Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
You Should Be Here
Non classifié
361
Piano & claviers
Piano grosses notes
3 296
Orgue
1 530
Piano seul
124
Piano Facile
115
Clavier
59
Piano, Voix et Guitare
26
Piano, Voix
24
Instruments en Do
5
Accompagnement Piano
2
1 Piano, 4 mains
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Trompette (duo)
1
+ 7 instrumentations
Retracter
Guitares
Guitare
18
Guitare notes et tablatures
11
Ukulele
11
Basse electrique
5
Dulcimer
3
Paroles et Accords
1
4 Guitares (Quatuor)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
79
Chorale 3 parties
25
Chorale TTBB
17
Chorale SSAA
16
Chorale Unison
4
Chorale 2 parties
4
Voix haute
3
Voix Soprano, Piano
2
Chorale SSATTB
1
Voix Tenor
1
Voix Baryton, Piano
1
Voix basse
1
Voix basse, Piano
1
Chorale
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
37
Ensemble de saxophones
30
Saxophone, Clarinette (duo)
21
Quintette de Saxophone: 5 saxophones
17
2 Clarinettes (duo)
13
Clarinette, Violon (duo)
13
Ensemble de Clarinettes
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
2 Flûtes traversières (duo)
11
Quatuor de Saxophones: 4 saxophones
11
Clarinette, Trompette (duo)
10
Ensemble de Flûtes
9
Flûte, Hautbois, Clarinette, Basson
8
Flûte traversière et Piano
8
Hautbois, Flûte
7
2 Hautbois (duo)
7
Hautbois, Clarinette (duo)
7
Flûte, Violon
7
Clarinette et Alto
6
Saxophone (partie séparée)
6
Quatuor de Clarinettes: 4 clarinettes
6
Flûte, Clarinette (duo)
6
Saxophone Alto
5
Flûte, Saxophone (duo)
5
Flûte, Trompette (duo)
5
Hautbois (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Clarinette et Piano
4
Saxophone Tenor
3
Quintette de Flûte : 5 flûtes
3
Flûte traversière
2
Ocarina
2
Saxophone
2
Saxophone Alto et Piano
2
Saxophone Baryton, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
Clarinette, Violoncelle (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto (duo)
1
Flûte à Bec
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
Hautbois, Piano (duo)
1
Trio de Flûtes: 3 flûtes
1
Cor Anglais
1
Hautbois
1
Clarinette
1
+ 42 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette
10
2 Trompettes (duo)
9
Trompette, Trombone (duo)
9
Ensemble de Trombones
8
2 Trombones (duo)
7
Ensemble de Trompettes
6
Tuba
5
Ensemble de Cors
4
Trompette, Piano
4
Trombone
4
Trio de Cuivres
3
Cor
3
Cor et Piano
2
Quatuor de cuivres: 4 trombones
1
Trombone et Piano
1
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
3 Trombones (trio)
1
Bass Clef Instruments
1
Cor Anglais
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
26
Harpe
13
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
8
2 Violons (duo)
7
2 Violoncelles (duo)
6
2 Altos (duo)
6
Violon
5
Violon, Alto (duo)
5
Violon, Violoncelle (duo)
5
Violoncelle, Piano
4
Alto, Piano
4
Violon et Piano
4
Violon (partie séparée)
3
Alto seul
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Ensemble d'Altos
2
Ensemble de Violons
2
Contre Basse
2
Violoncelle , Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto (partie séparée)
1
2 Harpes (duo)
1
4 Violoncelles
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
59
Orchestre à Cordes
27
Orchestre
16
Ensemble Jazz
14
Ensemble de cuivres
13
Ensemble de Percussions
5
Orchestre de chambre
4
Cloches
3
Batterie
2
Ensemble d'École
1
+ 5 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
11
Librairie Musicale
72
Matériel de Musique
76
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
You Should Be Here
Guitare notes et tablatures
Partitions à imprimer
11 partitions trouvées
<
1
You Can Close Your Eyes
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Pu...
(+)
Guitar - Level 3 - SKU: A0.841181 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793043. Published by John Murphy (A0.841181). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.com
$5.99
You Can Close Your Eyes
#
Guitare notes et tablatures
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by...
(+)
Guitar - SKU: A0.841180 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 6 pages. John Murphy #5792957. Published by John Murphy (A0.841180). You Can Close Your Eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :) Contact me at info@guitarlessonsdundrum.com
$6.99
You Can Close Your Eyes
#
Guitare notes et tablatures
#
FACILE
#
Rock
#
James Taylor
#
John Murphy C
#
#
You Can Close Your Eyes
#
John Murphy
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Pu...
(+)
Guitar - Level 2 - SKU: A0.841182 By James Taylor. By James Taylor. Arranged by John Murphy C.S.M.V. Rock. Guitar Tab. 4 pages. John Murphy #5793051. Published by John Murphy (A0.841182). You can close your eyes James TaylorLearn this classic James Taylor song and master his characteristic finger picking guitar technique.You will learn: 4/4 Fingerpicking rhythm patterns that you can use in many other songs and other genres.Popular and widely used great guitar chord inversions (also sometimes called slash chords, e.g. G/B )to create interesting bass lines that complement the melody of the tune and give direction and forward momentum to the song’s chord progression. Bass driven chord progressions are a characteristic feature of accomplished guitarists like James Taylor and Chet Atkins.‘Clawhammer’ technique or ‘Travis picking’ are the names often given to a style of playing four bass notes to the bar (usually alternating from root to fifth of the chord played with the R.H.thumb). If you listen to the great country guitarist Chet Atkins you will hear this ‘clawhammer’ style in most of his guitar arrangements.Useful hammer-ons/pull-offs and passing notes that will improve your technique and add a professional touch to enhance your guitar performances. See bar for 8 hammer on the A sus chord and also on the B minor in bar 32. Note the pull off on G chord in bar 11.Intro and outro sections are included in this James Taylor guitar arrangement of ‘You can close your eyes’Most songs have intros and outros so that the singer can get the tempo and start in the right key. However, many published arrangements often just start on a pick-up note or two on the last beat of the bar with no chord indicated and end the song on a chord that is not the tonic or main key chord that tells the listener the song has ended. ‘Leaving On A Jet Plane’ by John Denver is a good example. In the key of ‘D’ the song starts with the notes ‘C#’ and ‘E’ and then the first bar is indicated as ‘D’ major chord. If you start the song playing a ‘D’ chord you will most likely sing the wrong notes because ‘C#’ and ‘E’ belong to the A7 chord of the song. So a simple 2 bar intro of ‘D’ , A7 (start singing on the last beat) and back to ‘D’ would help the singer to get the tempo and sing the correct pick-up notes. The printed sheet music of ‘Leaving On A Jet Plane’ ends on an ‘A7’ chord of the chorus and as such does not indicate that the end chord should be ‘D’. So it is not always safe to assume that the end chord in printed music indicates the key of the song. Lyrics with chord symbols to show when to change chords. Matching the fingerpicking tab or sheet music to the lyrics can sometimes prove difficult so I have included a lyrics sheet of ‘You can close your eyes’ with chord symbols. This is a very popular format to give an indication when to change chords. However, the drawback is that there is no way of knowing how long each chord lasts as the bar structure is missing. But once you learn the bar structure from the sheet music or tab part you will find this Lyrics and chords sheet of ‘You can close your eyes’ your go to page for performing the song until you know it from memory.Downloads available Include:Score Tab Chords Lyrics For GuitarNotes Chords Lyrics For GuitarTab Chords Lyrics For GuitarIf you like or buy this arrangement it helps if you leave even a brief review- two words( very good) or even better one word (Awesome) :)Contact me at info@guitarlessonsdundrum.comTags : Sheet music, Tab, Pop/Rock, Folk , Country, Acoustic Guitar, Easy Intermediate
$5.99
Three Pieces for Beginner Guitarists (Acoustic or Electric)
#
Guitare notes et tablatures
#
DÉBUTANT
#
Dan Jones
#
Three Pieces for Beginner Guit
#
DanJonesGuitarist
#
SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
(+)
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
Rondo Alla Turka (arranged for 8 string guitar)
#
Guitare notes et tablatures
#
AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Tim Rushworth
#
Rondo Alla Turka
#
Tim Rushworth
#
SheetMusicPlus
Guitar - Level 5 - SKU: A0.1388215 Composed by Wolfgang Amadeus Mozart. Arranged by Tim Rushworth. Classical. Guitar Tab. 7 pages. Tim Rushworth #971813...
(+)
Guitar - Level 5 - SKU: A0.1388215 Composed by Wolfgang Amadeus Mozart. Arranged by Tim Rushworth. Classical. Guitar Tab. 7 pages. Tim Rushworth #971813. Published by Tim Rushworth (A0.1388215). This is a full version (7 pages) of Mozart's well known Rondo or Turkish March arranged here for 8 string guitar. The lower 2 strings being tuned to C and A enables many of Mozart's bass notes to remain at the original pitch.There is an mp3 audio file from the software program Sibelius which I used for writing it, but this sounds very mechanical and is only there to give an idea of the finished product.This is not an easy tune to play on 8 string, but should be very enjoyable. There are lots of opportunities to use the bass strings here. Plus this is great music by a great composer!Youtube performance to follow. See also my alternative version for 6 strings.
$7.99
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Traditional English Carol
#
Antony Cull
#
I Saw Three Ships
#
Antony Cull
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Ta...
(+)
Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49
Etude No. 1
#
Guitare notes et tablatures
#
FACILE
#
Classique
#
Matteo Carcassi
#
Brian Streckfus
#
Etude No. 1
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Pu...
(+)
Guitar - Level 2 - SKU: A0.1150935 Composed by Matteo Carcassi. Arranged by Brian Streckfus. Classical. Guitar Tab. 4 pages. Brian Streckfus #751121. Published by Brian Streckfus (A0.1150935). Important: This include two versions, a heavily notated version, and a blank version.1. Added tablature. 2. Fingerings added (Counterintuitive fingerings are left blank for the performer to realize first hand that it will be an awkard passage).3. Chord nomenclature added4. Fonts made larger and more appealing5. Position and Bar markings addedTips:1. Measure 13 is a good example of melodic minor as scale degrees 6 and 7 are rasied by a half step on an upward scale run, and then lowered on the way back down.2. Measures 23-27 is an example of a sequence. I recommend making the catchiness and repetition as obvious as possible as the audience is expecting the sequence to complete. For example, if there is a slur happening on a certain beat, I'll make sure it is mantained for every repetition, which is why measure 20 is more difficult with a fretted B instead of an open string. It's more work, but it sounds better to my ears.3. There is a certain order that the right hand fingers should be following depending on if you are going to thicker or thinner strings. Since this is an etude designed to get a player used to classical guitar technique, it made sense to show the a novice finger-style player which right hand fingers to use and when. Example: 2nd thinnest to thinnest string...Should be i m...not m iTo Do:1. Theoretical explanations in the score? Especially on the heavily notated version?
$1.99
The First Vision TAB
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Steven H
#
The First Vision TAB
#
Boothe Publishing
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe ...
(+)
Guitar - Level 3 - SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe Publishing (A0.984011). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$3.99
Nfl On Fox Theme
#
Guitare notes et tablatures
#
FACILE
#
Phil Garrod, Reed Hays, and Sc
#
Brian Streckfus
#
Nfl On Fox Theme
#
Brian Streckfus
#
SheetMusicPlus
Easy Guitar (with TAB) - Level 2 - SKU: A0.1175935 Composed by Phil Garrod, Reed Hays, and Scott Schreer. Arranged by Brian Streckfus. Film/TV,Rock. Tab...
(+)
Easy Guitar (with TAB) - Level 2 - SKU: A0.1175935 Composed by Phil Garrod, Reed Hays, and Scott Schreer. Arranged by Brian Streckfus. Film/TV,Rock. Tablature. 1 pages. Brian Streckfus #776060. Published by Brian Streckfus (A0.1175935). Key: D minorTuning: Drop D TuningPages: 1This arrangement has a heavy metal vibe to it because of the key, tuning, dissonance and making it idiomatic for guitar.Tips:1. Perhaps the constantly occuring D bass notes could be called a pedal. This term originates from organs that have pedals for low pitches. So the A7/D is bizarre, but it isn't so strange that a classical composer wouldn't use it. Bach does this often. 2. Use the chord charts to aid in improvising more repeats. Since this is meant for a commercial, it is breif. 3. Be careful not to accidently bump into the second thinnest string on guitar: a B. The key of d minor has a Bb, so in this case, that string is a hot lava string.4. The final ending would be called a Perfect Authentic Cadence. This is because for the final chord, the soprano and bass are the home note (D), a.k.a. tonic. 5. Guitar position text explains where your index finger should be, NOT what fret is about to come next.6. The A+11 chord can be easier to understand by calling it a Cadential 6/4 chord. This is a classical music cliche and composition trick. The trick is that a home chord (tonic) with the 5th note in the key in the bass, actually sounds more like an away chord (dominant) with a lot of suspended notes on it. To be even vaguer; it's a common strategy to add a lot of dissonance to the last chord in the chord progression.
$4.99
Etude No 22 Op 35
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Fernando Sor
#
Brian Streckfus
#
Etude No 22 Op 35
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1356984 Composed by Fernando Sor. Arranged by Brian Streckfus. 19th Century,Classical,Instructional,Romantic Period. Guitar T...
(+)
Guitar - Level 3 - SKU: A0.1356984 Composed by Fernando Sor. Arranged by Brian Streckfus. 19th Century,Classical,Instructional,Romantic Period. Guitar Tab. 3 pages. Brian Streckfus #941611. Published by Brian Streckfus (A0.1356984). Pages: 3Key: B minorFeatures:1. Tablature Added2. Blank version for starting from scratch3. Chord Nomenclature added 4. Dynamics added 5. Fingerings Added 6. Slides/Guide fingers added 7. Modern Fonts Tips: 1. Realizing that you are in position two most of the time helps. In the key of B minor, fret 1s aren't supposed to happen as they would be out of key. This piece does have key changes, so some fret 1s do happen.2. Nearly all measures are arpeggios, so it's best to summarize each measure as a chord shape. If you read the music one note at a time, your playing will most likely sound choppy. It is possible to get the entire measure ready on beat one.3. Similiar to the last point, there are a lot of bars in this piece. Realizing when you are barring and not barring will be helpful.4. I try to strategically leave out fingerings. Too many fingerings and the piece look overly intimidating. Often, if I leave out a fingering, it's because it is a counter-intuitive fingering to use, and therefor the student should pencil it in themselves as a strong reminder of a difficult moment. I also leave out fingerings if I strongly sense there are multiple correct ways of playing a passage.
$1.99
Accidentally In Love
#
Guitare notes et tablatures
#
FACILE
#
Pop musique
#
Counting Crows
#
B
#
Accidentally In Love
#
B. McCormick
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.808754 By Counting Crows. By Adam F. Duritz, Dan Vickrey, David Bryson, David Immergluck, and Matthew Malley. Arranged by B. ...
(+)
Guitar - Level 2 - SKU: A0.808754 By Counting Crows. By Adam F. Duritz, Dan Vickrey, David Bryson, David Immergluck, and Matthew Malley. Arranged by B. McCormick. Pop. Guitar Tab. 6 pages. B. McCormick #3520561. Published by B. McCormick (A0.808754). This Sheet Music of this Counting Crow's Classic, Accidentally in Love gives you everything you need to learn this song from start to finish. Designed to strictly follow the songs structure, hence the amount of pages, it gives all the parts in the order they should come if you follow the repeats properly. This song can be found on the Shrek Sound track along with many other great tracks. The chords used in this song are fairly simple. The rhythm and timing and following of the sheet music are where the dificulty in this piece lie. The strum pattern is set out in the initial bars, if a new strum pattern comes in it is indicated. I would work on the main strum pattern and then work on the rhythm in the chorus bars. You may want to try different effects and distortion to get the sound you want, especially for the solo. All in all this piece is for people who have a been playing for a while and have a strong sense of rhythm al though it could be learned by anyone although it would take newer players longer to grasp the changing rhythms. Please connect with me if you like this arrangement. http://barrymccormick.comhttp://facebook.com/barrymccormickmusichttp://instagram.com/barrymccormickmusicYou can also find links to my YouTube and Soundcloud on my website and use the contact forms there to get in touch.
$4.99
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
You Should Be Here
