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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chicago In Concert - Trombone
Non classifié
10
Piano & claviers
Piano seul
5
Instruments en Do
3
Orgue
2
Piano, Voix
2
Piano, Voix et Guitare
1
Piano Trio: piano, violon, violoncelle
1
2 Pianos, 4 mains
1
+ 2 instrumentations
Retracter
Guitares
Voix
Pack Instrumental pour Chorale
6
Chorale SATB
4
Chorale 3 parties
2
Chorale TTBB
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
2 Saxophones (duo)
3
Flûte, Hautbois, Clarinette, Basson
3
Quatuor de Saxophones: 4 saxophones
3
Ensemble de Clarinettes
2
2 Flûtes traversières (duo)
1
Clarinette et Piano
1
2 Clarinettes (duo)
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Piano (duo)
1
2 Hautbois (duo)
1
2 Flûte à bec (duo)
1
Ensemble De Flûte à bec
1
Quintette de Clarinettes: 5 clarinettes
1
+ 9 instrumentations
Retracter
Cuivres
Euphonium, Piano (duo)
1
2 Cors (duo)
1
2 Trompettes (duo)
1
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon, Violoncelle (duo)
1
2 Violons (duo)
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Orchestre & Percussions
Orchestre d'harmonie
22
Ensemble de cuivres
4
Orchestre de chambre
3
Orchestre
2
Jazz combo
1
Orchestre à Cordes
1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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LIVRES
LUTH
MANDOLINE
MARIMBA
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Vous avez sélectionné:
Chicago In Concert - Trombone
Partitions à imprimer
10 partitions trouvées
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Chicago in Concert (Medley)
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Pop musique
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Roger Emerson
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Chicago in Concert
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Hal Leonard - Digital
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SheetMusicPlus
(Full Performance) - SKU: HX.387925 Arranged by Roger Emerson. Pop. Choral. Duration 484. Published by Hal Leonard - Digital (HX.387925). ...
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(Full Performance) - SKU: HX.387925 Arranged by Roger Emerson. Pop. Choral. Duration 484. Published by Hal Leonard - Digital (HX.387925).
$1.99
Dreams in the Dusk
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Mary Ann Joyce-Walter
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Dreams in the Dusk
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Mary Ann Joyce-Walter
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SheetMusicPlus
Alto Voice,Cello,Piano - SKU: A0.1071321 Composed by Mary Ann Joyce-Walter. 20th Century,Concert,Romantic Period. Full Performance. Duration 165. Mary A...
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Alto Voice,Cello,Piano - SKU: A0.1071321 Composed by Mary Ann Joyce-Walter. 20th Century,Concert,Romantic Period. Full Performance. Duration 165. Mary Ann Joyce-Walter #6905689. Published by Mary Ann Joyce-Walter (A0.1071321). This is a setting of Carl Sandburg's Dreams in the Dusk from Chicago Poems. The song is reflective and dreamy, a bit melancholic and impressionistic..
$4.99
Mystery
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Contemporain
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Felix Ventouras
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Mystery
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Chicago, TX Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.1028291 Composed by Felix Ventouras. 20th Century,Contemporary. Score and parts. 21...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.1028291 Composed by Felix Ventouras. 20th Century,Contemporary. Score and parts. 21 pages. Chicago, TX Publishing #3471345. Published by Chicago, TX Publishing (A0.1028291). 2018 Chamber Music Contest EntryFlute, Clarinet, Violin, Cello and Pianoduration: 6min 45secThis is a concert piece appropriate for modern chamber music concerts. The piece is in a Neo-Romantic and slightly modern style, although it only includes a few contemporary playing techniques. The title mystery derives from the dialogue between two opposing forces, the first, presented in the opening theme, is a beautiful locked box containing hidden gems of knowledge, while the second, heard in the development section, is an aggressive passionate voice seeking the answers to the sacred question: what is the meaning of life? These two voices go back and forth in a type of struggle before finally, at the end, there is a kind of opening or revelation, where the box is partially opened, perhaps to reveal another box inside containing a deeper layer of meaning. The work is published by Chicago, TX Publishing 2018. All rights reserved. For more information regarding the composer, visit: http://www.chicagotxpublishing.onmicrosoft.com*parts available upon request
$5.50
Hard To Say I'm Sorry
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Rock
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Chicago
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Derek Hasted
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Hard To Say I'm Sorry
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #95...
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Guitar - Level 3 - SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #954061. Published by Derek Hasted (A0.1369697). HARD TO SAY I'M SORRY (Chicago)- GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarDerek Hasted writes This power ballad makes a wonderful concert item for a Guitar Quartet or large ensemble - it has a big sound for surprisingly little difficulty.My quartet has parts that increase slightly in complexity from bass to tune, so there’s something for everyone here. The bass line is supplied in both treble and bass clefs, and the two parts are identical, so for a large ensemble, you can have one or the other or both in your performance.Everything is comfortable to play, and my transcription is based closely on the official video from Chicago. I have changed the key very slightly so that the deep bass notes fit on the guitar’s bottom strings and the tune is placed comfortably on the neck. There are no page turns in the part score.The music rises and falls as the song progresses, making the dynamics happen almost automatically. But there are plenty of opportunities in the phrasing to make this piece  absolutely magical.The breathtaking key-change of the original is included!I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99
If You Leave Me Now
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Rock
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Chicago
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James Haynor
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If You Leave Me Now
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James Haynor
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782365 By Chicago. By Peter Cetera. Arranged by James Haynor. Pop,Rock. Score and parts. 17 ...
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Small Ensemble Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782365 By Chicago. By Peter Cetera. Arranged by James Haynor. Pop,Rock. Score and parts. 17 pages. James Haynor #6016031. Published by James Haynor (A0.782365). If You Leave Me Now is a song by the American rock group Chicago, from their album Chicago X. It was written and sung by bass player Peter Cetera and released as a single on July 31, 1976. It is also the title of a Chicago compilation album released by Columbia Records (Columbia 38590) in 1983. Scored here for woodwind quintet, If You Leave Me Now adds a great change of pace to your concert or recital. ( Duration 4:37 )
$12.99
homecoming
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Contemporain
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Benedikt Brydern
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Wynne Delacoma 
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homecoming
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ConSordino Music Publishing
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SheetMusicPlus
Small Ensemble Clarinet,Piano,Violin - Level 4 - SKU: A0.751122 Composed by Benedikt Brydern. 20th Century,Classical,Contemporary. Score and parts. 25 p...
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Small Ensemble Clarinet,Piano,Violin - Level 4 - SKU: A0.751122 Composed by Benedikt Brydern. 20th Century,Classical,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #3569753. Published by ConSordino Music Publishing (A0.751122). This trio for Bb clarinet, violin and piano won a 2001 Marmor Foundation Composition Award sponsored by the Department of Music of Stanford University. After its premiere at Stanford it got selected by ACM ( Access Contemporary Music) and performed multiple times, including in their Best of Weekly Readings concerts. Chicago Classical Reviewer Wynne Delacoma wrote: For Friday’s concert ACM founder, Seth Boustead, and his gifted young musicians returned to five of their favorites among the more than 200 submitted works. A sense of 21st-century life-slightly edgy, slightly dark-ran like a faint electric current through the short pieces. There was plenty of dissonance, but it was subtle, adding sparkle to the often childlike sweetness of Brydern’s Homecoming for violin, clarinet and piano. Homecoming was full of arrivals and departures, moving easily from introspective moments to episodes with a strong tango sway or a hint of sinewy stride piano rhythms.
$14.99
Lithuanian Nonet for winds & strings
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Contemporain
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Juozas ŽileviÄius
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Kazys DaugÄ—la
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Lithuanian Nonet for winds &am
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Kazys Daugela
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SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys Dau...
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A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99
Down by the Riverside - Flute; Bb Clarinet; Piano and Drum set - Intermediate level
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Traditional
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Raymond Fenech
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Down by the Riverside - Flute;
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760613 Composed by Traditional. Arranged by Raymond Fenech. Easter,Ja...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760613 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 17 pages. Raymond Fenech #5719051. Published by Raymond Fenech (A0.760613). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$4.50
My Favorite Things
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Chicago
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Dawson Music UK
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My Favorite Things
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Dawson Music UK
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1405008 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Dawson Musi...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1405008 By Chicago. By Oscar Hammerstein and Richard Rodgers. Arranged by Dawson Music UK. 20th Century,Broadway,Musical/Show. 35 pages. Dawson Music UK #988043. Published by Dawson Music UK (A0.1405008). This arrangement of My Favourite Things from The Sound of Music is scored for string ensemble comprising Violin I, Violin II, Violin III, Viola, Violoncello, Double Bass and Acoustic Guitar. The main melody is shared between the violins and cello with acoustic guitar doubling in places. The viola part is a very basic part which uses only open strings and the acoustic guitar part is optional as it doubles the other parts throughout. All other parts are easy/intermediate level.This is a great concert piece, fun to play and an audience favourite! Follow the link to a sample audio recording or contact me directly for further information at simon@dawsonmusic.co.uk.www.dawsonmusic.co.uk.
$12.99
Glory Of Love
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Contemporain
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Peter Cetera
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James Haynor
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Glory Of Love
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782420 By Peter Cetera. By David Babyface Foster, Diane Nini, and Peter Cetera. Arranged by James Haynor....
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Woodwind Ensemble Clarinet - Level 4 - SKU: A0.782420 By Peter Cetera. By David Babyface Foster, Diane Nini, and Peter Cetera. Arranged by James Haynor. Contemporary. 16 pages. James Haynor #6405555. Published by James Haynor (A0.782420). Glory of Love is a 1986 song performed by Peter Cetera, which he wrote and composed with his then-wife Diane Nini and David Foster. The song was recorded by Cetera shortly after he left the band Chicago to pursue a solo career. Featured in the film The Karate Kid Part II (1986), it was Cetera's first hit single after he left the band, reaching number one on the Billboard Hot 100. Scored here for clarinet quintet, Glory of Love adds a very enjoyable chart to your concert or recital. ( Duration 4:16 )
$12.99
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