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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
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MANDOLINE
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Beethoven: Variations
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40
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220
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8
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3
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3
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1
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15
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8
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7
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7
Flûte traversière
6
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5
2 Saxophones (duo)
5
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5
Saxophone Baryton, Piano
5
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5
Saxophone Alto et Piano
4
3 Saxophones (trio)
4
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4
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4
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3
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3
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3
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3
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2
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2
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2
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2
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2
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2
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1
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1
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1
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1
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1
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1
Saxophone Tenor
1
Saxophone Alto
1
3 Clarinettes (trio)
1
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1
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1
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1
Ensemble de Clarinettes
1
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1
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
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5
Trombone (partie séparée)
5
Euphonium, Piano (duo)
4
Trompette, Piano
4
Trombone et Piano
4
Tuba et Piano
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
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3
Trompette
3
Cor anglais, Piano
3
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2
Trompette (partie séparée)
2
2 Trombones (duo)
2
4 Tubas
2
Trombone, Cor (duo)
1
Trombone
1
Quatuor de cuivres: 4 cors
1
Trompette, Cor (duo)
1
3 Tubas (trio)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
Quatuor de Cuivres
1
2 Cors (duo)
1
2 Trompettes (duo)
1
Trompette, Trombone (duo)
1
Quatuor de cuivres: 4 trombones
1
+ 24 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violoncelle, Piano
6
Violon et Piano
5
Violon
3
Piano Trio: Violon, Alto, Piano
3
Alto, Violoncelle (duo)
2
Alto, Piano
2
Alto seul
2
2 Violons (duo)
2
2 Violoncelles (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Alto (duo)
1
Violoncelle
1
Harpe
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violon, Violoncelle (duo)
1
4 Violoncelles
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Altos (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: violon, alto, violoncelle
1
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Orchestre d'harmonie
50
Orchestre
7
Orchestre à Cordes
5
Ensemble de cuivres
5
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2
Timbales (partie séparée)
1
Percussion
1
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--INSTRUMENTS--
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AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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EUPHONIUM
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FLUTE TRAVERSI…
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GUITARE LAP ST…
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Vous avez sélectionné:
Beethoven: Variations
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Turkish March by Beethoven for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 3 - SKU: A0.1243611 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woo...
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Brass Quintet - Level 3 - SKU: A0.1243611 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #838578. Published by Woods Only, Arrangements (A0.1243611). This arrangement adapted for brass quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
Beethoven: Turkish March (Ruins of Athens Op.113) - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Turkish March
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RayThompsonMusic
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Ray Thompson. Classical Period, Repertoire, Wedding, Graduation, Recital. Score, Set of Parts. 7 pages...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Ray Thompson. Classical Period, Repertoire, Wedding, Graduation, Recital. Score, Set of Parts. 7 pages. Published by RayThompsonMusic (S0.190935). - Score,Set of Parts - Classical Period,Repertoire,Wedding,Graduation,Recital - RayThompsonMusic
Turkish March (Ruins of Athens) Op.113 - brass quintet Arranged for standard brass quintet of 2 trumpets, horn. trombone and tuba. The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time. The theme was first used in Beethoven's "6 Variations on an Original Theme", Op. 76, of 1809. In 1811 Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. The Turkish March appears as item No. 4 of the incidental music. Many music lovers associate the theme with The Ruins of Athens, although that was not its original appearance. The original march is in B flat major, tempo vivace and 2/4 time. Its dynamic scheme is highly suggestive of a procession passing by, starting out pianissimo, poco a poco rising to a fortissimo climax and then receding back to pianissimo by the coda. Unlike much of Beethoven's other orchestral music, the woodwinds are the dominant voice rather than the strings. I have transposed it to Eb major to suit the brass instruments' ranges. In my arrangement the melody is held by the three "top" instruments. The tuba takes the bass line, and the trombone adds harmony It is quite short and is tutti throughout.
$7.95
COMPLETE Brass Quintet Music Book - pack of 34 essential pieces: wedding, Christmas, baroque, slow melody, Welsh
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Classique
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Mariage/Ballade
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Mendelssohn, Richard Wagner,
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Austin Ralphson
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COMPLETE Brass Quintet Music B
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Austin Ralphson
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SheetMusicPlus
Composed by Mendelssohn, Richard Wagner, Newton, Karg- Elert, Bach, Pachelbel, Handel, Purcell, Beethoven, Mozart, Grieg, Delibes, Chopin, Ugolino, Satie, ...
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Composed by Mendelssohn, Richard Wagner, Newton, Karg- Elert, Bach, Pachelbel, Handel, Purcell, Beethoven, Mozart, Grieg, Delibes, Chopin, Ugolino, Satie, Meacham, Pierpoint, Gruber, Mason. Arranged by Austin Ralphson. 20th Century, Romantic Period, Classical Period, Baroque Period, Wedding. Score, Set of Parts. 601 pages. Published by Austin Ralphson
This is a mega-bundle of brass quintet repertoire, totalling 34 pieces and over 500 pages of music. Full scores and parts are provided for all pieces, covering weddings, Christmas music, slow melodies, traditional Welsh melodies and baroque classics. The hymns include freshly-composed descants and there are some pieces which aren't in the 'usual' brass repertoire such as the Mozart Variations and the extract from Borghild's Dream. This is the full list: 1. Wedding March (from A Midsummer Night?s Dream) (Mendelssohn) 2. Wedding March (Bridal Chorus from Lohengrin) (RichardWagner) 3. 9 Popular Hymn Tunes 4. Amazing Grace (Newton) 5. Triumphal March (Karg-Elert) 6. Brandenburg Concerto No. 3 (Bach) 7. Prelude in C (Bach) 8. Canon (Pachelbel) 9. Let The Bright Seraphim from ?Samson? (Handel) 10. Fanfarefrom ?Water Music? (Handel) 11. LaRéjouissance from ?Music for the Royal Fireworks? (Handel) 12. Rondofrom ?Abdelazer? (Purcell) 13. Largofrom ?Xerxes? (Handel) 14. ArLan y Môr (Welsh trad.) 15. Davidof the White Rock (Welsh trad.) 16. Myfanwy(Welsh trad.) 17. SuoGan (Welsh trad.) 18. PianoSonata No.8 Op.13 ?Pathétique? - 2nd mvt. (Beethoven) 19. 12Variations on ?Twinkle Twinkle Little Star? (Mozart) 20. Borghild?sDream from ?Sigurd Jorsalfar? (Grieg) 21. Pizzicatifrom ?Sylvia? (Delibes) 22. Preludein C minor (Chopin) 23. Concerto for Mandolin and Strings - 1st mvt. (Ugolino) 24. GymnopédieNo.1 (Satie) 25. GnossienneNo.1 (Satie) 26. AmericanPatrol (Meacham) 27. HappyBirthday 28. 15Christmas Carols 29. DeckThe Halls With Catchy Rhythms! (Welsh trad.) 30. DingDong Bing Bong! (French trad.) 31. JingleThose Bells! (Pierpoint) 32. OChristmas Tree 33. SilentNight (Gruber) 34. JoyTo The World (Mason) This pack represents a huge saving over the individually priced music, which would cost over $150.
$34.99
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed E
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contes...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
Nimrod for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Frank Starobin
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Nimrod for Brass Quintet
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Frank Starobin
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SheetMusicPlus
Composed by Edward Elgar (1857-1934). Arranged by Frank Starobin. 20th Century, Romantic Period, Wedding, Funeral, Recital. Score, Set of Parts. 12 pages. Publi...
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Composed by Edward Elgar (1857-1934). Arranged by Frank Starobin. 20th Century, Romantic Period, Wedding, Funeral, Recital. Score, Set of Parts. 12 pages. Published by Frank Starobin (S0.224455). - Score,Set of Parts - 20th Century,Romantic Period,Wedding,Funeral,Recital - Frank Starobin
Edward Elgar wrote his Variations on an Original Theme in 1899; each variation was meant toportray one of Elgar's close friends. The ninth movement, ?Nimrod? is about and conversation thatthe composer had with music editor, Augustus J. Jaeger. They discussed the beauty of Beethoven?sslow movements and this can be heard in ?Nimrod.? This brass quintet arrangement recreates thisBeethovenian beauty with warm voicing. It is important for players to listen to one or severalrecordings of this movement in order to get a feel for the style and changes in tempo. The printedtempi are approximate and may be deviated from. Duration?3:30
$14.99
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