Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Theme with four Variations
Non classifié
26
Piano & claviers
Piano seul
29
Orgue
8
1 Piano, 4 mains
4
Piano, Voix et Guitare
2
Piano Facile
1
Clavecin
1
+ 1 instrumentations
Retracter
Guitares
Guitare
3
Guitare notes et tablatures
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Voix
Chorale 3 parties
1
Vents
Flûte, Hautbois, Clarinette, Basson
5
Flûte traversière et Piano
4
2 Flûtes traversières (duo)
2
Clarinette et Piano
2
Hautbois, Piano (duo)
1
Flûte à bec Alto, Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Hautbois (duo)
1
Saxophone Tenor et Piano
1
Saxophone Alto et Piano
1
Ensemble de Clarinettes
1
Piccolo, Piano
1
Hautbois, Clarinette (duo)
1
Flûte traversière
1
2 Clarinettes (duo)
1
Trio de Flûtes: 3 flûtes
1
Quatuor de Saxophones: 4 saxophones
1
Flûte, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Ensemble de saxophones
1
Hautbois, Basson (duo)
1
Quintette de Saxophone: 5 saxophones
1
+ 18 instrumentations
Retracter
Cuivres
Trombone et Piano
4
Trombone basse
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Cor
1
Tuba et Orgue
1
Trombone
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Cor et Piano
1
+ 4 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon
5
Violon et Piano
5
Violon, Violoncelle (duo)
3
2 Violoncelles (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Violoncelle, Contrebasse (duo)
1
Violon (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
2 Altos (duo)
1
Harpe
1
Alto, Piano
1
2 Violons (duo)
1
+ 9 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
24
Orchestre
14
Orchestre à Cordes
9
Orchestre de chambre
2
Ensemble de cuivres
1
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
26
Librairie Musicale
255
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Theme with four Variations
Partitions à imprimer
26 partitions trouvées
<
1
26
Theme with four Variations
#
Paul Hindemith
#
Theme with four Variations
#
Schott Music - Digital
#
SheetMusicPlus
String orchestra and piano - intermediate to advanced - SKU: S9.Q1509 According to the four Temperaments. Composed by Paul Hindemith. This editio...
(+)
String orchestra and piano - intermediate to advanced - SKU: S9.Q1509 According to the four Temperaments. Composed by Paul Hindemith. This edition: piano reduction for 2 pianos. Downloadable, Piano reduction. Duration 30 minutes. Schott Music - Digital #Q1509. Published by Schott Music - Digital (S9.Q1509).
$33.99
Theme with four Variations
#
Paul Hindemith
#
Theme with four Variations
#
Schott Music - Digital
#
SheetMusicPlus
String orchestra and piano - intermediate to advanced - SKU: S9.Q22855 According to the four Temperaments. Composed by Paul Hindemith. This editi...
(+)
String orchestra and piano - intermediate to advanced - SKU: S9.Q22855 According to the four Temperaments. Composed by Paul Hindemith. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 30 minutes. Schott Music - Digital #Q22855. Published by Schott Music - Digital (S9.Q22855).
$40.99
Nimrod (from The Enigma Variations) - Horn Septet
#
Classique
#
Sir Edward Elgar
#
Brendan Elliget MAGA 537
#
Co
#
Nimrod
#
BJE Music
#
SheetMusicPlus
Brass Ensemble Horn - Level 3 - SKU: A0.750991 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. Sco...
(+)
Brass Ensemble Horn - Level 3 - SKU: A0.750991 Composed by Sir Edward Elgar (1899). Arranged by Brendan Elliget MAGA 537. Classical,Romantic Period. Score and parts. 14 pages. BJE Music #6021523. Published by BJE Music (A0.750991). Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme. Nimrod (Adagio) was the 9th variation. The name of this variation refers to Augustus J. Jaeger, who was employed as a music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as a mighty hunter before the Lord, Jäger being German for hunter.It has been arranged here in the higher key of Eb for an F Horn Septet.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 3:15 mins
$9.00
Variations in Db
#
Joe Strachan
#
Variations in Db
#
Joseph Strachan
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1254186 Composed by Joe Strachan. 21st Century,Blues,Classical,Jazz,Traditional. Brass Band. 37 pages. Joseph Strachan #847781. Published by Joseph Strachan (A0.1254186). I intend to compose using the structure of theme and variations, scored for a brass band which consists of an Eb Soprano cornet, Bb cornets, Flugelhorn, Eb Tenor horns, Bb Baritones, Tenor Trombones, Bass trombone, Bb Euphonium, Bb Tuba, Eb tuba and percussion. I intend to convey multiple moods and brass band techniques throughout my piece by creating blended harmony, jazzy rhythm, and modulation. With the theme, I intend to make the band blend in harmony with the music. Into the first variation to create different rhythms and to create a jazz mood. To create the theme, I intend to establish the key of Db major in 4/4 time with a homophonic texture. For Example, to establish the key of Db in bb.1-8. I intend to use the primary and secondary chords Db, Eb, Db, Bb, Eb, Bb, Db, Bb, Eb, Fm, Gm, Bb, Eb, Fm, Ab, Db. To strengthen the chords, I use the root note in the bass lines (e.g. Bb bass).  With creating the theme I also take into consideration having a structured flowing catchy melody to show the audience a clear statement that this is the theme. The Rhymtic features in the theme are crotchets and quavers. But which are soon to be embellished in the variations. The dynamic in the theme is mf (mezzo-forte)  and mp (mezzo-piano)  in the higher instruments.  And forte in the lower voices for balancing. The tempo marking is crotchet equals 60 beats per minute. In variation 1, I intend to maintain the original melody from the theme (solo cornet)  whole creating contrast with the inclusion of jazz-styled rhythms and dissonant chords. For example, I use a jazz-styled drum ostinato (bb. 9-61) Featuring dotted quavers and semiquavers. In addition to this, I feature dissonance with the use of 7th chords which can be seen at bb.18-26, 31-39, and bars  54-62 For example, in bars 18-26 the cornets are playing the melody in a four-part harmony only using 7th chords. The rhythmic features are more embellished using crotchets and quavers. But also using dotted quavers and semiquavers to show that this melody this a variation. The dynamics in the variation are extended with more instruments having a forte dynamic to have a strong expressive dynamic. Inspiration of this variation comes from people like (Maynard Ferguson, and Gordon Goodwin).
$40.00
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations
#
Thomas Oboe Lee
#
SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
(+)
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations
#
Thomas Oboe Lee
#
SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
(+)
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
#
Thomas Oboe Lee
#
Septet, opus 77 ... Variations
#
Thomas Oboe Lee
#
SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
(+)
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99
4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
#
Jim Pugh
#
4 x 2 x 1 Bass Trombone Solo w
#
Gordon Cherry
#
SheetMusicPlus
Brass Ensemble Trombone - Level 5 - SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gordon Cherry #53376...
(+)
Brass Ensemble Trombone - Level 5 - SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gordon Cherry #5337657. Published by Gordon Cherry (A0.811134). Jim Pugh's 4 x 2 x 1 is written for Bass Trombone solo with a double Trombone Quartet accompaniment. It is appropriate for advanced performers and is about 8 1/2 minutes in length. Here is what Jim Pugh says about his composition 4 x 2 x 1: Dave Taylor and I have had a long musical association going back to my first recording sessions with him in New York in 1976 and continuing for 30+ years, including, among many things, two Pugh/Taylor Project recordings. When Dave was putting together the 1999 Manhattan School of Music Trombone Day, he asked me to write a piece featuring him along with his invited guest artists, the Four Of A Kind Trombone Quartet and the Vienna Trombone Quartet – hence the title: 4 (quartet) x 2 (two of them) x 1 (1 soloist). I enjoyed the opportunity to feature not only the bass trombone but, at times, the bass trombone trio that the orchestration provides. The piece is loosely in Rondo form. After an initial statement of the Theme, there follows three unrelated Vignettes separated by variations on the original Theme. A brief GP introduces an improvisation from the bass trombone soloist leading to the final statement of the Theme. The score reflects the correct positioning of the players, left to right, with the two quartet bass trombones on either end of the group and the two first tenor players in the middle, flanking the bass trombone soloist. A little aside here, the tenor trombone solo beginning in measure 77 was specifically written for another dear friend, colleague and collaborator, Joe Alessi. It was a great thrill and honor to have been asked to write music for not only Dave but also two of the best trombone quartets in existence at that time, knowing that anything I wrote would be so beautifully performed. This piece was recorded on the Signum Records CD: The Graham Ashton Brass Ensemble Plays The Music of James Pugh and Daniel Schnyder.
$35.00
Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134
#
Various
#
Daniel Kelley
#
Intermediate Music for Four, V
#
Last Resort Music Publishing
#
SheetMusicPlus
B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1255173 Compos...
(+)
B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1255173 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Instructional,Standards. 43 pages. Last Resort Music Publishing #848738. Published by Last Resort Music Publishing (A0.1255173). Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music PublishingÂ
$20.00
Rondeau, from Abdelazar, Z.570, - instruments in four parts
#
Classique
#
Henry Purcell
#
Paul Burnell
#
Rondeau, from Abdelazar, Z.570
#
Paul Burnell
#
SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835900 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 20 pages. Paul Burnell #6668851...
(+)
Small Ensemble - Level 3 - SKU: A0.835900 Composed by Henry Purcell. Arranged by Paul Burnell. Baroque. Score and parts. 20 pages. Paul Burnell #6668851. Published by Paul Burnell (A0.835900). Rondeau, from Abdelazar, Z.570, Henry Purcell, arranged by Paul Burnell for instruments in four partsDuration 1:40Score in CDownload comprises both score and parts.The arrangement is suitable for multiple quartet combinations with parts available (and potential instrumentations suggested) as follows:Part 1: C, Eb (Flute, Oboe, Alto Recorder, Eb Clarinet, Violin 1)Part 2: C, Bb, G (Alto Flute, Oboe, Tenor Recorder, Bb Clarinet, Violin 2)Part 3: C, Bb, Eb, F (Bb Clarinet, Bass Recorder, Alto Saxophone, Horn in F, Violin 3, Viola)Part 4: C, Bb, F (Bassoon, Great bass Recorder, Tenor Saxophone, Horn in F, 'Cello)Part 4 may be played or doubled an octave lower than written - using the 'Bass Clef up 8' part.Any other appropriate instruments, even if not suggested above, may play.Programme note:'Abdelazer', or 'The Moor's Revenge' is a 1676 play by Aphra Behn - one of the first English women to earn her living by her writing. The English composer Henry Purcell wrote incidental music for a revival of the play in the summer of 1695. Purcell's music comprises ten movements, the second of which is the Rondeau. Benjamin Britten used the Rondeau in 1945 as the theme for his set of variations 'The Young Person's Guide to the Orchestra', Op.34.
$3.99
Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
#
Daniel Kelley
#
Daniel Kelley
#
Intermediate Music for Four, V
#
Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble Bassoon,Cello - Level 4 - SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romanti...
(+)
Small Ensemble Bassoon,Cello - Level 4 - SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Traditional. Score and parts. 43 pages. Last Resort Music Publishing #403432. Published by Last Resort Music Publishing (A0.796251). Part 4 Cello or Bassoon - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) www.lastresortmusic.com.
$20.00
[Flaherty] A Cellist's Variations on "Home on the Range"
#
Daniel E
#
Tom Flaherty
#
[Flaherty] A Cellist's Variati
#
American Composers Alliance Inc.
#
SheetMusicPlus
String Ensemble Cello - SKU: A0.856121 Composed by Daniel E. Kelley. Arranged by Tom Flaherty. 20th Century,Folk,Romantic Period,Traditional. Score and ...
(+)
String Ensemble Cello - SKU: A0.856121 Composed by Daniel E. Kelley. Arranged by Tom Flaherty. 20th Century,Folk,Romantic Period,Traditional. Score and parts. 28 pages. American Composers Alliance Inc. #4643245. Published by American Composers Alliance Inc. (A0.856121). An arrangement of Home on the Range for four cellos with a variety of themes from classics of cello literature, including the Saint-Saens Cello Concerto and the Schubert String Quintet - PDF download includes score and parts.
$14.95
Mozart: Sinfonia Concertante (arr. nonet)
#
Classique
#
Wolfgang Amadeus Mozart
#
Roman Benedict
#
Adagio
#
Mozart: Sinfonia Concertante
#
Roman Benedict
#
SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Oboe,Viola,Violin - Level 5 - SKU: A0.931072 Composed by Wolfgang Amadeus Mozart. Arranged by Rom...
(+)
Large Ensemble Bassoon,Cello,Clarinet,Double Bass,Horn,Oboe,Viola,Violin - Level 5 - SKU: A0.931072 Composed by Wolfgang Amadeus Mozart. Arranged by Roman Benedict. Classical. Score and parts. 164 pages. Roman Benedict #6759573. Published by Roman Benedict (A0.931072). Mozart wrote his Sinfonia Concertante for four winds and orchestra and it has been part of the classical repertoire for two centuries. Here it is delicately arranged for Nonet, oboe, clarinet, bassoon, horn, 2 violins, viola, cello and double bass. The work consists of three movements: Allegro; Adagio; and Andante con variazioni, (a theme with ten variations and a coda).Nonet arranged from The Sinfonia Concertante for Four Winds in E-flat major, K. 297b (Anh. C 14.01),.
$34.00
Premonitions for Clarinet, Double Bass, and Piano
#
Sy Brandon
#
Premonitions for Clarinet, Dou
#
Sy Brandon
#
SheetMusicPlus
Clarinet,Double Bass,Piano - Level 5 - SKU: A0.1450058 Composed by Sy Brandon. 21st Century,Chamber. 71 pages. Sy Brandon #1029755. Published by Sy Bran...
(+)
Clarinet,Double Bass,Piano - Level 5 - SKU: A0.1450058 Composed by Sy Brandon. 21st Century,Chamber. 71 pages. Sy Brandon #1029755. Published by Sy Brandon (A0.1450058). “Premonitions” is a four-movement composition on the theme of climate change. The first movement “Tempest” is a representation of the increased frequency and severity of cyclones, hurricanes, and winter storms caused by the effects of climate change. Movement two is called “Devastation”. It begins with the clarinet playing a desolate melody in 5/4 that undergoes four variations through transformation of musical material and scoring. Debate is represented in the third movement that is in an ABA form. The A sections present strong arguments on both sides. The B section represents a regrouping of arguments. The last movement, “Compromise” is the realization of the concessions that need to be made in order for an economically viable solution to addressing the climate change problem. The movement is lyrical and flowing and is designed to represent both acceptance and optimism.
$15.00
Humoresque
#
Richard Lambert
#
Humoresque
#
Forton Music - Digital
#
SheetMusicPlus
Bsn. - Intermediate - SKU: F2.FM517 Composed by Richard Lambert. Solo Bassoon. Score and Part. 3 pages. Forton Music - Digital #FM517. Published by Fort...
(+)
Bsn. - Intermediate - SKU: F2.FM517 Composed by Richard Lambert. Solo Bassoon. Score and Part. 3 pages. Forton Music - Digital #FM517. Published by Forton Music - Digital (F2.FM517). ISBN 9790570484164.Completed in January 2009, this short tour de force for the 'clown of the orchestra' exploits the humorous nature of the instrument, whilst exploring its full range. Structured in a simple ternary form, the outer sections are highly chromatic (loosely centred around the note B flat, but eschewing a sense of key) and there are many changes of time signature, giving it highly rhythmic energy. The brief central section is more reflective and is a free development of a motif hear in bars 30 to 35: a semiquaver 'theme' is subjected serially to four variations in a quasi-waltz style, employing this time a consistent 3/4 time signature. The sections are joined with a hesitant quaver figure, which is first heard in bar 19.
$7.95
Hunting the Hare (clarinet and guitar)
#
Traditional
#
David Warin Solomons
#
Hunting the Hare
#
David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.575720 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,F...
(+)
Instrumental Duet Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.575720 Composed by Traditional. Arranged by David Warin Solomons. Contemporary,Folk,World. Score and parts. 4 pages. David Warin Solomons #2027829. Published by David Warin Solomons (A0.575720). Hunting the hare (or Hela’r Ysgyfarnog) is a Welsh folk song. I have expanded the theme with variations to represent the hopping of the hare as he tries to escape the hunter. The pdf file contains score and parts. The sound sample is an electronic preview. This is the fourth in a series of seven folk song variations for the same combination of instruments The complete series comprises: 1. Gilderoy 2. Bobby Shaftoe 3. David of the White Rock 4. Hunting the Hare 5. I have a bonnet 6. The Scottish banana 7. A Hoe-Down in The Ash Grove.
$5.00
Sonatina for Flute and Piano
#
James Albert Yeager
#
Sonatina for Flute and Piano
#
James A. Yeager
#
SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Y...
(+)
Piano,Soprano Flute - Level 4 - SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00
Divertimento
#
Sy Brandon
#
Divertimento
#
Imagine Music - Digital
#
SheetMusicPlus
Oboe, clarinet, bassoon - SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imag...
(+)
Oboe, clarinet, bassoon - SKU: IZ.BCMS171 Composed by Sy Brandon. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 69 pages. Imagine Music - Digital #BCMS171. Published by Imagine Music - Digital (IZ.BCMS171). 9 x 12 in inches.Divertimento is in three movements. The first movement, Frolic, has three main thematic ideas. The first contains dotted rhythms, staccato articulation, and meter change. The second thematic idea is related to the first in that it also uses dotted rhythms and meter change, but is more legato and begins with more sustained notes. The third thematic section is thinner in texture, more playful, and has a legato theme over a staccato background. The motivic material in each of these sections has similarities. Contrast is primarily obtained through change of style and mood. These thematic ideas develop throughout the movement by varying key, instrumentation, and melodic material. There are several sections of imitation that are very energetic.The second movement, Ballad, is lyrical at an Andante tempo. The form of the movement is through-composed as the motives develop into new variations instead of having clearly distinguished themes. There is however a recapitulation that brings the listen back to the opening material. The main motives that develop are a sixteenth note pattern that is arpeggiated and also stepwise, a dotted quarter and eighth note idea that is often on weak beats as well as appearing on strong beats, and scalewise eighth note lines.All of these interweave among the parts with frequent counterpoint and some imitation. The harmony is lush with seventh chords used frequently.The last movement, Tarantella, is in a lively tempo. The form of this movement is a large ABA(Scherzo, Trio, Scherzo). The A sections are in triple meter while the B section is in duple. The A section is in three parts, forming an ABA within the large A. The material for the first part is motivically derived. The first motive is a dotted eighth, sixteenth, eighth note followed by even eighth notes. The second motive is four chromatic sixteenth notes followed by an eighth note. This motive appears both ascending and descending. The B section within this large A consists of a slurred melodic line that has both stepwise motion and leaps. It is accompanied by staccato chromatic eighth notes. The large B section is folksong-like and is in a recognizable binary form that repeats in a new key. The large A serves as a recapitulation of the opening section and it ends lightly and playfully in keeping with the Divertimento title that means to divert or amuse.
$32.00
Traditional Welsh Lullaby: Suo Gân, - english horn in F and piano by Jean-Thierry Boissea
#
Traditional Welsh Lullaby:
#
Jean-Thierry Boisseau
#
Traditional Welsh Lullaby: Suo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 2 - SKU: A0.533219 Composed by Traditional Welsh Lullaby:. Arranged by Jean-Thierry Boiss...
(+)
Instrumental Duet English Horn,Instrumental Duet,Piano - Level 2 - SKU: A0.533219 Composed by Traditional Welsh Lullaby:. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2061373. Published by Musik Fabrik Music Publishing (A0.533219). This is an arrangement of the famous Welsh lullaby. This work for english horn and piano is not at all a set of variations on a theme, because the english horn always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
Traditional Welsh Lullaby: Suo Gân, - double bass and piano by Jean-Thierry Boisseau
#
Traditional Welsh Lullaby
#
Jean-Thierry Boisseau
#
Traditional Welsh Lullaby: Suo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 2 - SKU: A0.533221 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boissea...
(+)
Instrumental Duet Double Bass,Instrumental Duet,Piano - Level 2 - SKU: A0.533221 Composed by Traditional Welsh Lullaby. Arranged by Jean-Thierry Boisseau. Concert,Folk,Standards,World. Score and parts. 13 pages. Musik Fabrik Music Publishing #2063765. Published by Musik Fabrik Music Publishing (A0.533221). This is an arrangement of the famous Welsh lullaby. This work for bass and piano is not at all a set of variations on a theme, because the bass always plays, without embellishment, the same sixteen-measure sequence four times. The four first measure of the this theme are played once as an introduction. The piano, however, is asked to create a different atmosphere each time the theme returns, replacing the meaning of the words. It is therefore the job of the player to find a different way of presenting the same theme, sequence by sequence, which is not entirely the easiest thing to do!
$8.95
Mein Junges Leben Hat Ein End
#
Contemporain
#
Jan Pieterszoon Sweelinck
#
Michael Drennan
#
Mein Junges Leben Hat Ein End
#
Drennan Music Publications
#
SheetMusicPlus
Large Ensemble Horn - SKU: A0.921042 Composed by Jan Pieterszoon Sweelinck. Arranged by Michael Drennan. Contemporary. Score and parts. 16 pages. Drenna...
(+)
Large Ensemble Horn - SKU: A0.921042 Composed by Jan Pieterszoon Sweelinck. Arranged by Michael Drennan. Contemporary. Score and parts. 16 pages. Drennan Music Publications #6606497. Published by Drennan Music Publications (A0.921042). Composed for Organ originally the piece starts with the presentation of the theme, and proceeds to go through a number of variations. This arrangement starts with the theme and a bassline, adding the other voices as the theme continues. The first two iterations of the theme are played by two different groups of four horns, while the last two variations use all eight horns.
$15.00
Iroquois Dance
#
Fred Sturm
#
Iroquois Dance
#
Heritage Music Press
#
SheetMusicPlus
Jazz Band - Grade 1.5 - SKU: LX.60-1018H Composed by Fred Sturm. First Flight Series. Jazz Band. 47 pages. Heritage Music Press #e60/1018H. Published by...
(+)
Jazz Band - Grade 1.5 - SKU: LX.60-1018H Composed by Fred Sturm. First Flight Series. Jazz Band. 47 pages. Heritage Music Press #e60/1018H. Published by Heritage Music Press (LX.60-1018H). UPC: 000308054972.If you have a beginning jazz ensemble, this work deserves your serious consideration. Based upon a traditional Native American song, this composition is a theme and variations tour de force! The simple theme is stated by all the winds with some Stravinsky-like punctuation in the rhythm section. This theme is then transformed through four key centers and a contrapuntal treatment before arriving at the shout chorus,ö in this case a beautiful reharmonization of the melody.
$40.00
Arietta
#
Lynda Robertson
#
Arietta
#
Forton Music - Digital
#
SheetMusicPlus
Solo Flute - Intermediate - SKU: F2.FM223 Composed by Lynda Robertson. Part. 3 pages. Forton Music - Digital #FM223. Published by Forton Music - Digital...
(+)
Solo Flute - Intermediate - SKU: F2.FM223 Composed by Lynda Robertson. Part. 3 pages. Forton Music - Digital #FM223. Published by Forton Music - Digital (F2.FM223). ISBN 9790570481224.Solo Flute. Arietta is Italian for a 'little aria' but also a 'little breeze'. However, the piece has no extra-musical programmes, so the performer and listeners are free to imagine this for themselves. It is loosely a Theme and Variations, composed in four short sections, but through composed without breaks. An expressive piece, suitable for Grade 5 and above players.
$7.95
'Lachrimae' Book Two (8-14) - guitar quintet
#
Classique
#
John Dowland
#
Clive Lane
#
'Lachrimae' Book Two
#
Clive Lane
#
SheetMusicPlus
Guitar Ensemble - Level 4 - SKU: A0.1470122 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pag...
(+)
Guitar Ensemble - Level 4 - SKU: A0.1470122 Composed by John Dowland (1563-1626). Arranged by Clive Lane. Classical,Renaissance. Score and Parts. 38 pages. Clive Lane #1047870. Published by Clive Lane (A0.1470122). ‘Lachrimæ or Seven Tears figured in Seven passionate pavans, with divers other pavans, galliards and allemands, set forth for the lute, viols, or violons, in five parts’ is a collection of instrumental music composed by John Dowland and published in 1604. Apart from the sheer quality of the music, it is notable as the first publication of English music scored specifically for strings and for lute, and the first to have used the table layout for consort music.There are seven Lachrimae pavans, which are variations on the theme that Dowland had already made famous as a lute solo and a song (“Flow my tears”).The “divers other” compositions are: two almans (“almands”), nine lively galliards (“galiards”), two sombre pavans, and a “funerall.” There are 21 pieces in all and I have divided them into three books, retaining the original ordering of the pieces. This is Book Two - three pavans and four galliards:1. Pavan: “Semper Dowland, semper Dolens”2. Sir Henry Umpton’s Funeral3. Mr John Langton’s Pavan4. The King of Denmark’s Galliard5. The Earl of Essex Galliard6. Sir John Souch, his Galliard7. Mr Henry Noell, his Galliard(See Book One and Book Three for the remaining 14 pieces)Time values have been halved, and in several cases (Nos. 9,12,15,16,17,20,21), I have transposed the key to a more guitar-friendly key. Clive Lane 2024(Also see my arrangement for guitar quartet).
$6.99
The First Noel - For Recorders
#
Noël
#
Traditional
#
Javier MartÃnez Maya
#
The First Noel - For Recorders
#
Arte Nova Music Lab
#
SheetMusicPlus
Small Ensemble Alto Recorder,Baritone Recorder,Flute,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.742374 Composed by Traditional. Arranged by Jav...
(+)
Small Ensemble Alto Recorder,Baritone Recorder,Flute,Soprano Recorder,Tenor Recorder - Level 2 - SKU: A0.742374 Composed by Traditional. Arranged by Javier MartÃnez Maya. Children,Christmas,Romantic Period. Score and parts. 3 pages. Arte Nova Music Lab #2930385. Published by Arte Nova Music Lab (A0.742374). The First Noel (also written The First Noël and The First Nowell) is a traditional classical English Christmas carol, most likely from the early modern period, although possibly earlier.[2][3] Noel is an Early Modern English synonym of Christmas.[4]In its current form, it is of Cornish origin, and it was first published in Carols Ancient and Modern (1823) and Gilbert and Sandys Carols (1833), both of which were edited by William Sandys and arranged, edited and with extra lyrics written by Davies Gilbert for Hymns and Carols of God. Today, it is usually performed in a four-part hymn arrangement by the English composer John Stainer, first published in hisCarols, New and Old in 1871.[2] Variations of its theme are included in Victor Hely-Hutchinson's Carol Symphony.The melody is unusual among English folk melodies in that it consists of one musical phrase repeated twice, followed by a refrain which is a variation on that phrase. All three phrases end on the third of the scale. It is thought to be a version of an earlier melody sung in a church gallery setting; a conjectural reconstruction of this earlier version can be found in the New Oxford Book of Carols.[5]The Annunciation to the shepherds and the Adoration of the shepherds are episodes in the Nativity of Jesus described in the second chapter of the Gospel of Luke (Luke 2). The Star of Bethlehem appears in the story of the Magi (the Wise Men) in the Gospel of Matthew; it does not appear in the story of the shepherds. Taken from https://en.wikipedia.org/wiki/The_First_Noel
$10.00
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Theme with four Variations
