8 pages. Clifford W. King #864113. Published by Clifford W. King (A0.1271759). Cervus Canticum Pacis( s a t b ) a cappellaby CLIFFORD W. KINGAdapted from the timeless Lorica Sancti Patricii, this SATB-divisi a cappella piece beautifully expresses the hope for peace. With lush chords, sweeping melodies, and balanced parts, it creates an emotive journey for choirs and audiences. The composition builds to a captivating climax before softly concluding, leaving a lasting impression. Cervus Canticum Pacis strikes a perfect blend of sensitivity and beauty, resonating with all who listen.
$1.99 ≈
$2.77
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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#
Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
$13.23
Healing
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Juan Carlos Guerra Gonzalez
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Healing
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Instrumental Duet,Violin - Level 4 - SKU: A0.933339 Composed by Juan Carlos Guerra Gonzalez. Contemporary. 67 pages. Juan Carlos Guerra Gonzalez #651357...
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Instrumental Duet,Violin - Level 4 - SKU: A0.933339 Composed by Juan Carlos Guerra Gonzalez. Contemporary. 67 pages. Juan Carlos Guerra Gonzalez #6513575. Published by Juan Carlos Guerra Gonzalez (A0.933339). HealingHealing is a Suite for Violin and Piano that includes four movements. In 2020, when the quarantine caused by COVID-19 started in New York City, I had to start remote lessons with all my students. The mother of one of them, a doctor facing the hard times ahead of us told me: We need music in our lives now more than ever. We need to heal! Her words keep resonating with me, I wish I could help in some way and my natural instinct was to make this work.The work started as a single piece, but then I realized I had enough material for 3 movements more. The movements are named as follows:I. HealingII. AwaitingIII. MourningIV. RestoringHealing had its World Premiere in Costa Rica thanks to Dr. Rebeca Ordóñez (to whom the work is kindly dedicated) and Lic. Johan ChapellÃn. The music reflects my personal journey through the quarantine caused by the pandemic of COVID-19. A Journey of hope that, for now, we still need to get through. The music is also a thank you card to all essential workers, especially those in the arts. Whose work and enthusiasm has made this quarantine a lot more bearable. The first movement of Healing is also available on its own: https://www.sheetmusicplus.com/title/healing-first-movement-digital-sheet-music/21785198The video provided was the streaming from the World Premiere made by Jacaranda Duet in Costa Rica.
$45.99 ≈
$64.04
Sonata Hymnica No. 7 - Score Only
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Musique Sacrée
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James Siddons
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Sonata Hymnica No. 7 - Score O
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James Siddons Music and Writings
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36...
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Small Ensemble - Level 4 - SKU: A0.1033406 Composed by James Siddons. 20th Century,Contemporary,Praise & Worship,Sacred,Traditional. Score and parts. 36 pages. James Siddons Music and Writings #637186. Published by James Siddons Music and Writings (A0.1033406). The Sonata Hymnica series by composer-pianist James Siddons explores the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies and their words. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, at times whispering---as a sacred harp. In Sonata Hymnica No. 7, which calls for a soprano soloist, liturgical dancers, and two pianos (4 hands), three 19th-century hymns (words and music) serve as core material from which the music is developed. Movement I, “Climbing Higher,†is based on the African American spiritual “We Are Climbing Jacob’s Ladder.†The sustained chords, open harmony, and hammer-stroke rhythm evoke the ascent of a mountain climber. Movement II, “The Solid Rock,†is based on the hymn “My Hope is Built on Nothing Less†(1834) . The soprano sings brief lines from the hymn, interspersed with long passages for the pianos (only) that explore many tonal and rhythmic qualities of the original hymn tune. The driving harmony, albeit in duple meter, makes this the scherzo movement of this sonata. Movement III, “On Snowy Wings,†is based on “O Come, Angel Band†by the New England Methodist preacher Jefferson Hascall (1807-1887). In addition to the soprano singer, the appearance of liturgical dancers as angels with “snowy wings†brings this old hymn into the 21st century. Performance duration: 16 minutes.
$10.00 ≈
$13.93
Virtual Diva
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Fanfare
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INTERMÉDIAIRE/AVANCÉ
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Jose Cruz Armando and William
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William A
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Virtual Diva
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William Garcés
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SheetMusicPlus
Marching Band - Level 4 - SKU: A0.1277755 Composed by Jose Cruz Armando and William Omar Landron. Arranged by William A. Garcés. Latin,Pop. Score and...
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Marching Band - Level 4 - SKU: A0.1277755 Composed by Jose Cruz Armando and William Omar Landron. Arranged by William A. Garcés. Latin,Pop. Score and Parts. 6 pages. William Garcés #869444. Published by William Garcés (A0.1277755). Musical Fusion at its BestGet ready to experience the fusion of urban beats and the dynamic energy of a marching band like you've never heard before. Our team has meticulously crafted an arrangement that brings together the catchy melodies of Diva Virtual with the powerful sound of a marching band ensemble.Drums, Brass, and Grooves From the pounding drums that will make your heart race to the resonating brass that commands attention, this arrangement encapsulates the essence of both the original track and the infectious spirit of marching bands. You'll be amazed at how seamlessly these elements come together to create an electrifying performance.
$59.99 ≈
$83.54
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
$13.23
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
$13.23
Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Otto
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Flavio Regis Cunha
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Wachet auf, ruft uns die Stimm
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Cla...
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Full Orchestra - Level 4 - SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Classical,Contemporary,Contest,Festival,Sacred,Wedding. Score and Parts. 32 pages. Flavio Regis Cunha #871838. Published by Flavio Regis Cunha (A0.1280391). Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO) from Bach - 3 chorales, P. 167, N.3.Let your church, school and professional orchestra stand out with this unique and beautiful arrangement of 'Wachet auf, ruft uns die Stimme' composed in the traditional style of Johann Sebastian Bach and embellished by Ottorino Respighi. Resonating with complexity and elegance, it's perfect for special services, concerts or educational purposes. Let your performance envelope the auditorium in a peaceful warmth created by its grand choral accompaniment. Sumptuous and profound, it's an excellent way to touch the hearts of all your audiences. Make this timeless masterpiece the centerpiece of your repertoire with our exclusive sheet music and own a part of history!Advanced IntermediateFormat: 9 x 12 inchesFull Score and Orchestral PartsSize: 32 pagesDuration: 4min.InstrumentationCLARINET 1 IN Bb CLARINET 2 IN Bb BASSOON 1 BASSOON 2 CONTRABASSOON HORN 1 IN F HORN 2 IN F HORN 3 IN F HORN 4 IN F TRUMPET 1 IN Bb TRUMPET 1 IN Bb TRUMPET 1 IN Bb TROMBONE 1 TROMBONE 2 BASS TROMBONE VIOLIN 1 VIOLIN 2 VIOLA 1 VIOLA 2 VIOLONCELLO DOUBLE BASSNotesBach's beloved Wachet auf, ruft uns die Stimme, is known for its solemn beauty and is often referred to as the first choral prelude. Written for organ, it has been composed by Johann Sebastian Bach and lovingly arranged by Otorino Respighy for a modern music audience. This timeless piece is a beautifully layered statement of faith, representing the Church of the Great Awakening that swept through northern Europe in the 17th century. From the opening of the Passion Choral to its closing codetta, Bach's devotion runs deep as his majestic and undulating organ structures propel the work towards its soaring climax. Whether you have heard this classic before or not, we invite to join us to experience the power of this musical devotion. You are bound to be moved and surprised by its radiant beauty.
$49.99 ≈
$69.61
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