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97
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32
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27
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24
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22
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21
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21
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20
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19
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18
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16
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182
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28
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25
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Trio à Cordes: 2 violons, violoncelle
20
Alto, Piano
19
Violoncelle
14
Trio à Cordes: 2 violons, alto
9
2 Harpes (duo)
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Alto seul
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4 Violoncelles
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Contre Basse
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4
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Trio à Cordes: 3 violoncelles
3
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2
Alto (partie séparée)
2
Ensemble de Violons
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Alto et Basson
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Harpe, Voix
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Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe et Piano
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2 Violoncelles, Piano
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Contrebasse (partie séparée)
1
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1
Piano Trio: Violon, Alto, Piano
1
Contrebasse, Piano (duo)
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1
Violoncelle , Guitare (duo)
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2 Violons, Piano
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
135
Orchestre d'harmonie
89
Cloches
68
Ensemble de cuivres
46
Orchestre
28
Ensemble Jazz
22
Orchestre de chambre
20
Ensemble de Percussions
18
Jazz combo
7
Xylophone, Piano
3
Vibraphone
2
Quintette de Cuivres: autres combinaisons
2
Batterie
2
2 Xylophones
2
Xylophone
2
Orchestre, Violon
1
Percussion
1
Ensemble d'École
1
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1
Piano et Orchestre
1
2 Marimbas
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AUTRES
Vous avez sélectionné:
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Quatuor de cuivres: 4 trombones
Partitions à imprimer
6 partitions trouvées
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Psalm 1 for Trombone Quartet or Organ and Brass
Quatuor de cuivres: 4 trombones
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792222 Composed by Hei…
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and parts. 40 pages. Gordon Cherry #4728855. Published by Gordon Cherry (A0.792222). Psalm 1 by Heinrich Schütz (1585-1672), is taken from his collection of choral settings of several of the biblical Psalms of David, in which Schütz continued the polychoral tradition he had absorbed in Venice as a student of Giovanni Gabrieli. Schütz indicated in his preface to the Psalms, published in 1619, that due to limits on performance during the Thirty Years War, alternate instruments or voices could be employed as available. As Psalm 1 was composed for two choirs of voices, it might be an attractive option to double the parts in this version for brass. Also, the choirs might be placed some distance apart. The original version of Psalm I is for two four-part choirs, one of mixed voices and one of tenors and basses. (The original also calls for continuo accompaniment, but, as in similar works of Gabrieli, the choral parts sound complete in themselves.) Composer/arranger David Fetter (b. 1938) is a Trombone faculty member at the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland. Also a conductor, his works are performed in concert, at festivals, and in educational settings in the U.S. and Europe and they have been recorded by leading soloists. Mr. Fetter is a former member of the Cleveland Orchestra, the Baltimore Symphony Orchestra, the Radio/Telefis Symphony Orchestra of Ireland, the U.S. Army Band, and other ensembles, where he performed for conductors who included George Szell, Leonard Bernstein, Seiji Ozawa, James Levine, Sergiu Comissiona, and David Zinman. At the Eastman School of Music he was a trombone student of Emory Remington and a member of the Eastman Wind Ensemble under Frederick Fennell. He holds a Master’s in Musicology from The American University. See www.peabody.jhu.edu/David Fetter.
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Quatuor de cuivres: 4 trombones
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Heinrich Schutz
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Fetter, David
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Psalm 1 for Trombone Quartet or Organ and Brass
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Gordon Cherry
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SheetMusicPlus
Two English Carols (Coventry Carol; What Child Is This?) - Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet Trombone - Level 4 - Digital Download SKU: A0.512790 Composed by T…
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Trombone Quartet Trombone - Level 4 - Digital Download SKU: A0.512790 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. 25 pages. Roger Wallace #4785841. Published by Roger Wallace (A0.512790). Trombone Quartet. Features most parts. The first section (Coventry Carol) features the melody by the lead voice. The second section (What Child Is This?) features the melody by the middle voices, followed by a tutti chorus to conclude. Can also be played by Baritone/Euphonium/Tuba or mixed Low Brass Quartet.Set includes Bass and Treble Clef parts as follows:Part 1: Trombone BC, Trombone TCPart 2: Trombone BC, Trombone TC, E-flat BassPart 3: Trombone BC, Trombone TC, E-flat BassPart 4: Trombone BC, E-flat Bass, B-flat Bass Also playable by Bassoon Quartet.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.
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Quatuor de cuivres: 4 trombones
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Traditional
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Roger Wallace
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Caribbean Holiday
Quatuor de cuivres: 4 trombones
Brass Ensemble,Trombone Quartet - Level 2 - Digital Download SKU: A0.1194164 Compos…
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Brass Ensemble,Trombone Quartet - Level 2 - Digital Download SKU: A0.1194164 Composed by John Allison. Arranged by John Allison. Jazz,Latin. Score and parts. 23 pages. John Allison #793585. Published by John Allison (A0.1194164). Caribbean Holiday is a short suite of three pieces for trombone quartet in three well-known Latin styles. The pieces can be performed separately or together. The suite begins with the relaxed 'Bossa Beach' where trombones two and three share the tune as gentle waves of harmony roll onto the beach. Next, 'Moonlight Mambo' features trombone one in a romantic ballad supported by the swaying rhythms of the accompanying parts. Finally in 'Calypso Cocktail' each part in turn gets to step forward into the limelight in a spirited finale.Parts 1 and 4 are a little more demanding than 2 and 3, but the whole suite is very accessible for easy intermediate level players.
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Quatuor de cuivres: 4 trombones
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John Allison
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John Allison
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Caribbean Holiday
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John Allison
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SheetMusicPlus
Just a Closer Walk with Thee / Solace (Trombone Quartet)
Quatuor de cuivres: 4 trombones
Brass Ensemble,Trombone Quartet - Level 3 - Digital Download SKU: A0.524270 Compose…
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Brass Ensemble,Trombone Quartet - Level 3 - Digital Download SKU: A0.524270 Composed by Traditional Hymn Tune, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 20 pages. John A. Dempsey #5203849. Published by John A. Dempsey (A0.524270). In this brass quartet for trombone, the reverential mood of Just a Closer Walk with Thee is sustained and enhanced, as it's paired with and in the style of Solace, one of Scott Joplin's slower, more contemplative rags. Â Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment or special music. Â This hymn arrangement is also popular as a performance piece for recitals and concerts. Â Key: F major. Â 16 pages of music (that includes the score and separate two-page parts for trombone 1, trombone 2, trombone 3 and trombone 4).
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Quatuor de cuivres: 4 trombones
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Traditional Hymn Tune, Scott Joplin
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John A
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Just a Closer Walk with Thee / Solace
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John A. Dempsey
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SheetMusicPlus
Solage: Le basile for Trombone Quartet
Quatuor de cuivres: 4 trombones
Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by …
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Trombone Quartet Trombone - Level 2 - Digital Download SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
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Quatuor de cuivres: 4 trombones
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Solage
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James M
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Solage: Le basile for Trombone Quartet
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jmsgu3
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SheetMusicPlus
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