English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
65
Partitions
Numériques
188
Librairie
Musicale
124
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
11
PIANO & CLAVIERS
Piano seul
29
Piano Facile
8
Piano, Voix et Guitare
2
Orgue
2
Piano, Voix
2
1 Piano, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
VOIX
Chorale SATB
4
Chorale TTBB
1
VENTS
Clarinette et Piano
7
Hautbois, Piano (duo)
6
Saxophone Alto et Piano
4
Flûte traversière et Piano
4
2 Saxophones (duo)
3
Saxophone Alto
3
Quatuor de Saxophones: 4 saxophones
2
Saxophone Baryton, Piano
1
Saxophone Soprano et Piano
1
Quintette de Saxophone: 5 saxophones
1
2 Clarinettes (duo)
1
Saxophone Tenor et Piano
1
Clarinette
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Tenor
1
2 Flûtes traversières (duo)
1
2 Hautbois (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Cor et Piano
5
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone et Piano
5
Trompette, Piano
3
Tuba et Piano
3
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
2 Cors (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
2 Euphoniums et 2 Tubas
1
Trompette
1
2 Trompettes (duo)
1
Instrumentations suivantes
Retracter
CORDES
Alto, Piano
6
Violoncelle, Piano
5
Contrebasse, Piano (duo)
3
Quatuor à cordes: 2 violons, alto, violoncelle
3
2 Violoncelles (duo)
2
Violon et Piano
1
2 Altos (duo)
1
Alto et Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
Violon
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
9
Orchestre à Cordes
9
Orchestre
8
Orchestre de chambre
3
Ensemble de cuivres
2
AUTRES
Vous avez sélectionné:
The Lost Theme Score
Partitions à imprimer
188 partitions trouvées
<
1
26
51
....
176
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
(+)
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
#
Orchestre à Cordes
#
trad
#
Keith Terrett
#
Irish National Anthem
#
Music for all Occasions
#
SheetMusicPlus
Chasing The Dragons
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1232150
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1232150 By Ost (original Soundtrack). By Michael Giacchino. Arranged by Alessandro Macrì. Broadway,Classical,Contest,Festival,Film/TV,Musical/Show,Video Game. 13 pages. Music Macri Editions #827831. Published by Music Macri Editions (A0.1232150). Jurassic World: Original Motion Picture Soundtrack is the film score to Jurassic World composed by Michael Giacchino. The album was released digitally and physically on June 9, 2015 by Back Lot Music.Giacchino previously scored the video games Warpath: Jurassic Park and The Lost World: Jurassic Park. The score also includes the Jurassic Park theme by John Williams. Giacchino stated: It was a really targeted approach, as to where to [include Williams' themes] and where would make the most sense and where would we most appreciate it, as fans ourselves.All music is composed by Michael Giacchino, except where noted. There are various instances throughout the score that contain hints to previous themes composed by Williams. These include the end of Gyrosphere of Influence which references the theme from Jurassic Park, as well as both Costa Rican Standoff and Our Rex is Bigger Than Yours that reference motifs used in Jurassic Park's sequel, The Lost World: Jurassic Park. The track Raptor Your Heart Out also briefly features a cue composed by Giacchino for the video game adaptation of The Lost World: Jurassic Park. Tim Simonec orchestrated and conducted the score, with Jeff Kryka, Susie Bench, Peter Boyer, Brad Dechter, Mark Gasbarro, Norman Ludwin, Cameron Patrick and Chris Tilton serving as additional orchestrators. There are many tracks that were not included in the official soundtrack, such as the music played during the scene at the Jurassic Park Visitors Center, which features a piano rendition of the original Jurassic Park theme. These tracks are included in the film's complete score, which was unofficially released on December 31, 2016.
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Ost
#
Alessandro Macrì
#
Chasing The Dragons
#
Music Macri Editions
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
#
Orchestre
#
Claude Debussy/Robert Orledge
#
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Boudicca, Queen of the Iceni
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
#
Ensemble de cuivres
#
William Elsom
#
Boudicca, Queen of the Iceni
#
Will Elsom
#
SheetMusicPlus
Lost Horizon: Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: AX.00-PR-0005646 Score. Composed by…
(+)
String Orchestra - Digital Download SKU: AX.00-PR-0005646 Score. Composed by Thom Sharp. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0005646. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005646). UPC: 038081518527.This original work by Thom Sharp is an energetic adventure-themed rondo in which every section takes the lead heading off into the horizon looking for adventure. The rhythm of the A theme is used for new melodies in the contrasting sections, either in its original form or starting on a different beat to create a new, yet familiar, rhythm. The last iteration of the A melody employs augmentation. All of these devices provide ample opportunity for instructing students in form and structure and provide for efficient rehearsal time! (3:00)Concert/Contest; Festival.
#
Orchestre à Cordes
#
Thom Sharp
#
Festival.
#
Lost Horizon: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Introduction, Theme and Variations
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Dig…
(+)
Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra. This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.
#
Gioachino Rossini
#
Sean Brennan
#
#
Introduction, Theme and Variations
#
bl_music
#
SheetMusicPlus
Ukrainian National Anthem for String Orchestra (MFAO World National Anthem Series)
Quintette à cordes: 2 violons, alto, violoncelle, basse
Composed by Mykhailo Verbytsky. Arranged by Keith Terrett. Romantic Period, European, P…
(+)
Composed by Mykhailo Verbytsky. Arranged by Keith Terrett. Romantic Period, European, Patriotic. Score, Set of Parts. 9 pages. Published by Music for all Occasions
An arrangement of the Ukrainian National Anthem for String Orchestra. There are versions for Brass Quintet and full Orchestra in my store. If you are hosting an event and need anthems, e-mail me: keithterrett@gmail.com \"Shche ne vmerla Ukraina\" (Ukrainian: and#1065;and#1077; and#1085;and#1077; and#1074;and#1084;and#1077;and#1088;and#1083;and#1072; and#1059;and#1082;and#1088;and#1072;and#1111;and#1085;a, or \"Ukraine has not yet perished\") is the national anthem of Ukraine again since 1992. Before its re-adaptation a competition for a national anthem among three patriotic songs was taken place with one of the other songs being Za Ukrainu by Mykola Voronyi. The lyrics constitute a slightly modified original first stanza of the patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer from the region of Ukraine?s capital, Kiev, and were influenced by the words and themes of Poland?s national anthem, Poland Is Not Yet Lost. In 1863, Mykhailo Verbytsky, a western Ukrainian composer and a Greek-Catholic priest composed music to accompany Chubynsky?s text.The first choral performance of the piece was at the Ukraine Theatre in Lviv, in 1864. The song was first the national anthem of the Ukrainian People?s Republic, Carpatho-Ukraine and later the independent post-Soviet Ukraine. Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
#
Quintette à cordes: 2 violons, alto, violoncelle, basse
#
Mykhailo Verbytsky
#
Keith Terrett
#
Ukrainian National Anthem for String Orchestra
#
Music for all Occasions
#
SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
#
Orchestre à Cordes
#
Geoffrey Peterson
#
The Edmund Fitzgerald - Concerto for Piano and Strings
#
Geoffrey Peterson
#
SheetMusicPlus
Lost in Reminiscences
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1111422 Composed by Dalva R. R. Bar…
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1111422 Composed by Dalva R. R. Barbosa. 19th Century,Classical,Film/TV. Score. 7 pages. Dalva Regina Ribeiro Barbosa #713710. Published by Dalva Regina Ribeiro Barbosa (A0.1111422). I began to compose this piece unpretentiously with the intention of doing a prelude of 3 minutes. The beginning of the play, however, presents itself childish and naïve, as a child walking in a indolent way and ended up reminding me of video game or cartoon songs and a period of childhood between 8 and 10 years. I then structured the piece to show some pleasures of childhood: walking, running, flying, playing, swimming and dancing. Most of the images selected for this movie in youtube (https://youtu.be/BTZwwt8wYb0) represent what I wanted to express through my sound choices. For those who enjoy analyzing musical structures a short summary follows: The piece begins with the exposition of a rhythmic theme in B flat minor, followed by a small melodic theme constructed through the same motif presented at the beginning of the piece, but in D flat major. The piece then moves towards a moment of transition, a bridge between B flat minor and B minor. This transition is not only modulation, it is a transformation of the rhythmic aura to a melodic (B minor) episode . This episode is presented as a song A, B, with small variations. After the melodic episode, another moment of transition begins to return to the tonic (B flat minor) for reexposition of the rhythmic theme, but with another outfit. The piece then ends with a delicious codetta full of tenderness.
#
Piano seul
#
Dalva R
#
Lost in Reminiscences
#
Dalva Regina Ribeiro Barbosa
#
SheetMusicPlus
Apollo 13: Main Theme (James Horner) - Brass Band
Ensemble de cuivres
Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Choir or Ensemble, Timpani, Vib…
(+)
Trumpet, Trombone, Tuba, Horn in F, Euphonium, Brass Choir or Ensemble, Timpani, Vibraphone, Soprano Cornet, Cornet, Flugelhorn, Tenor Horn, Baritone, Brass Band, Snare Drum - Intermediate - Digital Download By James Horner. Arranged by Rob Bushnell. Score, Set of Parts. 44 pages. Published by RBMusic
Starring Tom Hanks, Kevin Bacon, Bill Paxton, Gary Sinise and Ed Harris, the 1995 American film Apollo 13 tells the story of the aborted 1970 Apollo 13 lunar mission that turned into a struggle to get the three astronauts aboard home safely. The screenplay was adapted from the book Lost Moon: The Perilous Voyage of Apollo 13 by astronauts Jim Lovell and Jeffrey Kluger. It was nominated for nine Academy Awards (winning for Best Film Editing and Best Sound).<br> <br> The iconic and moving score to Apollo 13 was composed and conducted by James Horner. It was nominated for an Academy Award nomination for Best Original Score.<br> <br> This arrangement of the Main Theme is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=WTSmtKDvnWQ.
#
Ensemble de cuivres
#
James Horner
#
Rob Bushnell
#
Apollo 13: Main Theme
#
RBMusic
#
SheetMusicPlus
The Office Theme Song for String Orchestra
Orchestre à Cordes
By Jay Ferguson. Arranged by Paul Trapkus. Score, Set of Parts. 10 pages. Published by…
(+)
By Jay Ferguson. Arranged by Paul Trapkus. Score, Set of Parts. 10 pages. Published by Paul Trapkus
A meticulous arrangement for string orchestra of the theme song played in the opening credits for the American TV show The Office. Arranged for string orchestra, piano, and drum set.<br> <br> More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:<br> <br> Take On Me • Africa • Never Gonna Give You Up • Ghostbusters • Secrets • Final Countdown • Darude Sandstorm • Dancing Queen • Undisclosed Desires • Some Nights • The Office Theme • Seal Lullaby • Only Time • Pompeii • Radioactive • Paradise • May It Be • Laughter Lines • Things We Lost in the Fire • All I Ever Wanted • La Valse d'Amelie • Young and Beautiful • Raging Fire
#
Orchestre à Cordes
#
Jay Ferguson
#
Paul Trapkus
#
The Office Theme Song for String Orchestra
#
Paul Trapkus
#
SheetMusicPlus
Seascapes (Choral Score) (Downloadable)
Chorale SATB
SATB choir and low flutes (bass and alto) - Medium - Digital Download SKU: MQ.7.0666-E
(+)
SATB choir and low flutes (bass and alto) - Medium - Digital Download SKU: MQ.7.0666-E Composed by Stanley M. Hoffman. Advanced/Collegiate. Secular, 21st Century, Creation/Nature. Score & instrument part. 15 pages. Duration 6 minutes, 20 seconds. Galaxy Music Corporation - Digital #7.0666-E. Published by Galaxy Music Corporation - Digital (MQ.7.0666-E). UPC: 600313706660. English.My dear colleague, the renowned low flute player Peter Sheridan, lost his mother, Pauline, in 2014. One of my best friends, the very talented artist Malcolm Tuffnell, lost his mother, Jacqueline, in 2010. One night, Malcolm posted some of his late mother's poetry on a social networking site. I was so moved by the ones I saw that I immediately asked to see more of them. I narrowed down my choices to eight sea-themed poems that became the basis for Seascapes. This score is dedicated to the memory of these two inspirational and much beloved mothers. -Stanley M. Hoffman
#
Chorale SATB
#
Stanley M
#
Seascapes
#
Galaxy Music Corporation - Digital
#
SheetMusicPlus
Always There
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Lesl…
(+)
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797738 Composed by Leslie Osborne and Simon May. Arranged by Derek Hasted. Contemporary. Score and parts. 25 pages. Derek Hasted #4327089. Published by Derek Hasted (A0.797738). ALWAYS THERE (Howard's Way) - 4 GUITARS or LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes You might not know this piece - it was the theme to the UK Television Series Howard’s Way which was broadcast between 1985 and 1990. It was composed as an instrumental with an incessant beat and a disco-like break in the middle.The piece was re-worked as the much more laid-back song Always There by Marti Webb; the song rose high into the Top Twenty. It also opened her album of the same name. But the song version lost much of the drive of the original.As this quartet arrangement is for playing, not singing, it makes sense to put all the drive back in!If you visit YouTube you will find some recordings of the original theme and these should point you in the right direction to make this piece blossom into a big wall of sound...It's for an intermediate quartet or large ensemble. Guitar 4 is tuned 6=D and is the most straightforward line. There's a version of Guitar 4 in bass clef for contra or electric bass, and here normal tuning is used. Guitar 3 is all arpeggios, mainly in first position. Guitars 1 and 2 take the tune and countermelodies.It's a foot-tapping piece that audiences will love!I hope you enjoy playing this piece!
#
Leslie Osborne and Simon May
#
Derek Hasted
#
Always There
#
Derek Hasted
#
SheetMusicPlus
Somewhere, My Love (Lara’s Theme from Dr. Zhivago)
Quatuor de Saxophones: 4 saxophones
SATB or AATB Saxophone Quartet with optional Bass Saxophone - Advanced Intermediate …
(+)
SATB or AATB Saxophone Quartet with optional Bass Saxophone - Advanced Intermediate - Digital Download By Paul Francis Webster, Maurice Jarre. Arranged by James Pybus. Score, Set of Parts. 11 pages. Published by James Pybus
Somewhere, My Love, also know as Lara's Theme is the name given to aleitmotif written for the film Doctor Zhivago (1965) by composer MauriceJarre. By special request of Connie Francis, Paul Francis Webster later tookthe theme and added lyrics to it to create Somewhere,My Love. In 1967, Somewhere, MyLove was nominated for the Grammy Award for Song of the Year. It lost to Michelle by The Beatles. Francis also had her version released as a single, and although itfailed to chart in the US, it became one of her biggest successesinternationally. This arrangement, suitable for concerts and many other occasions, is playable by either SATB or AATB Saxophone Quartet, with optional Bass Saxophone doubling the Baritone. Duration is 2:40. Contact me at james.pybus@rogers.com.
#
Quatuor de Saxophones: 4 saxophones
#
Paul Francis Webster, Maurice Jarre
#
James Pybus
#
Somewhere, My Love
#
James Pybus
#
SheetMusicPlus
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Orgue
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert…
(+)
Organ - Level 5 - Digital Download SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
#
Orgue
#
Claude Debussy/Robert Orledge
#
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Ikarus - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Bry…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #4633239. Published by ConSordino Music Publishing (A0.751143). Ikarus started life as a composition for 9 solo string instruments but soon grew into a fully orchestrated piece. On one hand it tells the classic story of Ikarus who, ignoring the warnings of his father, flew too close to the sun and died. On the other hand it pays homage to the inventiveness of the human spirit and embraces mankind’s ability, through the creation of complicated machines, to achieve more than our mortal bodies would allow.The music starts softly with Ikarus preparing for his take-off. Slowly the huge wings unfold and the piece lifts off with a majestic theme/motif. The nervous sixteen notes in the string section symbolize the constant flow of air and motion needed by Ikarus to fly.The joy of movement is mirrored by the cellos and bassoons, gliding in and out of the orchestra. Sounds of birds, clouds and impressions of earth from above are represented by various short melodic or rhythmic fragments throughout the first phase of his flight.Slowly the intensity and excitement builds until we are completely swept away and have lost all sense of reason or danger. Then, in the climax of the composition, Ikarus and his wings crash to the ground and the orchestra brakes down with him, loosing feather after feather until all has been destroyed. After this violent moment, the compositions quiets down gradually and reflects on the failure of Ikarus.Performed and recorded by Robert Ian Winstin and the Kiev Philharmonicon July 14, 2005Orchestral Material for Performance available as Rental Only.
#
Orchestre
#
Benedikt Brydern
#
Ikarus - Score Only
#
ConSordino Music Publishing
#
SheetMusicPlus
A Dragon's Lament - Concert Band Score and Parts PDF
Orchestre d'harmonie
Small Ensemble Harp,Piano - Level 3 - Digital Download SKU: A0.750937 Composed by B…
(+)
Small Ensemble Harp,Piano - Level 3 - Digital Download SKU: A0.750937 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 42 pages. BJE Music #5021131. Published by BJE Music (A0.750937). A Dragon's Lament is an original composition for Concert Band and is one of a 3 movement suite called A Dragon's Suite for Concert Band. This movement is the middle slow minor-key theme reflecting the loss of a Dragon's life or imminent death… There is also a version for Orchestra.Grade = 3.5 Duration = 4:30 mins (This movement only)The MP3 was recorded with NotePerformer.To play the suite in the original order:1. A Dragon's Realm - The Lost World/ 2. A Dragon's Lament/ 3. A Dragon's Heart/ (Full performance time approx. 12:15 mins)See Related Scores
#
Orchestre d'harmonie
#
Brendan Elliget MAGA 537
#
A Dragon's Lament - Concert Band Score and Parts PDF
#
BJE Music
#
SheetMusicPlus
Remember What Is Lost (from the "Remember-Waltzes")
1 Piano, 4 mains
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1494204 Composed by…
(+)
1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.1494204 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. Score. 23 pages. Ulrich Lehensteiner #1070815. Published by Ulrich Lehensteiner (A0.1494204). Remember What Is Lost, being the finale of the Remember-Waltzes, recapitulates all the previous waltzes' themes, slowly restoring them one by one and interweaving them with an original theme before coming to a grandiose, concert-like conclusion. Musically demonstrating how precious memories are (after maybe even having been forgotten for some time) still remembered after many years, the cycle ends on a positive and hopeful note.The Remember-Waltzes are a collection of seven waltz-like pieces for piano four hands, depicting the memories of various relatable scenes of a person's everyday-life, like the fervour of a determined loved one, the sereneness of a warm summer-day or the emotional rush of an ecstatic experience. Memories some would like to experience, some might actually have experienced.A musical reminder of times fondly remembered, but also of the feeling of how even those precious moments might grow pale over time, and how we still remember them fondly, but differently after the many years that might have passed since then.Contains score + parts.
#
1 Piano, 4 mains
#
Ulrich Lehensteiner
#
Remember What Is Lost
#
Ulrich Lehensteiner
#
SheetMusicPlus
Things We Lost In The Fire
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.911152 By Bastille. By Daniel…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.911152 By Bastille. By Daniel Campbell Smith. Arranged by Paul Trapkus. Rock. Score and parts. 22 pages. Paul Trapkus #6287901. Published by Paul Trapkus (A0.911152). A meticulous arrangement of Things We Lost in the Fire as recorded by Bastille for string orchestra, piano, and optional drum set without vocals. The arrangement is a karaoke version so that you can add a singer for a performance closely resembling the original song. The included optional drum set part is not shown in the score. Bowings have been carefully added in all parts.More string orchestra arrangements by Paul Trapkus available at https://www.sheetmusicplus.com/publishers/paul-trapkus/19286 including:Take On Me • Africa • Never Gonna Give You Up • Ghostbusters • Secrets • Final Countdown • Darude Sandstorm • Dancing Queen • Undisclosed Desires • Some Nights • The Office Theme • Seal Lullaby • Only Time • Pompeii • Radioactive • Paradise • May It Be • Laughter Lines • Things We Lost in the Fire • All I Ever Wanted • La Valse d'Amelie • Young and Beautiful • Raging Fire
#
Orchestre à Cordes
#
Bastille
#
Paul Trapkus
#
Things We Lost In The Fire
#
Paul Trapkus
#
SheetMusicPlus
A Dragon's Lament - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750928 Composed by Brendan Elli…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.750928 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 40 pages. BJE Music #5011689. Published by BJE Music (A0.750928). A Dragon's Lament is an original composition for Orchestra and is one of a 3 movement suite called A Dragon's Suite for Orchestra. This movement is the middle slow minor-key theme reflecting the loss of a Dragon's life or imminent death…Grade = 3.5 Duration = 4:30 mins (This movement only)The MP3 was recorded with NotePerformer.To play the suite in the original order:1. A Dragon's Realm - The Lost World/ 2. A Dragon's Lament/ 3. A Dragon's Heart/ (Full performance time approx. 12:15 mins)See Related Scores
#
Orchestre
#
Brendan Elliget MAGA 537
#
A Dragon's Lament - Orchestra Score and Parts PDF
#
BJE Music
#
SheetMusicPlus
For The Love Of A Princess
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1451815 Composed by James Horne…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1451815 Composed by James Horner. Arranged by Kevin Riley. 20th Century,Celtic,Film/TV,Irish. 34 pages. Kevin Riley #1031126. Published by Kevin Riley (A0.1451815). Braveheart – Original Motion Picture Soundtrack is the instrumental soundtrack album to the 1995 film of the same name composed and conducted by James Horner and performed by the London Symphony Orchestra. It is Horner's second of three collaborations with Mel Gibson as director following The Man Without a Face (1993). The soundtrack, comprising 77 minutes of film score, was notably successful and was nominated for Best Original Score at the 68th Academy Awards in 1996, but lost to Luis Bacalov's composition to Il Postino.Horner's score includes a melody that appeared again in his 1997 music for Titanic. Irish band Clannadwrote a theme tune for the film, entitled 'Croí Cróga' (meaning 'braveheart'). However, the track was not used in the soundtrack, but was released by Clannad on the album 'Lore'. Several critics have noted similarities between the Main Theme and an earlier theme song, Kaoru Wada's Pai Longing in the 1991 anime series 3×3 Eyes.[2][3][4].
#
Orchestre
#
James Horner
#
Kevin Riley
#
For The Love Of A Princess
#
Kevin Riley
#
SheetMusicPlus
The Pink Panther
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1364284 Composed by Henry Mancini. Arranged by Lorenzo Bocci. Film/TV,Jazz. 14 pages. Lorenzo Bocci #948586. Published by Lorenzo Bocci (A0.1364284). THE PINK PANTHER Theme Song from The Pink Pantherfor Saxophone Quartet - Grade 2,5 - Digital Download Composed by Henry Mancini . Arranged by Lorenzo Bocci. Film/TV. Saxophone Quartet. Score and parts. Duration 2'21''. Published by Lorenzo Bocci.The Pink Panther Theme is a jazz composition by Henry Mancini written as the theme for the 1963 film The Pink Panther and subsequently nominated for the Academy Award for Best Original Score at the 37th Academy Awards but lost to the Sherman Brothers for Mary Poppins. The eponymous cartoon character created for the film's opening credits by David DePatie and Friz Freleng was animated in time to the tune.
#
Quatuor de Saxophones: 4 saxophones
#
Henry Mancini
#
Lorenzo Bocci
#
The Pink Panther
#
Lorenzo Bocci
#
SheetMusicPlus
Rage Over a Lost Penny
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1143211 Composed by Ludwig van Beet…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1143211 Composed by Ludwig van Beethoven. Arranged by Sidewalk Labs. Classical. Score. 1 pages. Sidewalk Labs #743572. Published by Sidewalk Labs (A0.1143211). The main theme from Beethoven's popular concert piano piece Rondo Alla ingharese quasi un capriccio in G major, Op. 12, commonly called Rage Over a Lost Penny, arranged for the early intermediate keyboard student.
#
Piano seul
#
Ludwig van Beethoven
#
Sidewalk Labs
#
Rage Over a Lost Penny
#
Sidewalk Labs
#
SheetMusicPlus
Numb
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1203048 By Isadar. By Isadar. 20th Century,Contemporary,Jazz,New Age. Score. 7 pages. Mainya Music Publishing (BMI) #801732. Published by Mainya Music Publishing (BMI) (A0.1203048). Contains:Numb - taken from the Isadar solo piano collection, The Purple Heart (improvisational solo piano) (available soon on SMP) Sounds like: Keith Jarrett's Köln Concert, Bill Evans, Liz Story, George Winston, early Windham Hill solo piano artists Transcribed by:  David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording Album & Songbook review by:  Kathy Parsons (MainlyPiano.com):The Purple Heart is Isadar’s solo piano tribute and memorial to the people who lost their lives in the 9/11/01 tragedy. Recorded as a 56-minute improvisation on 12/25/02, the music is thoughtful, somber, and quite elegant. There are actually thirteen pieces on the CD, but they segue into each other, making it difficult to tell where one song ends and another begins. This is very definitely NOT a problem, as the album unfolds naturally and organically, asking questions, looking inward, and expressing shock and grief. However, this is not music about only despair or rage. I also hear hope and determination as well as quiet reverence - the strange mix of emotions we all felt during those dark days. Titles include From Cradle to Coffin, Bravery, Numb, New York Skyline, and Truth. Isadar has a wonderful way of wearing his heart on his musical sleeve, pouring deep emotion and heartfelt expression into his music. The music was recorded in one take, but rather than meandering all over the place, Isadar used recurring themes that make the work cohesive and consistent enough to hold together even after many listens. This is a very strong and passionate work, but it was recorded with a rather quiet voice which allows it to be very comfortable and soothing background music as well as evocative solo piano music for concentrated and focused listening. The Purple Heart Sheet Music Collection is a note-for-note solo piano transcription of Isadar’s 2003 memorial CD by the same name (transcribed by David Shenton). The recording and book are a tribute to those who died in the attacks of 9/11/2001. The music was recorded in one take and although there are thirteen titles, the pieces segue into each other, creating a seamless 56-minute improvisation. The book indicates where the various pieces begin and end, but can also be played as one long piece. Although the theme of the music is very somber and bleak, the music covers the broad range of emotions we all felt during that period - anger, sadness, hope, determination, resolve, fear, grief, etc. Although the recording is an improvisation, Isadar incorporates a recurring theme that holds the work together as a single entity. Some pieces are very slow while others are lively and even fast. All thirteen pieces are in C minor/Eb major, but the variety of moods and tempos keep the music evolving without becoming repetitious. When the recurring theme pops up, it’s like seeing an old friend!The difficulty in playing someone’s improvisation is that the creation of the music was spontaneous and free-flowing. It isn’t easy to read an improvisation and give the music that quality of freedom. Less advanced pianists might find this frustrating. The time signatures change frequently, but a competent pianist will have no trouble with that. As I was playing this book, I sensed that I was looking directly into Isadar’s heart and feeling what he was feeling as the music was being born - a very powerful experience! Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, featuring today's biggest names in solo piano music.
#
Piano seul
#
Isadar
#
Numb
#
Mainya Music Publishing
#
SheetMusicPlus
Finding the Star
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1024939 Composed…
(+)
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1024939 Composed by Abigail Gilson. Contemporary. Score and parts. 6 pages. Abigail Gilson #3631511. Published by Abigail Gilson (A0.1024939). Finding the Star is a slow-moving piece that draws out the idea of time being slowed down when one is lost. The theme of this piece is the idea of being lost at sea. The slow ground bass starts, the churning of the dark waves against the side of the ship. The sky and sea are the same type of dark, not a star or light can be seen anywhere above or below. On deck the crew wait for an order, though they are scared, there’s nothing they can do. They cannot make the star appear, and they cannot give direction without certainty that they’re going in the right direction. The waves turn and grow and often push the ship around, making everyone nervous, if they completely get turned they could get lost. The voices of the instruments trade places and come in and out of each other. Dancing around each other making a beautiful eerie melody. At the very end of the piece, the star is found. The clouds move and the moons bright light shines down on the weary travelers and they find hope again.
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Abigail Gilson
#
Finding the Star
#
Abigail Gilson
#
SheetMusicPlus
<
1
26
51
....
176
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
