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Just a Little While
Non classifié
72
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33
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11
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9
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2
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1
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1
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1
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1
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4
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1
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11
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4
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3
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2
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2
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1
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1
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10
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5
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4
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1
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8
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4
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1
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1
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1
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1
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1
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1
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1
Alto et Basson
1
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8
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5
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3
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
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TROMPETTE
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Crtitères actifs :
Just a Little While
Guitare notes et tablatures
Partitions à imprimer
4 partitions trouvées
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Just a Little While to Stay Here
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Guitare notes et tablatures
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FACILE
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Eugene Monroe Bartlett
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Enea A
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Just a Little While to Stay He
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Enea Acco
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.900774 Composed by Eugene Monroe Bartlett. Arranged by Enea A. Folk,Jazz,Patriotic. Guitar Tab. 2 pages. Enea Acco #5775825. ...
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Guitar - Level 2 - SKU: A0.900774 Composed by Eugene Monroe Bartlett. Arranged by Enea A. Folk,Jazz,Patriotic. Guitar Tab. 2 pages. Enea Acco #5775825. Published by Enea Acco (A0.900774). Transcribed and arranged for guitar with chords and TAB.
$2.99
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
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Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Happy Birthday / Bach's Cello Suite No. 1 Prelude
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rock
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The Candlelight Guitarist
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Brad Powell
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Happy Birthday / Bach's Cello
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Geofonica Artistworks
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1393268 By The Candlelight Guitarist. By J.S. Bach / traditional. Arranged by Brad Powell. Baroque,Classical,Holiday,Instruct...
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Guitar - Level 3 - SKU: A0.1393268 By The Candlelight Guitarist. By J.S. Bach / traditional. Arranged by Brad Powell. Baroque,Classical,Holiday,Instructional,Traditional. Guitar Tab. 4 pages. Geofonica Artistworks #976750. Published by Geofonica Artistworks (A0.1393268). This is a mash-up of the traditional Happy Birthday melody superimposed over J.S. Bach's Cello Suite No. 1 Prelude, arranged for solo classical guitar. This arrangement involved careful editing of essential elements of the Cello Suite Prelude (not the entire piece), tuning the guitar's 5th and 6th strings down a whole step, and adjusting harmonies of the Cello Suite to match Happy Birthday, still retaining Bach's compositional style.  It's an intermediate level classical fingerstyle, similar in difficulty to the Sor Etudes. You can see & hear the full arrangement performed in the YouTube link provided. LYRICS are included in both English and German.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candleight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com...perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$3.99
Giddy Up!
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Guitare notes et tablatures
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FACILE
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Shania Twain
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Giddy Up!
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SmartWorks Publications
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SheetMusicPlus
Guitar,Voice - Level 2 - SKU: A0.1200101 By Shania Twain. By David Stewart, David Stuart, Jessica Agombar, Sam Romans, Samuel Elliot Roman, and Shania T...
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Guitar,Voice - Level 2 - SKU: A0.1200101 By Shania Twain. By David Stewart, David Stuart, Jessica Agombar, Sam Romans, Samuel Elliot Roman, and Shania Twain. Arranged by Alpin Smart (Transcription for Voice and Guitar)[TAB]. Country,Pop,Rock. Guitar Tab with Voice. 10 pages. SmartWorks Publications #798905. Published by SmartWorks Publications (A0.1200101). This upbeat little country pop rocker from the Queen of Country Pop-Rock is just 'what the doctor ordered' - a 'pick-me-up' and a 'tonic', this fast-paced track - the opener - from Ms Twain's latest album - the first for five years! - is sure to put a smile on your face, set your feet tapping, and - if you're driving* - undeniably one of the best songs for the road for many a year! 2:45 minutes of rock'n'roll feelgood fun, it's the best album opener I've stomped my feet to for a long, long while. Guaranteed to 'get your motor running', your heart racing and the blood pumping! *(But, watch your speed on the freeway!!). There's an awful lot packed into under three minutes: a driving guitar riff you can 'funk up like Diddley'; great vocals, catchy hooks, stop-start rhythms, heart-stopping dynamics - a gem of a pop-rock bopper, and a great piece of collaborative, virtuosic song-writing that will stay with you without ever becoming an 'ear-worm'!
$4.99
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Just a Little While