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--INSTRUMENTS--
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Studio at the Post
Partitions à imprimer
17 partitions trouvées
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1
Heisenberg was looking for a raison d'être - Score Only
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Igor Korneitchouk
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Heisenberg was looking for a r
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Studio at the Post
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SheetMusicPlus
Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Publis...
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Piano Quintet - Level 5 - SKU: A0.1129011 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 33 pages. Studio at the Post #729534. Published by Studio at the Post (A0.1129011). Score only (see 729537 for Parts) Duration: 8 minutes, 19 pp. Description: When John Cage first invented the concept of prepared piano it was an invention born of necessity. (To realize his ideas Cage needed a percussion ensemble to accompany the dance troupe with which he worked. His solution to the impracticability of this was to create various percussion-like timbres from the studio piano which all dance spaces have.) In Heisenberg... all the instruments are engaged in a music made up of sound effects and unusual timbres; but because all the effects, in the case of the string instruments, must come from a limited number of strings, the preparation of these instruments are mutable — throughout the piece the performers are constantly preparing and un-preparing their instruments. This principle of mutable preparation has been carried over to the piano as well and thus the performance takes on the characteristic of an alien dance as a great deal of the work involves the logistics of setting up each succeeding phrase. Werner Heisenberg's great contribution to modern science is the Uncertainty Principle — the realization, expressed mathematically, that even in the hard sciences of physics and chemistry one could never be sure of anything. (According to The New Columbia Encyclopedia) “Werner Heisenberg — German physicist. One of the founders of the quantum theory, he is best known for his uncertainty principle, or indeterminacy principle, which states that it is impossible to determine with arbitrarily high accuracy both the position and momentum (essentially velocity) of a subatomic particle like the electron. The effect of this principle is to convert the laws of physics into statements about relative probabilities instead of absolute certainties.†(He won the Nobel Prize in Physics in 1932.).
$9.03
The Sophisticated Hippy
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Jazz
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Horace Silver
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George Kaplan
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The Sophisticated Hippy
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081039 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 111. George Kaplan #6aVbzZBJPv37joDoKxM0BR. Published by George Kaplan (A0.1081039). Key: Eb minor.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
touch me hear: a collection of conceptual compositions
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Igor Korneitchouk, Chad Mealey
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touch me hear: a collection of
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Studio at the Post
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SheetMusicPlus
Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. ...
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Level 2 - SKU: A0.1128114 Composed by Igor Korneitchouk, Chad Mealey. 20th Century,Comedy,Contemporary,Spiritual. 28 pages. Studio at the Post #728730. Published by Studio at the Post (A0.1128114). Duration: variable for each piece, 18 pp. Description: Seven works by the group touch me hear. Feel the art hear the art be the art. At the turn of the century (20th to 21st century, for you music history buffs) Igor Korneitchouk and Chad Mealey formed the group touch me hear with friends Dennis Aman and Jim Soe Nyun, and, with technical and musical assistance of various music faculty and students of San Diego Mesa College, presented concerts of new conceptual music/conceptual art/performance art. (The taxonomy and distinctions between such categories can be debated; we leave it to those who like to create new theory to follow our new practice.) The group was dedicated to the idea that such new music can and should be presented to an appreciative yet unsuspecting audience that rises to the challenge when put to the test. Indeed, a major feature of many of the works exhibited relies on the performance by the audience to entertain us and themselves. Thus, down comes the fourth wall. If you truly listen, as John Cage would encourage, the conceptual can sound just as fascinating, the visual display just as spectacular, the serendipitous theater just as dramatic, as the idea is imaginative. “Music is all around us, if only we have ears...†(to quote John Cage). Here are some of the original works of those concerts. Ironically, one in particular dispenses with the idea of an “audienceâ€. It is the tree that falls in the forest (or desert) no one hears. NO RECORDINGS OF ANY OF THESE PIECES EXIST; BE THE FIRST TO RECORD THESE!
$5.02
Birthday Suit
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Contemporain
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Igor Korneitchouk
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Birthday Suit
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Studio at the Post
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SheetMusicPlus
Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20t...
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Instrumental Solo,Ney Flute,Oboe/English Horn - Level 5 - SKU: A0.1122089 Composed by Igor Korneitchouk. Arranged by Drake Mabry, Igor Korneitchouk. 20th Century,Contemporary. Individual part. 19 pages. Studio at the Post #723162. Published by Studio at the Post (A0.1122089). Duration: 10 minutes, 16 pp. Description: In speaking of his recitation of his Four Quartets on phonograph, T. S. Eliot says: A recording of a poem by its author is no more definitive an 'interpretation' than a recording of a symphony conducted by the composer. The poem, if it is of any depth and complexity, will have meanings in it concealed from the author; and should be capable of being read in many ways, and with a variety of emotional emphasis.... Another reader, reciting the poem, need not feel bound to reproduce these rhythms: but, if he has studied the author's version, he can assure himself that he is departing from it deliberately, and not from ignorance. The composer could not have stated his intentions towards this piece better than to quote T. S. Eliot. No note or inflection is fixed in stone that it cannot be negotiated, changed to better suit the needs of the performer. This is especially true of the first movement which is composed around sections of the first of Eliot's Four Quartets (Burnt Norton), but applies generally to the whole piece. Much of the notation in this piece is meant to be suggestive. The performer may take a highly faithful approach to realizing the score, or consider the movements as models for directed improvisation. Movement 2, for example, asks the performer to continue to improvise in like manner, yet maps out a clear design for the music. Birthday Suit is dedicated to Robert S. Howe, a friend and obstetrician who welcomes into this world many people in their birthday suits. That is the most obvious reason for the title of this piece. A reason more germane to the music itself is the piece's reliance on the performer's own natural body rhythms (such as speech rhythms, involuntary eye movements, and rate of breathing) to help organize the flow of the music. In this way both metabolism and the written note cooperate to make music. There are three movements, Rhythm of Speech - Rhythm of Sight - Rhythm of Breath. Total 10 minutes. (Audio Sample of movement I is for oboe; YouTube Link of movement III is an arrangement for the Turkish ney.).
$2.01
Japanese Garden
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Igor Korneitchouk
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Japanese Garden
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Studio at the Post
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Piccolo - Level 5 - SKU: A0.1139673 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 89 pages. Studio...
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Acoustic Guitar,Instrumental Duet,Piccolo - Level 5 - SKU: A0.1139673 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 89 pages. Studio at the Post #739944. Published by Studio at the Post (A0.1139673). Duration: 15 minutes, 26 pp. Description: Imagine a sound-space defined in time; a general silence populated and delimited by short sonic events. These sonic events, played by the two performers (alto flute doubling piccolo and guitar), comprise the semi-flexible score of Japanese Garden and are to be arranged, within the guidelines presented, like the rocks and plants of a traditional Japanese garden. They are to be arranged with a keen ear for the distant inter-relationships, both temporal and contrapuntal, between the various sound events. Solo parts included; duet otherwise reads off score. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$5.02
kare sansui
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Igor Korneitchouk
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kare sansui
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Studio at the Post
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SheetMusicPlus
Mixed Percussion Acoustic Guitar,Violin - Level 4 - SKU: A0.1141735 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 44 pages. Studio a...
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Mixed Percussion Acoustic Guitar,Violin - Level 4 - SKU: A0.1141735 Composed by Igor Korneitchouk. 21st Century,Chamber,Contemporary. 44 pages. Studio at the Post #742121. Published by Studio at the Post (A0.1141735). Duration: 9 minutes, 28pp. Description: Imagine a sound-space defined in time; a general silence populated and delimited by short sonic events. These sonic events, played by the three performers (violinist, guitarist, percussionist), comprise the semi-flexible open-form score of kare sansui and are to be arranged like the rocks of a traditional Japanese karesansui garden. They are to be arranged with a keen ear for the distant inter-relationships, both temporal and contrapuntal, between the various sound events. Solo parts included; ensemble otherwise reads off score. NO RECORDING OF THIS PIECE EXISTS; BE THE FIRST TO RECORD THIS!
$5.02
Seven Serapés for Six Pianos (Parts only)
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at...
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Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at the Post (A0.1124743). Parts only (see A725494 for Score). Duration: 22 – 24 minutes, Six Parts between 12 – 16 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$5.02
Seven Serapés for Six Pianos - Score Only
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio a...
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Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio at the Post (A0.1125661). Score only (see A725501 for Parts). Duration: 22 – 24 minutes, 217 pp. reduced to 108 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$9.03
Hydrology
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Igor Korneitchouk
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Hydrology
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Studio at the Post
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SheetMusicPlus
B-Flat Clarinet,Oboe,Piccolo,Viola - Level 5 - SKU: A0.1141297 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 50 pages. Studio at the...
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B-Flat Clarinet,Oboe,Piccolo,Viola - Level 5 - SKU: A0.1141297 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 50 pages. Studio at the Post #741590. Published by Studio at the Post (A0.1141297). Score & Parts. Duration: 9 minutes, Score 23 pp. Description: Hydrology is an actual science: the study of water, specifically, according to Wikipedia, the scientific study of the movement, distribution, and quality of water on Earth and other planets, including the water cycle, water resources and environmental watershed sustainability. According to the composer: This piece started off years ago, when I was starting college as a student of chemistry, as Liquids (colloidal, viscous, etc.) and only later, with a few fixes it became all about water. Only a very few temporate liquids (like mercury) do not contain water. There are three movements, ...to a Boil:≈99.9° C - ...Freeze: 4°-0° C - ...Vaporize: >99.9° C. Timings: approx. I. 2' 20, II. 3' 10, III. 3' 30.
$5.02
Reflections
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Igor Korneitchouk
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Reflections
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Studio at the Post
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SheetMusicPlus
English Horn,Instrumental Duet,Organ - Level 4 - SKU: A0.1147425 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary,Contest,Festival. 20 p...
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English Horn,Instrumental Duet,Organ - Level 4 - SKU: A0.1147425 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary,Contest,Festival. 20 pages. Studio at the Post #747649. Published by Studio at the Post (A0.1147425). Duration: 7 - 8 minutes, 12 pp. Description: The English horn blends very well with many traditional stops of the organ, and this moody introspective piece highlights many of these colors. Structured as a one movement sonatina, the piece makes for a fine show piece for competition. Found in this piece is also a clear use of the symmetrical octatonic scale composed of alternating whole and half steps. Separate English horn part included.
$5.02
Prelude and Variations
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Classique
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Igor Korneitchouk
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Prelude and Variations
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Studio at the Post
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SheetMusicPlus
Acoustic Guitar,C Trumpet,Marimba,Piano - Level 5 - SKU: A0.1309875 Composed by Igor Korneitchouk. 20th Century,Baroque,Chamber,Contemporary. 59 pages. ...
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Acoustic Guitar,C Trumpet,Marimba,Piano - Level 5 - SKU: A0.1309875 Composed by Igor Korneitchouk. 20th Century,Baroque,Chamber,Contemporary. 59 pages. Studio at the Post #899016. Published by Studio at the Post (A0.1309875). Duration: 10 - 13 minutes, piano score and parts (32 pp, parts 6-10 pp). Description: A lively romp in classic sonata-allegro form. This piece consists of an arrangement of the very well known first Prelude, in C major, from The Well-Tempered Clavier, Book I by Johann Sebastian Bach followed by two variations, the second quite long, utilizing only the notes and patterns supplied in the original. The first variation rearranges the sequence of patterns from the right hand of the clavier part in relation to the sequence of patterns from the left hand. The second variation very gradually stretches the voice-leading of individual pitches out of context with the unfolding harmonies, thus revealing a new side of Bach as an early minimalist composer!
$5.02
Passacaglia for Brass, "Riders of Rohan"
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Igor Korneitchouk
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Passacaglia for Brass, "R
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Studio at the Post
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SheetMusicPlus
Level 3 - SKU: A0.1122106 Composed by Igor Korneitchouk. 20th Century,Chamber,Classical. 36 pages. Studio at the Post #723165. Published by Studio at th...
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Level 3 - SKU: A0.1122106 Composed by Igor Korneitchouk. 20th Century,Chamber,Classical. 36 pages. Studio at the Post #723165. Published by Studio at the Post (A0.1122106). Score & Parts. Duration: 6 — 7 min., Score 12 pp. Description: The subtitle Riders of Rohan provides a clue to the evocative colors and moods included in this sextet for brass. Score indications includes descriptions of various speeds of the horses carrying the riders and vary in tempo. The brass writing is lush, colorful and the orchestration is often in pairs of instruments. The brass sextet consists of 2 trumpets, 2 french horns, tenor trombone and bass trombone.
$9.03
Plastic Sonata for Piano Four-Hands
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Contemporain
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Igor Korneitchouk
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Plastic Sonata for Piano Four-
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Studio at the Post
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Keyboard - Level 5 - SKU: A0.1124426 Composed by Igor Korneitchouk. 20th Century,Classical. Score and parts. 22 page...
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Instrumental Duet Instrumental Duet,Keyboard - Level 5 - SKU: A0.1124426 Composed by Igor Korneitchouk. 20th Century,Classical. Score and parts. 22 pages. Studio at the Post #723413. Published by Studio at the Post (A0.1124426). Duration: 3 - 4 minutes, in Secondo/Primo format (8 pp.) for four-hands single piano, and score format (11 pp.) for two pianos. Description: A lively romp in classic sonata-allegro form.
$5.02
Waltz of the Clouds (Trio for Alto Flute, Bass Flute, and Guitar)
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The Candlelight Guitarist
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Waltz of the Clouds
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Geofonica Artistworks
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SheetMusicPlus
Acoustic Guitar,Alto Flute,Bass Flute - Level 3 - SKU: A0.1424926 By The Candlelight Guitarist. By Bradley Powell. 20th Century,Chamber,Classical,New Ag...
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Acoustic Guitar,Alto Flute,Bass Flute - Level 3 - SKU: A0.1424926 By The Candlelight Guitarist. By Bradley Powell. 20th Century,Chamber,Classical,New Age,Romantic Period. 9 pages. Geofonica Artistworks #1005873. Published by Geofonica Artistworks (A0.1424926). A beautiful, relaxing trio for alto flute, bass flute, and classical guitar (optionally with added keyboard-synthesizer), in the romantic impressionistic style (Debussy, Ravel, Delibes, Satie, etc.), by Bradley Powell, who has recorded many albums as The Candlelight Guitarist. A moderately easy piece for the flutes, and an intermediate level classical guitar part. Here it perfomed by Bradley Powell featuring GIlberto Hildavio performing the alto and bass flute parts. The Alto flute part, Bass flute part, and guitar part are all included here (the optional keyboard plays chords off the guitar part).Gilberto Hildavio was a flute student Luella Howard, principal flutist of the 20th Century Fox Studio orchestra in Los Angeles. Hildavio has played woodwinds for many leading shows in Los Angeles (including Sunset Blvd, Fiddler on the Roof.), and performed with many musical stars, including the Percy Faith orchestra. ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).
$5.99
Damerons Dance
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Jazz
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Horace Silver
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George Kaplan
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Damerons Dance
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081005 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 63. George Kaplan #7Iri8FTj5liweYDJZtdWVT. Published by George Kaplan (A0.1081005). Key: B major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
Adjustment
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Jazz
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Horace Silver
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George Kaplan
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Adjustment
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081131 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081131 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 4 pages. Duration 43. George Kaplan #2BWqBfGRvuUa7JVZpWXsgL. Published by George Kaplan (A0.1081131). Key: C major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
Mysticism
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Jazz
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Horace Silver
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George Kaplan
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Mysticism
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George Kaplan
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SheetMusicPlus
Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081182 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interac...
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Small Ensemble Bass Clarinet - Level 3 - Interactive Download SKU: A0.1081182 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 9 pages. Duration 134. George Kaplan #3twZIB0zYvsynuaepMfK1d. Published by George Kaplan (A0.1081182). Key: F# major.Horace Silver had not seen the insides of a recording studio for 750 days before laying down Silver 'n Brass. His previous record, In Pursuit of the 27th Man, was unusual in its instrumentation (vibes) and for including a number of non-Silver tunes. (But the cover of Liberated Brother, from that record, did go on to become the backbone of his late 70s live shows.) So, as a prolific composer, Horace had a large backlog of tunes at his disposal as he entered the studio in January, 1975 and the 6 cuts on Silver 'n Brass are among his best. Horace broke the sessions into two: a straight-ahead post-bop session with Ron Carter (whose chubby bass spews artifacts all over the place, in his best late-70s style) and Al Foster on drums and another, more commercial session featuring Bob Cranshaw and Bernard Purdie. Wade Marcus later added horn overdubs employing an absolute who's-who of LA session players. (Word quickly got out among the cognoscenti, and Silver 'n Brass became hugely popular among fellow musicians, much to Horace's delight.) Highlights of the disc include: the composer's propulsive piano solo on Dameron's Dance, young Bob Berg's paint-peeling tenor solos (especially riveting on Kissin' Cousins) and the driving flat 9th chords of Adjustment. The tune Barbara, a gorgeous waltz dedicated to Horace's then-wife, has become a latter-day standard of sorts (Amazon's MP3 store lists a whole bunch of covers). Sophisticated Hippie, a tribute to Duke Ellington, features quite a rhythm-section workout in its closing vamp: this session would be the only time that Horace and Bernard's paths would intersect. There are no vocals this time out, just fully arresting post-bop of a high order.
$9.99
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Studio at the Post
