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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Concerto for flute
Non classifié
324
Piano & claviers
Piano seul
125
Orgue
3
Piano Facile
3
Piano, Voix et Guitare
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
+ 2 instrumentations
Retracter
Guitares
Mandoline
1
Guitare
1
Voix
Chorale 3 parties
1
Chorale SSAATTBB
1
Vents
Flûte traversière et Piano
195
Flûte traversière
185
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
80
Flûte, Hautbois, Clarinette, Basson
47
2 Flûtes traversières (duo)
41
Quatuor de Flûtes : 4 flûtes
23
Flûte à Bec
17
Flute (partie séparée)
15
Flûte et Guitare
13
Ensemble de Flûtes
13
Hautbois, Piano (duo)
12
Trio de Flûtes: 3 flûtes
11
Saxophone (partie séparée)
11
Quintette de Flûte : 5 flûtes
10
Flûte traversière, Orchestre
7
Flûte et Quatuor à Cordes
6
Flûte, Clarinette (duo)
6
Flûte, Hautbois, Clarinette (trio)
6
Flûte, Violoncelle, Piano (trio)
6
3 Clarinettes (trio)
4
2 Flûtes traversières, Piano
4
Clarinette (partie séparée)
3
Quatuor de Flûtes à bec
3
Clarinette et Piano
3
Hautbois (partie séparée)
3
Saxophone Alto et Piano
3
3 Saxophones (trio)
3
Saxophone Tenor et Piano
3
Flûte, Violoncelle
2
Cor anglais, Piano
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Clarinette, Piano (trio)
2
Saxophone Soprano et Piano
2
2 Saxophones (duo)
2
2 Clarinettes (duo)
2
Flûte, Hautbois, Basson
2
Flûte et Trio à cordes
2
Flûte, Clarinette et Basson
2
Saxophone Baryton, Piano
2
Flûte, Violon
1
Ensemble de Clarinettes
1
Ensemble de saxophones
1
Flûte traversière, Basse continue
1
Clarinette Basse, Piano
1
Clarinette, Violon (duo)
1
2 Flûte à bec (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon, Piano
1
Flûte, Saxophone (duo)
1
Clarinette, Orchestre
1
2 Flûtes, Basse continue
1
Flûte à bec Alto
1
Clarinette, Basson (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon, Violoncelle et Piano
1
Quintette de Saxophone: 5 saxophones
1
+ 52 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
2
2 Cors (duo)
2
Euphonium, Piano (duo)
2
Cor anglais, Piano
2
Cor
2
Trombone (partie séparée)
2
Trompette, Piano
2
Cor (partie séparée)
1
Trombone et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 5 instrumentations
Retracter
Cordes
Violon
43
Violoncelle
20
Alto seul
19
Violon et Piano
11
Harpe, Flûte (duo)
10
Trio à Cordes: violon, alto, violoncelle
10
Violoncelle, Piano
5
Contre Basse
5
Harpe
4
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon, Guitare (duo)
3
2 Violons (duo)
3
Alto, Piano
2
Violon (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Guitare (duo)
1
Trio à cordes: 3 violins
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
2 Violoncelles (duo)
1
+ 15 instrumentations
Retracter
Orchestre & Percussions
Orchestre
112
Orchestre de chambre
76
Orchestre d'harmonie
28
Orchestre à Cordes
19
Piano et Orchestre
3
Ensemble de Percussions
2
Percussion (partie séparée)
1
Ensemble de cuivres
1
Orchestre, Violon
1
Cloches
1
Timbales (partie séparée)
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
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Pertinence
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Vous avez sélectionné:
Concerto for flute
Partitions à imprimer
324 partitions trouvées
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301
Double Concerto
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Tony Bridgewater
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Double Concerto
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Forton Music - Digital
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SheetMusicPlus
Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - SKU: F2.FM622 Composed by Tony Bridgewater. A large scale double concerto for ...
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Fl. Cl. Vln 1. Vln 2. Vla. Vc. Db. (Hp). (Pno). - Intermediate-Advanced - SKU: F2.FM622 Composed by Tony Bridgewater. A large scale double concerto for flute, clarinet and Strings. Score and parts. 152 pages. Forton Music - Digital #FM622. Published by Forton Music - Digital (F2.FM622). ISBN 9790570485215.The lively first movement is based on two ideas; the opening rhythmic motif, played first by the flute and then echoed by the clarinet, and a contrasting lyrical melody, also introduced by each soloist in turn. The slow movement was inspired by the beautiful mountain scenery of Austria, and is a series of variations based on a 10 bar chord pattern. The variations become more serious and complex, but eventually the music returns to the tranquillity of the opening, and fades away into the distance. The final movement is a lively, dance-like rondo, with several contrasting episodes; the concluding coda includes brief references to the earlier movements before a final reprise of the rondo theme brings the piece to an exuberant conclusion.
$56.95
Concerto No. 161 QV5:174
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Johann Joachin Quantz
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Robert Rainford
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Concerto No. 161 QV5:174
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Forton Music - Digital
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SheetMusicPlus
Solo Fl. 2fl. Afl. Bfl. - Intermediate-Advanced - SKU: F2.FM608 Composed by Johann Joachin Quantz. Arranged by Robert Rainford. Arranged for solo flute ...
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Solo Fl. 2fl. Afl. Bfl. - Intermediate-Advanced - SKU: F2.FM608 Composed by Johann Joachin Quantz. Arranged by Robert Rainford. Arranged for solo flute with flute quartet accompaniment. Score and parts. 69 pages. Forton Music - Digital #FM608. Published by Forton Music - Digital (F2.FM608). ISBN 9790570485079.This Baroque concerto follows the standard movement pattern of the time - a lively first and last movement with a central slow movement. The first and last movements are in broad ritornello form. Entries of the original theme are interspersed with showy passages for the soloist. The central movement is titled 'Arioso', and is more through composed, featuring a singing melodic line that passes through a wide range of moods before coming to a peaceful close. The solo line has been left broadly unchanged in this arrangement, the accompanying flute parts are relatively straight forward but require conviction and neat articulation.
$22.95
Concerto for Oboe
Horn|Flute|Tenor Saxophone|Clarinet|Bassoon|Oboe|Alto Saxophone
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Cimerosa
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Ted Plambeck
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Concerto for Oboe
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Cimarron Music Press
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SheetMusicPlus
By Cimerosa. Arranged by Ted Plambeck. For Oboe Solo with woodwind ensemble (2 Flutes, 3 Clarinets, Bassoon, 4 Horns, Alto Saxophone, Tenor Saxophone and Bass)....
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By Cimerosa. Arranged by Ted Plambeck. For Oboe Solo with woodwind ensemble (2 Flutes, 3 Clarinets, Bassoon, 4 Horns, Alto Saxophone, Tenor Saxophone and Bass). Solo music. Score and parts. Published by Cimarron Music Press
$24.00
Largo From Double Concerto, Bwv 1043
Flute|Piano|Oboe|Organ
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Classique
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Johann Sebastian Bach
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Bill Schuetter
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Largo From Double Concerto, Bw
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Imagine Music - Digital
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SheetMusicPlus
By Johann Sebastian Bach (1685-1750). Arranged by Bill Schuetter. For flute, oboe, keyboard. Level 4. Score and parts. Duration 5 minutes 30 seconds. Published ...
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By Johann Sebastian Bach (1685-1750). Arranged by Bill Schuetter. For flute, oboe, keyboard. Level 4. Score and parts. Duration 5 minutes 30 seconds. Published by Imagine Music - Digital
$8.00
Andantino (2nd mov. from Violin Concerto No. 3)
Flute|Piano Accompaniment|Violin
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Classique
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Camille Saint-Saens
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Yoav Talmi
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Andantino
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Les Editions Doberman-Yppan
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SheetMusicPlus
By Camille Saint-Saens (1835-1921). Arranged by Yoav Talmi. For flute and piano. Level 3. 18 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Camille Saint-Saens (1835-1921). Arranged by Yoav Talmi. For flute and piano. Level 3. 18 pages. Published by Les Editions Doberman-Yppan (digital)
$11.95
Concerto for Trumpet
Horn|Trumpet Solo|Flute|Clarinet|Double Bass|Bassoon|Oboe|B-Flat Trumpet
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Franz Joseph Haydn
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Lewis Buckley
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Concerto for Trumpet
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Cimarron Music Press
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SheetMusicPlus
By Franz Joseph Haydn (1732-1809). Arranged by Lewis Buckley. For Trumpet Solo with Winds (double woodwind quintet and string bass). Solo music. Score and parts...
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By Franz Joseph Haydn (1732-1809). Arranged by Lewis Buckley. For Trumpet Solo with Winds (double woodwind quintet and string bass). Solo music. Score and parts. Published by Cimarron Music Press
$70.00
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95
Beethoven: Adagio from Sonata Pathetique for Bass Flute & Piano
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instruction...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549644 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and individual part. 16 pages. Jmsgu3 #3516861. Published by jmsgu3 (A0.549644). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$24.95
Pergolesi 1750 posth Flute Concerto in G Parts for Solo, strings, & keyboard
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Rainer's Rainbow
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R G Roth
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Pergolesi 1750 posth Flute Con
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Rainer's Rainbow
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SheetMusicPlus
Small Ensemble Alto Flute,Cello,Clarinet,Oboe d'Amore,Piano Accompaniment,Viola,Violin - Level 4 - SKU: A0.902150 By Rainer's Rainbow. By Giovanni Batti...
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Small Ensemble Alto Flute,Cello,Clarinet,Oboe d'Amore,Piano Accompaniment,Viola,Violin - Level 4 - SKU: A0.902150 By Rainer's Rainbow. By Giovanni Battista Pergolesi. Arranged by R G Roth. Baroque,Christmas,Easter,Instructional. Score and parts. 94 pages. Rainer's Rainbow #6433799. Published by Rainer's Rainbow (A0.902150). Giovanni Battista Pergolesi lived from 1710-1736. The earliest records of this concerto for flute are from a publication of 1750, therefore the piece came to be known after Pergolesi's death. I have created a small orchestra accompaniement to the solo which has rarely been available. In addition to a standard flute in C part (which can be played on a Soprano Recorder), I have included alternative solo music for Oboe d'amore in A (playable on A Clarinet) and Flauta Dolce in G (playable on an Alto Flute in G).
$12.99
Liebe (Love) (poem by Schiller) from Brahms' Violin Concerto, for flute quartet
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Johannes Brahms
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Liebe
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1511133 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Co...
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Small Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1511133 Composed by Johannes Brahms. Arranged by David Warin Solomons and Duncan Saunderson. Contemporary,Romantic Period. 6 pages. David Warin Solomons #1086377. Published by David Warin Solomons (A0.1511133). Flute quartet arrangementThe pdf contains score and parts.The original words come from 2 verses of Schiller's Seelig durch die Liebe [Through love they are made blessed]. The music is based on the oboe solo at the beginning of the slow movement of Brahms' Violin Concerto, arranged by Duncan Saunderson and adapted by David Warin Solomons.The Schiller poem:Liebe rauscht der Silberbach, Liebe lehrt ihn sanfter wallen, Seele haucht sie in das Ach Klagenreicher Nachtigallen - Liebe Liebe lispelt nur Auf der Laute der NaturWeisheit mit dem Sonnenblick, Große Göttin tritt zurück, Weiche vor der Liebe. Nie Erobrern, Fürsten nie Beugtest du ein Sklavenknie, Beug' es itzt der Liebe. (singing translation by David W Solomons)Silver brook resounds with loveLove then teaches it to softenBreathing soul into the cryof lamenting nightingalesLove, love whispering only theSound of nature. Wisdom with sun that- glances,Wisdom great goddessGo- ye back and yield before loveNever bend your knee to princesNor bow as slave to conquerersBow now to love.
$9.00
Wolfgang Amadeus Mozart: Concerto in C major K299 for flute, harp & piano
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Classique
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Wolfgang Amadeus Mozart
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Virtualsheetmusic
Instantly downloadable sheet music by Wolfgang Amadeus Mozart for flute, harp & piano of MEDIUM/HIGH skill level. Contents: K 299 / classical,concert...
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Instantly downloadable sheet music by Wolfgang Amadeus Mozart for flute, harp & piano of MEDIUM/HIGH skill level. Contents: K 299 / classical,concert
$7.99
Mendelssohn: Song Without Words Op. 109 for Bass Flute & Piano
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. In...
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Bass Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.549494 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and individual part. 20 pages. Jmsgu3 #3500875. Published by jmsgu3 (A0.549494). BASS FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Bach - Flute Concerto in G minor BWV1056 for Flute and Cembalo (or Piano)
Flute, Harpsichord
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Classique
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Bach Johann Sebastian
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Santino Cara
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Bach - Flute Concerto in G min
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Santino Cara
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SheetMusicPlus
Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 5 - SKU: A0.517415 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. S...
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Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 5 - SKU: A0.517415 Composed by Bach Johann Sebastian. Arranged by Santino Cara. Baroque. Score and parts. 23 pages. Santino Cara #5001383. Published by Santino Cara (A0.517415). Complete score and part of the Flute Concerto in G minor BWV 1056 for Flute and Cembalo (or Piano). Transcribed in Rome in 1972 by Santino Cara from Harpsichord Concerto No.5 in F minor composed in Cöthen in 1742 by Johann Sebastian Bach. Movements: 1. Moderato, 2. Largo, 3. Presto
$16.40
O'Carolan's Concerto for flute duo (mp3)
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Classique
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Turlough O'carolan
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David Warin Solomons
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O'Carolan's Concerto for flute
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David Warin Solomons
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SheetMusicPlus
Flute - SKU: A0.1059939 Composed by Turlough O'carolan. Arranged by David Warin Solomons. Baroque,Classical. Full Performance. Duration 82. David Warin ...
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Flute - SKU: A0.1059939 Composed by Turlough O'carolan. Arranged by David Warin Solomons. Baroque,Classical. Full Performance. Duration 82. David Warin Solomons #5196273. Published by David Warin Solomons (A0.1059939). (You can use this reference if you would like to find the score on sheetmusicplus: S0.24811)
$2.00
Telemann TWV 52e1 Concerto For Flute & Recorder Full Score & Parts
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Rainer's Rainbow
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R G Roth
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Telemann TWV 52e1 Concerto For
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Rainer's Rainbow
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.902180 By Rainer's Rainbow. By Georg Philipp Telemann. Arranged by R G Roth. Baroque,Christmas,Classical,Easter. Scor...
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Small Ensemble - Level 3 - SKU: A0.902180 By Rainer's Rainbow. By Georg Philipp Telemann. Arranged by R G Roth. Baroque,Christmas,Classical,Easter. Score and parts. 223 pages. Rainer's Rainbow #6449695. Published by Rainer's Rainbow (A0.902180). Telemann TWV 52e1 Concerto For Flute & Recorder Full Score & Parts is now available here in a clean modern manuscript. Until now only difficult to read uhrtext versions have been available. Minor modifications have been made. For the most part this concerto for 2 treble instruments is the same as the original written by Telemann in the 18th century. An alternative recorder in G transposition is made available here also making that part playable in a G flute.
$9.99
Lucchesini - Flute Concerto in G minor CS-LR3 for Flute and Cembalo or Piano
Flute, Harpsichord
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Classique
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Lucchesini Giacomo de
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Santino Cara
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Lucchesini - Flute Concerto in
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Santino Cara
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SheetMusicPlus
Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 4 - SKU: A0.517146 Composed by Lucchesini Giacomo de. Arranged by Santino Cara. Baroque. S...
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Instrumental Duet Flute,Harpsichord,Instrumental Duet - Level 4 - SKU: A0.517146 Composed by Lucchesini Giacomo de. Arranged by Santino Cara. Baroque. Score and parts. 15 pages. Santino Cara #3516175. Published by Santino Cara (A0.517146). Complete score and part of the Flute Concerto in G minor CS-LR3 for Flute and Cembalo, by Giacomo de Lucchesini. Transcribed by Santino Cara.
$18.40
Concerto for Flute in G, Movement I
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Classique
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Wolfgang Amadeus Mozart
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John M
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Concerto for Flute in G, Movem
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zephyrwindmusic.com
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.1144149 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Laverty. Classical. Score and parts. 69 pages. Zephy...
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Small Ensemble - Level 4 - SKU: A0.1144149 Composed by Wolfgang Amadeus Mozart. Arranged by John M. Laverty. Classical. Score and parts. 69 pages. Zephyrwindmusic.com #744468. Published by zephyrwindmusic.com (A0.1144149). Mozart Flute Concerto Movement I in G, K. 313, arranged for solo flute and chamber winds (harmoniemusik).
$20.00
Intermediate Music for Three Christmas - Part 2 Clarinet #53123
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Noël
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Various
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Daniel Kelley
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Intermediate Music for Three C
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Last Resort Music Publishing
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SheetMusicPlus
Clarinet - Level 3 - SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort...
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Clarinet - Level 3 - SKU: A0.1341848 Composed by Various. Arranged by Daniel Kelley. Baroque,Christmas,Classical,Hanukkah,Holiday. 44 pages. Last Resort Music Publishing #927358. Published by Last Resort Music Publishing (A0.1341848). Part 2 Clarinet in BbThis is a wonderful collection of accessible arrangements of intermediate trios including holiday favorites such as The Twelve Days of Christmas, Wexford Carol, A Hanukkah Medley, Jingle Bells, Good King Wenceslas, Corelli's Christmas Concerto and more! This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsA La Nanita NanaAngels from the Realm of GloryBoar’s Head Carol Break Forth, O Beauteous, Heavenly Light Christmas Day in the Morning Christ-Child is Born Christ Was Born On Christmas Day Christmas Concerto by Corelli, 5 Movements Fum, Fum, FumGesu Bambino Good King Wenceslas Hanukkah Medley - Hanukkah, S’Vivon, My Dreidel, Rock of Ages He Shall Fee His Flock Like A Shephard from the Messiah He is Born, the Divine Christ Child I Heard the Bells on Christmas Day It’s Christmas Time Again Jingle Bells Joy to the World March of the Toys (by Victor Herbert)The Nutcracker (Scene in the Snowy Pine Forest)O Christmas Tree O Tannenbaum O Come All Ye Faithful, Adeste FidelesO Holy Night Pastoral Symphony “Pifa†from The Messiah Sleigh Ride from German Dance K. 605, #3 Song of the Birds Twelve Days of Christmas Up On the Housetop Wexford Carol While Shepherds Watched Their Flocks by Night Other Parts Available: 53111 Part 1 Flute or Oboe or Violin 53113 Part 1 Clarinet in Bb 53115 Part 1 Alto Sax in Eb53121 Part 2 Flute or Oboe or Violin53122 Part 2 Viola53123 Part 2 Clarinet or Trumpet in Bb 53125 Part 2 Tenor Sax in Bb53131 Part 3 Cello or Bassoon 53133 Part 3 Bass Clarinet in Bb53135 Part 3 Baritone Sax in Eb53140 Keyboard or Guitar53199 Score (Parts 1-3 in C) Learn about Music for Three and Intermediate Music for Three in our YouTube Video!Â
$20.00
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
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Classique
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Franz Joseph Haydn
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Roar Kvam
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Haydn: Concerto No. 2 in G maj
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KVAMusic Edition
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454...
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Woodwind Ensemble - Level 4 - SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00
Music for Three, Volume 5 - Part for Flute or Oboe or Violin 50521
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Daniel Kelley
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Daniel Kelley
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Music for Three, Volume 5 - Pa
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Flute,Oboe,Violin - Level 5 - SKU: A0.614504 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 20th Century,Classical,Romantic Per...
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Small Ensemble Flute,Oboe,Violin - Level 5 - SKU: A0.614504 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 20th Century,Classical,Romantic Period,Wedding. Score and parts. 49 pages. Last Resort Music Publishing #223669. Published by Last Resort Music Publishing (A0.614504). Part 2 for Flute or Oboe or Violin - Music for Three, Volume 5 Late 19th & Early 20th Century Favorites Includes works by Debussy, Elgar, Rachmaninoff, Brahms, Kreisler, Prokofiev & more! An incredible collection of 35 arrangements for strings, woodwinds and piano – these mix and match trios allow the performer to pick the instrumentation. A versatile must-have for any musician, Music for Three is perfect for weddings, recitals, concerts, and any chamber music gatherings. Parts are available separately or may be purchased as sets. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Braul, Joc Cu Bata, Maruntel from Rumanian Folk Dances (Bartok) Clair de Lune from Suite Bergamasque for piano (Debussy) Fille aux Cheveux de Lin, La from Douze Preludes, Book 1 (Debussy) Golliwog's Cake-walk from Children's Corner Suite (Debussy) Reverie (Debussy) Nimrod from Enigma Variations, Op. 35 (Elgar) Pomp and Circumstance March #1 (Elgar) Salut d'Amor, Op. 12 (Elgar) Ritual Fire Dance from El Amor Brujo (de Falla) Molly on the Shore Irish Reel (Grainger) Shepherd's Hey English Morris Dance Tune (Grainger) Liebesfreud from Alt-Wiener Tanzweisen (Kreisler) Liebeslied (Kreisler) Schon Rosmarian from Alt-Wiener Tanzweisen (Kreisler) To a Wild Rose from Woodland Sketches, Op. 51 (MacDowell) Gavotte and Larghetto from Classical Symphony, Op. 25 (Prokofiev) March from The Love of Three Oranges, Op. 33 (Prokofiev) Theme from 1st and 3rd Movements from Piano Concerto #2 (Rachmaninoff) Theme from 1st Movement from Piano Concerto #3 (Rachmaninoff) Le Jardin Feerique & Pavane de la Belle au Bois Dormant from Ma Mere l'Oye (Ravel) Pavane pour une Infante Defunte (Ravel) Menuet & Rigaudon from Tombeau de Couperin (Ravel) Balletto & Passo Mezzo e Mascherada from Ancient Airs & Dances (Respighi) Gymnopedie No. 1 from Trois Gymnopedies (Satie) Larghetto (Stravinsky) Gavotta, Overture and Serenata from Pulcinella (Stravinsky) Other Parts Available: 50511 Part 1 Flute or Oboe or Violin 50513 Part 1 Clarinet in Bb 50521 Part 2 Flute or Oboe or Violin 50522 Part 2 Viola 50523 Part 2 Clarinet in Bb 50531 Part 3 Cello or Bassoon 50540 Keyboard or Guitar 50599 Score (Parts 1-3 in C).
$20.00
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano
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J
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James M
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Bach-Gonoud: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
$27.95
Concerto Eb major
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Carl Philipp Stamitz
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Concerto Eb major
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Schott Music - Digital
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SheetMusicPlus
Horn and string orchestra; 2 flutes and 2 horns - intermediate - SKU: S9.Q1144 Composed by Carl Philipp Stamitz. This edition: condensed score. Concerti...
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Horn and string orchestra; 2 flutes and 2 horns - intermediate - SKU: S9.Q1144 Composed by Carl Philipp Stamitz. This edition: condensed score. Concertino. Downloadable, Conductor reduction. Duration 18 minutes. Schott Music - Digital #Q1144. Published by Schott Music - Digital (S9.Q1144). Key: E flat major.Apart from his numerous instrumental works, Carl Stamitz left also four horn concertos. For reasons of the playing technique, the concerto was transposed down a semitone in the present edition. This work is especially characteristic of the personal style as well as of the epoch-mak-ing reformations by the Mannheim School.
$21.99
Bach: Wachet auf for Bass Flute & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Bass Flut
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jmsgu3
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SheetMusicPlus
Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Ea...
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Bass Flute,Instrumental Solo,Piano - Level 2 - SKU: A0.549846 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and individual part. 12 pages. Jmsgu3 #3554877. Published by jmsgu3 (A0.549846). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
O'Carolans Concerto for two flutes (mp3)
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Turlough O'carolan
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David Warin Solomons
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O'Carolans Concerto for two fl
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David Warin Solomons
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SheetMusicPlus
Flute - SKU: A0.1059310 Composed by Turlough O'carolan. Arranged by David Warin Solomons. 20th Century,Celtic,Classical,World. Full Performance. Duratio...
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Flute - SKU: A0.1059310 Composed by Turlough O'carolan. Arranged by David Warin Solomons. 20th Century,Celtic,Classical,World. Full Performance. Duration 88. David Warin Solomons #552551. Published by David Warin Solomons (A0.1059310). Arrangement of Turlough O'Carolan's concerto, performed by Elyce Ostermann and Nancy TylerScore:https://www.sheetmusicplus.com/title/20000465?aff_id=175705
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Concerto for flute 
