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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
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Non classifié
894
PIANO & CLAVIERS
Piano seul
906
Piano Facile
356
Piano, Voix
155
Orgue
147
Piano, Voix et Guitare
80
Instruments en Do
40
1 Piano, 4 mains
26
Accompagnement Piano
17
Piano Trio: piano, violon, violoncelle
14
Accordéon
4
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
1 Piano, 6 mains
1
2 Pianos, 4 mains
1
2 Accordéons
1
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GUITARES
Ukulele
85
Guitare notes et tablatures
72
Guitare
49
Ligne De Mélodie, (Paroles) et Accords
28
2 Guitares (duo)
9
Mandoline
6
3 Guitares (trio)
4
Basse electrique
2
Paroles et Accords
1
Piano, Guitare (duo)
1
Luth
1
4 Guitares (Quatuor)
1
Ukulele Baryton
1
Instrumentations suivantes
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VOIX
Chorale SATB
264
Chorale 3 parties
140
Chorale 2 parties
74
Chorale Unison
34
Chorale TTBB
19
Voix haute
13
Voix duo, Piano
9
Voix duo
9
Voix moyenne, Piano
8
Chorale SSAA
7
Voix seule
6
Voix basse
2
Voix basse, Piano
1
Chorale SSATB
1
Voix Tenor
1
Chorale SSATTB
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
166
Clarinette et Piano
94
Saxophone Alto et Piano
76
Quatuor de Saxophones: 4 saxophones
73
Hautbois, Piano (duo)
61
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
57
Flûte, Hautbois, Clarinette, Basson
53
Quatuor de Clarinettes: 4 clarinettes
53
2 Flûtes traversières (duo)
45
3 Saxophones (trio)
43
Clarinette
43
Saxophone Soprano et Piano
41
2 Saxophones (duo)
41
Saxophone Tenor et Piano
38
2 Clarinettes (duo)
33
Flûte traversière
31
Saxophone (partie séparée)
30
Quatuor de Flûtes : 4 flûtes
26
3 Clarinettes (trio)
26
Saxophone Alto
22
Saxophone Baryton, Piano
21
Quintette de Saxophone: 5 saxophones
20
Flûte et Guitare
19
Cor anglais, Piano
17
Ensemble de Clarinettes
16
Trio de Flûtes: 3 flûtes
16
Flûte à bec Soprano
15
Ensemble de Flûtes
11
2 Flûte à bec (duo)
11
Quatuor de Flûtes à bec
10
2 Hautbois (duo)
10
Hautbois (partie séparée)
9
Ensemble de saxophones
9
Flûte, Hautbois, Clarinette (trio)
8
Clarinette, Violoncelle (duo)
8
Clarinette, Basson (duo)
8
Ensemble De Flûte à bec
7
Flûte, Violoncelle
7
Clarinette Basse, Piano
7
Saxophone Baryton
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Guitare (duo)
6
Hautbois, Basson (duo)
6
Flûte, Clarinette (duo)
6
Flûte à bec Tenor
5
Hautbois, Flûte
5
Cor Anglais
5
Hautbois, Violoncelle
5
3 Flûtes à bec (trio)
5
Piccolo, Piano
5
Flûte à bec Alto
5
Quintette de Clarinettes: 5 clarinettes
5
Harmonica
4
Flûte à bec Alto, Piano
4
Piccolo
4
Quintette de Flûte : 5 flûtes
4
Hautbois
4
Flûte à Bec, Piano
4
Saxophone Soprano
4
Flûte, Violoncelle, Piano (trio)
3
Saxophone Tenor
3
Flûte, Hautbois, Basson
3
Flûte, Hautbois, Piano (trio)
2
Flute (partie séparée)
2
Hautbois, Clarinette (duo)
2
Flûte à Bec
2
2 Clarinettes, Basson
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Clarinettes, Piano
2
5 Flûtes à bec
2
Flûte, Hautbois (duo)
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec, Harpe
1
Clarinette, Trompette (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Saxophone (duo)
1
Saxophone et Guitare
1
2 Flûtes traversières, Piano
1
Flûte, Violon et Violoncelle
1
Cor anglais et Harpe (duo)
1
Saxophone et Piano
1
4 Hautbois
1
Flûte, Violon
1
3 Hautbois
1
Saxophone
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
195
Trompette, Piano
68
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trompette
47
Trombone et Piano
43
Cor et Piano
38
Trombone
29
Tuba et Piano
28
Tuba
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Quatuor de Cuivres
17
Cor anglais, Piano
17
Euphonium, Piano (duo)
16
2 Trombones (duo)
14
Quatuor de cuivres: 4 trombones
14
2 Trompettes (duo)
14
Quatuor de cuivres: 4 cors
12
Cor
11
Quatuor de cuivres: 4 trompettes
11
2 Cors (duo)
9
Trompette, Trombone (duo)
7
4 Tubas
6
Trompette, Cor (duo)
5
Cor Anglais
5
2 Tubas (duo)
5
Ensemble de Cors
4
Trombone basse
4
3 Trombones (trio)
3
2 Euphoniums (duo)
3
Ensemble de Trompettes
3
3 Tubas (trio)
3
Trombone, Cor (duo)
3
3 Cors (trio)
2
Cor, Tuba (duo)
2
Euphonium
2
Trompette, Basson (duo)
2
Trio de Cuivres
2
3 Trompettes (trio)
2
2 Cors Anglais Et Pianoforte
2
Trombone basse et Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Violoncelle (duo)
1
Clarinette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Trombone, Orgue
1
Cor anglais et Harpe (duo)
1
2 Euphoniums et 2 Tubas
1
Cor anglais, Guitare (duo)
1
Cor, Violoncelle (duo)
1
Trompette (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
136
Violon et Piano
119
Alto, Piano
95
Violoncelle, Piano
75
Violon
49
Trio à Cordes: violon, alto, violoncelle
33
Violoncelle (partie séparée)
27
2 Violons (duo)
26
Violon, Violoncelle (duo)
20
2 Altos (duo)
19
Alto seul
19
Violon, Alto (duo)
18
Harpe
16
Contrebasse, Piano (duo)
16
2 Violoncelles (duo)
16
4 Violoncelles
15
Violon, Guitare (duo)
14
Trio à cordes: 3 violins
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Violoncelle
9
Alto, Violoncelle (duo)
9
Quatuor à cordes: 4 violons
8
Quatuor à cordes : 4 altos
7
Trio à Cordes: 2 violons, violoncelle
6
Trio à Cordes: 3 violoncelles
6
Alto (partie séparée)
5
Contre Basse
5
Violoncelle, Orgue
5
Alto, Guitare (duo)
4
Trio à cordes: 3 altos
4
Violoncelle, Contrebasse (duo)
4
Harpe, Flûte (duo)
4
Violoncelle , Guitare (duo)
3
Violon, Basson (duo)
3
2 Contrebasses (duo)
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, alto
2
Harpe et Orgue
2
2 Harpes (duo)
1
Violoncelle, Basse continue
1
Alto et Basson
1
Violon (partie séparée)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Cloches
107
Orchestre d'harmonie
94
Orchestre à Cordes
63
Orchestre
27
Orchestre de chambre
19
Ensemble de cuivres
16
Ensemble Jazz
14
Ensemble de Percussions
3
Jazz combo
3
Fanfare
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
1
Batterie
1
Marimba
1
Vibraphone
1
Marimba, Piano (duo)
1
Instrumentations suivantes
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AUTRES
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876
Adagio for Organ by French Baroque composer Jean-Baptiste Loeillet
Small Ensemble - Level 2 - Digital Download SKU: A0.984491 Composed by Jean Baptist…
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Small Ensemble - Level 2 - Digital Download SKU: A0.984491 Composed by Jean Baptiste Loeillet (1688-1720). Arranged by Robert M. Thompson, A.Mus.D. (b. 1940). Baroque,Sacred. Score and parts. 3 pages. Bob Thompson #6119117. Published by Bob Thompson (A0.984491). Easy, beautifully lyrical piece for organ, appropriate for worship or recital. French Baroque at its best. .
$7.50
6.91 €
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Jean Baptiste Loeillet
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Robert M
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Adagio for Organ by French Baroque composer Jean-Baptiste Loeillet
#
Bob Thompson
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SheetMusicPlus
Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.12654…
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Harpsichord,Instrumental Duet,Viola da gamba - Level 2 - Digital Download SKU: A0.1265431 Composed by Dr. John Bull, 1562-1628. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 6 pages. Jmsgu3 #858250. Published by jmsgu3 (A0.1265431). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces, published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the wedding in 1613 of the Princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoint characterize Gibbons' compositions.Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasies. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and made significant contributions to the repertoire of keyboard and choral music during that era.
$32.95
30.34 €
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Dr
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James M
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Bull: Three Pieces from Parthenia In-violata for Harpsichord & Gamba or Cello
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jmsgu3
#
SheetMusicPlus
Pachelbel: Canon in D for Alto Clarinet & Harp
Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download S…
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Instrumental Duet E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098858 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702700. Published by jmsgu3 (A0.1098858). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Alto Clarinet & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.34 €
#
Johann Pachelbel
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James M
#
Pachelbel: Canon in D for Alto Clarinet & Harp
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jmsgu3
#
SheetMusicPlus
Pachelbel: Canon in D for Tenor Sax & Harp
Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download S…
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Instrumental Duet Harp,Instrumental Duet,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1098484 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702340. Published by jmsgu3 (A0.1098484). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Tenor Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.34 €
#
Johann Pachelbel
#
James M
#
Pachelbel: Canon in D for Tenor Sax & Harp
#
jmsgu3
#
SheetMusicPlus
Pachelbel: Canon in D for Baritone Sax & Harp
Instrumental Duet Baritone Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download
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Instrumental Duet Baritone Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1098118 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #701987. Published by jmsgu3 (A0.1098118). Score: 6 pages. Duration: ca. 2:28. The famous Pachelbel Canon arranged for Baritone Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.34 €
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Baritone Sax & Harp
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jmsgu3
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SheetMusicPlus
Pachelbel: Canon in D for Soprano Sax & Harp
Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download
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Instrumental Duet Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1098478 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702335. Published by jmsgu3 (A0.1098478). Score: 6 pages. Duration: ca. 2:30. The famous Pachelbel Canon arranged for Soprano Sax & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$32.95
30.34 €
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Soprano Sax & Harp
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jmsgu3
#
SheetMusicPlus
Pachelbel: Canon in D for Oboe d'Amore & Harp
Instrumental Duet Harp,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU:…
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Instrumental Duet Harp,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1098840 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Classical,Standards,Traditional,Wedding. Score and parts. 11 pages. Jmsgu3 #702688. Published by jmsgu3 (A0.1098840). Score: 6 pages. Duration: ca. 2:30 The famous Pachelbel Canon arranged for Oboe d'Amore & Harp. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$34.95
32.18 €
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Johann Pachelbel
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James M
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Pachelbel: Canon in D for Oboe d'Amore & Harp
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jmsgu3
#
SheetMusicPlus
Josquin: 22 Duets for Bassoon & Contrabassoon
Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Compos…
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Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.34 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon & Contrabassoon
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jmsgu3
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SheetMusicPlus
Josquin: 22 Duets for Oboe d'Amore & Bassoon
Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999…
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Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678267. Published by jmsgu3 (A0.1073999). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95
30.34 €
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Josquin des Prez
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James M
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Josquin: 22 Duets for Oboe d'Amore & Bassoon
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jmsgu3
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SheetMusicPlus
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
Small Ensemble Euphonium,Horn,Tuba - Level 2 - Digital Download SKU: A0.917404 Comp…
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Small Ensemble Euphonium,Horn,Tuba - Level 2 - Digital Download SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Musica Nova USA #4984119. Published by Musica Nova USA (A0.917404). Three Pieces for Tuba Ensemble is a collection of three pieces that were composed at different times for different occasions. This set makes up a good suite for concert performance. Although listed as a tuba ensemble compositions, euphoniums usually play the higher two parts. All three are written in five parts. Optional substitute parts for French Horn and Flüglehorn are also included in this set, as well as euphonium parts in treble clef.Salutation Fanfarewas composed in 1985 for performance at the New York Brass Conference at the Roosevelt Hotel in New York City. That year, famous tubist Harvey Phillips was being honored at a special concert. This piece started the concert with the composer conducting an ensemble of about twenty euphonium and tuba players made up of Indiana University alumni, free-lance musicians and other friends of Mr. Phillips. The piece is based on the phrase Harvey Phillips Mr. Tuba. Simple Giftsis a traditional American folksong that has been arranged by many composers over the years. This arrangement was done in 1990 for performance at the International Tubists Universal Brotherhood Association Conference held in Sapporo, Japan. It was premiered by the Colonial Tuba Quartet that year. It has been arranged in four parts as well as this arrangement in five parts.Octubafest Polkawas composed in 1976 at the request of Harvey Phillips for performance at the Octubafest activities at Indiana University. It was premiered by the Indiana University Tuba Ensemble that year, conducted by Harvey Phillips. Mr. Phillips was the first to use the word Octubafest, probably in 1974 or 1975. Octubafest celebrations have taken place at many schools and universities ever since, usually in the month of October. He said that having an Octubafest celebration early in the school year provided an opportunity for new students entering college to get to know each other. At Indiana University during Harvey Phillips’ tenure (1973 – 1996) the Octubafest concerts were always followed by a party at Harvey’s house, making for a good time for all. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1991 TUBA International Etude Composition Competition, for his Twenty Characteristic Etudes for Tubaan important part of the tuba pedagogy repertoire. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$30.00
27.62 €
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Gregory Fritze
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Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
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Musica Nova USA
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SheetMusicPlus
Schubert: Moment Musicaux for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Compos…
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Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
30.34 €
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Franz Schubert
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James M
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Schubert: Moment Musicaux for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Rather Be
Instrumental Duet,Piano Drums,Flute,Instrumental Duet,Piano - Level 2 - Digital Download
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Instrumental Duet,Piano Drums,Flute,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.890122 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Patrick Jillett. Contemporary. Score and parts. 15 pages. Patrick Jillett #3022871. Published by Patrick Jillett (A0.890122). Rather Be Treat yourself to a fresh up-beat arrangement at your next recital / performance. The catchy melody and snappy rhythms will have your audience dancing in their seats, as they enjoy a unique arrangement of this popular song. (3:04 min.) Instrumentation: Flute with Piano Accompaniment. (Optional Percussion - Drum Set). Website - http://www.patrickjillett.com https://www.youtube.com/channel/UCwxe9Iy4LrwzY4XIKj5WB9Q https://www.facebook.com/Patrick.Jillett26.Composition.Photography/ https://soundcloud.com/patrick-jillett-composer-arranger https://twitter.com/JillettComposer
$4.99
4.59 €
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Clean Bandit Feat
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Patrick Jillett
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Rather Be
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Patrick Jillett
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SheetMusicPlus
Rather Be
Instrumental Duet,Piano Drums,Horn,Instrumental Duet,Piano - Level 2 - Digital Download
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Instrumental Duet,Piano Drums,Horn,Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.890128 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Patrick Jillett. Contemporary. Score and parts. 15 pages. Patrick Jillett #3022889. Published by Patrick Jillett (A0.890128). Rather Be Treat yourself to a fresh up-beat arrangement at your next recital / performance. The catchy melody and snappy rhythms will have your audience dancing in their seats, as they enjoy a unique arrangement of this popular song. (3:04 min.) Instrumentation: F Horn with Piano Accompaniment. (Optional Percussion - Drum Set). Website - http://www.patrickjillett.com https://www.youtube.com/channel/UCwxe9Iy4LrwzY4XIKj5WB9Q https://www.facebook.com/Patrick.Jillett26.Composition.Photography/ https://soundcloud.com/patrick-jillett-composer-arranger https://twitter.com/JillettComposer
$4.99
4.59 €
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Clean Bandit Feat
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Patrick Jillett
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Rather Be
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Patrick Jillett
#
SheetMusicPlus
Rather Be
Small Ensemble Drum Set,Euphonium,Piano Accompaniment - Level 2 - Digital Download SKU:…
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Small Ensemble Drum Set,Euphonium,Piano Accompaniment - Level 2 - Digital Download SKU: A0.890130 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Patrick Jillett. Contemporary. Score and parts. 15 pages. Patrick Jillett #3022893. Published by Patrick Jillett (A0.890130). Rather Be Treat yourself to a fresh up-beat arrangement at your next recital / performance. The catchy melody and snappy rhythms will have your audience dancing in their seats, as they enjoy a unique arrangement of this popular song. (3:04 min.) Instrumentation: Euphonium/Baritone (bass clef) with Piano Accompaniment. (Optional Percussion - Drum Set). Website - http://www.patrickjillett.com https://www.youtube.com/channel/UCwxe9Iy4LrwzY4XIKj5WB9Q https://www.facebook.com/Patrick.Jillett26.Composition.Photography/ https://soundcloud.com/patrick-jillett-composer-arranger https://twitter.com/JillettComposer
$4.99
4.59 €
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Clean Bandit Feat
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Patrick Jillett
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Rather Be
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Patrick Jillett
#
SheetMusicPlus
Rather Be
Small Ensemble Drum Set,Guitar,Piano Accompaniment - Level 2 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Guitar,Piano Accompaniment - Level 2 - Digital Download SKU: A0.890131 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Patrick Jillett. Contemporary. Score and parts. 16 pages. Patrick Jillett #3022897. Published by Patrick Jillett (A0.890131). Rather Be Treat yourself to a fresh up-beat arrangement at your next recital / performance. The catchy melody and snappy rhythms will have your audience dancing in their seats, as they enjoy a unique arrangement of this popular song. (3:04 min.) Instrumentation: Guitar with Piano Accompaniment. (Optional Percussion - Drum Set). Website - http://www.patrickjillett.com https://www.youtube.com/channel/UCwxe9Iy4LrwzY4XIKj5WB9Q https://www.facebook.com/Patrick.Jillett26.Composition.Photography/ https://soundcloud.com/patrick-jillett-composer-arranger https://twitter.com/JillettComposer
$4.99
4.59 €
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Clean Bandit Feat
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Patrick Jillett
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Rather Be
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Patrick Jillett
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SheetMusicPlus
Rather Be
Small Ensemble Drum Set,Piano Accompaniment,Trumpet - Level 2 - Digital Download SKU: A…
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Small Ensemble Drum Set,Piano Accompaniment,Trumpet - Level 2 - Digital Download SKU: A0.890127 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Patrick Jillett. Contemporary. Score and parts. 15 pages. Patrick Jillett #3022887. Published by Patrick Jillett (A0.890127). Rather Be Treat yourself to a fresh up-beat arrangement at your next recital / performance. The catchy melody and snappy rhythms will have your audience dancing in their seats, as they enjoy a unique arrangement of this popular song. (3:04 min.) Instrumentation: Bb Trumpet with Piano Accompaniment. (Optional Percussion - Drum Set). Website - http://www.patrickjillett.com https://www.youtube.com/channel/UCwxe9Iy4LrwzY4XIKj5WB9Q https://www.facebook.com/Patrick.Jillett26.Composition.Photography/ https://soundcloud.com/patrick-jillett-composer-arranger https://twitter.com/JillettComposer
$4.99
4.59 €
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Clean Bandit Feat
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Patrick Jillett
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Rather Be
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Patrick Jillett
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SheetMusicPlus
Rather Be
Small Ensemble Drum Set,Oboe,Piano Accompaniment - Level 2 - Digital Download SKU: A0.8…
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Small Ensemble Drum Set,Oboe,Piano Accompaniment - Level 2 - Digital Download SKU: A0.890123 By Clean Bandit Feat. Jess Glynne. By Grace Chatto, Jack Patterson, James Napier, and Nicole Marshall. Arranged by Patrick Jillett. Contemporary. Score and parts. 15 pages. Patrick Jillett #3022879. Published by Patrick Jillett (A0.890123). Rather Be Treat yourself to a fresh up-beat arrangement at your next recital / performance. The catchy melody and snappy rhythms will have your audience dancing in their seats, as they enjoy a unique arrangement of this popular song. (3:04 min.) Instrumentation: Oboe with Piano Accompaniment. (Optional Percussion - Drum Set). Website - http://www.patrickjillett.com https://www.youtube.com/channel/UCwxe9Iy4LrwzY4XIKj5WB9Q https://www.facebook.com/Patrick.Jillett26.Composition.Photography/ https://soundcloud.com/patrick-jillett-composer-arranger https://twitter.com/JillettComposer
$4.99
4.59 €
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Clean Bandit Feat
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Patrick Jillett
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Rather Be
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Patrick Jillett
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SheetMusicPlus
Bach-Gounod: Ave Maria for Baritone Horn & Piano
Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0…
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Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.34 €
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Baritone Horn & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
25.74 €
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J
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James M
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Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Piccolo & Piano
Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549362 Compose…
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Instrumental Solo,Piano,Piccolo - Level 2 - Digital Download SKU: A0.549362 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490121. Published by jmsgu3 (A0.549362). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Piccolo & Piano - S0.661869. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.34 €
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Piccolo & Piano
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.34 €
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Solage, Late 14th Century
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James M
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Solage: Le basile for Brass Quartet
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Double Reed Quartet
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.34 €
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Solage
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James M
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Solage: Le basile for Double Reed Quartet
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.550930 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888395. Published by jmsgu3 (A0.550930). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
30.34 €
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J
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James M
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Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549360 Co…
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Instrumental Solo,Oboe d'Amore,Piano - Level 2 - Digital Download SKU: A0.549360 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 12 pages. Jmsgu3 #3490109. Published by jmsgu3 (A0.549360). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Oboe d'Amore & Piano - S0.661867. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
30.34 €
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Oboe d'Amore & Piano
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jmsgu3
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SheetMusicPlus
Bach: Wachet auf for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Comp…
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Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
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Johann Sebastian Bach
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Bach: Wachet auf for Bass Flute & Piano
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SheetMusicPlus
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