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Orchestre d'harmonie
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.65 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.65 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
Come Home To You
Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, …
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Guitar - Level 3 - Digital Download SKU: A0.1320143 By Ian Munsick. By Dave Villa, Ian Munsick, Jamie Kenney, and Niko Moon. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908674. Published by ViolinVagabond Music (A0.1320143). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. Indeed, I got called in to sub on a wedding gig on less than a week's notice, and found this song right at the top of the list. Having not played or listened to it... ever, I decided to display some semblance of due dilligence and write out a version that would work in the range of a solo instrumental violin. Then, and don't ask me where this sudden magnanimous streak came from, I decided to spin up the same chart with lyrics and chord diagrams just in case I ever needed to play it with a vocalist.Out of the goodness of my heart, ALL of the above is available to you for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.It's nothing spectacular, but here's what I can promise you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
4.52 €
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Ian Munsick
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Kyle Pudenz
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Come Home To You
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ViolinVagabond Music
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SheetMusicPlus
Always Thinking of You
B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Downlo…
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B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop,Rock,Standards. 44 pages. Michelle Kraak #6102861. Published by Michelle Kraak (A0.1012600). Instrumentation: flute, horn, flugelhorn, Bb trumpet 1, Bb trumpet 2, euphonium, amplified guitar, drum set, piano and voice (mezzo soprano)Always Thinking of You is a fusion of a few different styles, including aspects of pop and rock as well as hints to the brass chorale style. It has a unique combination of instruments. Amplification is recommended to get the best group balance. I originally wrote the lyrics as a poem and then set the poem to music. The piece should be sung in a pop-like style, as opposed to an operatic style. It could be programmed in a recital or ensemble concert. The piece has a unique instrumentation, which can be helpful for groupsthat don't have the standard instrumentations. It would work nicely for students or to showcase a vocalist.4 minutes 57 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/ Lyrics:I don't know what to do,Every step brings me closer to you.Every touch of your hand,This is not what I had planned. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you. Love come and gone.Like a snowflake that melts in the spring.My heart will grieve.So for you this song I'll sing. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you.
$32.95
29.88 €
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Michelle Kraak
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Always Thinking of You
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Michelle Kraak
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.16 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Here Comes The Sun
Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Digita…
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Large Ensemble Alto Saxophone,Cello,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.497662 By The Beatles. By George Harrison. Arranged by Jeff Perholtz. Rock. Score and parts. 15 pages. Published by Fab Forward Entertainment (A0.497662). The Beatles - Here Comes The Sun (For Three Piece Horn Section &/or String Quintet to accompany a Rock Band) This arrangement of The Beatles classic Here Comes The Sun for strings & horns is great for rock bands that want to perform with a full background ensemble. Throw away the phony keyboard patches and perform with real human beings! This arrangement should be used to accompany a band performing the song as it was originally recorded. The brass should be played as a trio with your choice of either tenor or alto sax. Includes individual parts and master score. Piano, guitar, bass, vocal & drum parts are not included.
$12.99
11.78 €
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The Beatles
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Jeff Perholtz
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Here Comes The Sun
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Fab Forward Entertainment
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SheetMusicPlus
Here's To You!
Choral Choir (5-Part) - Level 4 - Digital Download SKU: A0.1078303 Composed by Robe…
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Choral Choir (5-Part) - Level 4 - Digital Download SKU: A0.1078303 Composed by Robert Chamberlin. 20th Century,A Cappella. Octavo. 5 pages. Robert Chamberlin #682511. Published by Robert Chamberlin (A0.1078303). This very brief piece was written in honor of the 80th birthday of Dutch composer, Henk Badings in 1987. In 1983, Professor Badings composed an equally brief piece on the occasion of my daughter Katharine’s birth. His piece was scored for three equal voices and titled “A Song for Katharine.†I have scored this birthday piece for four equal voices with soprano solo. It should be performed with one voice per part.
$1.99
1.8 €
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Robert Chamberlin
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Here's To You!
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Robert Chamberlin
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SheetMusicPlus
Lover Man (oh, Where Can You Be?)
Instrumental Duet Acoustic Guitar,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Do…
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Instrumental Duet Acoustic Guitar,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1082349 By Billie Holiday. By Jimmy Davis, Jimmy Sherman, and Roger Ramirez. Arranged by Milorad Petrovic. Jazz. Score and parts. 6 pages. Milorad Petrovic #686501. Published by Milorad Petrovic (A0.1082349). This is a guitar accompaniment arrangement. The guitar was written according to my idea of how it should be played, but in addition I wrote the chord symbols, so you can play the accompaniment in a different way, using the written chord symbols. Enjoy ! : ).
$15.00
13.6 €
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Billie Holiday
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Milorad Petrovic
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Lover Man
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Milorad Petrovic
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SheetMusicPlus
All You Need Is Love
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Level 3 - Digital Download SKU: A0.…
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Tuba - Level 3 - Digital Download SKU: A0.554031 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Rock. 20 pages. RayThompsonMusic #6515199. Published by RayThompsonMusic (A0.554031). Arranged wind dectetOriginally a big hit for the Beatles, it suits the wind dectet. All You Need Is Love is a song by the Beatles that was released as a non-album single in July 1967. It was written by John Lennon and credited to Lennon–McCartney. The Beatles performed the song as Britain's contribution to Our World, the first live global television link. Watched by over 400 million in 25 countries, the program was broadcast via satellite on 25 June 1967. The day before the Our World broadcast, the Beatles decided that the song should be their next single. Released in the UK on 7 July 1967, it went straight to number one and remained there for three weeks. It was similarly successful in the United States after its release on 17 July, reaching number one for a week.All You Need Is Love was also included on the American LP version of Magical Mystery Tour in November 1967,as well as in the film, and on the LP Yellow Submarine, released in 1969.This song is also featured in Cirque du Soleil's show Love, based on the songs of the Beatle .Ideal for weddings.
$14.99
13.59 €
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The Beatles
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Ray Thompson
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All You Need Is Love
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RayThompsonMusic
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SheetMusicPlus
Be It Unto Me
Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1494713 By Phillips, Cra…
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Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1494713 By Phillips, Craig & Dean. This edition: scorch. E-Z Play Today. Christian,Christmas,Sacred. Score. 4 pages. Hal Leonard - Digital #20656. Published by Hal Leonard - Digital (HX.1494713). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.71 €
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Phillips, Craig & Dean
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Be It Unto Me
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Hal Leonard - Digital
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SheetMusicPlus
Here We Come (Woodwind Sextet)
Small Ensemble Bassoon,Clarinet,Horn,Oboe - Digital Download SKU: A0.954414 Compose…
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Small Ensemble Bassoon,Clarinet,Horn,Oboe - Digital Download SKU: A0.954414 Composed by Robert Ashford. Contemporary. Score and parts. 12 pages. Robert Ashford #3008865. Published by Robert Ashford (A0.954414). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$9.99
9.06 €
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Robert Ashford
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Here We Come
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Robert Ashford
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SheetMusicPlus
Over There
Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1414919 This edition: sc…
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Electronic Keyboard,Organ,Piano - Digital Download SKU: HX.1414919 This edition: scorch. E-Z Play Today. Country,Patriotic. Score. 2 pages. Hal Leonard - Digital #634038. Published by Hal Leonard - Digital (HX.1414919). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
2.71 €
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Over There
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Hal Leonard - Digital
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SheetMusicPlus
Let There Be Peace On Earth
Brass Ensemble,Trombone Quartet Bass Trombone,Flugelhorn - Level 4 - Digital Download S…
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Brass Ensemble,Trombone Quartet Bass Trombone,Flugelhorn - Level 4 - Digital Download SKU: A0.1045905 Composed by Jill Jackson and Sy Miller. Arranged by Aaron Hettinga. Contemporary,Easter,Praise & Worship,Sacred,Standards. Score and parts. 11 pages. Aaron Hettinga #650482. Published by Aaron Hettinga (A0.1045905). The inspirational standard Let There Be Peace On Earth is presented here in a tender arrangement for unaccompanied Trombone quartet. It begins with an unaccompanied solo for the first eight measures, then the additional voices enter, expanding from that unison into a broader harmonic texture that employs a fair amount of suspensions and tension/release throughout. The register of the 1st trombone part is not very forgiving, but will reward players with a lyrical high range, so this part is provided in both bass and tenor clef to best suit your players’ reading desires. Alternatively, a Bb Flugelhorn part is included that could turn this into a mixed brass ensemble without as significant of a range requirement. The 2nd and 3rd parts shouldn’t pose nearly so much of a range challenge but still briefly ascend to Ab and F# respectively. This hopeful and introspective piece will make a fine addition as an inspirational ballad on your quartet program!
$19.99
18.12 €
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Jill Jackson and Sy Miller
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Aaron Hettinga
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Let There Be Peace On Earth
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Aaron Hettinga
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SheetMusicPlus
The Nearness Of You
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.9…
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.923852 By George Shearing. By Hoagy Carmichael. Arranged by Steve William Lussing. Jazz. Score and parts. 5 pages. S. W. Lussing #3126013. Published by S. W. Lussing (A0.923852). Many venerable songs were written in the age before computers and midi synthesizers. A musical score or lead sheet was intended to be interpreted for style and tempo, and while some of those interpretations may not necessarily have been wrong, quite often they weren't always what the author intended, but face it, it's just plain hard to write music exactly in the way that the song is intended to be sung. Enter the computer age, and the ability for performers to understand that the interval of a note is an absolute time interval which puts the natural rhythm, or beat, of a musical arrangement at about 25% faster than a beat per second, which is why I arrange music to be performed at ~ 80 BPM, which means, approximately 80 beats per minute. That is not etched in stone, but it does represent the comfort zone to which the performer should subscribe when singing or playing a song. Contemporary jazz singers are, in my opinion, therefore obligated to re-arrange the songs that they intend to record, to avoid the embarrassment of getting it wrong. It happens. Timing is of the essence. Many of those old jazz classics are well served with a rewrite for the contemporary artist.The Nearness of You was written in 1938 by Hoagy Carmichael, with lyrics by Ned Washington, and was performed in the 1938 Paramount movie, Romance in the Dark, by Gladys Swarthout of the Metropolitan Opera. It has been recorded numerous times over the years, and it maintains its popularity today. The guitar chording for this arrangement is targeted toward the experienced and more advanced players, but I encourage the experienced intermediate level player to take up the challenge of learning to play this song. It will be a rewarding experience.
$4.99
4.52 €
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George Shearing
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Steve William Lussing
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The Nearness Of You
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S. W. Lussing
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SheetMusicPlus
Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
Woodwind Ensemble - Level 5 - Digital Download SKU: A0.991926 By Colbie Caillat. By…
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Woodwind Ensemble - Level 5 - Digital Download SKU: A0.991926 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Bryce Walker. Jazz. 12 pages. Guyincognito #3118925. Published by Guyincognito (A0.991926). This is a slow smooth jazz rendition of this beautiful Christmas classic. It prominently features the clarinet as the solo instrument. There are optional parts to add a rhythm section should you choose to do so. Parts will be provided on request.
$12.99
11.78 €
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Colbie Caillat
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Bryce Walker
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Have Yourself A Merry Little Christmas from MEET ME IN ST. LOUIS
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Guyincognito
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SheetMusicPlus
Is You Is, Or Is You Ain't (ma' Baby)
Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0…
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Woodwind Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.798028 By Louis Jordan And His Tympany Five. By Billy Austin and Louis Jordan. Arranged by Gail Ford. Jazz. 24 pages. Gail Ford #6129985. Published by Gail Ford (A0.798028). A Philosophical Question - that's irony. (I think). What it definitely is, is a jazz wind decet. Why should swing just be kept for jazz nights? Great for an encore, a surprise item in an informal concert, maybe a Valentine's Day concert, proposal..... Anywhere a decet would like to play a fun and unexpected item. .
$16.99
15.4 €
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Louis Jordan And His Tympany Five
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Gail Ford
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Is You Is, Or Is You Ain't
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Gail Ford
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SheetMusicPlus
Bess, You Is My Woman
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download …
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1110273 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Uwe Roessler Rössler Rassler. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Opera. Score and parts. 20 pages. Uwe Roessler #712609. Published by Uwe Roessler (A0.1110273). This is a romantic, very effective arrangement of one of Gershwin´s greatest songs: “Bess, You Is My Woman Now†from “Porgy And Bessâ€. Very well known as it is, it is rarely played. If that would be due to a lack of professional arrangements for piano trio/quartet/quintet – that need should now have been put right ;-) Inspired by the wonderful version with Anne-Sophie Mutter and the great André Previn (hence the video). Piano voice is written out. However, there are also chord symbols for your pianist´s own voicings. Duration: approx. 5.00 min. Minimal instrumentation: piano trio (violin1, cello, piano). Comes with full score and all individual parts. Optional voices for violin 2 and bass included! Professional sheet material. I´ve listed quite a lot of songs, so far: Movie Themes and classic Pop songs for this kind of instrumentation, and others. Browse ;-) Have fun with my arrangements!
$20.00
18.13 €
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Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin
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Bess, You Is My Woman
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Uwe Roessler
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SheetMusicPlus
Were You There ? - Orchestra and Mixed Ensemble
Choral Choir (4-Part) - Digital Download SKU: A0.750714 Composed by Negro Spiritual…
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Choral Choir (4-Part) - Digital Download SKU: A0.750714 Composed by Negro Spiritual. Arranged by Brendan Elliget. Christian,Easter,Praise & Worship,Sacred. Octavo. 41 pages. BJE Music #3481749. Published by BJE Music (A0.750714). This is a lovely arrangement of a beautiful traditional American Folk hymn (Negro Spiritual) and it is very appropriate for a Good Friday service and Easter service as well. The Descant part (flute and/or Trumpet) could be used in the 2nd and last verses. There are also parts for SATB Choir and Piano (not on the score) included in the PDF.There are parts for full Orchestra, Concert Band or Mixed Ensemble, Keyboards and SATB Choir should work with any combination of these groups.Listen to the MP3!
$15.00
13.6 €
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Negro Spiritual
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Brendan Elliget
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Were You There ? - Orchestra and Mixed Ensemble
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BJE Music
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SheetMusicPlus
Dust In The Wind
Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - Digital …
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Acoustic Guitar,Alto Flute,Cello,Horn,Tenor Saxophone,Trombone,Violin - Level 3 - Digital Download SKU: A0.1368317 By Kansas. By Kerry Livgren. Arranged by Jon Thingvall. Pop,Rock. 45 pages. Jon Thingvall #952661. Published by Jon Thingvall (A0.1368317). Seeking a modern setting for a French Horn solo? Is the community--or are the students--feeling that classical music is stuffy? Got a budding Guitar Hero with nowhere to play? Want to give the orchestra a break, without stopping the program completely? Need a relaxed, quasi-Adagio for the concert's pacing?This is a record-copy of KANSAS' classic rock ballad, scored for a fairly small ensemble. Most instruments can be substituted: Flute for Alto Flute, Viola or Cello for Violin, Flugelhorn for the Horn part, or 4 Trombone parts instead of 3 with Solo Horn.Acoustic Guitar (will need amp). (Part copied verbatim from the official video, with thanks to Kansas - Dust In The Wind Guitar Lesson Pt.1 - Intro & Verse (youtube.com))French Horn solo--  Steve Walsh's epic, almost-apocalyptic style seemed perfectly suited to the mystique of the French Horn. (Measure 102 is “as though spoken†like in the recording here:  https://youtu.be/tH2w6Oxx0kQ?t=126. If the audience isn't familiar with Steve's style, it may be better left as a quarter- or eighth-note (written F sharp), but if you've got a Hornist with the chops, I’ve tried to put the articulations in to imitate a spoken voice.)3 Trombones-- Mainly triadic pads, with two instances of 9ths in the upper bass clef.1 Tenor Sax / Double on Alto Flute The Sax will sound great sotto voce to the Horn. The Flute should be as soft as possible, and ethereal.Solo Violin  (Could be sectional, instead of solo.)Solo Cello (Ibid.)The official video has bongos at the end, but I felt the sparse score worked well. They could easily be improvised, if needed.
$30.00
27.2 €
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Kansas
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Jon Thingvall
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Verse (youtube
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Dust In The Wind
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Jon Thingvall
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SheetMusicPlus
Brightest and Best
Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966751
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Instrumental Duet Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.966751 Composed by STAR IN THE EAST (from The Southern Harmony). Arranged by Dillon Ekle. 20th Century,Christian,Christmas,Sacred. Score and parts. 9 pages. Dillon Ekle #3068529. Published by Dillon Ekle (A0.966751). Brightest and Best is an original piece based on the hymn tune STAR IN THE EAST (from The Southern Harmony), most commonly used with the text Brightest and Best of the Sons of the Morning. As such, the arrangement is well suited to use in the Christmas and Epiphany seasons. However, the tune's general appeal make it a great addition to worship in any season, as well as use in concert or recital settings.In addition to the main hymn melody, this piece is woven through with original counter melodies and rich harmonies. Through much of the piece, flowing, running 8th notes and rhythmic bass lines maintain motion beneath the soaring melody. The second verse slows down with a quarter note motif reminiscent of change-ringing bells, keeping an open and ethereal sound with building anticipation before the interlude melodies return in full force for the conclusion.Most of these features and ideas appear in both the secondo and primo parts in this 1-piano, 4-hands piece. Both parts are of similar difficulty, and because the melodies are found anywhere from the middle voices to the top voices, care is needed to keep the ensemble balanced at all times for a musical performance.A preview performance can be found here: https://www.youtube.com/watch?v=DnIo4rnHizUThe PDF file is formatted to be printed double-sided. Once printed and bound, odd numbered pages (including the cover page) should be on the right (where the primo player sits), and even numbered pages should be on the left (where the secondo player sits). Alternatively, if two pianos are being used, the file can be printed single-sided and the parts separated out; the primo player will have the odd numbered pages, and the secondo player will have the even numbered pages.
$4.99
4.52 €
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STAR IN THE EAST
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Dillon Ekle
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Brightest and Best
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Dillon Ekle
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SheetMusicPlus
Long Live Cowgirls
Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. …
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Guitar - Level 3 - Digital Download SKU: A0.1320152 By Ian Munsick & Cody Johnson. By Aby Gutierrez, Ian Munsick, and Phil O'Donnell. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Wedding. Chords/Lyrics. 5 pages. ViolinVagabond Music #908681. Published by ViolinVagabond Music (A0.1320152). Here's a chart designed for the last-minute gigging musician, by the last-minute gigging musician. I got called in to play this tune as an instrumental duo at a wedding. Admittedly, it takes a very specific type of wedding for this to be the vibe for the entrance of the bridesmaids, but perhaps you too may find yourself in this same situation. Fortunately I am here to help!Whether you're performing this with a vocalist or as an instrumental solo/ensemble like me, this chart has everything you need. Chords/lyrics version AND an instrumental (treble clef) lead sheet are included, all for the low low price of about 5 bucks. While I was tabbing this out from the perspective of a violinist, the range is pretty universal and should be playable on just about any treble clef instrument. Including the viola... although if you got hired to play solo viola at a wedding or a cocktail hour I have questions.My promises to you if you buy this chart:- THE CHORDS ARE RIGHT. I honestly can't believe there are people that get the chords to songs like these wrong on their arrangements, but here we are. Rest assured I am not one of them.- YOU CAN ACTUALLY READ IT. Finale collisions and terrible interpretations of vocal rhythms need not apply here.- THE MELODY WILL WORK ON YOUR INSTRUMENT. Again, this is not one of those hyper-transcriptions of every little vocal ornament that was sang on the studio version. I purposefully chose where to simplify vs. embellish the melody so that there's room for instrumental interpretation without getting lost in the details.May this humble arranger's last-minute busy work bring joy to your audience and at least an extra 30 minutes of sleep to you by not having to learn this song the night before the gig. Enjoy the hustle, friends.
$4.99
4.52 €
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Ian Munsick & Cody Johnson
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Kyle Pudenz
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Long Live Cowgirls
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ViolinVagabond Music
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SheetMusicPlus
A Childes Garden of Ecologickally Correct SONGES
Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - Digital Download SKU: A0.992357
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Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - Digital Download SKU: A0.992357 Composed by Tim Fatchen, Flying Tadpole. Children,Contemporary,Folk. Score and parts. 44 pages. Flying Tadpole Productions #3467356. Published by Flying Tadpole Productions (A0.992357). TEN CHILDREN'S SONGS for adults and smarter kids: it's satire but ecologically, it's CORRECT! The Songes are a satirical counterpoint to the fluffy guff that's so often passed off as kids' songs. They're fun to sing, easy to play, sufficiently gross to satisfy the bloodthirsty urges of older children, entertaining and, seriously, quite scientifically correct. Honesty in children's songs, a new thing in the world! All the Songes have been tested on line and at public performance. ECOLOGICAL REALITY BYTES! It's not all sweetness and light and tree-hugs out there in the Wonderful Ecological World, oh no! So here's the start of a re-education in ecological reality for you! Explore the murderous wooden hearts of trees! Learn the real reason for the decline of Fairy Penguins! Find your place on the Food Chain! There's an architecturally-acclaimed how-to blend your house with nature! And there's more!LEAD SHEETS, LYRIC SHEETS WITH CHORDS, LINER NOTESEach of the Songes can be printed separately as a 4-page booklet, with the lead sheets on the central two pages, the title and liner notes on the front page, and the lyrics only + chords on the back page.PARENTAL ADVISORY! While there's no profanity or overt/covert sexual innuendo anywhere, some adults find the content challenging, because it's not the view of Nature they'd like to have. Kids find these Songes great, especially the grosser ones, and may be able to help such adults cope. There should be parental or other adult guidance in anything like this because it is satire and may need explaining, and it's not for young children. FLYING TADPOLE AND TIM FATCHENThe virtual band Flying Tadpole started as a boat and turned into a state of mind. Mainly the cutting satire, cruel humor, blue angst and general mayhem of the scurrilous and dark alter ego of Tim Fatchen, Flying Tadpole is occasionally joined by others unwise enough to cross to the Dark Side, but wise enough to remain on another Continent. Both lurk in the depths of Mr Dunn's 1844 Mill, in Mount Barker in the beautiful Adelaide Hills, South Australia, and try not to be a blight on the landscape. Their website is at www.flyingtadpole.com
$14.95
13.56 €
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Tim Fatchen, Flying Tadpole
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Their website is at www
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A Childes Garden of Ecologickally Correct SONGES
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Flying Tadpole Productions
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SheetMusicPlus
Playing with Scales
Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Ins…
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Guitar - Level 2 - Digital Download SKU: A0.1314698 Composed by Richard Hirsch. Instructional. Educational Exercises. 8 pages. Richard Hirsch #903442. Published by Richard Hirsch (A0.1314698). Many amateur guitarists and beginning students of guitar are ‘stuck in the first position’. The rest of the fretboard is ‘terra incognita’. They don’t know where the notes are and they don’t know how to get to them and use them in playing melodies. To help remedy this situation, I offer a collection of scales and exercises I have developed over the years that have helped me master the fretboard of the guitar and that I have used to warm up my left and right hands before practicing or playing proper pieces. Guitarists afraid to move up the fretboard miss out on all the tonal nuances that the guitar has to offer. They also often have undeveloped left hand technique with a little finger that flies around helplessly and uselessly. These scales and exercises will, if played regularly, put the little finger to good use and guide the left hand to orient to the fretboard properly, staying close to the fretboard with fingers that move as little and as efficiently as possible. They are also relaxing and fun to play around with. I read somewhere a while back that medical science had found that pianists were less likely to develop brain diseases. The scientists attributed this to the many hours pianists spend playing scales, as this is like a gentle brain massage. So scales are not only good warm up exercises for the fingers but also good warm-ups for the brain.The scale exercises written here in the keys of G and C should be played in different keys in higher positions on the fretboard. Students can try to see just how far up the neck they can go to reach the highest notes. After a while, what seemed challenging and strange will start to feel comfortable and familiar. Don’t hesitate to develop new variants of the scales when you grow tired of playing them as I propose here. Have fun playing and playing with the scales!The exercises often start in one position and move toward other higher or lower positions on the fretboard. When moving from one position to another, follow the suggested fingerings to utilise what is called a lead finger to move the hand to the next position. This will make the movement smooth and not interrupt the flow of the scale. In the end all movement should look and feel seamless and effortless.I have chosen scales in major keys I think are particularly good to play on the guitar. To practice a scale in a minor key, start the exercise in the related major key from the fundamental of the minor key, for example, to play an E minor scale start the G major exercise on an E and play from there. This is one way of creating new variants of these scales. Another way to vary the exercises is to play the scales in different time signatures or rhythms.I believe these exercises are particularly helpful for amateur guitarists who play in ensembles of different kinds, duos, trios, quartets, where the guitarist often only has one melodic line to play. Such melodies often sound much better played in higher positions where the guitar can be made to sing, rather than in the first position where the same tones, especially on open strings, often sound rather dull. From my own experience, I find that when I play a melody in a higher position using all the fingers of the left hand, the melody not only sounds better, the fingers remember the melody better.Â
$4.99
4.52 €
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Richard Hirsch
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Playing with Scales
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Richard Hirsch
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SheetMusicPlus
Oh Holy Night
Alto Voice,Soprano voice - Level 3 - Digital Download SKU: A0.1354327 By Steven Ere…
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Alto Voice,Soprano voice - Level 3 - Digital Download SKU: A0.1354327 By Steven Erekson. By Adolphe Charles Adam/Placide Cappeau. Arranged by Steven L. Erekson. Christian,Christmas,Holiday,Sacred,Spiritual. 6 pages. Steven L. Erekson #939042. Published by Steven L. Erekson (A0.1354327). Written for 1 saprano and 2 altos, this arrangment of Oh Holy Night was written upon request of a family member who had difficulty finding an arrangement for 3 female vocalists. 4 days later and with a day to spare before they left for holidays, the request was happily filled and the result as you see it here. It features two of the 3 verses with a reference to the most important phrase found in the origional's third verse. The chord structures at some points differ from what is commonly associated with this carol and a number of key changes attempt to keep things in a suitable range and entertain the singers with added difficulty, but mostly enables a reverent capture of the attention of the audience. The third verse was not included in full to keep the piece to a suitable length for settings of worship.To my surprise, some church services at Christmas time leave me un-fed. I keep longing for the reverence that should be and would have been felt in the presence of the newborn of whom this song speaks. There is glory and rejoicing in the arrival of the Christ, yes; I do not wish to overlook this aspect of the season, but the greater emphasis that I intended to accompany this arrangement is that of the often-lacking submissive reverence embodied in the concluding phrase; behold your King.The best way to bring the best verision of this piece is to vary the tempo throughout to create more emotion and exagerate the dynamic markings. Begin the piece with awe and contained anticipation, increase in majesty to reflect the praise of angels and the glory of the Christ, then sing as though you enter the place where He rests as you lead your audience thereto. A voice recording is in the works.
$7.99
7.24 €
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Steven Erekson
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Steven L
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Oh Holy Night
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Steven L. Erekson
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SheetMusicPlus
Bethlehem Angel and The First Noel
Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Compos…
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Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99
4.52 €
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Ginny Saltzman
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Bethlehem Angel and The First Noel
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Ginny's House of Music
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SheetMusicPlus
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