Page d'accueil
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
From France
Non classifié
31
Piano & claviers
Piano, Voix
33
Piano seul
17
Piano Facile
8
Accordéon
4
Instruments en Do
4
Piano, Voix et Guitare
3
Orgue
1
+ 2 instrumentations
Retracter
Guitares
Guitare
5
Mandoline
2
Ligne De Mélodie, (Paroles) et Accords
2
Guitare notes et tablatures
1
Ukulele
1
Luth
1
+ 1 instrumentations
Retracter
Voix
Chorale Unison
45
Voix haute
27
Chorale 3 parties
11
Voix moyenne, Piano
6
Chorale SATB
5
Chorale 2 parties
1
Voix duo, Piano
1
+ 2 instrumentations
Retracter
Vents
Flûte traversière
5
Saxophone Alto
5
Saxophone Tenor
5
2 Saxophones (duo)
5
Saxophone (partie séparée)
4
Flûte à bec Soprano
3
Quatuor de Saxophones: 4 saxophones
3
3 Clarinettes (trio)
2
Flûte traversière et Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Quatuor de Flûtes à bec
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Saxophone Soprano
2
2 Flûte à bec (duo)
2
Hautbois (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Trio de Flûtes: 3 flûtes
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte à bec Soprano, Piano
1
Quintette de Saxophone: 5 saxophones
1
Ensemble de saxophones
1
3 Saxophones (trio)
1
2 Clarinettes (duo)
1
Clarinette et Piano
1
Flûte à bec Alto, Basse continue
1
Clarinette, Basson (duo)
1
Hautbois, Piano (duo)
1
Saxophone Alto et Piano
1
+ 23 instrumentations
Retracter
Cuivres
Trompette
7
Trombone
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
Trompette, Trombone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trombone et Piano
2
Trompette, Piano
2
Trompette, Euphonium (duo)
1
2 Trombones (duo)
1
Trompette, Cor (duo)
1
Ensemble de Cors
1
2 Cors (duo)
1
3 Trombones (trio)
1
Cor et Piano
1
+ 9 instrumentations
Retracter
Cordes
Violon
6
Violoncelle
5
Trio à Cordes: violon, alto, violoncelle
3
Violoncelle, Piano
3
2 Violoncelles (duo)
2
Violon et Piano
2
Quatuor à cordes: 2 violons, alto, violoncelle
2
Alto, Piano
1
Violon, Violoncelle (duo)
1
+ 4 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
11
Orchestre de chambre
2
Cloches
1
Orchestre à Cordes
1
Ensemble de Percussions
1
Vibraphone
1
Orchestre
1
+ 2 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
31
Librairie Musicale
139
Matériel de Musique
193
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
From France
facile
Partitions à imprimer
31 partitions trouvées
<
1
26
Two Rondes from Susato's Danserye (1551)
#
Renaissance
#
Tielman Susato
#
Colin Kirkpatrick
#
Two Rondes from Susato's Danse
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kir...
(+)
String Ensemble - Level 2 - SKU: A0.1034006 Composed by Tielman Susato. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #639328. Published by Colin Kirkpatrick Publications (A0.1034006). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. They are attractive pieces and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone color. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambor or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Two Almandes from Premier Livre de Danseries (Pierre Phalèse, 1571)
#
Renaissance
#
Pierre Phalèse
#
Colin Kirkpatrick
#
Two Almandes from Premier Livr
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
String Ensemble - Level 2 - SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin ...
(+)
String Ensemble - Level 2 - SKU: A0.1037867 Composed by Pierre Phalèse. Arranged by Colin Kirkpatrick. Renaissance. Score and parts. 17 pages. Colin Kirkpatrick Publications #642781. Published by Colin Kirkpatrick Publications (A0.1037867). Unlike country dances, the formal dances of royal courts in the sixteenth century required a good deal of study and practice. Many dancing masters published self-help instructional books, especially in France and Italy. Composers and publishers saw a commercial potential in collections of dance music and one of the earliest collections was that by composer and publisher Tielman (or Tylman) Susato, who published his Danserye in Antwerp in 1551. These music books were usually arranged with four independent instrumental parts and intended for use by any instruments that happened to be available. The two almands in this arrangement were well known popular melodies at the time of publication. They still retain their freshness and charm today and are sure to be popular at any concerts, public recitals or end-of-semester events. This arrangement is for virtually any string ensemble and the single PDF file includes a full score and parts for violin 1, violin 2, viola (violin 3), cello and bass (combined), keyboard and simple percussion. Two additional melody part are provided in the treble and bass clefs and the chords (for optional guitar) are shown in both keyboard and cello-bass parts. In the spirit of the original publication, you can add to the melody line any other C-pitch instruments that happen to be available. Even the additional of a couple of recorders will enhance the sound. Alternatively, you can do opposite and create a pleasing contrast by omitting various instruments for certain sections. The audio demo will give you an idea how this might be achieved. While you can add flute, recorder, oboe, glockenspiel or whatever you want, additional instruments are not essential but can add contrasting tone colour. The keyboard part is intended as a guide and when possible, the keyboard player should feel free to improvise around the part and the chords shown. A digital or acoustic harpsichord sounds more authentic than a piano. Most electronic keyboards have a harpsichord option. The optional percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, antique (finger) cymbals, wood-blocks and tambourine. Two or three players can be used (but feel free to add more) and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$8.99
Allegretto (from a Sonata) (Downloadable)
#
Petronio Franceschini and S
#
Allegretto
#
MorningStar Music Publishers - Digital Sheet Music
#
SheetMusicPlus
Solo instrument and keyboard - Easy to Moderately Easy - SKU: MQ.20-951-1E Composed by Petronio Franceschini and S. Drummond Wolff. 4 pages. MorningStar...
(+)
Solo instrument and keyboard - Easy to Moderately Easy - SKU: MQ.20-951-1E Composed by Petronio Franceschini and S. Drummond Wolff. 4 pages. MorningStar Music Publishers - Digital Sheet Music #20-951-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-951-1E).
$5.00
CAVALLI Francesco: Un agile vento, aria from the cantata, - Voice and Piano (G major)
#
Francesco CAVALLI
#
Sergei PICHUGIN
#
CAVALLI Francesco: Un agile ve
#
Really Good Music, LLC.
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868769 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Inst...
(+)
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868769 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580877. Published by Really Good Music, LLC. (A0.868769). Un agile vento is an aria from Solo cantata III Nell'acque semina, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5) for low voice.
$5.95
CAVALLI Francesco: Chiedi consiglio à mè, aria from the cantata, - Voice and Piano (G m
#
Francesco CAVALLI
#
Sergei PICHUGIN
#
CAVALLI Francesco: Chiedi cons
#
Really Good Music, LLC.
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868781 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Inst...
(+)
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868781 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580899. Published by Really Good Music, LLC. (A0.868781). Chiedi consiglio à mè is an aria from Solo cantata V In duri lacci, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G minor (D4 – D5) for low voice.
$5.95
CAVALLI Francesco: Come scherza quel augelletto, aria from the cantata, - Voice and Piano
#
Francesco CAVALLI
#
Sergei PICHUGIN
#
CAVALLI Francesco: Come scherz
#
Really Good Music, LLC.
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868795 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Inst...
(+)
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868795 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #4596599. Published by Really Good Music, LLC. (A0.868795). Come scherza quel augelletto is an aria from Solo cantata VII Sospiri ohime, sospiri, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (B3 – D5) for low voice.
$5.95
CAVALLI Francesco: Tu sei finta, aria from the cantata, - Voice and Piano (E minor)
#
Francesco CAVALLI
#
Sergei PICHUGIN
#
CAVALLI Francesco: Tu sei fint
#
Really Good Music, LLC.
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868812 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Inst...
(+)
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868812 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4596851. Published by Really Good Music, LLC. (A0.868812). Tu sei finta is an aria from Solo cantata X Bellissima Dorsibe, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – E5) for low voice.
$5.95
CAVALLI Francesco: Oh Dio, non far ch’io mora, aria from the cantata, - Voice and Piano
#
Francesco CAVALLI
#
Sergei PICHUGIN
#
CAVALLI Francesco: Oh Dio, non
#
Really Good Music, LLC.
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868756 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Inst...
(+)
Medium Voice,Vocal Solo - Level 2 - SKU: A0.868756 Composed by Francesco CAVALLI (1602 – 1676). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #4580837. Published by Really Good Music, LLC. (A0.868756). Oh Dio, non far ch’io mora is an aria from Solo cantata I Ferma deh, ferma omai, written by the eminent Italian composer Francesco CAVALLI (1602 – 1676). The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the manuscript, including twelve of Cavalli’s cantatas for voice solo. Ferma deh, ferma omai is the only cantata in the collection, composed for alto and basso continuo. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of D minor (C4 – C5) for low voice.
$5.95
David France: Bow Exercises for the Expressive Violinist - violin
#
Classique
#
David France
#
Virtualsheetmusic
This is an exclusive transcription for violin of EASY skill level from the original composition by David France. This title is available as instant sheet music download. Contents: 978-0-578-72166-8,etude, etudes, studies, study / classical,traditional,instructional...
(+)
This is an exclusive transcription for violin of EASY skill level from the original composition by David France. This title is available as instant sheet music download. Contents: 978-0-578-72166-8,etude, etudes, studies, study / classical,traditional,instructional
$9.99
Vaudeville et Menuet
#
Vaudeville et Menuet
#
Schott Music - Digital
#
SheetMusicPlus
Violin (flute, oboe) and piano; cello (bassoon) ad libitum - easy - SKU: S9.Q20409 16 Easy to Intermediate Pieces from 18th-century France. This ...
(+)
Violin (flute, oboe) and piano; cello (bassoon) ad libitum - easy - SKU: S9.Q20409 16 Easy to Intermediate Pieces from 18th-century France. This edition: Sheet music. Baroque Around the World. 16 brani di livello intermedio del 18mo secolo francese, per violino (flauto o oboe), piano e parte opzionale del cello (fagotto). Downloadable. Schott Music - Digital #Q20409. Published by Schott Music - Digital (S9.Q20409). 16 easy to intermediate pieces from 18th-century France for violin (flute or oboe), keyboard and optional cello (bassoon). These popular airs and dances, by composers such as Boismortier, Chédeville, Destouches, Grétry, Marais, Montéclair and Mondonville, derive from the court, countryside and theatre.
$11.99
10 Romantic Easy duets for Oboe and English Horn
#
Classique
#
Niccolò Paganini Joha
#
Francesco Leone
#
10 Romantic Easy duets for Obo
#
Glissato Edizioni Musicali
#
SheetMusicPlus
Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827), Robert Schumann, Anton Rubinstein (1829-1894), Peter Ilyich Tch...
(+)
Composed by Niccolò Paganini Johannes Brahms, Ludwig van Beethoven (1770-1827), Robert Schumann, Anton Rubinstein (1829-1894), Peter Ilyich Tchaikovsky (1840-1893), Antonin Dvorak (1841-1904), and Modest Petrovich Mussorgsky (1839-1881). Arranged by Francesco Leone. Classical, Instructional, Romantic Period. 41 pages. Glissato Edizioni Musicali #6664795. Published by Glissato Edizioni Musicali
10 easy duets collection of the romantic period arranged for Oboe in C and English Horn in F, very useful for recital of beginners / intermediate players. Each title is arranged in three different keys, the most comfortable, from low to high. Duration 15.00 (+-).
Contents: 1. Largo from "New World Symphony" ? A. Dvork 2. Theme from "Le Streghe" - N.Paganini 3. Melody ? A. Rubinstein 4. Soldier March ? R. Schumann 5. The Great Gate of Kiev - M. Mussorgsky 6. Theme from "New World Symphony" (IV mov.) - A. Dvork 7. Theme from "Symphony n. 1" (IV mov.) - J. Brahms 8. Theme from "Symphony n. 5" (II mov.) - L. van Beethoven 9. Theme from "Symphony n. 7" (II mov.) - L. van Beethoven 10. Theme from "Swane Lake" - P.I.Tchaikovsky.
$12.99
Danza Queimada - Arranged by Na-Mara
#
Traditional
#
Na-Mara
#
Danza Queimada - Arranged by N
#
Na-Mara
#
SheetMusicPlus
Woodwind Ensemble - Level 2 - SKU: A0.1013010 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5778645. Published by N...
(+)
Woodwind Ensemble - Level 2 - SKU: A0.1013010 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. 1 pages. Na-Mara #5778645. Published by Na-Mara (A0.1013010). Danza Queimada: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara.A ‘danza’ is a circle dance in two-time. Written in the the key of G, Danza Queimada can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this particular tune played by the Asturian band Niundes from their album Enxamás Ye Pa Siempres. Performance tips: this is beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes for a nice interplay between the melody instruments. Make sure the top line sings above the second line in the B section. As it is a dance–like tune, so try to keep the tempo even. The guitar accompaniment can be played with strummed chords.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Entemediu de la Piedra - Arranged by Na-Mara
#
Traditional
#
Na-Mara
#
Entemediu de la Piedra - Arran
#
Na-Mara
#
SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013009 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score...
(+)
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013009 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778641. Published by Na-Mara (A0.1013009). Entemediu de la Piedra: this traditional folk tune from Asturias (Spain) is arranged for two melody instruments and is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. Written in 3/4 waltz time in the key of G, Entemediu de la Piedra can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. We came across this tune from the playing of our friend, Asturian musician, Alberto Ablenado. Performance tips: this is beginner / intermediate level piece played andante or at a moderate speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. Look at varying the dynamics on some of the repeated sections. The guitar accompaniment can be played with broken chords, or arpeggio style. This is a nice opener for a set of tunes, and we sometime follow the Entemediu de la Piedra, of our own arrangement of a Spanish Asturian or Galician Muiñeira.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Muiñeira del Año Nuevo - Composed by Na-Mara
#
Na-Mara
#
Muiñeira del Año
#
Na-Mara
#
SheetMusicPlus
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - SKU: A0.1013754 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. N...
(+)
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - SKU: A0.1013754 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791373. Published by Na-Mara (A0.1013754). Muiñeira del Año Nuevo: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a muiñeira from Galicia (Spain). A jig-like dance tune, written in 6/8 time in the key of Dm, Muiñeira del Año Nuevo can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this live, we make a two-part set by starting with our self-penned tune Schottische de Dimanche and finishing with the Muiñeira del Año Nuevo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Muiñeira de Lugo - Arranged by Na-Mara
#
Traditional
#
Na-Mara
#
Muiñeira de Lugo - Arra
#
Na-Mara
#
SheetMusicPlus
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013011 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score...
(+)
Small Ensemble Flute,Guitar,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013011 Composed by Traditional. Arranged by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5791381. Published by Na-Mara (A0.1013011). Muiñeira de Lugo: this traditional muiñeira from Galicia (Spain) is one of a number of folk tune arrangements by the UK based folk duo Na-Mara. A jig-like dance tune, written in 6/8 time in the Key of G, Muiñeira de Lugo can be played as a duet on two mandolins or on any C clef instruments (violins, ukuleles, flutes etc), with the guitar chords accompanying the individual players. Performance tips: this is beginner / intermediate level piece played at andante or at a medium fast or allegro speed. We have added a second melody part to the original tune, and this makes a nice interplay between the melody instruments. As it is a dance–like tune, try to keep the tempo even, particularly at the beginning with the dotted notes in the melody. The guitar accompaniment can be played with strummed chords. Sometimes we play the first time at a slow tempo, and then a faster / tempo speed the second time around. When we play this live we make a two-part set by starting with our arrangement of the Spanish Galician Muiñeira Muiñeira de Morrazo, and finishing with the Muiñeira de Lugo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
Solage: Calextone qui fut dame for Brass Trio
#
Solage
#
James M
#
Solage: Calextone qui fut dame
#
jmsgu3
#
SheetMusicPlus
Horn,Trombone - Level 2 - SKU: A0.1270186 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 p...
(+)
Horn,Trombone - Level 2 - SKU: A0.1270186 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862614. Published by jmsgu3 (A0.1270186). INSTRUMENTATION: HORN and 2 TROMBONESSources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
Solage: Calextone qui fut dame for Euphonium Trio
#
Solage
#
James M
#
Solage: Calextone qui fut dame
#
jmsgu3
#
SheetMusicPlus
Euphonium - Level 2 - SKU: A0.1270355 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages...
(+)
Euphonium - Level 2 - SKU: A0.1270355 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862762. Published by jmsgu3 (A0.1270355). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage. The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
Solage: Calextone qui fut dame for Baritone Horn Trio
#
Solage
#
James M
#
Solage: Calextone qui fut dame
#
jmsgu3
#
SheetMusicPlus
Baritone Horn TC - Level 2 - SKU: A0.1270558 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 1...
(+)
Baritone Horn TC - Level 2 - SKU: A0.1270558 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #862930. Published by jmsgu3 (A0.1270558). Sources suggest that the song is a love ballad that praises the beauty and virtues of a woman named Calextone, who was a lady from the town of Arouse. The lyrics describe her as having great value and worth, and her beauty and grace are compared to smoke and mist. The composer of the song, Solage, also refers to himself in the refrain with a double meaning, using the spelling soulage. The song is considered a representative example of French secular music from the late fourteenth century. It is not known whether Calextone was a real person or a fictional character created by the composer. Some sources suggest that the song may have been composed for a wedding, possibly that of Jeanne de Boulogne, and that Solage may have been in the service of Gaston Fébus, compte de Foix, who had a financial interest in the marriage.The composer of the song, Solage, was a prominent figure in the Ars subtilior movement, which was characterized by complex rhythms, intricate melodies, and highly stylized notation. The song is considered a representative example of this musical style, which flourished in France during the late medieval period. The song's use of acrostics and double meanings in the lyrics, as well as its intricate musical structure, demonstrate the sophistication and complexity of the Ars subtilior style. Overall, Calextone qui fut dame d'Arouse is an important example of medieval French music and its evolution over time.
$24.95
Canberra Bourrée - Composed by Na-Mara
#
Na-Mara
#
Canberra Bourrée - Comp
#
Na-Mara
#
SheetMusicPlus
Large Ensemble Flute,Guitar,Mandolin,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013008 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pa...
(+)
Large Ensemble Flute,Guitar,Mandolin,Oboe,Piano,Ukulele,Violin - Level 2 - SKU: A0.1013008 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778603. Published by Na-Mara (A0.1013008). Canberra Bourrée: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a French Bourrée. Written in the key of Dm, Canberra Bourrée can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at a moderate speed. It’s quite nice to make a long pause on the second time bar before going back to the A section, and to make a feature of this, and also to slow it down towards the very end. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this tune live we play it as the middle tune of a three-part set, starting with our arrangement of the An Dro, and finishing the set with our arrangement of the Galician Muiñeira, Muiñeira de Boal. Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocalsWeb site: http://www.na-mara.com/
$1.99
Schottische de Dimanche - Composed by Na-Mara
#
Na-Mara
#
Schottische de Dimanche - Comp
#
Na-Mara
#
SheetMusicPlus
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - SKU: A0.1013752 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. N...
(+)
Small Ensemble Flute,Guitar,Mandolin,Oboe,Ukulele,Violin - Level 2 - SKU: A0.1013752 Composed by Na-Mara. Celtic,Folk,World. Score and parts. 1 pages. Na-Mara #5778649. Published by Na-Mara (A0.1013752). Schottische de Dimanche: this tune is one of a number of self-penned folk tunes by the UK based folk duo Na-Mara and is written in the style of a French Schottische. Written in the key of Dm, Schottische de Dimanche can be played on mandolin or on any C clef instrument (violin, ukulele, flute etc), with the guitar chords accompanying the individual player. Performance tips: this is beginner / intermediate level piece and played at medium fast or allegro speed. The guitar accompaniment can be played with broken chords, or arpeggio style. When we play this live, we make a two-part set by starting with the Schottische de Dimanche, and finishing with our self-penned tune, Muiñeira del Año Nuevo.Na-Mara (Rob Garcia and Paul McNamara) perform this instrumental piece on mandolin or octave mandola, with guitar accompaniment. They have also used it alongside other tunes in workshops as a teaching and learning resource, introducing players to tunes from different parts of the Celtic world.Recordings of this and other tunes on SMP can be found on Na-Mara’s albums ‘Sisters & Brothers’, ‘Navajos & Pirates’ and ‘The Bite’Na-Mara have built an enviable reputation for fine story-telling and musicianship. They have performed in venues and festivals in the UK, Europe and China, and on BBC Radio 4, and a plethora of internet and local radio stations. They have consistently delivered new and exciting material to audiences. This includes their own take on traditional tunes from Brittany, France, Ireland, and the Spanish Celtic regions of Asturias and Galicia.Rob Garcia: mandolin, octave mandola, classical guitar & backing vocalsPaul McNamara: guitar & lead vocals Web site: http://www.na-mara.com/
$1.99
To Love Somebody
#
Michael Bolton
#
Peet du Toit
#
To Love Somebody
#
Peet du Toit
#
SheetMusicPlus
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1394105 By Michael Bolton. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. So...
(+)
Brass Quintet Flugelhorn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1394105 By Michael Bolton. By Barry Gibb and Robin Gibb. Arranged by Peet du Toit. Soul. 17 pages. Peet du Toit #977563. Published by Peet du Toit (A0.1394105). To Love Somebody is a song written by Barry and Robin Gibb. Produced by Robert Stigwood, it was the second single released by the Bee Gees from their international debut album, Bee Gees 1st, in 1967. The single reached No. 17 in the United States and No. 41 in the United Kingdom. The song's B-side was Close Another Door. The single was reissued in 1980 on RSO Records with How Can You Mend a Broken Heart as its flipside. The song ranked at number 94 on NME magazine's 100 Best Tracks of the Sixties. It was a minor hit in the UK and France. It reached the top 20 in the US. It reached the top 10 in Canada.In a 2017 interview with Piers Morgan's Life Stories, Barry was asked of all the songs that you've ever written, which song would you choose? Barry said that To Love Somebody was the song that he'd choose as it has a clear, emotional message.Taste this one with the soothing sounds of a Brass Quintet, supported by the Percussion. Enjoy!
$15.00
Kreće se lađa francuska
#
serbian folk song
#
Zoran Radanovic
#
lit
#
Kreće se lađa francusk
#
Zoran Radanovic
#
SheetMusicPlus
Accordion,Bass Voice,Drum Set,Electric Guitar - Level 2 - SKU: A0.1101360 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural...
(+)
Accordion,Bass Voice,Drum Set,Electric Guitar - Level 2 - SKU: A0.1101360 Composed by serbian folk song. Arranged by Zoran Radanovic. Folk,Multicultural,Patriotic,Traditional,World. 13 pages. Zoran Radanovic #704756. Published by Zoran Radanovic (A0.1101360). This arrangement is for band (2 accordions, bass guitar, el. guitar, drumset). Kreće se laÄ‘a francuska (Serbian Cyrillic: Креће Ñе лађа француÑка; lit. 'The French Boat is Sailing') is a Serbian war song from the First World War, first sung in a Salonika harbor, where the Serbian army was recuperating after a long and painful withdrawal through the Albanian mountains. The author of the original text of the poem is Serbian officer colonel Branislav Milosavljević.[1] The song was frequently performed in both France and Serbia after the war and is commonly used as a symbol of Serbian and French friendship.
$5.99
The Blue Alsatian Mountains Duet for Oboe and Bb Clarinet
#
Stephen Adams
#
Brittany Sommerville
#
The Blue Alsatian Mountains Du
#
Brittany Sommerville
#
SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.854258 Composed by Stephen Adams. Arranged by Brittany Sommerville. Classic...
(+)
Instrumental Duet B-Flat Clarinet,Instrumental Duet,Oboe - Level 2 - SKU: A0.854258 Composed by Stephen Adams. Arranged by Brittany Sommerville. Classical,Folk,Praise & Worship,Spiritual,Traditional. Score and parts. 3 pages. Brittany Sommerville #460773. Published by Brittany Sommerville (A0.854258). The Blue Alsatian Mountains for Oboe and Bb Clarinet is an instrumental duet. The Blue Alsatian Mountains is a secular waltz folksong from composer Stephen Adams [Michael Maybrick]. The year of the original composition of The Blue Alsatian Mountains is unknown, but is likely between the years of 1870-1880. The piece was originally arranged for piano and choir. The lyrics for the choir arrangement where written by Charlotte Alington Barnard. The mountains referred to in this piece are geographically named the Vosges Mountains located in north-east France. Alsatian is the name of the group of people who live in this region. This arrangement is Grade 2 suggested for those in grades 8, 9 and 10. This piece may be used in solo and ensemble competitions throughout the United States of America. There are 141 measures in this piece. The tempo is set to be quarter note = 108 BPM; students should perform the piece in any tempo best suited to their needs. This piece will be 236 (3:56) seconds long at quarter note = 108 BPM. F Concert Key.
$4.99
CHANGING
#
@bardellemusic
#
CHANGING
#
Francesco Bardelle
#
SheetMusicPlus
Percussion Solo,Timpani - Level 2 - SKU: A0.1449039 By @bardellemusic. By Francesco Bardelle. 21st Century,Children,Instructional. Individual part. 2 pa...
(+)
Percussion Solo,Timpani - Level 2 - SKU: A0.1449039 By @bardellemusic. By Francesco Bardelle. 21st Century,Children,Instructional. Individual part. 2 pages. Francesco Bardelle #1028857. Published by Francesco Bardelle (A0.1449039). A little didactic piece for 2 Timpani (G-D) written in order to approach a simple and effective metric change from 4/4 to 6/8 to 2/4, from 2/4 to 3/8 and so on.
$2.00
"PLA-STICK-A"
#
@bardellemusic
#
"PLA-STICK-A"
#
Francesco Bardelle
#
SheetMusicPlus
Percussion Ensemble Agogo Bell,Claves,Snare Drum - Level 2 - SKU: A0.1443888 By @bardellemusic. By Francesco Bardelle. Contest,Festival,Instructional,La...
(+)
Percussion Ensemble Agogo Bell,Claves,Snare Drum - Level 2 - SKU: A0.1443888 By @bardellemusic. By Francesco Bardelle. Contest,Festival,Instructional,Latin,March. 2 pages. Francesco Bardelle #1023829. Published by Francesco Bardelle (A0.1443888). An original work written for Percussion Ensemble that play simultaneously 90% the same Lines.I suggest 5+ players in order to have much volume as possible.This piece is write for big plastic bottle (3lt, 5lt, 8lt) but is suitable for snare drum and floor-tom:in this case i suggest n°1 Snare drum with the snare on and the rest of the Band with Tom-Tom and Floor-Tom tuned from highest to lowest.
$4.99
<
1
26
From France
