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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Song of the Express Men
Non classifié
581
Piano & claviers
Instruments en Do
293
Piano, Voix et Guitare
276
Piano seul
205
Piano Facile
54
Piano, Voix
42
Piano Trio: piano, violon, violoncelle
10
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue
4
1 Piano, 4 mains
3
Orgue, Piano (duo)
3
Accordéon
2
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
+ 10 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
46
Guitare
30
Ukulele
9
Guitare notes et tablatures
6
2 Guitares (duo)
4
Banjo
3
Mandoline
3
2 Ukuleles
2
Dulcimer
2
Ensemble de guitares
1
+ 5 instrumentations
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Voix
Chorale SATB
95
Chorale 3 parties
32
Chorale TTBB
15
Chorale 2 parties
10
Chorale SSAA
10
Chorale Unison
8
Voix Soprano, Piano
5
Voix duo
2
Voix haute
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
Chorale
1
Chorale SSATB
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
87
Hautbois, Piano (duo)
56
Saxophone, Clarinette (duo)
52
Clarinette et Piano
48
Flûte traversière et Piano
46
Saxophone Alto
41
Saxophone Alto et Piano
41
Flûte traversière
37
Clarinette, Violon (duo)
35
Flûte, Violon, Piano
32
Clarinette
30
Saxophone Soprano et Piano
28
Flûte, Clarinette (duo)
27
Hautbois, Basson (duo)
27
2 Flûtes traversières (duo)
24
Clarinette, Trompette (duo)
23
2 Clarinettes (duo)
23
Saxophone Tenor et Piano
22
Clarinette et Alto
21
Hautbois, Clarinette (duo)
21
Saxophone (partie séparée)
20
Saxophone Baryton, Piano
20
Quatuor de Saxophones: 4 saxophones
19
Hautbois (partie séparée)
19
Hautbois, Flûte
18
Saxophone Tenor
18
Flûte, Violon
18
Quintette de Saxophone: 5 saxophones
18
Saxophone
17
Flûte, Hautbois, Clarinette, Basson
17
Flûte, Saxophone (duo)
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Flûte, Alto (duo)
14
Flûte à bec Soprano
14
Clarinette, Violoncelle (duo)
10
2 Hautbois (duo)
10
Flûte, Trompette (duo)
10
Hautbois, Violoncelle
9
Flûte, Violoncelle
9
Hautbois
9
Quintette de Clarinettes: 5 clarinettes
8
Saxophone Baryton
7
2 Flûte à bec (duo)
7
Saxophone Soprano
7
Cor Anglais
6
Flûte, Hautbois, Clarinette (trio)
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
3 Saxophones (trio)
4
3 Clarinettes (trio)
4
Flûte à bec Tenor
4
Flûte à bec Alto
4
Clarinette, Basson (duo)
4
Ensemble de Clarinettes
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Basson et Piano
3
Hautbois et alto (duo)
3
Saxophone et Orgue
2
Trio de Flûtes: 3 flûtes
2
Flute, harpe et violon
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Violon, Piano
2
Hautbois, violon (duo)
2
Ensemble de saxophones
2
Flûte, Harpe et Violoncelle
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Flûte, Trombone (duo)
1
Ensemble de Flûtes
1
Flûte, Violoncelle, Piano (trio)
1
Cor anglais et Harpe (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Flûtes à bec
1
Flûte traversière, Orgue (duo)
1
Cornemuse
1
5 Flûtes à bec
1
Clarinette, Orgue
1
Piccolo
1
Flûte, Alto et Piano
1
Clarinette, Trombone (duo)
1
Flûte, Hautbois, Basson
1
Flûte et Guitare
1
+ 81 instrumentations
Retracter
Cuivres
Trombone et Piano
46
Cor et Piano
45
Trompette, Saxophone (duo)
38
Trompette
30
Trompette, Piano
29
Trombone
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
27
Tuba et Piano
26
Tuba
23
Trompette, Trombone (duo)
21
Cor
21
2 Trombones (duo)
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
6
2 Tubas (duo)
6
Cor Anglais
6
Quatuor de Cuivres
5
Trompette (partie séparée)
4
Euphonium
4
Cor, Violoncelle (duo)
3
Euphonium, Piano (duo)
2
Quatuor de cuivres: 4 trombones
2
Trompette, Cor (duo)
2
Cor anglais, Piano
2
Trombone, Orgue
1
Trompette et Guitare
1
Cor anglais et Harpe (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
3 Trombones (trio)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Tuba et Orgue
1
Ensemble de Cors
1
+ 28 instrumentations
Retracter
Cordes
Violon et Piano
71
Violoncelle, Piano
63
Alto, Piano
63
Violon, Violoncelle (duo)
52
Quatuor à cordes: 2 violons, alto, violoncelle
46
Violoncelle
36
Violon
34
Alto seul
32
Violon, Alto (duo)
24
Contrebasse, Piano (duo)
22
Contre Basse
21
2 Violons (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
2 Violoncelles (duo)
12
Alto (partie séparée)
9
Violon, Basson (duo)
8
2 Contrebasses (duo)
8
Harpe
7
Trio à Cordes: violon, alto, violoncelle
7
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
5
2 Altos (duo)
5
Violon, Guitare (duo)
5
Violon (partie séparée)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto et Basson
3
Harpe, Violon, Violoncelle
2
Violon, Clarinette, Piano (trio)
2
Harpe, Flûte (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Orgue
1
Violoncelle, Orgue
1
Harpe, Voix
1
Violoncelle, Contrebasse (duo)
1
2 Harpes (duo)
1
Autoharp
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Basse continue
1
Flûte, Contrebasse (duo)
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
32
Orchestre à Cordes
12
Orchestre
11
Ensemble de cuivres
10
Orchestre de chambre
8
Ensemble de Percussions
4
Ensemble Jazz
4
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Jazz combo
1
Xylophone
1
Fanfare
1
+ 6 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Song of the Express Men
Partitions à imprimer
581 partitions trouvées
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576
Schubert: Moment Musicaux for Baritone Horn & Piano
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Classique
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Franz Schubert
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James M
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Schubert: Moment Musicaux for
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sac...
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Baritone Horn TC,Euphonium,Piano - Level 2 - SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
$32.95
Colonial Song
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George Percy Aldridge Grainger
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Colonial Song
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor and piano or piano alone - SKU: S9.Q6181 Version for two voices and piano or piano alone. Composed by George Percy Aldridge Graing...
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Soprano, tenor and piano or piano alone - SKU: S9.Q6181 Version for two voices and piano or piano alone. Composed by George Percy Aldridge Grainger. This edition: score. Downloadable, Score. Duration 6 minutes. Schott Music - Digital #Q6181. Published by Schott Music - Digital (S9.Q6181). Vocalises.No traditional tunes of any kind are made use of in this piece, in which I have wished to express my personal feelings about my own country (Australia) and people, and also to voice a certain kind of emotion that seems to me not untypical of native-born Colonials in general.Perhaps it is not unnatural that people living more or less lonelily in vast virgin countries and struggling against natural and climatic hardships (rather than against the more actively and dramaticly exciting counter wills of their fellow men, as in more thickly populated lands) should run largely to that patiently yearning, inactive sentimental wistfulness that we find so touchingly expressed in much American art; for instance in Mark Twains Huckleberry Finn, and Stephen C. Foster's adorable songs, My Old Kentucky Home, Old Folks at Home, etc. I have also noticed curious, almost Italian-like, musical tendencies in brass band performances and ways of singing in Australia (such as a preference for richness and intensity of tone and soulful breadth of phrasing over more subtly and sensitively varied delicacies of expression) which are also reflected here.Percy Aldridge Grainger.
$11.99
Of That So Sweet Imprisonment (Downloadable)
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Juliana Hall
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Of That So Sweet Imprisonment
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
Winds of May (Downloadable)
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Juliana Hall
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Winds of May
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-2E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #8769-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-2E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$4.00
In the Dark Pine-Wood (Downloadable)
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Juliana Hall
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In the Dark Pine-Wood
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-4E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
Strings in the Earth and Air (Downloadable)
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Juliana Hall
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Strings in the Earth and Air
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E....
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Contralto voice and piano - Medium - SKU: MQ.8769-1E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907. The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
$3.00
Un ángel de marfil (Ivory Angel), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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Un ángel de marfil
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.900403 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holi...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.900403 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637513. Published by Gustavo Fuentes (A0.900403). Ivory Angel. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The Celtics strongly believed in the elements of nature. They believed that animals, plants and even rocks had a life and a spirit. And they considered trees to be the most important elements. Trees symbolized life: the roots were in the Underworld, the branches in the Otherworld and the trunk in the Middle Earth. Trees gave the Celtics wood to build homes and weapons and to shelter them from the cold. They also shielded them from the sun with their shadow. Trees gave them fruit to eat and they lodged birds, the messengers of the Gods, in their branches. Trees protected people’s spirits and so each person was assigned a sacred tree according to their date of birth.Even today we still have spirits and objects that protect us. In the case of artists, their own art is often their protector. The title of this song refers to the ivory angel, the piano, however, this song is dedicated to all the instruments that help us express ourselves and prevent us from being lonely, silent or forgotten. Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. Los celtas creÃan profundamente en los elementos de la naturaleza. Los animales, las plantas y hasta las rocas tenÃan su propia vida y espÃritu. Y entre estos elementos, el más importante eran los árboles. Para los celtas los árboles eran un sÃmbolo de vida, con sus raÃces en el Inframundo, las ramas en el Supramundo y el tronco en la Tierra Media. Les entregaban su madera para construir viviendas y armas, los abrigaban del frÃo con su leña y los protegÃan del sol al dar su sombra. Les daban sus frutos que servÃan de sustento y resguardaban a los pájaros, mensajeros de los dioses. Eran protectores del espÃritu, y cada persona tenÃa su árbol protector según el momento del año en que hubiera nacido.En nuestros tiempos, algunos también tenemos espÃritus u objetos protectores. Entre los artistas, es en muchos casos nuestro propio arte, representado en los músicos por nuestro instrumento. Y si bien el ángel de marfil se refiere al piano, esta melodÃa está dedicada a los instrumentos que nos ayudan a expresarnos, y que nos protegen de la soledad, del silencio y del olvido.
$4.99
Barnacle Bill the Sailor (for German Band)
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Traditional
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Joseph Hasper
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Barnacle Bill the Sailor
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Joseph Hasper
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SheetMusicPlus
Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,J...
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Large Ensemble Clarinet,Drum Set,Drums,Trombone,Trumpet,Tuba,Voice - Level 3 - SKU: A0.734796 Composed by Traditional. Arranged by Joseph Hasper. Folk,Jazz,Traditional. Score and parts. 14 pages. Joseph Hasper #3213083. Published by Joseph Hasper (A0.734796). Traditional sailor's song arranged for German Band with two clarinets, trumpet, trombone, tuba, and optional drums. Includes a full score and all parts. Includes optional lyrics that let you sing a verse! Key of F. 81 measures, 20pages.Barnacle Bill the Sailor is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard. Versions are also known in England and Scotland from the early twentieth century.One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.Barnacle Bill the Sailor (Roud 4704) is an American drinking song adapted from Bollocky Bill the Sailor, a traditional folk song originally titled Abraham Brown.[1]There are several versions of the bawdy song in the Gordon Inferno Collection at the Library of Congress folklife archive. The first printed version of the song is in the public domain book Immortalia (1927). Later versions feature the eponymous Barnacle Bill, a fictional character loosely based on a 19th-century San Francisco sailor and Gold Rush miner named William Bernard.[2] Versions are also known in England and Scotland from the early twentieth century.The earliest known recording is an expurgated adaptation by Carson Robison and Frank Luther in 1928. This version was also recorded on May 21, 1930 by Bix Beiderbecke and Hoagy Carmichael with Carson Robison on vocals and released as a Victor 78, V-38139-A and 25371. In 1996 it was released on CD on the album Bix Beiderbecke 1927–1930.[3] According to Philip R. Evans, Bix Beiderbecke's biographer, in the second chorus of this recording, violinist Joe Venuti can be heard singing Barnacle Bill the Shit-head, either to express his attitude toward the record producer, or typical of his wacky sense of humor. Esten Spurrier, a friend of Beiderbecke's, is quoted by Evans as saying that Beiderbecke told him he could not believe the record would be pressed and had felt that it had been done just for laughs. Beiderbecke cut loose on the tune with what is believed to be one of his finest cornet solos. John Valby (aka Dr. Dirty) also recorded the song.The tune has inspired a Fleischer Studios Betty Boop cartoon and two films, as well as the name of a rock on Mars. Louis Jordan and the Tympany Five (then known as The Elks Rendezvous Band) recorded a clean version in 1938.[4] In the first Fleischer Popeye cartoon, Popeye the Sailor (1933), Barnacle Bill was used as the recurring theme for the Bluto character. A later Fleischer Popeye cartoon, Beware of Barnacle Bill (1935), is a mock operetta based around a toned-down version of the song.Example of lyrics[edit]One version of Barnacle Bill refers to an exchange between Bill and a fair young maiden. Each verse opens with inquiries by the maiden, sung by women, or by men in falsetto, and continues with Bill's profane responses sung by men.
$11.99
The Dying of the Light : Musical Settings of the Poetry of Dylan Thomas (Downloadable Piano/Vocal Score)
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Gwyneth W
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The Dying of the Light : Music
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo with string quartet or piano - Moderately Easy - SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 m...
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Tenor voice solo with string quartet or piano - Moderately Easy - SKU: MQ.8329-E Composed by Gwyneth W. Walker. Instrument part. 23 pages. Duration 10 minutes, 10 seconds. E. C. Schirmer Music Company - Digital #8329-E. Published by E. C. Schirmer Music Company - Digital (MQ.8329-E). English.The poetry of Dylan Thomas (1914–1953) is characteristically Welsh and dark. Death is a common topic in his writings. Yet despite the somber imagery, there is often a strength and resilience. The journey of death is described, but not taken. Death is the adversary, not the ruler. The Hand that Signed the Paper speaks of the often cruel and deadly power of a signed document- a document of taxation, of treaty or of counting casualties. The five fingers mark the dead, but do not soothe. “Hands have no tears to flow.†And Death Shall Have No Dominion expresses the triumph of the human spirit over death. “Though lovers be lost love shall not.†Do Not Go Gentle into that Good Night represents the fight against death. “Rage, rage against the dying of the light.†The musical expression of these poems places the voice in the low (dark) range. Tempi are slow, and minor keys are prevalent. Only occasionally are major tonalities presented. These passages combine with particularly uplifting phrases such as “Though they sink through the sea, they shall rise again†and “Wild men, who caught and sang the sun in flight…†Near the end of the last song, the poet addresses his deceased father: “And you, my father, there on the sad height...†The voice stays on a constant pitch while the harmony lifts beneath (to the heights), in the Lydian (raised) mode. [One might hear the voice as “perched atop†the rising chords.] This is one of the most personal lines of Dylan Thomas' poetry. As the poet speaks to his father, the climax of the song comes with the rising phrases of “Rage, rage against the dying of the light.†The final chords are dissonant, marked “with determination and triumph.†Duration: 10:10.
$12.00
Sea Songs
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Steve Martland
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Sea Songs
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SSSAAATTTBBB) - difficult - SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of ...
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Mixed choir (SSSAAATTTBBB) - difficult - SKU: S9.Q19671 For mixed choir. Composed by Steve Martland. This edition: choral score. Choral Music of Our Time. Downloadable, Choral score. Duration 23 minutes. Schott Music - Digital #Q19671. Published by Schott Music - Digital (S9.Q19671). English.Sea Songs, commissioned jointly by Ars Nova Copenhagen and Glasgow Concert Halls, is a kind of sequel to Martland's Street Songs (originally written for the Kings Singers and Evelyn Glennie). As with the earlier piece, Martland made use of to the library of the English Folk Song and Dance Society at Cecil Sharp House in north London. I wanted specifically to find texts that were not just the usual nautical heave-ho sort of thing, but instead explored the dangers and hardships still being experienced by sailors as recently as the early 19th century. I was also very happy to see in these texts the sense of camaraderie and mutual support that existed between the sailors. (Steve Martland) Dance to your Daddy sets the scene of a sailor's wife at home, dandling her baby son and singing to him about his daddy away fishing, and about the future. Both the tune and the words come from the Northumberland area around Newcastle. This song is very well known in the UK and gave the title to a famous television series When the boat comes in. Fire Down Below is about the effects of fire - a constant danger on board wooden ships. At the end of this song the words take on an extended meaning: Fire in our hearts for the friends that we love. The Dead Horse is about the initial month of work without pay in which all seamen had to take part. They referred to it as the dead horse - hence the expression to flog a dead horse when something is a waste of time. The seamen resented this unpaid time, and the text expresses their frustrations metaphorically by listing what they would do to the horse! The music's frantic gallop alludes to the horse's desperation. Although The Sea Martyrs presents itself as a ballad, this text has a more literary feel, and unlike the other songs it doesn't include a chorus refrain. It concerns the sailors' lack of pay, the consequences of asking for pay (being hanged!), and the poverty of their families at home. The poem portrays the sailors' deaths as an almost religious sacrifice to help future seamen. At the end of the work, the opening of Dance to your Daddy returns as a kind of descant, sung by an angel calling to the hanged men. © Paul Hillier, 2012.
$12.99
Four Hispanic Children’s Songs for Trumpet in Bb or Clarinet in Bb and Piano
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Traditional
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William Pagan-Perez
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Four Hispanic Children’s
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William Pagan-Perez
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SheetMusicPlus
Instrumental Duet B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - SKU: A0.933818 Composed by Traditional. Arranged by William Pagan-Perez. Children,C...
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Instrumental Duet B-Flat Trumpet,Instrumental Duet,Piano - Level 2 - SKU: A0.933818 Composed by Traditional. Arranged by William Pagan-Perez. Children,Concert,Standards. Score and parts. 22 pages. William Pagan-Perez #3024441. Published by William Pagan-Perez (A0.933818). Four Hispanic Children’s Songs Doña Ana (Madame Ana) El patio de mi casa (The Garden Of My House) ¡Que Llueva! (Let It Rain!) San Serenà About the piece: Many times, great musicians transcribed and perform art song cycles by Brahms, Schubert, Schumann, or Rachmaninoff in order to express lyricism with their musical instruments like a singer does. Practicing and performing Four Hispanic Children’s Songs, give young music students a good opportunity to start expressing lyricism or to start playing beautiful melodic lines imitating the expressiveness of the human voice. Four Hispanic Children’s Songs can be programmed on student concerts, or solo music recitals in schools. Also, professional musician can perform Four Hispanic Children’s Songs on recitals, educative concerts or entertainment concerts programmed for children. Four Hispanic Children’s Songs is a four movements piece based on 18th Century children songs from Spain that became parts of the Hispano American heritage. It was arranged as a song cycle, with march textures that accompany the melody to allow a better learning and rehearsing process in class. --------------------------------- Sobre la pieza: En muchas ocasiones, los grandes músicos transcriben y ejecutan ciclos de canciones de artes compuestos por Brahms, Schubert, Schumann, or Rachmaninoff con la intención de expresar lirismo o tocar bellas lÃneas melódicas imitando la expresividad de la voz humana con sus instrumentos musicales. El practicar y tocar la música de Four Hispanic Children’s Songs (Cuatro Canciones Infantiles Hispanas) brinda a los jóvenes estudiantes de música, una buena oportunidad para comenzar a expresar lirismo o de tocar melodÃas expresivas como si fuera un cantante. Four Hispanic Children’s Songs puede ser programada y presentada en conciertos de estudiantes, o recitales de música solista en escuelas. También la pieza puede se ejecutada por músicos profesionales en recitales, conciertos educativos o concierto de entretenimiento programados para la niñez. Four Hispanic Children’s Songs es una pieza con cuatro movimientos; basadas en canciones infantiles del siglo XVIII y oriundas de España, pero que fueron adoptadas dentro de las tradiciones hispanoamericanas. El arreglista utilizó texturas de marcha para acompañar las canciones, facilitar el proceso de aprendizaje y de ensayo del estudiante en el salón de clases. Note: the MP3 Sound is from the flute and piano arrangement...
$8.95
One last bar then Joe can sing
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Gavin Bryars
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One last bar then Joe can sing
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Schott Music - Digital
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SheetMusicPlus
Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloa...
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Percussion-Quintett - SKU: S9.Q50078 A Homage to Deagan for percussion ensemble. Composed by Gavin Bryars. This edition: score and parts. Downloadable, score and parts. Duration 20 minutes. Schott Music - Digital #Q50078. Published by Schott Music - Digital (S9.Q50078). One Last Bar Then Joe Can Sing (1994) was commissioned by the Arts Council of Great Britain for the percussion quintet Nexus, and is a reflection on aspects of percussion history, both personal and musical. The members of Nexus are my friends (I played in the Steve Reich Ensemble along with Russ Hartenberger in 1972, the year after Nexus was formed). The piece aimed to demonstrate how a fine percussion ensmeble can be as musically expressive and subtle as, say, a string quartet. The piece starts from the last bar at the end of the second act of my opera Medea, a very short coda for a quintet of untuned percussion instruments during which the curtain falls. In this piece, however, this one apparently innocuous measure is progressively fragmented until it is taken over, little by little, by the addition of tuned percussion instruments. Eventually two metallophones (crotales and songbells) play aria-like material with bows, occasionally joined by the xylophone, and accompanied by marimba and xylophone ostinati. The piece ends with a coda in which phrases are passed from bowed vibraphone to bowed crotales, then to bowed songbells, supported by tremolos on the marimbas. The rare 3-octave songbells that Nexus owns is one of the American instrument maker J. C. Deagan's particularly fine instruments. The piece is effectively a kind of homage to Deagan, the Stradivarius of the tuned percussion world, who collaborated closely with Percy Grainger in the development of tuned percussion music between the wars. The allusions in the title are obvious: the one last bar is the last measure of music from my opera; the song is that of Deagan's songbells. In the case of Joe I wanted to link my father, Joe Bryars (who was a good amateur baritone singer) with Joseph Deagan and his songbells. However, some time after I had written the piece, Nexus's Bob Becker took me to one side and told me (gently) that the initial J in Deagan's name, in fact, stood for JohnGavin BryarsPercussion 1: Crotales (with bow), Chocolo, Mark Tree; Percussion 2I: Song Bells (with bow), Chinese Cymbal, 3 Wood Blocks; Percussion 3: 2 Cymbals, 2 Triangles, Xylophone, Marimba (shared with Marimba II), Vibraphone (with bow); Percussion 4: 2 Cymbals, 2 Gongs, Marimba I (with low F), Maracas; Percussion 5: 2 low Tom-Toms, Marimba II (to low A).
$45.99
Playing Percussion Instruments in the Music School
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Béla Ugró
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Playing Percussion Instruments
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Bela Ugro
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SheetMusicPlus
Percussion Solo - Level 1 - SKU: A0.1359795 Composed by Béla Ugró. 21st Century,Children,Instructional,Multicultural,Traditional,World. Individual...
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Percussion Solo - Level 1 - SKU: A0.1359795 Composed by Béla Ugró. 21st Century,Children,Instructional,Multicultural,Traditional,World. Individual part. 117 pages. Bela Ugro #944273. Published by Bela Ugro (A0.1359795). Dive into the rhythmic world of PLAYING PERCUSSION INSTRUMENTS IN THE MUSIC SCHOOL, (JÃTÉK ÃœTÅHANGSZEREKEN A ZENEISKOLÃBAN) an insightful and comprehensive sheet music collection authored by the accomplished Béla Ugró. Designed with educational purposes in mind, this resource serves as a valuable guide for students and teachers exploring the fascinating realm of percussion instruments.PLAYING PERCUSSION INSTRUMENTS IN THE MUSIC SCHOOL offers a comprehensive and enjoyable approach to percussion education, empowering students to develop their skills across various percussion instruments. With a wide array of exercises, solos, and accompaniments, this sheet music collection is a valuable resource for both aspiring percussionists and dedicated music educators.Béla Ugró's compositions create a lively and engaging atmosphere, making music education a joyful and enriching experience for both students and instructors alike.Structured Learning:Explore fundamental rhythms in Chapter I, including basic rhythmic patterns and the exploration of eighth notes.Navigate through Chapter II, delving into the intricacies of eighth-note rests, dotted quarters, and captivating snare drum solos such as The Martian and Moonlight.Triplet Adventures:Chapter III introduces the world of triplets, fostering an understanding of triolas and incomplete triols, accompanied by engaging snare drum solos like Waterfall.Sixteenth Note Mastery:Progress through Chapter IV to master sixteenth notes, their rests, and the art of combining them. Challenge yourself with dynamic snare drum solos like Let’s Go! and Roller Coaster.Quintuplets and Beyond:Chapter V explores quintuplets, sextuplets, and septuplets, adding complexity to your percussion repertoire. Immerse yourself in captivating snare drum solos, including Ferris Wheel.Elaborate Rudiments:Journey through Chapter IX to enhance your skills with essential rudiments, including roll rudiments, paradiddles, flams, and drags. Showcase your prowess with snare drum solos like The Patrol and Smitherens.Multi-Percussion Excitement:Chapter X introduces the realm of multi-percussion, featuring unique solos like Töredékek A-B-C-D részek, Marsch, and Bossa Nova Knock.Drum Set Grooves:Explore exciting drum set grooves in Groove Modules, adding versatility to your percussion repertoire.Melodic Percussion and Song Adaptations:Engage in melodic percussion with Chapter X, practicing on melodious instruments. Enhance your skills with well-known tunes, including adaptations of Mozart, Lully, and more.Vibrant Compositions:Immerse yourself in original compositions by Béla Ugró, such as the expressive Elégia for vibraphone solo.Piano Accompaniments:Access additional piano accompaniments in the appendix, providing a rich harmonic backdrop for your percussion journey.Keywords:Percussion EducationBéla UgróSnare Drum SolosRhythmic PatternsMusic School CurriculumPercussion TechniquesEducational Sheet MusicMelodic PercussionRudiments MasteryMulti-PercussionDrum Set GroovesMusic School ExercisesTimpani SoloVibraphone ElegyMusical Expressions DictionarySheet Music CollectionMusical RudimentsEducational ResourcesStudent DevelopmentPercussion RepertoirePedagogical PercussionStudent Empowerment.
$20.00
Songs of the Open Road II
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Stephen Krishnan
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Songs of the Open Road II
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Les Productions d'OZ - Digital
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SheetMusicPlus
Easy - SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. ...
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Easy - SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. Published by Les Productions d'OZ - Digital (ZZ.DZ-4241). J'espère que ce livre offrira une manière joyeuse de renforcer les compétences en lecture et aidera les jeunes musiciens à aimer interagir avec la musique imprimée. Le terme « lecture à vue » est utilisé ici de manière vague : les mélodies de ce livre sont destinées à être étudiées de près, de sorte qu'au fil du temps, l'élève développe les compétences nécessaires pour interpréter visuellement les hauteurs, rythmes et expressions complexes que l'on trouve couramment au niveau intermédiaire. répertoire. Le livre est composé de courtes chansons qui peuvent chacune être magnifiquement jouées en une seule séance. Il existe des titres de chansons uniques (et parfois loufoques) avec des illustrations assorties de Sasha Kolesnik qui capturent l'esprit de la musique. Vous trouverez ci-dessous un aperçu des éléments clés du livre et mes suggestions sur la manière de les aborder.My hope is that this book provides a joyful way to strengthen reading skills and helps young musicians enjoy interacting with printed music. The term sight reading is used loosely here - the melodies in this book are meant to be studied closely, so that over time the student will develop the skills to visually interpret the complex pitches, rhythms, and expressions commonly found in intermediate-level repertoire. The book is made up of short songs that can each be played beautifully in one sitting. There are unique (and sometimes goofy) song titles with matching illustrations by Sasha Kolesnik that capture the spirit of the music. Below is an outline of the book’s key components, and my suggestions for how to approach them.
$14.95
Beyond the Rainbow Bridge - backing track
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David Kai
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David Kai
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Beyond the Rainbow Bridge - ba
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David Kai
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SheetMusicPlus
String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christi...
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String Ensemble Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - SKU: A0.1105087 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Country,Rock. Accompaniment. Duration 221. David Kai #708333. Published by David Kai (A0.1105087). A song for those grieving the loss of a pet, especially those whose pets support them through issues such as PTSD and depression. The death of a pet is certainly one the most difficult things that pet lovers experience. Pets offer us companionship, affection and healing, but their relatively short lifespan means that we will experience this loss many times in our lives. Many of us take comfort in the idea of a rainbow bridge that our pets cross when they die, and that we too will cross to be united with our pets. This song expresses the grief that we experience with the death of a pet, but also the hope that we will be reunited with them one day. This version of the song is a backing track for a soloist. BEYOND THE RAINBOW BRIDGE by David Kai ©2019 The day that I first met you, I held you in the palm of my hand And from that moment onward I knew that we would be the best of friends And though you started as a Christmas gift to set beneath the tree You know you really were a gift from God to me. We walked through fields and forests, we’d hit the trail in sun and wind and rain When I was at my lowest, you licked my hand and raised me up again But time passed much too quickly, and you know just what you did You took a piece of my broken heart beyond the rainbow bridge. I’m not sure what heaven’s like , I’m not sure how things will be But if we won’t be together, it won’t feel like heaven to me But if the Lord be willing, I’ll hear your welcome bark again, And see you running to me, through the golden fields of grain Most faithful of companions, you’d been with me in sickness and in health You always loved to see me, even when I couldn’t really love myself And when you licked my hand that one last time, then you know just what you did You took a piece of my broken heart beyond the rainbow bridge. You took a piece of my broken heart beyond the rainbow bridge.
$1.99
National Anthem of Ukraine - Trombone Quintet Choir - Adv. Intermediate Level
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Patriotique
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Pavilo Chubynsky, Mykhailo Ver
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Dennis Ruello
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National Anthem of Ukraine - T
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Chicory Music
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SheetMusicPlus
Brass Band Trombone - Level 4 - SKU: A0.1188967 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Rue...
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Brass Band Trombone - Level 4 - SKU: A0.1188967 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. Score and Parts. 9 pages. Chicory Music #788580. Published by Chicory Music (A0.1188967). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamation.This arrangement for Trombone Quintet, / Choir in the brass friendly key of d minor, is easily accessible to those students who play at the Adv. Intermediate Level. Performance Time: 1 minute 35 seconds
$9.99
Love Was My Lord and King!: 3. Crossing the Bar (Downloadable TTBB Chamber Orchestra Score)
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Gwyneth W
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Love Was My Lord and King!: 3.
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Choir and various instruments - SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. ...
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Choir and various instruments - SKU: MQ.6506-E Composed by Gwyneth W. Walker. 19 pages. E. C. Schirmer Music Company - Digital #6506-E. Published by E. C. Schirmer Music Company - Digital (MQ.6506-E). Crossing the Bar creates images of the sea, with the final voyage leading us out across the water, to see our Pilot, face to face. The musical setting endeavors to express the growth from peaceful to ecstatic moods, the tolling of the bell, the meeting of the Pilot. May there be no moaning of the bar, when I put out to see.The poetry of Alfred, Lord Tennyson (1809-1892) is characterized by dark, yet transcendent imagery -- the depths of the ocean, the triumph of the spirit. These poems seem well-suited to musical settings for Men's Chorus. The deep tones. The sonority of male voices (perhaps speaking for the poet) rising in song.Throughout the varied imagery of this poetry -- the depth of the sea, the dark of the night, the tumult of passion and the acceptance of death -- there speaks one, central message. Love was my lord and king. *Sound recording provided by the High School Mens's Honor Choir, Robert Ward, conductor (Southwestern ACDA Conference 2014)
$13.15
Memento vivere · Kythere
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Rudi Stephan
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Clytus Gottwald
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Memento vivere · Kyther
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Schott Music - Digital
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SheetMusicPlus
Mixed choir a cappella with bass-solo - advanced - SKU: S9.Q20789 Zwei Gesänge nach Texten von Friedrich Hebbel und Gerda von Robertus. Compos...
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Mixed choir a cappella with bass-solo - advanced - SKU: S9.Q20789 Zwei Gesänge nach Texten von Friedrich Hebbel und Gerda von Robertus. Composed by Rudi Stephan. Arranged by Clytus Gottwald. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 7 minutes. Schott Music - Digital #Q20789. Published by Schott Music - Digital (S9.Q20789). German.He was regarded as the German hope among the composers of his generation and as 'next man of New Music', but his early death quashed all such hopes of the music scene: Rudi Stephan died at the early age of 28, leaving behind instrumental works as well as some songs in which he admitted expressionist concepts of art, as were later expressed mainly by the Viennese School. Clytus Gottwald has taken up the cause of transcribing two of the songs by this composer, who died in the First World War, for nine-part mixed a cappella choir (SSAATTBBB) with solo bass in his honour. In spite of the Latin title, Memento vivere is a German-language secular song based on a text by Friedrich Hebbel which is permeated by harmonies sharpened with dissonances. The music of Kythere to words by Gerda von Robertus is characterized by the excessive use of harmonic shifts in the style of Debussy.
$7.99
THE CONVICTS' LAMENT
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Contemporain
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Helen Porter
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THE CONVICTS' LAMENT
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Helen Porter
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SheetMusicPlus
Small Ensemble - SKU: A0.976583 Composed by Helen Porter. Contemporary. Score and parts. 19 pages. Helen Porter #2912393. Published by Helen Porter (A0....
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Small Ensemble - SKU: A0.976583 Composed by Helen Porter. Contemporary. Score and parts. 19 pages. Helen Porter #2912393. Published by Helen Porter (A0.976583). A convict relative from my past, was transported to Australia in 1828 for stealing some bedding.I wrote this song to express what must have been the emotions experienced by these poor sad souls who had no idea what lay ahead.The flute accompaniament adds to the feeling of sorrow and abandonment which then turns to hope for their future.
$3.00
Lookin' just lookin' in the personal ads for low voice, cello and guitar
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David Warin Solomons
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Lookin' just lookin' in the pe
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Guitar,Low Voice,Medium Voice - Level 4 - SKU: A0.576675 Composed by David Warin Solomons. 20th Century,Broadway,Contemporary,Music...
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Small Ensemble Cello,Guitar,Low Voice,Medium Voice - Level 4 - SKU: A0.576675 Composed by David Warin Solomons. 20th Century,Broadway,Contemporary,Musical/Show. Score and parts. 20 pages. David Warin Solomons #55573. Published by David Warin Solomons (A0.576675). Many years ago I wrote a song about looking in the personal ads, imaging four rather different individuals searching for their ideal partners. The effect is comic but also a bit sad. At the suggestion of a cellist friend of mine I have created an additional cello part for it, added a couple of little solo passages for her and some moments (pauses and cello chords) for optional histrionic expression on the part of the performers. Two versions of this are avaialble, one with piano and one with guitar accompaniment - the accompanying styles are rather different between them, so I have published them separately. The pdf file contains score and parts The sound sample is an electronic preview. The original song with guitar performed by the composer can be enjoyed on youtube at http://www.youtube.com/watch?v=ju2q7giwJ0s The original song with piano (sung by Stephen Taylor and Jonathan Leonard) can be heard on Bandcamp at http://davidwarinsolomons.bandcamp.com/album/songs-of-solomons (track 10).
$10.00
Part Of Your World
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Film Walt Disney
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Enfant
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - SKU: A0.593796 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,...
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Instrumental Duet E-Flat Clarinet,Instrumental Duet - Level 3 - SKU: A0.593796 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Score and parts. 4 pages. David McKeown #6501909. Published by David McKeown (A0.593796). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a Duet for one Clarinet and one Alto Clarinet. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full length performance of this arrangement played on ClarinetThere are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Part Of Your World
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Film Walt Disney
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Enfant
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.593814 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop....
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Instrumental Duet Instrumental Duet,Oboe,Violin - Level 3 - SKU: A0.593814 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Score and parts. 4 pages. David McKeown #6501945. Published by David McKeown (A0.593814). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a Duet for one Oboe and one Violin. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full length performance of this arrangement played on ClarinetThere are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
Part Of Your World
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Film Walt Disney
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Enfant
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.593813 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/T...
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Instrumental Duet English Horn,Instrumental Duet,Oboe - Level 3 - SKU: A0.593813 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Score and parts. 4 pages. David McKeown #6501943. Published by David McKeown (A0.593813). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a Duet for one Oboe and one Cor Anglais (or English Horn). Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full length performance of this arrangement played on ClarinetThere are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
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