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TRI ET FILTRES
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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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Non classifié
9272
PIANO & CLAVIERS
Piano seul
7793
Piano Facile
3704
Piano, Voix et Guitare
3316
Piano, Voix
3028
Orgue
913
Instruments en Do
396
1 Piano, 4 mains
381
Piano grosses notes
348
Accompagnement Piano
165
Accordéon
128
2 Pianos, 4 mains
79
Ligne De Mélodie, Piano
70
Piano Trio: piano, violon, violoncelle
67
Instrument seul et Orgue
62
Piano (partie séparée)
40
Accordéon, Voix
37
Orgue, Piano (duo)
26
Piano Quatuor: piano, violon, alto, violoncelle
19
Orgue, Voix
16
Piano Quintette: piano, 2 violons, alto, violoncelle
16
Orgue, Trompette (duo)
16
Piano Quatuor: piano, 2 violons, violoncelle
11
1 Piano, 6 mains
9
Clavecin
8
2 Pianos, 8 mains
6
Accordéon - Piano, Voix, Guitare
2
Clavier
2
2 Accordéons
1
Ensemble d'Accordéons
1
2 Orgues (duo)
1
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GUITARES
Guitare notes et tablatures
1620
Ligne De Mélodie, (Paroles) et Accords
1309
Guitare
686
Ukulele
465
Paroles et Accords
296
Basse electrique
199
Guitare (partie séparée)
81
Banjo
76
2 Guitares (duo)
64
Piano, Guitare (duo)
47
Mandoline
32
Dulcimer
25
4 Guitares (Quatuor)
20
3 Guitares (trio)
13
Ensemble de guitares
11
2 Dulcimers (duo)
7
Ukulele Baryton
5
Guitare Pedal Steel
4
Mandoline, Guitare (duo)
4
Basse électrique (partie séparée)
4
Guitare, Violon, Violoncelle (trio)
1
Cithare
1
Partitions De Groupes
1
Mandoline, Piano (duo)
1
Dobro
1
Orchestre à Plectres
1
Instrumentations suivantes
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VOIX
Chorale SATB
2374
Chorale 3 parties
1018
Chorale 2 parties
653
Chorale TTBB
351
Chorale Unison
245
Voix duo, Piano
196
Chorale SSAA
180
Voix, Guitare
67
Voix duo
67
Chorale
44
Voix Soprano, Piano
40
Voix seule
31
Voix haute
24
Voix Tenor, Piano
23
Chorale SSATBB
20
Voix moyenne, Piano
12
Voix Alto, Piano
8
Chorale SSAATTBB
8
Voix Tenor
7
Chorale SSAB, Piano
5
Chorale, Orgue
5
Voix basse, Piano
5
Voix basse
4
Chorale SSATB
4
Chorale SSAB a cappella
3
Voix Soprano
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATTB
2
Chorale SATTB
1
Chorale SSAATB
1
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
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VENTS
Clarinette
618
Flûte traversière
564
Saxophone (partie séparée)
556
Flûte traversière et Piano
550
Saxophone Alto
501
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
468
Quatuor de Saxophones: 4 saxophones
441
Clarinette et Piano
427
Hautbois, Piano (duo)
371
Flûte, Hautbois, Clarinette, Basson
371
Saxophone Alto et Piano
349
Quintette de Saxophone: 5 saxophones
339
2 Saxophones (duo)
301
Quatuor de Clarinettes: 4 clarinettes
281
Saxophone Tenor et Piano
275
Saxophone Tenor
247
2 Flûtes traversières (duo)
221
Clarinette (partie séparée)
203
2 Clarinettes (duo)
192
Saxophone Soprano et Piano
184
Quatuor de Flûtes : 4 flûtes
166
Ensemble de saxophones
144
Flute (partie séparée)
125
Hautbois (partie séparée)
120
3 Saxophones (trio)
117
Ensemble de Clarinettes
101
Hautbois
98
Saxophone Baryton, Piano
97
Flûte, Clarinette (duo)
91
Saxophone
90
Trio de Flûtes: 3 flûtes
83
3 Clarinettes (trio)
82
Clarinette, Violon (duo)
72
Ensemble de Flûtes
68
2 Hautbois (duo)
67
Saxophone, Clarinette (duo)
61
Flûte et Guitare
60
Hautbois, Basson (duo)
55
Quintette de Clarinettes: 5 clarinettes
54
Flûte à bec Soprano
54
Flûte, Violon
54
Quatuor de Flûtes à bec
51
Cor anglais, Piano
51
Saxophone Soprano
50
Flûte, Hautbois, Clarinette (trio)
49
Clarinette, Trompette (duo)
45
Hautbois, Clarinette (duo)
43
Clarinette et Alto
40
Saxophone Baryton
40
Flûte, Alto (duo)
40
Flûte à bec Alto
39
Flûte à Bec
38
2 Flûte à bec (duo)
35
Instruments en Mib
33
Ensemble De Flûte à bec
31
Flûte, Saxophone (duo)
29
Clarinette Basse, Piano
29
Hautbois, Clarinette, Basson (trio d'anches)
28
Flûte, Violoncelle
28
Quintette de Flûte : 5 flûtes
28
Harmonica
26
Clarinette, Basson (duo)
26
5 Flûtes à bec
25
Flûte, Hautbois (duo)
21
3 Flûtes à bec (trio)
21
Flûte, Trompette (duo)
20
Hautbois, Flûte
18
Hautbois, violon (duo)
15
Clarinette, Violoncelle (duo)
15
Flûte, Clarinette et Basson
14
Hautbois, Violoncelle
14
Piccolo
13
Flûte à bec Tenor
10
Clarinette Basse
10
Clarinette, Guitare (duo)
9
Flûte, Basson et Piano
9
Flûte traversière, Orgue (duo)
9
Flûte, Hautbois, Basson
8
Cor Anglais
8
Piccolo, Piano
7
Flûte, Violon et Violoncelle
7
Flûte, Clarinette, Piano (trio)
7
Hautbois et alto (duo)
6
Flûte, Violoncelle, Piano (trio)
5
Saxophone et Orgue
5
Clarinette, Harpe (duo)
5
2 Clarinettes, Piano
5
Flûte à bec Soprano, Piano
5
2 Saxophones, Piano
4
Flûte à bec Alto, Piano
4
2 Flûtes traversières, Piano
4
Hautbois, Harpe
4
Saxophone et Piano
4
Clarinette, Violoncelle, Piano (trio)
3
Saxophone et Harpe
3
Flûte irlandaise
3
Saxophone et Guitare
3
2 Cors Anglais Et Pianoforte
3
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flute, harpe et violon
3
Flûte, Hautbois, Piano (trio)
3
2 Clarinettes, Basson
3
Flûte à Bec, Piano
3
Flûte, Alto et Piano
2
Flûte de Pan
2
Ensemble à vent
2
Cornemuse
2
Harmonica, Piano
2
Flûte traversière, Orchestre
2
Flûte à bec, Guitare (duo)
2
Clarinette, trompette et piano
2
Hautbois, Guitare (duo)
2
Flûte, trombone et piano
2
Flûte, Violon, Piano
2
Flûte, Trombone (duo)
2
Hautbois, Basson et Piano
2
Flûte et Trio à cordes
1
Cor anglais, Guitare (duo)
1
2 Flûtes à bec, Guitare
1
Clarinette, Orgue
1
Flûte, Violon, Guitare
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Violoncelle et Piano
1
Hautbois, trombone (duo)
1
2 Flûtes traversières, Harpe
1
Flûte, alto et harpe
1
Ensemble de Hautbois
1
Flute, Cor (duo)
1
2 Flûtes à bec, Piano
1
3 Hautbois
1
Flûte, Harpe et Violoncelle
1
Clarinette, Basson, Piano (trio)
1
Flûte, Alto et Violoncelle
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois, Violon
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
742
Trompette
580
Trombone
382
Cor
363
Trompette, Piano
354
Trombone (partie séparée)
338
Trompette (partie séparée)
335
Trombone et Piano
302
Quatuor de Cuivres : 2 trompettes, trombone, tuba
276
Cor et Piano
257
Tuba
162
2 Trombones (duo)
160
Quatuor de Cuivres: 2 trompettes, Cor, trombone
137
Cor (partie séparée)
123
Tuba et Piano
118
Quatuor de Cuivres
114
Bass Clef Instruments
93
2 Trompettes (duo)
80
Ensemble de Trompettes
71
Trompette, Trombone (duo)
68
Tuba (partie séparée)
63
Instruments en Sib
55
Euphonium, Piano (duo)
54
Quatuor de cuivres: 4 trombones
51
Cor anglais, Piano
51
Trompette, Saxophone (duo)
45
Ensemble de Trombones
39
2 Cors (duo)
39
Euphonium
20
Quatuor de cuivres: 4 cors
17
Trompette, Cor (duo)
16
Ensemble de Cors
15
2 Euphoniums et 2 Tubas
11
2 Tubas (duo)
11
3 Trompettes (trio)
10
2 Euphoniums (duo)
9
4 Tubas
9
Trombone, Cor (duo)
8
Quatuor de cuivres: 4 trompettes
8
Quatuor de cuivres: 2 trompettes, 2 trombones
8
Cor Anglais
8
Cor, Tuba (duo)
7
Trombone, Tuba (duo)
6
Trio de Cuivres
6
Tuba et Orgue
6
3 Trombones (trio)
6
Cornet A Pistons
5
Trompette, Tuba (duo)
5
Trombone basse
5
Euphonium, Tuba (duo)
4
Trombone, Orgue
4
Cor, Violoncelle (duo)
4
3 Cors (trio)
3
2 Cors Anglais Et Pianoforte
3
Trombone basse et Piano
3
Cor et Basson (duo)
3
Trompette, Euphonium (duo)
3
Trompette, Harpe
2
Trompette, Basson (duo)
2
Trompette, Violoncelle (duo)
2
Cor et Harpe
2
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
Tuba ou Euphonium ou Saxhorn
1
Trombone et orchestre
1
Trompette, violon (duo)
1
4 Euphoniums
1
Instruments en Fa
1
Trompette et Guitare
1
3 Tubas (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
1590
Violon et Piano
777
Violon
743
Violoncelle, Piano
510
Alto, Piano
488
Alto seul
433
Harpe
415
Violoncelle
339
Violon, Violoncelle (duo)
331
Violoncelle (partie séparée)
265
2 Violons (duo)
245
Trio à Cordes: violon, alto, violoncelle
238
Violon (partie séparée)
179
2 Violoncelles (duo)
164
2 Harpes (duo)
160
Quintette à cordes: 2 violons, alto, violoncelle, basse
157
Alto (partie séparée)
155
Contrebasse, Piano (duo)
144
Violon, Alto (duo)
138
Contre Basse
122
Trio à Cordes: 2 violons, violoncelle
116
2 Altos (duo)
95
Contrebasse (partie séparée)
79
Alto, Violoncelle (duo)
42
Trio à cordes: 3 violins
41
4 Violoncelles
40
Piano Trio: Violon, Alto, Piano
24
Quatuor à cordes: 4 violons
24
Trio à Cordes: 3 violoncelles
19
Quatuor à cordes : 4 altos
19
Ensemble d'Altos
18
Ensemble de Violons
17
Violon, Guitare (duo)
17
Violoncelle, Contrebasse (duo)
15
Harpe, Flûte (duo)
12
2 Contrebasses (duo)
11
Harpe, Violon (duo)
10
Violoncelle , Guitare (duo)
10
Violon, Basson (duo)
10
Trio à Cordes: 2 violons, alto
10
Trio à cordes
8
Flûte, Contrebasse (duo)
7
Trio à cordes: 3 altos
7
Quintette à cordes: 2 violons, 2 altos, violoncelle
6
Ensemble de Violoncelles
6
Alto et Basson
6
Alto, Guitare (duo)
4
Violon, Orgue
4
Harpe, Voix
4
Harpe et Orgue
3
4 Contrebasses
3
2 Violons, Piano
3
Autoharp
3
Violoncelle, Basse continue
3
Harpe, Violon, Violoncelle
3
Violoncelle, Orgue
2
5 Harpes
2
3 Harpes
2
Alto et Harpe
2
Violon, Violoncelle, Clarinette
2
2 Violoncelles, Piano
2
Alto, Orgue
1
Violon, Clarinette, Piano (trio)
1
2 Altos, Piano
1
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
Harpe, Trombone (duo)
1
Violoncelle, Orchestre
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1966
Orchestre à Cordes
619
Orchestre
494
Cloches
361
Ensemble Jazz
349
Ensemble de cuivres
276
Batterie
151
Orchestre de chambre
133
Jazz combo
104
Fanfare
84
Ensemble de Percussions
83
Percussion (partie séparée)
80
Batterie (partie séparée)
68
Xylophone, Piano
19
Percussion
19
Timbales (partie séparée)
18
Vibraphone
17
Marimba
16
Xylophone
12
Ensemble d'École
5
Caisse Claire
4
Instrumentation Flexible
4
Orchestre, Violon
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Piano et Orchestre
3
Quintette à Vent
3
Quatuor à Vent : 4 instruments à vents
3
Cajon
3
Xylophone ou Marimba ou Vibraphone
2
2 Xylophones
2
Bongos
2
3 Marimbas
2
Timbales
2
Bodhran
2
Vibraphone (partie séparée)
2
Conga
1
Quintette de Cuivres: autres combinaisons
1
2 Marimbas
1
Big band
1
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
7
Formation musicale - Solfège
2
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9251
Marianische Fantasien I - III
Basset horn (or bass clarinet or bassoon) solo - difficult - Digital Download SKU: S9.Q…
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Basset horn (or bass clarinet or bassoon) solo - difficult - Digital Download SKU: S9.Q6418 Composed by Bertold Hummel. This edition: Sheet music. Downloadable. Op. 87d. Duration 10 minutes. Schott Music - Digital #Q6418. Published by Schott Music - Digital (S9.Q6418). Hummel wrote three versions of the four-minute fantasias: the original version for basset horn as well as versions for solo bass clarinet and solo bassoon. The most effective version undoubtedly is the version for basset horn with its mystically transfigured sound which even Mozart had used for the musical reference to the world to come. Each of the three fantasias begins with a Gregorian song in praise of the Virgin Mary followed by an elaborate fantasia on this tune. Thus, Hummel bridges the period from the 17th century to the present time, from the old-fashioned religious melody to 20th-century music. 'Marianische Fantasien' are pieces of moderate difficulty, yet full of charming beauty. They will enthuse the audience both in the concert hall and in church.
$12.99
11.96 €
#
Bertold Hummel
#
Marianische Fantasien I - III
#
Schott Music - Digital
#
SheetMusicPlus
Brasil Sem Tom
Small Ensemble Clarinet,Double Bass,Electric Guitar,Percussion - Digital Download SKU: …
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Small Ensemble Clarinet,Double Bass,Electric Guitar,Percussion - Digital Download SKU: A0.962296 Composed by Sergio Roberto de Oliveira (1970 - 2017). 20th Century,Jazz,World. Score and parts. 36 pages. Sergio Roberto de Oliveira #2831833. Published by Sergio Roberto de Oliveira (A0.962296). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$8.36
7.7 €
#
Sergio Roberto de Oliveira
#
Brasil Sem Tom
#
Sergio Roberto de Oliveira
#
SheetMusicPlus
Chasing The Bird
Guitar Ensemble - Digital Download SKU: A0.1470462 Composed by Charlie Parker. Arra…
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Guitar Ensemble - Digital Download SKU: A0.1470462 Composed by Charlie Parker. Arranged by Bronson Ferdinand Wright. 20th Century,Blues,Instructional,Jazz,Standards. Score and Parts. 3 pages. Bronson Ferdinand #1048195. Published by Bronson Ferdinand (A0.1470462). Guitar tab arrangement of Chasin' the Bird by Charlie Parker.A hidden gem of bebop. This version includes both melodies as originally composed.Detailed articulations are notated to facilitate the development of speed and phrasing on the instrument.A great study piece for jazz guitar students.
$5.99
5.52 €
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Charlie Parker
#
Bronson Ferdinand Wright
#
Chasing The Bird
#
Bronson Ferdinand
#
SheetMusicPlus
Asiago
Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bo…
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Schlagzeug: Triangel - 4 Becken - Nietenbecken - Gong - Tamtam - Chimes - Kuhglocke - 2 Bongos - 2 Tomtoms - Tempelblocks - Kleine Trommel - Vibraslap - Vibraphon percussion and cello - difficult - Digital Download SKU: S9.Q6118 For Percussion and Violoncello. Composed by Bertold Hummel. This edition: score and parts. Downloadable, Score and parts. Op. 107 b. Duration 16 minutes. Schott Music - Digital #Q6118. Published by Schott Music - Digital (S9.Q6118). In summer 2001, Bertold Hummel composed the present work as a commission for the Asiago Festival and brought together in the grand dimensions of his 'Fantasy in one movement' - as he himself termed it - for the first time the instruments he had always loved much during his life. Asiago - the letters a-s-a-g, corresponding to the notes a, e-flat, a, g in the German musical scale, open and close the work - is a successful excursion into the complex sound combinations of percussion instruments and the mystical, sensuous tone of the violoncello, whereby the stringed instrument occasionally takes on a percussive role and the percussion is sometimes treated like a bowed. Driving rhythms pursue each other, alternating with meditative moments. Chorale fragments lead to a grand cadenza, in which the instrumentalists have the opportunity, following patterns provided, for free improvisation. The première of this work took place on 5th August, 2001 in the Duomo di S. Matteo in Asiago in northern Italy and was in the hands of Peter Sadlo and Julius Berger, who are amongst the most committed exponents of Bertold Hummel's works.Asiago is an effective examination of the wide range of possible tonal combinations between percussion instruments and the mystic and sensuous colouring of the violoncello, in which the string instrument is at times treated percussively and the percussion instruments in the manner of a string instrument. Furious rhythms alternate with meditative passages and choral fragments culminate in a large-scale cadenza in which the instrumentalists have the opportunity of free improvisation on the basis of specified models.
$19.99
18.41 €
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Bertold Hummel
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Asiago
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Schott Music - Digital
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SheetMusicPlus
Bachianas Brasileiras N 2
Viola,Violin - Level 1 - Digital Download SKU: A0.1411148 By Royal Philharmonic Orc…
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Viola,Violin - Level 1 - Digital Download SKU: A0.1411148 By Royal Philharmonic Orchestra. By Heitor Villa Lobos. Arranged by Hugo Yasha. 20th Century,Classical,Folk,Multicultural,World. 9 pages. Hugo Yasha #993474. Published by Hugo Yasha (A0.1411148). Explore the vibrant world of Brazilian music with our arrangement of 'O Trenzinho do Caipira' by Villa-Lobos. Inspired by the Bachianas Brasileiras No. 2, this iconic piece captures the essence of Brazilian culture and folk rhythms.Our arrangement is tailored for beginners, written for 3 violins and one viola. Perfect for aspiring musicians looking to delve into the beauty of Villa-Lobos' music, the score provides an accessible entry point to the rich harmonies and lively melodies of this celebrated composer.Immerse yourself in the captivating sounds of Brazil and embark on a musical journey with 'O Trenzinho do Caipira.' Whether you're a student, teacher, or enthusiast, this arrangement offers a rewarding experience for all.
$12.99
11.96 €
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Royal Philharmonic Orchestra
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Hugo Yasha
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Bachianas Brasileiras N 2
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Hugo Yasha
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SheetMusicPlus
Carson Cooman: Folk Fantasies (2005) for solo euphonium, string quartet, and percussion, score only
Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download …
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Small Ensemble Cello,Euphonium,Multi-Percussion,Viola,Violin - Level 5 - Digital Download SKU: A0.533661 Composed by Carson Cooman. Contemporary,Folk,Standards. Score and parts. 34 pages. Musik Fabrik Music Publishing #3036573. Published by Musik Fabrik Music Publishing (A0.533661). I. Highland Ballad (Scotland)II. Ceremonial (Nigeria)III. Circle Dance (America)Folk Fantasies (2005) for solo euphonium, string quartet, and percussion was commissioned,inspired by, and is dedicated to euphoniumist Matthew Murchison. When we first begandiscussing the idea of a new chamber euphonium concerto, Matthew specifically requested apiece connected to folk music. In recent years, he has been interested in taking theeuphonium into folk music contexts in which it is not normally found. Thus, the idea behindthis work became that of creating a concert piece connected to folk traditions.Although this work is heavily connected to folk music, it does not quote or use any actualfolk tunes or material directly. For each of the three movements, I began by composing anoriginal folk tune within that national style. Each movement of the work is then anarrangement in my own musical style of my original folk tune. The formal and harmoniclanguage is simple, direct, and uncluttered throughout, as is appropriate for folk music.The first movement, Highland Ballad (Scotland), begins and ends with lyrical music. Themiddle sections contain settings of the basic melody -- first presented over a bagpipe-likedrone (with interjections) and then in a full harmonization.The second movement, Ceremonial (Nigeria), combines a harmonic refrain along with asimple melody in the Nigerian/Yoruban folk style. As the movement progresses, theeuphonium plays the role of a song-leader, adding increasingly impassioned countermelodiesand textures over the basic refrains.The third movement, Circle Dance (America), is jubilant -- in the vein of the folk songs ofthe Shakers. A basic rondo structure alternates the principal melody with contrastingexcursions.
$25.95
23.9 €
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Carson Cooman
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Carson Cooman: Folk Fantasies
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Musik Fabrik Music Publishing
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SheetMusicPlus
Canções da crianças brasileiras
Voice, recorders and percussion - Digital Download SKU: S9.Q23895 Brasilian Song…
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Voice, recorders and percussion - Digital Download SKU: S9.Q23895 Brasilian Songs for Children. This edition: score for voice and/or instruments. Orff-Schulwerk. Downloadable, Vocal and performing score. Schott Music - Digital #Q23895. Published by Schott Music - Digital (S9.Q23895). Portuguese.Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils. Ten folk-songs and dances for children with accompaniements for recorders and Orff instruments.
$13.99
12.88 €
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Canções da crianças brasileiras
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Schott Music - Digital
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SheetMusicPlus
Solage: Le basile for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Com…
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Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.34 €
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Solage, Late 14th Century
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James M
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Solage: Le basile for Brass Quartet
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jmsgu3
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SheetMusicPlus
Solage: Le basile for Double Reed Quartet
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download
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Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.34 €
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Solage
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James M
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Solage: Le basile for Double Reed Quartet
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jmsgu3
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SheetMusicPlus
Piano Sonata No. 14 (op.27-2) "Sonata quasi una Fantasia" pianosolo up beaver.
Drums,Piano - Level 3 - Digital Download SKU: A0.1305324 By L.v.Beethoven. By L.v.B…
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Drums,Piano - Level 3 - Digital Download SKU: A0.1305324 By L.v.Beethoven. By L.v.Beethoven. Arranged by pfkaori. Classical. Full Performance. Duration 121. Pfkaorimusic #894763. Published by pfkaorimusic (A0.1305324). Composer: L.v.BeethovenSong: Piano Sonata No. 14 Â (op.27-2) Sonata quasi una FantasiaOrchestration: Piano Beatup beat ver.
$4.00
3.68 €
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L
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pfkaori
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Piano Sonata No. 14 (op.27-2) "Sonata quasi una Fantasia" pianosolo up beaver.
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pfkaorimusic
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SheetMusicPlus
Easier Pachelbel Canon
String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.110…
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String Ensemble Cello,Double Bass,Viola,Violin - Level 1 - Digital Download SKU: A0.1102450 Composed by Johann Pachelbel. Arranged by Mark Lansom. Baroque,Children,Classical,Film/TV,Instructional. Score and parts. 24 pages. Mark Lansom #705862. Published by Mark Lansom (A0.1102450). This arrangement was written for a school ensemble with violins at three distinct levels of ability. The first violin part is almost identical to the original, with occasional easing. The second violin part maintains as much of the original as possible too, but without having to leave first position. The third violin part was designed for players towards the end of their first year of lessons, and remains in first hand shape of tone-tone-semitone from each string. The cello part was adapted to avoid the slightly awkward F sharp stretch on the C string, which often leads young cellists out of tune. However, there is a second supplementary score and parts which use the original cello notes. Other supplementary parts include a fourth violin part which is all open strings, a viola part which doubles mostly second violin but sometimes first or third violin to stop the line leaving first position, and a double bass part. Minimum forces for a performance are the first three violin parts with at least one bass clef part (which could also of course be played on a keyboard). Inevitably, the piece loses its purity of being an actual canon of parts, but gains playability. It is almost as long as the original, but some cuts have been made, so it is inadvisable to add parts from other sources. Finally, the piece has been made much easier to read by being written in double time.
$35.99
33.14 €
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Johann Pachelbel
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Mark Lansom
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Easier Pachelbel Canon
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Mark Lansom
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SheetMusicPlus
Fantasia & Fugue in C minor BWV 537 for 8-part Trombone Choir
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792619 Composed by Joh…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.792619 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Concert,Renaissance. Score and parts. 48 pages. Gordon Cherry #5040969. Published by Gordon Cherry (A0.792619). Bach’s Fantasia & Fugue in C minor, BWV 537 is a work for Organ written around the year 1723 while the composer was in residence in Weimar. Bach composed many of his greatest organ works during this period. The music of the Fantasia is lush and ornate. The Fugue is an amazing 130 bars in length. This work was transcribed for orchestra in 1921 by Edward Elgar who mourned after the death of his wife. He was to orchestrate the Fugue and Richard Strauss agreed to do the Fantasia, however after two years Elgar completed the entire work as Strauss never held up his part of the bargain. Mr. Sauer has subtly added phrasings, breaths and articulations to the original score to aid in the performance for Trombone choir. The music is about eight minutes in length and is appropriate for advanced performers.
$32.50
29.93 €
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Johann Sebastian Bach
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Ralph Sauer
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Fantasia & Fugue in C minor BWV 537 for 8-part Trombone Choir
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Gordon Cherry
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SheetMusicPlus
Basic Music Theory and Notation
Guitar,Percussion,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.1403307 B…
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Guitar,Percussion,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.1403307 By The Music Teacher. By Dennis McCorkle. Christian,Instructional,Jazz. Educational Method. 96 pages. DF McCorkle Music and eBook Publications #986499. Published by DF McCorkle Music and eBook Publications (A0.1403307). The perfect method for understanding the Basics of Music Theory and Notation by Dennis McCorkle (DennisMcCorkle.com). Chapters include: Sound Music Notation Basics Staff and Staves Bar Lines and Measures Musical Alphabet Clefs Types of Notes and Rests Time Signatures Counting out Measures Accidentals Scales Key Signatures Major and Minor Key Signatures Sheet Music Notation Miscellaneous Terms
$14.99
13.8 €
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The Music Teacher
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Basic Music Theory and Notation
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Three-Part Fantasias for Brass Trio
Euphonium,Horn,Trombone,Trumpet - Digital Download SKU: A0.1119354 Composed by Henr…
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Euphonium,Horn,Trombone,Trumpet - Digital Download SKU: A0.1119354 Composed by Henry Purcell. Arranged by Richard Decker. Baroque,Chamber,Contest,Festival. 35 pages. Charles Decker Music Press #720769. Published by Charles Decker Music Press (A0.1119354). One of the most prominent English composers of the Baroque period, Henry Purcell showed a mastery of instrumental writing particularly in his Fantasias written early in his career. As organist, organ maker and keeper of the King's instruments to several English Kings, Purcell's instrumental composing highlighted his creativity in contrapuntal writing, harmonic inventiveness including chromaticism and his understanding of the virtuosic capabilities of the instruments. Scored for trumpet in B-flat with alternate C trumpet part, horn in F, and trombone with substitute treble clef euphoniium part, these arrangements for can be performed separately or even as a suite as each Fantasia has its own character. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.99
13.8 €
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Henry Purcell
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Richard Decker
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Three-Part Fantasias for Brass Trio
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Charles Decker Music Press
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SheetMusicPlus
In The Steppes Of Central Asia
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.927177 Composed by Ale…
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.927177 Composed by Alexander Borodin. Arranged by George Willson. Concert,Romantic Period. Score and parts. 16 pages. George Willson #4608717. Published by George Willson (A0.927177). The composer wrote the following about the piece: In the silence of the monotonous steppes of Central Asia is heard the unfamiliar sound of a peaceful Russian song. From the distance we hear the approach of horses and camels and the bizarre and melancholy notes of an oriental melody. A caravan approaches, escorted by Russian soldiers, and continues safely on its way through the immense desert. It disappears slowly. The notes of the Russian and Asiatic melodies join in a common harmony, which dies away as the caravan disappears in the distance.George Willson is a trombone player and has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$9.99
9.2 €
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Alexander Borodin
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George Willson
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In The Steppes Of Central Asia
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George Willson
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SheetMusicPlus
Luis Milan Six Pavanes and Four Fantasias In Tablature and Modern Notation For Baritone Ukulele
Small Ensemble Ukulele - Level 2 - Digital Download SKU: A0.810004 Composed by Luis…
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Small Ensemble Ukulele - Level 2 - Digital Download SKU: A0.810004 Composed by Luis Milan. Arranged by Michael P. Walker. Baroque,Instructional,Renaissance,Standards. Score. 48 pages. Michael P Walker #5821891. Published by Michael P Walker (A0.810004). Who would have thought you could play classical music on a ukulele? But you can! Expanded Edition with Additional Fantasias! Here are compositions from16th Century Spain by Luis Milan – transcribed for the baritone ukulele. These are compositions I learned when I first started the serious study of classical music so many years ago and they form part of the basic repertoire for the guitar – and, now for the baritone ukulele.
$19.95
18.37 €
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Luis Milan
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Michael P
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Luis Milan Six Pavanes and Four Fantasias In Tablature and Modern Notation For Baritone Ukulele
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Michael P Walker
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SheetMusicPlus
Fantasie f-Moll KV 594
Chamber orchestra SKU: M2.MOS-10015 Orgelstuck fur eine Uhr. Composed by Wol…
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Chamber orchestra SKU: M2.MOS-10015 Orgelstuck fur eine Uhr. Composed by Wolfgang Amadeus Mozart. Score. Möseler Verlag #MOS 10015. Published by Möseler Verlag (M2.MOS-10015). ISBN 9790203735687.Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr.
$16.95
15.61 €
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Wolfgang Amadeus Mozart
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Fantasie f-Moll KV 594
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Möseler Verlag
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SheetMusicPlus
Fantasie f-Moll KV 594
Chamber orchestra SKU: M2.MOS-10015-60 Composed by Wolfgang Amadeus Mozart. Set of …
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Chamber orchestra SKU: M2.MOS-10015-60 Composed by Wolfgang Amadeus Mozart. Set of string parts. Möseler Verlag #MOS 10015-60. Published by Möseler Verlag (M2.MOS-10015-60). ISBN 9790203735700.Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr.
$29.95
27.58 €
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Wolfgang Amadeus Mozart
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Fantasie f-Moll KV 594
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Möseler Verlag
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SheetMusicPlus
Fantasie d-Moll (orig. f-Moll) KV 608
String orchestra SKU: M2.MOS-10014-70 Orgelstuck fur eine Uhr. Composed by W…
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String orchestra SKU: M2.MOS-10014-70 Orgelstuck fur eine Uhr. Composed by Wolfgang Amadeus Mozart. Set of string parts. Möseler Verlag #MOS 10014-70. Published by Möseler Verlag (M2.MOS-10014-70). ISBN 9790203735670.Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr.
$43.95
40.47 €
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Wolfgang Amadeus Mozart
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Fantasie d-Moll
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Möseler Verlag
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SheetMusicPlus
Fantasie f-Moll KV 594
Chamber orchestra SKU: M2.MOS-10015-10 Composed by Wolfgang Amadeus Mozart. Set of …
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Chamber orchestra SKU: M2.MOS-10015-10 Composed by Wolfgang Amadeus Mozart. Set of wind parts. Möseler Verlag #MOS 10015-10. Published by Möseler Verlag (M2.MOS-10015-10). ISBN 9790203735694.Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr.
$13.95
12.85 €
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Wolfgang Amadeus Mozart
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Fantasie f-Moll KV 594
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Möseler Verlag
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SheetMusicPlus
Fantasie d-Moll (orig. f-Moll) KV 608
String orchestra SKU: M2.MOS-10014 Orgelstuck fur eine Uhr. Composed by Wolf…
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String orchestra SKU: M2.MOS-10014 Orgelstuck fur eine Uhr. Composed by Wolfgang Amadeus Mozart. Score. Möseler Verlag #MOS 10014. Published by Möseler Verlag (M2.MOS-10014). ISBN 9790203735663.Ein Stuck fur ein Orgelwerk in einer Uhr lautet eine undatierte handschriftliche Eintragung Mozarts (zwischen Dezember 1790 und 5. Januar 1791) in sein Verzeichnuss aller meiner Werke, etwas spater finden wir unter dem 3. Marz 1791 Ein OrgelStucke fur eine Uhr. Gemeint sind die beiden ublicherweise als Fantasie bezeichneten Werke in f-Moll, KV 594 und KV 608, die Mozart mit grosser Wahrscheinlichkeit fur eine mit einem Uhrwerk verbundene mechanische Orgel - also einen Orgel-Automaten - im Mausoleum Laudons der Mullerschen Kunstgalerie geschrieben hat. Wer unter diesen so harmlos wirkenden Titeln eine ebenso harmlose, hubsche und unterhaltende Musik erwartet, wird schon durch die Tonart der beiden in Mozarts letztem Lebensjahr entstandenen Musiken uberrascht sein - vielmehr noch durch ihre konzentrierte Form und Ausdruckstiefe. Stucke fur ein mechanisches Orgelwerk zu schreiben war durchaus eine Aufgabe, der sich viele der grossen Meister des 18. Jahrhunderts unterzogen. Wir haben kostliche Miniaturen fur eine Flotenuhr von Handel, Haydn, Beethoven u.a., die heute in der Regel auf einer Orgel wiedergegeben werden. Umso verwunderlicher ist es, dass Mozart mit diesen beiden Kompositionen eine ganz andere Musik geschaffen hat: gross dimensioniert schon in der Ausdehnung, die der Lange eines Sinfoniesatzes entspricht, erst recht aber in ihrer inhaltlichen Ausarbeitung! Vom dusteren Adagio am Beginn der Fantasie KV 594 uber das triumphierend auffahrende Allegro bis zum ersterbenden Ende wird der Horer gleichermassen wie in der entgegengesetzt aufgebauten Fantasie KV 608 von dem mit dramatisch-heroischem Impetus anpackenden Themenkopf uber das durch 2 Fugen von allerhochster Meisterschaft umrahmten innig beruhrenden Andante bis zum letzten Ton in Atem gehalten. War es die vermutete Bestimmung der Kompositionen als Trauermusik oder Mozarts Beschaftigung mit Handel und Bach, die so ungewohnlich ergreifende Musik entstehen liess? Unuberhorbar ist jedenfalls ihre Nahe zu seinen letzten grossen Kirchenmusiken, der Messe c-Moll und dem Requiem! Wolfgang Helbich in seinem Vorwort zu den beiden Fantasien fur eine Uhr.
$16.95
15.61 €
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Wolfgang Amadeus Mozart
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Fantasie d-Moll
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Möseler Verlag
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SheetMusicPlus
Once Upon A December from the Twentieth Century Fox Motion Picture ANASTASIA
By Lynn Ahrens/Stephen Flaherty. Arranged by Kathleen M. Basi. Individual Part, Scor…
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By Lynn Ahrens/Stephen Flaherty. Arranged by Kathleen M. Basi. Individual Part, Score. 9 pages. Published by Kathleen M. Basi
$5.99
5.52 €
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Lynn Ahrens/Stephen Flaherty
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Kathleen M
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Once Upon A December from the Twentieth Century Fox Motion Picture ANASTASIA
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Kathleen M. Basi
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SheetMusicPlus
Anastasia - A reduction for four instruments
Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Harpsichord,Organ,Piano Acc…
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Large Ensemble Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Harpsichord,Organ,Piano Accompaniment,Tenor Saxophone,Trumpet,Viola,Violin - Level 4 - Digital Download SKU: A0.1025053 Composed by Karl Welty. Contemporary. Score and parts. 9 pages. Karl Konrad Welty #4355805. Published by Karl Konrad Welty (A0.1025053). Anastasia – A reduction for four instruments. Hammond, Vibes or Rhodes, a melodic instrument with suitable range, and bass. The MP3 has some melodic embellishments not notated in the score, most of these notes can be found in the organ or bells parts. The melody may be split amongst several instruments, and the player is encouraged to embellish in sections not specifically notated in a fashion in keeping with the harmonic content. A version of this composition arranged for large rock ensemble can be heard at: https://soundcloud.com/karl_welty/anastasia24bittoa3vers
$4.95
4.56 €
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Karl Welty
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Anastasia - A reduction for four instruments
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Karl Konrad Welty
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SheetMusicPlus
Beethoven - Choral Fantasia Op80 (arr. Piano Quartet) (Full Score)
Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Dow…
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Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.945582 Composed by L. v. Beethoven. Arranged by Tony Matthews. Classical. Score and parts. 62 pages. Archway Publications #6331857. Published by Archway Publications (A0.945582). This Fantasia (or Fantasy) for piano, vocal soloists, chorus, and orchestra, Op. 80, was composed in 1808 by a 38 year old Beethoven.The Fantasia was hastily written to serve as the grand finale for a (personal) benefit concert on the 22nd December 1808 which included premiers of his 5th and 6th symphonies, the 4th Piano concerto and the Mass in C. Beethoven took the opportunity to use the forces available to make this comparatively short piece for piano, orchestra, and a choral finale where he, the soloist, could showoff just how good he was.Sadly, this work is seldom performed because who wants to hire a choir for just 2 minutes of music and an orchestra for not that much longer. This quintet version addresses this by allowing a much smaller ensemble to enjoy performing this utterly delightful work. The piano part is basically what Beethoven wrote, however it has been suitably modified in places to allow the piano to fit into the overall ensemble.
$4.99
4.59 €
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L
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Tony Matthews
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Beethoven - Choral Fantasia Op80
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Archway Publications
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SheetMusicPlus
Fantasia #8 For 4 Viols - for Wind Quartet
Bass Trombone,Clarinet,Horn,Trumpet - Level 3 - Digital Download SKU: A0.1013430 Co…
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Bass Trombone,Clarinet,Horn,Trumpet - Level 3 - Digital Download SKU: A0.1013430 Composed by Thomas Lupo. Arranged by R. Nhomi. Baroque. 10 pages. R. Nhomi #6206861. Published by R. Nhomi (A0.1013430). Wind quartet arrangement of Fantasia #8 for 4 Viols by Thomas Lupo. Arranged for Bb Clarinet, Bb Trumpet, F Horn, Bass Trombone. Fifth in a collection of 13 pieces for 4 Viols.(7 Fantasias, 6 Arias).
$11.75
10.82 €
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Thomas Lupo
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R
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Fantasia #8 For 4 Viols - for Wind Quartet
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R. Nhomi
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SheetMusicPlus
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