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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dialogues
Non classifié
36
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21
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13
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11
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1
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1
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2
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1
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5
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5
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1
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1
Chorale TTBB
1
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1
Voix duo, Piano
1
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Retracter
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3
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2
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2
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2
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1
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1
Saxophone Alto
1
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1
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1
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1
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1
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2
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1
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1
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1
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1
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Quatuor à cordes: 2 violons, alto, violoncelle
4
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4
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1
Quatuor à cordes : 4 altos
1
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1
Violon (partie séparée)
1
2 Violons (duo)
1
Harpe, Flûte (duo)
1
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1
Violoncelle (partie séparée)
1
Violon
1
Harpe
1
Violon et Piano
1
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Retracter
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Orchestre d'harmonie
7
Orchestre à Cordes
6
Orchestre de chambre
4
Percussion (partie séparée)
4
Orchestre
2
Percussion
1
Marimba et Orgue
1
Ensemble Jazz
1
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
Dialogues
Partitions à imprimer
36 partitions trouvées
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26
Dialogues With Ancestors
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Rafael Montero
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Dialogues With Ancestors
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C8 Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1517601 By Rafael Montero. By Dominic McGonigal. 21st Century,Classical,Contemporary. Score. 25 pages. C8 Music #1...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1517601 By Rafael Montero. By Dominic McGonigal. 21st Century,Classical,Contemporary. Score. 25 pages. C8 Music #1091762. Published by C8 Music (A0.1517601). Dialogues With Ancestors is the result of working with tenor Rafael Montero, a native Latin American who founded El Parnasso to celebrate indigenous South American music. Dialogues With Ancestors is a dialogue between pre-colonial South American culture and contemporary Europe. The song cycle, for tenor and piano, takes us from Nature, through Love, Loss and Justice to Peace. Eleven indigenous songs are the starting point for an evocative duo between tenor and piano, beginning with Wik'unita, marking the wild exuberance of the South American lama, ending with the beautiful serenity of Kkochus al Espíritu Santo. The climax comes with Kkochu al Machula de Tuana, the angry god who seeks vengeance, met with the powerful plainchant Dies Irae. Dialogues With Ancestors will be premiered in Cologne on 4 October 2024, by tenor Rafael Montero and Ukrainian pianist Anastasiia Haisiuk. Duration 20'. Scored for voice and piano. More at www.dominic.mcgonigal.com or search McGonigal on www.SheetMusicDirect.com.
$5.99
Dialogues
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Barbara Heller
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Dialogues
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Schott Music - Digital
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SheetMusicPlus
2 clarinets in Bb - SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downloadable, Performa...
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2 clarinets in Bb - SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downloadable, Performance score. Schott Music - Digital #Q22488. Published by Schott Music - Digital (S9.Q22488). The clarinettist Irith Gabriely was inspired by her love of Barbara Heller’s Dialogues (for violin and viola) to arrange these duets for two Bb clarinets. The result is a set of varied concertante dialogues that present clarinettists with a few challenges, requiring stamina, breath control, intense and contrasting dynamics, chromatic passages, whole tone passages, sensitive tone production, leaps across wide intervals, fast playing, disciplined rhythmic control and listening to one another closely. In this edition all tempo indications and dynamic markings are intended for guidance: these duets may equally well be interpreted in other ways. This edition therefore also includes a second section where all the pieces are reproduced without such markings, ready for individual interpretation. The Dialogues lend themselves very well to chamber performances; they are also short enough to serve as brief interludes at readings or exhibitions. Their expressive qualities, brevity and range of musical and technical demands make them highly suitable material for youth music competitions. A flute or oboe might well be played with the clarinet as alternative instrumentation for these duets (ED 22017).
$16.99
"Dialogues" - for Soprano and Percussion [Performance Score]
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Contemporain
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Lior Navok
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"Dialogues" - for So
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Lior Navok Music
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SheetMusicPlus
Small Ensemble High Voice,Multi-Percussion - Level 5 - SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior...
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Small Ensemble High Voice,Multi-Percussion - Level 5 - SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719301. Published by Lior Navok Music (A0.976035). DIALOGUES - for Soprano and Percussion (1999) DURATION: 11 Minutes TEXT BY: Lior Navok / Vocalize MOVEMENTS: 1. Talking Doll 2. Sargam 3. Twinkles 4. Shadowphobia LANGUAGE: English PROGRAM NOTES: The composer writes about his work: Dialogues for soprano and percussion was composed as a semi-theatrical composition, not to be acted. Talking Doll is a short satire about humans who act like machines for the sake of formality. The word Sargam in Indian means Solfège. The syllables sa, re, ma, ga, pa, dha (not used here) and ni are equal to our do, re, mi. Shadowphobia, as the name implies, deals with the relationship between a person and his/her shadow. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: DIN B4 / Ledger.
$21.00
Dialogues
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Hans-Martin Linde
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Dialogues
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Schott Music - Digital
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SheetMusicPlus
Recorder (alto recorder, tenor recorder) and cello - intermediate - SKU: S9.Q778471 Composed by Hans-Martin Linde. In the pieces Spuren (alto recorder) ...
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Recorder (alto recorder, tenor recorder) and cello - intermediate - SKU: S9.Q778471 Composed by Hans-Martin Linde. In the pieces Spuren (alto recorder) and Linien (tenor recorder) created in 2020, Hans-Martin Linde lets recorder and violoncello enter into an equal dialogue: entertaining, enriching, exchanging. Downloadable, Performance score. Schott Music - Digital #Q778471. Published by Schott Music - Digital (S9.Q778471). In the pieces Spuren (alto recorder) and Linien (tenor recorder) created in 2020, Hans-Martin Linde lets recorder and violoncello enter into an equal dialogue: entertaining, enriching, exchanging.
$9.99
Dialogues
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Kenneth D
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Dialogues
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KFS Publishing
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.699638 Composed by Kenneth D. Friedrich. Concert,Contemporary. Sc...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 5 - SKU: A0.699638 Composed by Kenneth D. Friedrich. Concert,Contemporary. Score and parts. 24 pages. KFS Publishing #3013973. Published by KFS Publishing (A0.699638). Original music for trombone or euphonium and piano.
$17.50
Dialogues, for alto sax and electric guitar
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Contemporain
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Paul SanGregory
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Dialogues, for alto sax and el
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Distant Engraver Music
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Electric Guitar,Instrumental Duet - Level 5 - SKU: A0.977049 Composed by Paul SanGregory. Contemporary. Score and parts...
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Instrumental Duet Alto Saxophone,Electric Guitar,Instrumental Duet - Level 5 - SKU: A0.977049 Composed by Paul SanGregory. Contemporary. Score and parts. 18 pages. Distant Engraver Music #4804179. Published by Distant Engraver Music (A0.977049). Elements of this music can be traced to jazz, blues and classical music, but it’s not really crossover or fusion. It doesn’t sound like jazzy classical music and it certainly isn’t jazz hoping to be serious or grandiose. Its seemingly disparate impulses blend logically into a work that feels natural on its own terms. So when the saxophone plays syncopated melodies or bent pitches, it just sounds like the right thing to do. Similarly, though the inspiration for certain guitar sounds and effects came from electric-based fusion or more serious-minded rock music, those influences are probably not obvious. Of course, guitarists will bring some of their own concepts and experience into their sounds, too, but general guidelines are given on the score. The three movements of this piece are:
$9.00
Pacific Dialogues, opus 252
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Contemporain
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Michael Kibbe
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Pacific Dialogues, opus 252
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Stretto Music
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Marimba - Level 5 - SKU: A0.984151 Composed by Michael Kibbe. Contemporary. Score and parts. 45 pages. Stretto...
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Instrumental Duet Cello,Instrumental Duet,Marimba - Level 5 - SKU: A0.984151 Composed by Michael Kibbe. Contemporary. Score and parts. 45 pages. Stretto Music #4595545. Published by Stretto Music (A0.984151). Four movement work for Cello and Marimba, [13:40].
$15.00
Dialogues
4 Percussions
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Contemporain
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Brian Monroe
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Dialogues
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LudwigMasters Digital
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SheetMusicPlus
Percussion Quartet - Grade 2 - Composed by Brian Monroe. 21st Century. Score and Parts. 9 pages. LudwigMasters Digital #50603003. Published by Ludwi...
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Percussion Quartet - Grade 2 - Composed by Brian Monroe. 21st Century. Score and Parts. 9 pages. LudwigMasters Digital #50603003. Published by LudwigMasters Digital
$5.95
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Gra...
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Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
Conflusion - Suite - Woodwind Ensemble
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Classique
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Akrilates No.2
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Jailton de Oliveira
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Section II: bars 43-99
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Akrilates No.2
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Jailton de Oliveira
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SheetMusicPlus
Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - SKU: A0.1438474 Composed by Jailton de ...
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Bass Drum,Bongos,Cymbals,Glockenspiel,Piano,Snare Drum,Tam Tam,Tom Tom,Triangle,Vibraphone,Woodblock,Xylophone - SKU: A0.1438474 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. 27 pages. Jailton de Oliveira #1018493. Published by Jailton de Oliveira (A0.1438474). Akrilates II, for piano and percussion. The title “Akrilates” does not refer to a specific thematic material in the work. Rather, it is only a neutral word, allowing the music to be free of any pre-established idea. The work has a single movement divided into two sections: Section I: bars 1-42; Section II: bars 43-99. Section II is a retrograde variation of Section I. The work has a slow tempo and uses the overtone scale, an octatonic scale, starting on note G ( G-A-B-C#-D-Eb-F-F#-G) . The piano is the lead instrument of thematic events and it dialogues with various timbres of percussion instruments. In most of the work sequences of measures are explored, progressing alternately every two bars. Also are explored harmonic intervals of 5th., 4th., 3rd. and 2nd. In some stretches occur numeric relationships between measure and intervals used, e.g., measure 5/4 = interval of 5th; 4/4 = 4th, etc. From measure 85 to the end occurs a coda, where the work concludes summarizing the main materials used earlier.
$12.95
Alto dos Schuenck - Waltz for Piccolo and Piano
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Thiago Osorio
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Alto dos Schuenck - Waltz for
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Thiago Osorio Music
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.946705 Composed by Thiago Osorio. Concert,Graduation,Instructional,Standards,World. Score and indivi...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.946705 Composed by Thiago Osorio. Concert,Graduation,Instructional,Standards,World. Score and individual part. 17 pages. Thiago Osorio Music #6440759. Published by Thiago Osorio Music (A0.946705). ''Alto dos Schuenck'' (in english: ''Schuenck's Altitude Lands'') is a gracious waltz for Piccolo and Piano in homage to the great flute player from Nova Friburgo, Rubem Schuenck. In the 19th century, Nova Friburgo received German settlers. Among these Germans, the Schuenck family settled in the district of Amparo to grow coffee. As it is a region in the mountains, the place was named Alto dos Schuenck (Alto refers to altitude).A composition that demands dexterity from Piccolo, mentioning the challenges of the road that leads to the location, but which at the same time has the lightness in its themes, piano counterpoints and dialogues between the instruments. A great opportunity to expand your repertoire with Piccolo soloist with piano accompaniment.
$10.00
Is innocence so void of cares
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Daniel Purcell
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Early Music Scores
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Is innocence so void of cares
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Early Music Scores
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SheetMusicPlus
Continuo,Flute,High Voice - SKU: A0.791792 Composed by Daniel Purcell. Arranged by Early Music Scores. Baroque,Classical,Opera. 7 pages. Early Music Sco...
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Continuo,Flute,High Voice - SKU: A0.791792 Composed by Daniel Purcell. Arranged by Early Music Scores. Baroque,Classical,Opera. 7 pages. Early Music Scores #6504937. Published by Early Music Scores (A0.791792). Soprano voice, two flutes and continuoComposed by Daniel Purcell (c.1664-1717). From A Collection of the choicest Songs and Dialogues, London, 1715. Baroque period. Edited by Felipe Dias. 5 pages.
$7.99
The Star of Heavenly Grace (Downloadable)
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Paul Gibson
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The Star of Heavenly Grace
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
TTBB choir, English horn - Moderately Easy - SKU: MQ.7877-E Composed by Paul Gibson. Christmas, Lessons and Carols. Instrument part. 5 pages. E. C. Schi...
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TTBB choir, English horn - Moderately Easy - SKU: MQ.7877-E Composed by Paul Gibson. Christmas, Lessons and Carols. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #7877-E. Published by E. C. Schirmer Music Company - Digital (MQ.7877-E). English.This is the familiar text, “What star is this with beams so bright, more lovely than the noonday light.†The music, however, is original, unusual, and sublime. An introspective chant melody weaves its way through the text as the English horn (the sole accompaniment) dialogues, foreshadows, and comments. Starting with unison, then two part, then a rich TTBB texture, the vocal writing is stunning and not difficult. English Horn part included.
$1.55
I Am Jesus' Little Lamb
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Robert A
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I Am Jesus' Little Lamb
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Solo voice (optional duet) and piano - Easy - SKU: MQ.41-100-E Composed by Robert A. Hobby. Good Shepherd Sunday, Children's Sabbath/Emphasis, Confirmat...
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Solo voice (optional duet) and piano - Easy - SKU: MQ.41-100-E Composed by Robert A. Hobby. Good Shepherd Sunday, Children's Sabbath/Emphasis, Confirmation. Instrument part. 5 pages. MorningStar Music Publishers - Digital Sheet Music #41-100-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.41-100-E). English.A tender, simple solo or duet perfect for the Fourth Sunday of Easter (Good Shepherd Sunday). Flowing and supportive piano acompaniment, moderate tessitura in the mezzo-soprano range. The second part is an optional descant that dialogues with the solo on the final verse. Key of D-flat.
$7.75
Beatitude IV: Beati qui lugent (Blessed are they that grieve) (Downloadable)
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Howard Goodall
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Beatitude IV: Beati qui lugent
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes...
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Soprano voice solo, SS choir, organ, cello, and handbells - Moderately Easy - SKU: MQ.56-0026-E Composed by Howard Goodall. 12 pages. Duration 7 minutes, 10 seconds. MorningStar Music Publishers - Digital Sheet Music #56-0026-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0026-E). Latin. Matthew 5:3-11.Written for the Enchanted Voices CD, this is one of many settings of texts either from the Beatitudes (or springing from them) available from this composer. For soprano solo and SS chorus, organ, cello, and handbells, the music has a light, ethereal feeling. The text is entirely in Latin and begins with a chant-like melody in unison. The cello begins to dialogue with this melody offset by a measure. The soloist is heard next in music that also dialogues with the cello, both a bit more complex than the beginning. All voices take up the solo passage, the cello commenting. The voices go into canon at the half measure, the cello continues with its own melody. The piece returns to unison and ends quietly. Duration 7:10Instrumentalists play from the choral score.
$3.15
《尋》å¤ç®èˆ‡ç®¡å¼¦æ¨‚ Searching - for Cheng and Orchestra
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Contemporain
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Ma Shui Long 馬水é¾
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《尋》å¤ç
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SpringAutumnmusic
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SheetMusicPlus
Small Ensemble - SKU: A0.961992 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 33 pages. SpringAutumnmusic #47109. Publishe...
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Small Ensemble - SKU: A0.961992 Composed by Ma Shui Long 馬水é¾. Contemporary. Score and parts. 33 pages. SpringAutumnmusic #47109. Published by SpringAutumnmusic (A0.961992). 《尋》å¤ç®èˆ‡ç®¡å¼¦æ¨‚ 　　在傳統樂器系列ä¸ï¼Œç®ã€ç´ã€çµç¶â€¦ç‰ï¼Œå…¶èµ·æºç™¼å±•å‡æœ‰ä¸Šåƒå¹´ä»¥ä¸Šæ‚ ä¹…çš„æ·å²èˆ‡è±å¯Œçš„彈å¥æŠ€æ³•ï¼Œå¦‚åŸã€çŒ±ã€æŒ‰ã€æ”¾ã€èµ°åŸã€å£“åŸã€é£›åŸã€é»žé “ç‰ç‰å„å…·ç¨ç‰¹çš„表ç¾é¢¨æ ¼èˆ‡éŸ»å‘³ï¼Œç‚ºè¥¿æ–¹æ¨‚器所ä¸èƒ½åŠï¼Œä½œæ›²è€…多年來æ„圖從這些ä¸åŒç‰¹æ€§çš„傳統樂器ä¸ï¼Œä»¥ä¸åŒçš„å½¢å¼èˆ‡ç¾Žå¸æ€ç¶ï¼ŒæŽ¢å°‹å¦ä¸€å±¤é¢çš„音樂æ„涵。本曲應å¤ç®æ¼”å¥å®¶é»ƒå¥½åŸå§”託之作å“，先以ç¨å¥æ›²åž‹æ…‹å‘ˆç¾ï¼Œå®Œæˆæ–¼2005å¹´4月ä¸æ—¬ï¼Œä¸¦ç”±é»ƒå¥½åŸæ–¼ã€Œäºžæ´²ä½œæ›²å®¶è¯ç›Ÿç¬¬25屆會è°ã€åœ¨æ³°åœ‹æ›¼è°·å…¨çƒé¦–演。之後作曲者å†ä»¥å¤ç®èˆ‡ç®¡å¼¦æ¨‚åˆå¥æ–¹å¼ï¼Œå°‹æ±‚æ±ã€è¥¿æ–¹æ¨‚器ä¸åŒçš„音色特質，在主ã€å¾žå…©è€…交錯ä¸ï¼Œèžåˆèˆ‡å°è©±ã€‚ ※å¤ç®èˆ‡ç®¡å¼¦æ¨‚åˆç¨¿å®Œæˆæ–¼2006å¹´10月間ã€ç¾Žåœ‹æ³¢å£«é “Acton寓所。2007å¹´12月ä¸æ—¬ç”±æŒ‡æ®å®¶é‚±å›å¼·æŒ‡æ®åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團åŠå¤ç®æ¼”å¥å®¶é»ƒå¥½åŸåˆ†åˆ¥æ–¼å°ä¸åœ‹ç«‹å°ç£äº¤éŸ¿æ¨‚團演å¥å»³ã€é«˜é›„市文化ä¸å¿ƒè‡³å¾·å ‚åŠå°åŒ—國家音樂廳舉行世界首演。 Searching - for Cheng and Orchestra The history of some Chinese traditional musical instruments, such as Cheng, Qin, Pipa, etc., has seen their performing techniques evolved over a thousand years. Many of them have developed their unique stylistic expression and zest with sorts of articulation, which are not to be completed by those of many Western instruments. The composer has long been delving into the characteristics of these traditional instruments, attempting to ferret out further musical meanings from different formal and aesthetic angles. Searching for Cheng and Orchestra, commissioned by the Cheng player Hao-Yin Huang, was originally a solo Cheng piece. It was completed in mid-April, 2005, and was premiered in the same year at the 25th meeting of the Asia Composers’ League held in Bangkok, Thailand. The composer later expanded it into an ensemble piece for Cheng and orchestra, trying to integrate different timbral characters of the Eastern and Western instruments within their dominant-subordinate interactions and dialogues in the piece.
$29.99
Beneath a gloomy shade
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Classique
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Daniel Purcell
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Early Music Scores
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Beneath a gloomy shade
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Early Music Scores
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SheetMusicPlus
Basso Continuo,Soprano voice,Violin - SKU: A0.791766 Composed by Daniel Purcell. Arranged by Early Music Scores. Baroque,Classical. 10 pages. Early Musi...
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Basso Continuo,Soprano voice,Violin - SKU: A0.791766 Composed by Daniel Purcell. Arranged by Early Music Scores. Baroque,Classical. 10 pages. Early Music Scores #6438089. Published by Early Music Scores (A0.791766). Soprano voice, two violins and continuoComposed by Daniel Purcell (c.1664-1717). From A Collection of the choicest Songs and Dialogues, London, 1715. Baroque period. Edited by Felipe Dias. 6 pages.
$7.99
Dialoge
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Bernd Alois Zimmermann
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Dialoge
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Schott Music - Digital
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SheetMusicPlus
2 pianos and orchestra - SKU: S9.Q2877 Concerto. Composed by Bernd Alois Zimmermann. This edition: study score. Music Of Our Time. Downloadable, ...
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2 pianos and orchestra - SKU: S9.Q2877 Concerto. Composed by Bernd Alois Zimmermann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 18 minutes. Schott Music - Digital #Q2877. Published by Schott Music - Digital (S9.Q2877). The oeuvre of Bernd Alois Zimmermann is chracterized by the abundant use of musical quotations. In Dialoge he transferred this 'pluralistic composition technique' to a large-scale symphony orchestra for the first time. In the extended cadence at the end of the work, Zimmermann integrates several quotes from Mozart's Piano Concerto in C major, K 467, as well as musical characters from Debussy's Jeux and jazz elements. Hence comes Dialogues across the ages of people deaming, loving, suffering and playing (Zimmermann).5 (alle auch Picc., 5. auch Altfl.) · 3 (3. auch Engl. Hr.) · 5 (3. auch Es-Klar., 5. auch Bassklar.) · 2 Altsax. (1. auch Tenorsax., 2. auch Baritonsax.) · 3 (2., 3. auch Kfg.) - 5 · 4 · 4 · 1 - 9 P. (3 Spieler) S. (Beckenpaar · 2 hg. Beck. · gr. u. kl. Tamt. · kl. Tr. · Rührtr. · gr. Tr. · 3 Herdengl. · Gl. · 3 Tomt. · 9 Crot. · 2 Mar. · Trgl. · 3 Gongs · chrom. Glsp. · Vibr. · Marimba · Xyl.) (9 Spieler) - Git. · Hfe. · Cel. - Str. (14 · 12 · 10 · 8 · 7).
$55.99
Cartas del Canadá (Letters from Canada)
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Antonio Gervasoni
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Cartas del Canadá
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Antonio Gervasoni
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SheetMusicPlus
Small Ensemble Electronic Keyboard,Guitar,Piano,Violin - Level 3 - SKU: A0.1027862 Composed by Antonio Gervasoni. Broadway,Classical,Contemporary,Film/T...
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Small Ensemble Electronic Keyboard,Guitar,Piano,Violin - Level 3 - SKU: A0.1027862 Composed by Antonio Gervasoni. Broadway,Classical,Contemporary,Film/TV,Musical/Show. Score and parts. 167 pages. Antonio Gervasoni #3038785. Published by Antonio Gervasoni (A0.1027862). Twenty-six-movement work for violin, guitar, piano and electronic keyboard. A collection of pieces from the music composed by Antonio Gervasoni in 2006 for a setting of the play Los árboles mueren de pie (Trees die standing tall) by Spanish playwright Alejandro Casona. Comedy, drama, suspense and romance are all mixed up in this play that tells a heartbreaking story about love and the courage to face life’s hardest blows. Although this set of pieces was written with Casona’s play in mind, it can certainly be used as incidental music for any other tragicomedy, in which case, the pieces may have to be adapted accordingly. This score has been designed so that it serves also as the part for the keyboard player. This would let him assume the role of music director and thus ensure that the music is synchronized with the action and dialogues. All other parts have been included after the score of the final movement. Note: being that the play is in Spanish, the score and all the texts in it are also in Spanish.
$9.99
Atlantean Waltz
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Musical Mythology
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Musical Mythology
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Atlantean Waltz
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Musical Mythology
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Harp,Piano - Level 3 - SKU: A0.518921 By Musical Mythology. By Musical Mythology. Arranged by Musical Mythology. Classical...
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Small Ensemble Clarinet,Flute,Harp,Piano - Level 3 - SKU: A0.518921 By Musical Mythology. By Musical Mythology. Arranged by Musical Mythology. Classical,Film/TV,Romantic Period. Score and parts. 2 pages. Musical Mythology #129590. Published by Musical Mythology (A0.518921). I originally wanted to compose a short, bittersweet waltz, and the mythological city of Atlantis seemed perfect for this. The waltz I ended up with is not really meant for dancing, but rather used as a way for storytelling. This story, however, is one of my own fabrications but is still loosely based on the Atlantis mentioned by Plato's dialogues: Critias and Timaeus. This piece outlines two Atlanteans that, with the end in sight, decide to dance one last waltz together as their gleaming city collapses around them. It's a tragic farewell to a utopia that once was and could've been, but remains now as only a memory – a relic lost at the bottom of the sea.
$1.99
Trajectory
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David Liebman
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Trajectory
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Advance Music GmbH - Digital
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SheetMusicPlus
4 saxophones (SATBar) - advanced - SKU: S9.Q45174 Composed by David Liebman. This edition: score and parts. Downloadable, Score and parts. Advance Music...
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4 saxophones (SATBar) - advanced - SKU: S9.Q45174 Composed by David Liebman. This edition: score and parts. Downloadable, Score and parts. Advance Music GmbH - Digital #Q45174. Published by Advance Music GmbH - Digital (S9.Q45174). Trajectory explores all facets of the saxophone quartet sound in dense, choral-like harmonies as well as alternating voice combinations. Musical dialogues and improvisation open up a field for intense interactions.Available as a digital download from notafina.de.
$25.99
Pangolino (Parts)
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Nadin Polyakova
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Pangolino
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Nadin
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Multi-Percussion,Piano Accompaniment - Level 3 - SKU: A0.896177 Composed by Nadin Polyakova. Contemporary,Multicultu...
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Small Ensemble Cello,Clarinet,Flute,Multi-Percussion,Piano Accompaniment - Level 3 - SKU: A0.896177 Composed by Nadin Polyakova. Contemporary,Multicultural,World. Score and parts. 21 pages. Nadin #3130211. Published by Nadin (A0.896177). Pangolino (Parts) is a 5 min 15 seconds instrumental piece written by composer Nadin Polyakova in 2017. The composition was created in classical style for 5 players and 11 instruments: C Flute, Clarinet in Bb, Sleigh Bells, Castanets, Triangle, Snare Drum, Glockenspiel, Wood Blocks, Slapstick, Piano and Violoncello. Tempo Moderato, dance-rhythmical figure, alternating short phrase with a long ones, presence of various percussion makes character of music a kind of choreographic. Composer's intention here was to involve every instrument on variety of its traditional functions, techniques and registers, using them in several ways as accompanied or unaccompanied, melody and harmony, polyphony and dialogues, building a different structures and textures. Piece is suggested for schools, students, amateurs and professional performers. Score can be bought separately.Â
$2.99
Pangolino (Score)
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Nadin Polyakova
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Pangolino
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Nadin
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Multi-Percussion,Piano Accompaniment - Level 3 - SKU: A0.896176 Composed by Nadin Polyakova. Contemporary,Multicultu...
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Small Ensemble Cello,Clarinet,Flute,Multi-Percussion,Piano Accompaniment - Level 3 - SKU: A0.896176 Composed by Nadin Polyakova. Contemporary,Multicultural,World. Score and parts. 21 pages. Nadin #3130205. Published by Nadin (A0.896176). Pangolino (Score) is a 5 min 15 seconds instrumental piece written by composer Nadin Polyakova in 2017. The composition was created in classical style for 5 players and 11 instruments: C Flute, Clarinet in Bb, Sleigh Bells, Castanets, Triangle, Snare Drum, Glockenspiel, Wood Blocks, Slapstick, Piano and Violoncello. Tempo Moderato, dance-rhythmical figure, alternating short phrase with a long ones, presence of various percussion makes character of music a kind of choreographic. Composer's intention here was to involve every instrument on variety of its traditional functions, techniques and registers, using them in several ways as accompanied or unaccompanied, melody and harmony, polyphony and dialogues, building a different structures and textures. Piece is suggested for schools, students, amateurs and professional performers. Parts can be bought separately.Â
$6.99
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Dialogues