English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
0
Partitions
Numériques
97
Librairie
Musicale
1 900
Matériel
de Musique
159
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
97
PIANO & CLAVIERS
Piano seul
41
Instruments en Do
12
Piano, Voix et Guitare
9
Piano Facile
6
Piano, Voix
6
Accompagnement Piano
2
Orgue
2
Piano grosses notes
1
Piano (partie séparée)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
12
Guitare
6
Ligne De Mélodie, (Paroles) et Accords
6
2 Guitares (duo)
4
Paroles et Accords
2
VOIX
Chorale SATB
20
Chorale 3 parties
8
Chorale 2 parties
7
Chorale TTBB
4
Chorale SSAA
4
Chorale Unison
3
Voix haute
1
Voix Tenor
1
Voix Soprano, Piano
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
20
Clarinette et Piano
15
Saxophone Tenor et Piano
13
Saxophone Alto et Piano
11
Saxophone Baryton, Piano
10
Cor anglais, Piano
9
Hautbois, Piano (duo)
9
Saxophone Soprano et Piano
9
Clarinette Basse, Piano
7
Clarinette
3
Clarinette (partie séparée)
3
Flûte, Hautbois, Clarinette, Basson
3
Ensemble de Flûtes
2
Quatuor de Clarinettes: 4 clarinettes
2
Piccolo, Piano
2
Hautbois (partie séparée)
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Flûte et Guitare
1
Quatuor de Saxophones: 4 saxophones
1
3 Clarinettes (trio)
1
Ensemble de Clarinettes
1
Flûte à bec Tenor
1
Flûte à bec Soprano
1
Hautbois, Guitare (duo)
1
Flute (partie séparée)
1
Saxophone et Orgue
1
Quatuor de Flûtes : 4 flûtes
1
Instrumentations suivantes
Retracter
CUIVRES
Euphonium, Piano (duo)
10
Cor anglais, Piano
9
Trombone et Piano
9
Cor et Piano
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Trompette
5
Trompette, Piano
5
Trombone (partie séparée)
3
Trompette (partie séparée)
3
Trombone
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Cor (partie séparée)
2
Tuba et Piano
1
Tuba
1
Quatuor de cuivres: 4 trombones
1
Tuba (partie séparée)
1
2 Trombones (duo)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
17
Alto, Piano
10
Violoncelle, Piano
8
Violon (partie séparée)
2
Trio à Cordes: violon, alto, violoncelle
1
2 Violons (duo)
1
Alto (partie séparée)
1
Contrebasse, Piano (duo)
1
Contrebasse (partie séparée)
1
Harpe
1
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Violon
1
Harpe, Flûte (duo)
1
4 Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
16
Ensemble de cuivres
10
Orchestre d'harmonie
10
Orchestre de chambre
6
Orchestre à Cordes
4
Ensemble Jazz
3
Cloches
2
Percussion (partie séparée)
2
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
There's No Other Way
Partitions à imprimer
97 partitions trouvées
<
1
26
51
76
No other people
3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 Fo…
(+)
3(3.afl).2.ca.2.bcl.3-4.3.3.1-str orchestra - Digital Download SKU: S9.Q41782 For orchestra. Composed by Gerald Barry. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 12 minutes. Schott Music - Digital #Q41782. Published by Schott Music - Digital (S9.Q41782). The title, No other people., is taken from Raymond Roussel's New Impressions of Africa, a fifty-nine page poem which took him fifteen years to write - a length of time mainly caused by his tortuous compositional methods.In Roussel, sentences are broken down in maze-like ways, often producing others which relate to the sound of the original.I'm not aware of any direct, illustrative connection between the music of No other people. and Roussel's book. But I was very struck by the everydayness of Zo's drawings.There is something poignant in his not knowing what he was illustrating. Like the drawings of a blind person. Their banality takes on a mysteriousness by being placed by Roussel in his book, seeming to illustrate bizarre events unknown to Zo.They are impersonal, the people in them unaware that they lead another life in a poem of which they know nothing.Something of this is in the music.Gerald Barry, 2009.
$16.99
15.68 €
#
Gerald Barry
#
No other people
#
Schott Music - Digital
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549560 Comp…
(+)
Bass Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.549560 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3507999. Published by jmsgu3 (A0.549560). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.03 €
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Bass Flute & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Horn & Piano
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552856 Compos…
(+)
Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552856 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 16 pages. Jmsgu3 #3508137. Published by jmsgu3 (A0.552856). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. A delicate masterpiece, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.03 €
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Baritone Horn & Piano
Instrumental Duet Baritone Horn TC,Instrumental Duet,Piano - Level 3 - Digital Download
(+)
Instrumental Duet Baritone Horn TC,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549545 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and parts. 11 pages. Jmsgu3 #3506335. Published by jmsgu3 (A0.549545). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.03 €
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Baritone Horn & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Ase's Death from Peer Gynt Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549539 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549539 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and individual part. 11 pages. Jmsgu3 #3505889. Published by jmsgu3 (A0.549539). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
23.03 €
#
Edvard Grieg
#
James M
#
Grieg: Ase's Death from Peer Gynt Suite for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe d'Amore & Piano
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549565 Co…
(+)
Instrumental Solo,Oboe d'Amore,Piano - Level 3 - Digital Download SKU: A0.549565 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and individual part. 16 pages. Jmsgu3 #3508063. Published by jmsgu3 (A0.549565). Duration: ca. 3:20, Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Delicate, not very difficult - suitable for a recital encore. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
23.03 €
#
Edvard Grieg
#
James M
#
Grieg: Anitra's Dance from Peer Gynt Suite for Oboe d'Amore & Piano
#
jmsgu3
#
SheetMusicPlus
Point of No Return Inst. Solo Score
String Ensemble - Level 3 - Digital Download SKU: A0.877814 Composed by Deborah Joh…
(+)
String Ensemble - Level 3 - Digital Download SKU: A0.877814 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 14 pages. Deborah Johnson #33163. Published by Deborah Johnson (A0.877814). Point of No Return Instrumental Solo Score is a beautiful, melodic instrumental solo, intermediate level, written for a C instrument, violin or other. Featured in the Wayfarer’s Journey album, this composition introduces new classically-inspired piano and instrumental solos by Deborah Johnson. Tailored for special occasions such as weddings and events, Point of No Return instrumental solo score includes a total of 14 pages, including score, separate parts and cover. Parts include: Instrumental (violin) solo; Instrumental (violin) bkg; Piano accompaniment. Piano accompaniment includes guitar chords. The term Point of No Return holds dual meanings. It refers to a critical moment in the flight of an aircraft beyond which there's inadequate fuel for a return to the starting point, necessitating the craft to proceed forward. Metaphorically, it signifies a decision-making juncture where one commits oneself irrevocably to a course of action or policy, where turning back or reversal becomes impossible. Point of No Return evokes a sense of critical decision-making and determination, capturing the essence of commitment and irreversible choices. Its emotive qualities make it a powerful choice for special occasions, infusing a sense of significance and resolve into memorable events. Spotify link for MP3 download: https://open.spotify.com/track/4BiRFUTCShDb5zCH87t14Q  Also available is the piano solo version, for intermediate players, the piano solo score with parts and full book of piano solos from Wayfarer’s Journey. Signed CD copies available at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah & David Johnson; Violin: Sandy Mackinga; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99
6.45 €
#
Deborah Johnson
#
Instrumental (violin) bkg
#
Point of No Return Inst. Solo Score
#
Deborah Johnson
#
SheetMusicPlus
Still Still Still "Tis the Eve of our Savior's Birth SSAA choir and piano
Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - Digital Download SKU: A0.14544…
(+)
Alto Voice,Piano Accompaniment,Soprano voice - Level 3 - Digital Download SKU: A0.1454484 Composed by Austrian Carol. Arranged by Connie Boss. Christian,Christmas,Religious. 13 pages. Connie Boss #1033586. Published by Connie Boss (A0.1454484). This lovely lullaby is an Austrian carol from the 1800's. I built from the original by adding extra lyrics and changing up the melody slightly to the end of each verse. The lyrics are from We Three Kings, Silent Night and What Child is This. Each additional lyric ties into the verses of the song and adds an extension to the verse. This version has the verses broken up between the voices until the last verse. There are no repeat endings - it plays all the way through. This is for SATB quartet or choir and piano. Any questions or requests, email cdboss@cvalley.netLyrics:Still, still, stillOne can hear the falling snowFor all is hushedThe world is sleepingHoly Star its vigil keepingStill, still, stillOne can hear the falling snowO star of wonder, star of nightO star with royal beauty brightStill, still, stillOne can hear the falling snowSleep, sleep, sleep'Tis the eve of our Savior’s birthThe night is peaceful all around youClose your eyesLet sleep surround youSleep, sleep, sleep'Tis the eve of our Savior’s birthRound yon virgin, mother and childHoly infant tender and mildSleep, sleep, sleep'Tis the eve of our Savior’s birthDream, dream, dreamOf the joyous day to comeWhile guardian angels without numberWatch you as you sweetly slumberDream, dream, dreamOf the joyous day to comeWhat child is this who laid to restOn mary’s lap is sound asleepDream, dream, dreamOf the joyous day to comeStill, still, still'Tis the eve of our Savior’s birthQuestions or requests, email cdboss@cvalley.net.
$6.99
6.45 €
#
Austrian Carol
#
Connie Boss
#
Still Still Still "Tis the Eve of our Savior's Birth SSAA choir and piano
#
Connie Boss
#
SheetMusicPlus
Still Still Still "Tis the Eve of our Savior's Birth SATB choir and piano
Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Do…
(+)
Alto Voice,Bass Voice,Piano Accompaniment,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1327432 Composed by Austrian Carol. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious. 17 pages. Connie Boss #915473. Published by Connie Boss (A0.1327432). This lovely lullaby is an Austrian carol from the 1800's. I built from the original by adding extra lyrics and changing up the melody slightly to the end of each verse. The lyrics are from We Three Kings, Silent Night and What Child is This. Each additional lyric ties into the verses of the song and adds an extension to the verse. This version has the verses broken up between the voices until the last verse. There are no repeat endings - it plays all the way through. This is for SATB quartet or choir and piano. Any questions or requests, email cdboss@cvalley.netLyrics:Still, still, stillOne can hear the falling snowFor all is hushedThe world is sleepingHoly Star its vigil keepingStill, still, stillOne can hear the falling snowO star of wonder, star of nightO star with royal beauty brightStill, still, stillOne can hear the falling snowSleep, sleep, sleep'Tis the eve of our Savior’s birthThe night is peaceful all around youClose your eyesLet sleep surround youSleep, sleep, sleep'Tis the eve of our Savior’s birthRound yon virgin, mother and childHoly infant tender and mildSleep, sleep, sleep'Tis the eve of our Savior’s birthDream, dream, dreamOf the joyous day to comeWhile guardian angels without numberWatch you as you sweetly slumberDream, dream, dreamOf the joyous day to comeWhat child is this who laid to restOn mary’s lap is sound asleepDream, dream, dreamOf the joyous day to comeStill, still, still'Tis the eve of our Savior’s birth.
$6.99
6.45 €
#
Austrian Carol
#
Connie Boss
#
Still Still Still "Tis the Eve of our Savior's Birth SATB choir and piano
#
Connie Boss
#
SheetMusicPlus
Still Still Still "Tis the Eve of our Savior's Birth String quartet and piano
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1329687 Compo…
(+)
Cello,Piano Accompaniment,Violin - Level 3 - Digital Download SKU: A0.1329687 Composed by Austrian Carol. Arranged by Connie Boss. Christian,Christmas,Holiday,Religious. 25 pages. Connie Boss #917669. Published by Connie Boss (A0.1329687). This lovely lullaby is an Austrian carol from the 1800's. I built from the original by adding extra lyrics and changing up the melody slightly to the end of each verse. The lyrics are from We Three Kings, Silent Night and What Child is This. Each additional lyric ties into the verses of the song and adds an extension to the verse. This version has the verses broken up between the voices until the last verse. There are no repeat endings - it plays all the way through. This is for String quartet and piano. Parts are included with this purchaseAny questions or requests, email cdboss@cvalley.netLyrics:Still, still, stillOne can hear the falling snowFor all is hushedThe world is sleepingHoly Star its vigil keepingStill, still, stillOne can hear the falling snowO star of wonder, star of nightO star with royal beauty brightStill, still, stillOne can hear the falling snowSleep, sleep, sleep'Tis the eve of our Savior’s birthThe night is peaceful all around youClose your eyesLet sleep surround youSleep, sleep, sleep'Tis the eve of our Savior’s birthRound yon virgin, mother and childHoly infant tender and mildSleep, sleep, sleep'Tis the eve of our Savior’s birthDream, dream, dreamOf the joyous day to comeWhile guardian angels without numberWatch you as you sweetly slumberDream, dream, dreamOf the joyous day to comeWhat child is this who laid to restOn mary’s lap is sound asleepDream, dream, dreamOf the joyous day to comeStill, still, still'Tis the eve of our Savior’s birth.
$7.99
7.37 €
#
Austrian Carol
#
Connie Boss
#
Still Still Still "Tis the Eve of our Savior's Birth String quartet and piano
#
Connie Boss
#
SheetMusicPlus
Acute Suite No. 2
Small Ensemble - Level 3 - Digital Download SKU: A0.835752 Composed by Paul Burnell…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.835752 Composed by Paul Burnell. Contemporary. Score and parts. 71 pages. Paul Burnell #3012349. Published by Paul Burnell (A0.835752). Includes score and parts in various transpositions.For ensemble in three parts with optional bass and percussion.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments.The instrumentation is not specified. The score shows clefs for parts 1-2 that suggest violin and viola, but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. Keyboard - The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics or note durations where these are otherwise not possible to achieve. If there is more than one keyboard player, then the players may alternate or double-up to emphasise the harmonic and dynamic structures. It is also allowed for the keyboard part to be played or doubled by other instruments. The movement titles may suggest possible instrumentations. Movement I: Gazing. Duration 4:10 approx. Movement II: Swaying. Duration 3:40 approx. Movement III: Wavering. Duration 3:40 approx.Programme note:Acute Suite No. 2 is for an ensemble in three parts with optional bass and percussion. The first movement ‘Gazing’ was composed in 2012 for the British ensemble FourSight, and was originally titled 'Girl with Binoculars'. The second movement ‘Swaying’, and the third movement ‘Wavering’, were written in early 2016.
$3.99
3.68 €
#
Paul Burnell
#
Acute Suite No. 2
#
Paul Burnell
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (piano score - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by …
(+)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861898 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 55 pages. Mark O'Connor Musik International #6206157. Published by Mark O'Connor Musik International (A0.861898). Piano Trio No. 1 Poets and Prophets (piano score – piano, vln, cel) MO160APiano Score (parts available)Music by Mark O’Connor51 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160A
$22.50
20.77 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (violin part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by …
(+)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861899 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6206159. Published by Mark O'Connor Musik International (A0.861899). Piano Trio No. 1 Poets and Prophets (violin part – piano, vln, cel) MO160BViolin Part (score and parts available)Music by Mark O’Connor20 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO160.
$15.00
13.84 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio No. 1 "Poets and Prophets" (cello part - pno, vln, cel)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by …
(+)
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861901 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 21 pages. Mark O'Connor Musik International #6206161. Published by Mark O'Connor Musik International (A0.861901). Piano Trio No. 1 Poets and Prophets (cello part – piano, vln, cel) MO160CCello Part (score and parts available)Music by Mark O’Connor18 pages - 29:00 minutes in lengthI. Man In BlackII. The Tennessee TwoIII. My JuneIV. Hello, I’m Johnny CashPiano Trio No. 1 (Poets and Prophets) was composed by Mark O’Connor during the Fall of 2003. The piece was commissioned for the Eroica Trio by a noted patron for music, Kathryn Gould of Palo Alto, California. The world premiere took place at the Montalvo Chamber Music Series in California, March 5th, 2004. In a letter to the members of the trio dated 9/20/03, Mr. O’Connor lays out his plan for the new music.My initial ideas have sort of exploded in to the entire concept of the music with a real impact actually. Now I am piecing together the parts of it and then will eventually work on detail as I get the overall form under wrap. Here is what my inspiration for the music is; Johnny Cash.Johnny was a boyhood hero of mine, I used to sing his songs when I was 8, 9 and 10 years old, and played the guitar like him (sometimes up the fretboard strumming away). My mom used to help me transcribe all the lyrics off the albums, she also thought he hung the moon. As you can imagine, the passing of Cash for me this last week has been emotional. I am at my very best when I compose with my emotions at my sleeve, and guess what, it is time to do the Eroica piece. And I believe I will be able to craft a very unique tribute in to the form of a Piano Trio. There is something that is very fitting in all of this though. Cash was one of the few country music and rockabilly musicians to appeal to all ages, all types of people all the way into the MTV generation which is something that is hard to fathom. That one person can move musical mountains with his charisma and his voice. He sung about the prisons, riding the trains, about killing, and living, about lost love, about the gospel, about the downtrodden and the Native American, and about being stoned. His musical sound was the thing that got everybody though. He developed along with his guitar player Luther Perkins, a new and vibrant way to bring the music out.I also knew Johnny and worked with him, visited him privately at his home. Johnny also appeared on my album called Heroes, where he brought back the great story of the Devil coming down to Georgia to challenge young Johnny for the golden fiddle. My job now is to bridge what I am feeling about my inspiration for Cash, and bring it in to the instruments that I love writing for.I might not have imagined that this Johnny Cash concept would have worked out of hand, if it hadn’t been for your musicianship, insight fullness and graceful approaches in to the details of musical concepts and style. If the piece is good, then I will have no doubt that you will bring it to the forefront so others can grasp the intentions of the work, and in addition for others to enjoy playing it after you have brought it all out in to the open, and gave it a life. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCan be heard on An American Journey by the Eroica Trio, Angel RecordsMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number.
$15.00
13.84 €
#
Mark O'Connor
#
Johnny Cash
#
Piano Trio No. 1 "Poets and Prophets"
#
Mark O'Connor Musik International
#
SheetMusicPlus
Little Suite No. 1
4 Tpt. - Intermediate - Digital Download SKU: F2.FM602 Composed by Richard Lambert.…
(+)
4 Tpt. - Intermediate - Digital Download SKU: F2.FM602 Composed by Richard Lambert. A suite for trumpet quartet. Score and parts. 24 pages. Forton Music - Digital #FM602. Published by Forton Music - Digital (F2.FM602). ISBN 9790570485017.The first movement of this four movement suite - Fanfare - is a brief call to attention with an unsettled sense of key. The fourth trumpet never quite agrees with the other players! The second movement - Carillon - was prompted by the weekly bell-ringing practice in the composer's village. Rhythmic ensemble is not always quite perfect.... The scurrying third movement - Burlesco - uses material from the 'bells' of the previous movement, but in a very different way this time. A sense of key is never really confirmed and there is a bustling race to the finish. The Proclamation recalls the style of the opening Fanfare and provides a noble conclusion to this short suite. With echoes of each other's part, the four instruments compete confidently as the movement proceeds to it's triumphant conclusion.
$12.95
11.95 €
#
Richard Lambert
#
Little Suite No. 1
#
Forton Music - Digital
#
SheetMusicPlus
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download
(+)
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95
9.18 €
#
Antonin Dvorak
#
Ray Thompson
#
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
#
RayThompsonMusic
#
SheetMusicPlus
It's Not Gonna Be That Easy
Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 2 - Digital Download SKU: A0.80944…
(+)
Small Ensemble Bass Guitar,Drums,Piano,Voice - Level 2 - Digital Download SKU: A0.809448 By Dan Seals. By Deborah Allen, Edward H. Ii Struzick, and Rafe G. Van Hoy. Arranged by Dan Seals. Contemporary. Score and parts. 12 pages. Unimusic Academy (Academia Unimusica) #6639253. Published by Unimusic Academy (Academia Unimusica) (A0.809448). Danny Wayland Seals (February 8, 1948 – March 25, 2009) was an American musician. The younger brother of Seals and Crofts member Jim Seals, he first gained fame as England Dan, one half of the soft rock duo England Dan & John Ford Coley, who charted nine pop singles between 1976 and 1980, including the No. 2 Billboard Hot 100 hit I'd Really Love to See You Tonight. After the duo disbanded, Seals began a solo career in country music. Throughout the 1980s and into the early 1990s, he released 16 studio albums and charted more than 20 singles on the country charts. Eleven of his singles reached number one: It's Not Gonna Be That Easy, Meet Me in Montana (with Marie Osmond), Bop (also a No. 42 pop hit), Everything That Glitters (Is Not Gold), You Still Move Me, I Will Be There, Three Time Loser, One Friend, Addicted, Big Wheels in the Moonlight, Love on Arrival, and Good Times. Five more of his singles also reached top ten on the same chart.
$8.00
7.38 €
#
Dan Seals
#
Dan Seals
#
It's Not Gonna Be That Easy
#
Unimusic Academy
#
SheetMusicPlus
HUNGARIAN RHAPSODY NO 2 – BRASS QUARTET
Level 5 - Digital Download SKU: A0.834087 Composed by Franz Liszt. Arranged by RUSS…
(+)
Level 5 - Digital Download SKU: A0.834087 Composed by Franz Liszt. Arranged by RUSSELL T. KING. Romantic Period,Standards. 48 pages. EMK Music #6480545. Published by EMK Music (A0.834087). This piece has been arranged for Brass Quartet comprising Trumpet 1 &2 (Bb Cornet/Flugel Horn), Trombone/Euphonium and Bass.  There are alternative parts for F Horn (Trombone/Euphonium), Eb Horn (Trombone/Euphonium), Bb Trombone/Euphonium in Treble and Bass Clef, Eb and Bb Bass in Treble and Bass Clef.One of the most recognizable pieces written for the piano, Liszt's Hungarian Rhapsody No. 2 has remained within popular culture in one way or another since he first penned the work in 1847. Performance time is around 7.30 but may be reduced to 4.50 by cutting the section from letter C to Letter D as indicated by the coda signs.
$14.00
12.92 €
#
Franz Liszt
#
RUSSELL T
#
HUNGARIAN RHAPSODY NO 2 – BRASS QUARTET
#
EMK Music
#
SheetMusicPlus
Solage: Le basile for Brass Quartet
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Com…
(+)
Brass Quartet Cornet,Horn,Trombone - Level 2 - Digital Download SKU: A0.1266016 Composed by Solage, Late 14th Century. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #858750. Published by jmsgu3 (A0.1266016). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.
$32.95
30.41 €
#
Solage, Late 14th Century
#
James M
#
Solage: Le basile for Brass Quartet
#
jmsgu3
#
SheetMusicPlus
Solage: Le basile for Double Reed Quartet
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download
(+)
Woodwind Ensemble Bassoon,Double Reed Quartet,English Horn - Level 2 - Digital Download SKU: A0.1266448 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Holiday. 8 pages. Jmsgu3 #859185. Published by jmsgu3 (A0.1266448). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles.  The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.41 €
#
Solage
#
James M
#
Solage: Le basile for Double Reed Quartet
#
jmsgu3
#
SheetMusicPlus
Irving Berlin: There's No Business Like Show Business (Low Voice) - voice & other instruments (low voice)
Instantly printable sheet music by Irving Berlin for voice & other instruments (low vo…
(+)
Instantly printable sheet music by Irving Berlin for voice & other instruments (low voice) of MEDIUM skill level. / jazz,broadway
$3.97
3.66 €
#
Irving Berlin
#
Virtualsheetmusic
Everything for the Church Soloist-Digital Download
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack …
(+)
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
73.79 €
#
Various Writers
#
Everything for the Church Soloist-Digital Download
#
Hope Publishing - Digital
#
SheetMusicPlus
Ode to My Savior Beginner Trumpet Trio
Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Edd…
(+)
Brass Ensemble Trumpet - Level 1 - Digital Download SKU: A0.1079739 Composed by Eddie Lewis. Classical,Instructional,Sacred. Score and parts. 6 pages. Tiger Music #683926. Published by Tiger Music (A0.1079739). I have said this in the description for other pieces, but it’s worth mentioning again. I believe that trumpet students should begin performing from the start of their careers. The problem with this belief is that there isn’t much good music written for the beginners to perform. Most of what is published is “dumbed down†and doesn’t sound like real music. I have been trying to fill that cap by composing pieces for the beginners that I would be proud to perform in public. My objective with these compositions is to write music that sounds like real music, but functions within the limitations of the beginners’ trumpet skills. My first compositions of this nature were the three bird solos, Bird March, Feathered Friends and The Purple Parrot (which I let my then current students name). One of those students performed the Bird March solo at a school assembly only three or four months after she started playing the trumpet. That student eventually quit trumpet to pursue a busy performance career in theater (she was an elementary school student) but performing the Bird March for her fellow students is a memory she will always fondly look back on. That is part of why performing early in the learning process is so important. You don’t know when students will continue, and which ones will not. For those students whose trumpet careers end up being no longer than a year, the one or two performances they have in that year are all they will have to look back on. Unfortunately, those who do not perform at all will only ever remember the drudgery of pointless practice and rehearsals. But there’s more to my early performance philosophy than just that. For those students who do continue their trumpet careers for many years, the earlier performances have a mental benefit that cannot be replaced in any other way. Their future progress on the trumpet is greatly enhanced by each performance they present in the first two years of their trumpet careers.
$5.08
4.69 €
#
Eddie Lewis
#
Ode to My Savior Beginner Trumpet Trio
#
Tiger Music
#
SheetMusicPlus
<
1
26
51
76
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
