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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
DEEJAY
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FLUTE TRAVERSI…
FORMATION MUSI…
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Like Reich
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
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OCARINA
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ORGUE
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Vous avez sélectionné:
Like Reich
Partitions à imprimer
15 partitions trouvées
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1
Like Reich (Electric Guitar 3)
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Contemporain
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Jarohn Grandstaff
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Like Reich
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Jarohn Grandstaff
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SheetMusicPlus
Electric Guitar,Instrumental Solo - Level 5 - SKU: A0.1019548 Composed by Jarohn Grandstaff. 20th Century,Contemporary. Individual part. 4 pages. Jarohn...
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Electric Guitar,Instrumental Solo - Level 5 - SKU: A0.1019548 Composed by Jarohn Grandstaff. 20th Century,Contemporary. Individual part. 4 pages. Jarohn Grandstaff #3563357. Published by Jarohn Grandstaff (A0.1019548). A minimalistic composition for three electric guitars and electric bass inspired by the works of Steve Reich. This advanced piece introduces students to a modern style of music that encompasses a simple idea that is gradually modified over time. Students are challenged with immediate changes in key and canonic patterns of a repeated idea. For questions regarding this work:Email: jarohng@gmail.comFacebook: https://www.facebook.com/jngmusic93/
$12.00
Like Reich (Electric Guitar 1)
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Contemporain
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Jarohn Grandstaff
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Like Reich
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Jarohn Grandstaff
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SheetMusicPlus
Electric Guitar,Instrumental Solo - Level 5 - SKU: A0.1019545 Composed by Jarohn Grandstaff. 20th Century,Contemporary. Individual part. 4 pages. Jarohn...
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Electric Guitar,Instrumental Solo - Level 5 - SKU: A0.1019545 Composed by Jarohn Grandstaff. 20th Century,Contemporary. Individual part. 4 pages. Jarohn Grandstaff #3563351. Published by Jarohn Grandstaff (A0.1019545). A minimalistic composition for three electric guitars and electric bass inspired by the works of Steve Reich. This advanced piece introduces students to a modern style of music that encompasses a simple idea that is gradually modified over time. Students are challenged with immediate changes in key and canonic patterns of a repeated idea. For questions regarding this work:Email: jarohng@gmail.comFacebook: https://www.facebook.com/jngmusic93/
$12.00
Like Reich
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Contemporain
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Jarohn Grandstaff
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Like Reich
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Jarohn Grandstaff
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SheetMusicPlus
Instrumental Duet Electric Bass Guitar,Electric Guitar,Instrumental Duet - Level 5 - SKU: A0.1019547 Composed by Jarohn Grandstaff. 20th Century,Contemp...
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Instrumental Duet Electric Bass Guitar,Electric Guitar,Instrumental Duet - Level 5 - SKU: A0.1019547 Composed by Jarohn Grandstaff. 20th Century,Contemporary. Score and parts. 17 pages. Jarohn Grandstaff #3563113. Published by Jarohn Grandstaff (A0.1019547). A minimalistic composition for three electric guitars and electric bass inspired by the works of Steve Reich. This advanced piece introduces students to a modern style of music that encompasses a simple idea that is gradually modified over time. Students are challenged with immediate changes in key and canonic patterns of a repeated idea. For questions regarding this work:Email: jarohng@gmail.comFacebook: https://www.facebook.com/jngmusic93/
$21.00
Like Reich (Electric Guitar 2)
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Contemporain
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Jarohn Grandstaff
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Like Reich
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Jarohn Grandstaff
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SheetMusicPlus
Electric Guitar,Instrumental Solo - Level 5 - SKU: A0.1019546 Composed by Jarohn Grandstaff. 20th Century,Contemporary. Individual part. 4 pages. Jarohn...
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Electric Guitar,Instrumental Solo - Level 5 - SKU: A0.1019546 Composed by Jarohn Grandstaff. 20th Century,Contemporary. Individual part. 4 pages. Jarohn Grandstaff #3563355. Published by Jarohn Grandstaff (A0.1019546). A minimalistic composition for three electric guitars and electric bass inspired by the works of Steve Reich. This advanced piece introduces students to a modern style of music that encompasses a simple idea that is gradually modified over time. Students are challenged with immediate changes in key and canonic patterns of a repeated idea. For questions regarding this work:Email: jarohng@gmail.comFacebook: https://www.facebook.com/jngmusic93/
$12.00
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloa...
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Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
5 Easy Studies, Opus 50
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5 Easy Studies, Opus 50
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SheetMusicPlus
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer...
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Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés
Song List
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1. Andantino grazioso
2. Andantino
3. Allegretto
4. Poco allegro
5. Allegro moderato
$7.95
Voalise No. 3 in G Major
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Giulio Marco Bordgni
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James Bicigo
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Voalise No. 3 in G Major
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Polar Publications
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SheetMusicPlus
Brass Ensemble Horn - SKU: A0.757543 Composed by Giulio Marco Bordgni. Arranged by James Bicigo. Classical,Concert,Contemporary,Graduation,Wedding. Scor...
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Brass Ensemble Horn - SKU: A0.757543 Composed by Giulio Marco Bordgni. Arranged by James Bicigo. Classical,Concert,Contemporary,Graduation,Wedding. Score and parts. 6 pages. Polar Publications #3115783. Published by Polar Publications (A0.757543). Another of Bordogni's famous vocalises for your horn trio. If you like the Reicha horn trios, try these!
$10.00
Marš na Drinu
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serbian folk song
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Zoran Radanovic
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Marš na Drinu
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Zoran Radanovic
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SheetMusicPlus
Drum Set,Trumpet,Tuba,Viola - Level 3 - SKU: A0.1349551 Composed by serbian folk song. Arranged by Zoran Radanovic. Contest,Festival,Film/TV,Folk,Patrio...
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Drum Set,Trumpet,Tuba,Viola - Level 3 - SKU: A0.1349551 Composed by serbian folk song. Arranged by Zoran Radanovic. Contest,Festival,Film/TV,Folk,Patriotic,Wedding. 9 pages. Zoran Radanovic #934310. Published by Zoran Radanovic (A0.1349551). This famous serbian folk song is for quartet (Bb trumpet, tuba, viola and drumset) with set of parts.The March on (or to) the Drina (Serbian Cyrillic: Марш на Дрину, romanized: MarÅ¡ na Drinu, pronounced [mârʃ na drÇËnu]) is a Serbian patriotic march which was composed to commemorate the Serbian victory in Battle of Cer during World War I and came to be seen as a symbol of Serbian resistance and victory in the World War I. Along with the other World War I song, Tamo daleko, it became a powerful symbol of Serbian culture and national identity and remains popular amongst Serbs in the Balkans and the diaspora.[1][2]Der Marsch auf die Drina (serbisch Марш на Дрину MarÅ¡ na Drinu) ist ein Lied aus Serbien, das im Ersten Weltkrieg entstand. Der Komponist war Stanislav BiniÄki (1872–1942). Geschichte Vom 16. August bis zum 19. August 1914 fand am bosnischen Grenzfluss Drina die sogenannte Schlacht von Cer statt. Die serbische Armee konnte diese für sich entscheiden. Der Sieg der Serben über die zahlenmäßig überlegenen österreichisch-ungarischen Gegner war der erste Sieg der Alliierten über die Mittelmächte im Ersten Weltkrieg. Zu Ehren der Gefallenen komponierte Stanislav BiniÄki den „Marsch auf die Drina“, ein Lied, das zu einem Symbol der Tapferkeit der Serben während des Ersten Weltkriegs wurde. Er widmete den Marsch Oberst Milivoje Stojanović, der in der Schlacht von Cer gekämpft hatte und der einige Monate später in einer anderen Schlacht fiel.MarÅ¡ na Drinu (izvorno: Na Drinu), je srbijanski domoljubni marÅ¡. Napisao ga je za vrijeme Prvoga svjetskog rata skladatelj i dirigent Stanislav BiniÄki, u Äast pobjedi srpske protiv austrougarske vojske u Cerskoj bitci, u Prvom svjetskom ratu, voÄ‘enoj od 16. do 19. kolovoza 1914. godine. Stanislav BiniÄki bio je sudionikom te bitke kao vojni kapelnik. Pjesma je 50 godina bila bez rijeÄi, a 1964. godine stihove je napisao srbijanski književnik Miloje Popović.[1][2] Pjesma MarÅ¡ na Drinu dobila je najviÅ¡e glasova za srbijansku himnu na referendumu o državnim simbolima Republike Srbije 1992. godine, ali je referendum poniÅ¡ten zbog nedovoljnog odaziva glasaÄa, tako da je pjesma ostala neslužbena himna Republike Srbije sve do 2004. godine i proglaÅ¡enja pjesme Bože pravde himnom Repubilke Srbije
$5.99
A circle in the sand
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Thierry Pecou
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A circle in the sand
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Schott Music - Digital
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SheetMusicPlus
Violin (or flute) and Doppelchoir (SATB) - difficult - SKU: S9.Q558278 For solo violin or flute and double mixed choir. Composed by Thierry Pecou...
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Violin (or flute) and Doppelchoir (SATB) - difficult - SKU: S9.Q558278 For solo violin or flute and double mixed choir. Composed by Thierry Pecou. Downloadable, Choral score. Duration 12 minutes. Schott Music - Digital #Q558278. Published by Schott Music - Digital (S9.Q558278). English.Die großen Entdeckungen und territorialen Eroberungen, die das 16. und 17. Jahrhundert prägten, finden in Shakespeares Der Sturm ein grundlegendes Echo. Die Ureinwohner werden mit den Zivilisierten konfrontiert, wobei Shakespeares Weitsicht die gängigen Vorstellungen seiner Zeit stört, indem er andeutet, dass der sogenannte „Wilde vielleicht nicht der ist, für den man ihn hält. Ich habe mir vorgestellt, dass zwei Texte in zwei verschiedenen Sprachen aufeinandertreffen wie ein Echo der unmöglichen Begegnungen zwischen Menschen aus Europa, die nach Gold und materiellem Reichtum dürsten, und einheimischen Kulturen, die sich ganz der wissenschaftlichen Beobachtung der Gestirne und der Anbetung ihrer Götter hingeben. So werden einige Repliken aus Shakespeares Der Sturm auf Englisch gesungen: Dabei handelt es sich um eine Replik Calibans, der seine ganze Menschlichkeit offenbart, wenn er den Geräuschen der Insel lauscht, sowie die wenigen vorausgehenden spöttischen Repliken der Narren. Die Worte in der Sprache der Maya bezeichnen die Tage des Maya-Kalenders. Sie werden wie Zaubersprüche ausgesprochen, die von Prospero selbst rezitiert sein könnten und nähren diese Mischung aus okkulten und magischen Kräften, die den Sinn des Seins und dessen Beziehung zum Anderen hinterfragt. Die Solovioline und das Publikum werden vom Doppelchor eingerahmt, der damit sowohl die Grenzen der Insel als auch Prosperos‘ magischen Kreis absteckt. Die Solovioline ist der Katalysator für alle Geräusche der Insel, die Caliban erfreuen oder beunruhigen. (Thierry Pécou).
$11.99
Bunt sind schon die Wälder for voice and guitar chords
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Johann Friedrich Reichardt
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David Warin Solomons
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Bunt sind schon die Wälde
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - SKU: A0.576464 Composed by Johann Friedrich Reichardt. Arranged by David Warin Solomons. Fo...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 1 - SKU: A0.576464 Composed by Johann Friedrich Reichardt. Arranged by David Warin Solomons. Folk,World. Score and parts. 12 pages. David Warin Solomons #26613. Published by David Warin Solomons (A0.576464). German folksong by Johann Friedrich Reichardt about the autumn The pdf file contains versions in D, F, A and C major, with guitar chord names in English speaking and German speaking versions For those who like fretboard guides I have also included versions with those. The sound sample is verse 1 in F major sung by the arranger.
$5.00
Debussy: Piano Preludes Bk.2 No.10 "Canope" - wind dectet
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1363966 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Classical. 1...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1363966 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century,Classical. 19 pages. RayThompsonMusic #948289. Published by RayThompsonMusic (A0.1363966). Claude Debussy: Piano Preludes Bk.2 No.10 Canope arranged wind dectet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.One of Debussy’s most mysterious and enigmatic pieces, is also one of his most prophetic. The entire piece unfolds in a hieratic, strangely distant atmosphere, engendering a sensation of infinite solitude reinforced by a cadence that is not an ending — we remain suspended in the void. Once again, Debussy has fused space and time.— Harry HalbreichThe meditative and gentle lines of this piece have the nobility and the stately form of the antique funerary urn* which serves as a symbol. * A Canopic Jar: used in sets of four by the ancient Egyptians as containers for the internal organs of embalmed bodies.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanope
$9.95
Debussy: Piano Preludes Bk.2 No.5 "Bruyères" - symphonic wind dectet
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Classique
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Claude Debussy
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Ray Thompson
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Debussy: Piano Preludes Bk.2 N
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. R...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (neÌe Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich
$14.95
Adventlied
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Robert Schumann
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Adventlied
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
2 Flöten, 2 Oboen, 2 Klarinetten (B), 2 Fagotte, 2 Ventilhörner (D), 2 Waldhörner (G), 2 Ventiltrompeten (D), Alt-, Tenor-, Bassposaune, Pauken, Solo-S...
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2 Flöten, 2 Oboen, 2 Klarinetten (B), 2 Fagotte, 2 Ventilhörner (D), 2 Waldhörner (G), 2 Ventiltrompeten (D), Alt-, Tenor-, Bassposaune, Pauken, Solo-Sopran, 4st. Chor, Streicher soprano solo, choir and orchestra - SKU: S9.Q21412 Composed by Robert Schumann. This edition: study score. Choral music - Ernst Eulenburg - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 71. Ernst Eulenburg & Co. GmbH - Digital #Q21412. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21412). German.Even if Schumann falls back on the hymnbook when choosing the text of his 'Adventlied' (Advent Song), the composition probably was politically motivated and, still under the impressions of the revolutionary years of 1848/49, owed to the longing for peace. The 'Adventlied' (Advent Song), like the 'Neujahrslied' (New Year's Song), is 'a strange mixed genre between sociable, covertly political and religious chant'.
$13.99
To Boldly Go
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Contemporain
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Alexander Courage, Gene Rodden
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Tr...
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Brass Ensemble Trombone - Level 4 - SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Score and parts. 40 pages. Sophia Transistor #6275113. Published by Sophia Transistor (A0.851130). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for trombone quartet (or any 4 voices notated in bass clef in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trombone t-bone brass players. Breething signs and spaces are included. Page changes are mainly during breaks.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as trombone in C on 5 pages in DIN-A4.2nd voice as trombone in C on 5 pages in DIN-A4.3rd voice as trombone in C on 5 pages in DIN-A4.4th voice as trombone or bass trombone in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/XP8sB87veKIGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Posaune notiert in C im Bassschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Posaune angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Blechblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Wenn man umblättern muss, dann meistens an Stellen, wo man Pause hat.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfügbar:1. Stimme als Posaune in C auf 5 Seiten in DIN-A4.2. Stimme als Posaune in C auf 5 Seiten in DIN-A4.3. Stimme als Posaune in C auf 5 Seiten in DIN-A4.4. Stimme als Posaune oder Bassposaune in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c'' (nach unten transponieren immer möglich)Epische Filmmusiknoten für Posaunen-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictrom.
$17.01
An die Türen (I will creep up to the doors) for low voice and guitar
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Classique
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Franz Schubert
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David Warin Solomons
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An die Türen
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 3 - SKU: A0.576706 Composed by Franz Schubert. Arranged by David Warin Solomons. Classical,Romantic Period. Score and parts. 5 pages. David Warin Solomons #90245. Published by David Warin Solomons (A0.576706). Schubert's setting of words from Goethe's Wilhelm Meister (with my singing translation in English) transposed to the key of E minor for low voice and guitar. In some places the guitar part is simplified in comparison to the original piano part in order to improve the flowing quality and to make it possible for one person to accompany herself/himself on the guitar. A version for low voice and piano also in E minor, is also available The sound sample is an electronic preview. The three individual songs (Wer sich der Einsamkeit ergibt, Wer nie sein Brot mit Tränen ass, An die Türen) and also all three together (under the title Gesänge des Harfners (songs of the harpist) ) are available on this site The pdf file contains the score and also the separate parts. An die Türen An die Türen will ich schleichen, Still und sittsam will ich steh'n; Fromme Hand wird Nahrung reichen, Und ich werde weitergehn. Jeder wird sich glücklich scheinen, Wenn mein Bild vor ihm erscheint; Eine Träne wird er weinen, Und ich weiß nicht, was er weint. I will creep up to the doors and stand there quiet and polite goodly hands will give me food and grateful I will leave their sight Every person will seem happy When they see me at their door They will shed a tear which I will never know the reason for. (English translation (c) 2015 David Warin Solomons) If you would like a downloadable mp3 of the guitar accompaniment, you can use this reference in the search box on sheetmusicplus: S0.707285
$8.00
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