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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
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MANDOLINE
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OCARINA
ORCHESTRE
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PIANO
SAXOPHONE
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CLASSIQUE - BAROQUE …
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354
PIANO & CLAVIERS
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3297
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1531
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124
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115
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59
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5
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1
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Guitare
18
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11
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11
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5
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3
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1
4 Guitares (Quatuor)
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Chorale SATB
79
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25
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17
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16
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4
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4
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2
Chorale
1
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1
Voix basse, Piano
1
Voix basse
1
Voix Baryton, Piano
1
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VENTS
2 Saxophones (duo)
37
Ensemble de saxophones
30
Saxophone, Clarinette (duo)
21
Quintette de Saxophone: 5 saxophones
17
2 Clarinettes (duo)
13
Clarinette, Violon (duo)
13
Ensemble de Clarinettes
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
2 Flûtes traversières (duo)
11
Quatuor de Saxophones: 4 saxophones
10
Clarinette, Trompette (duo)
10
Ensemble de Flûtes
9
Flûte traversière et Piano
8
Flûte, Hautbois, Clarinette, Basson
8
Hautbois, Clarinette (duo)
7
Hautbois, Flûte
7
2 Hautbois (duo)
7
Flûte, Violon
7
Quatuor de Clarinettes: 4 clarinettes
6
Saxophone (partie séparée)
6
Clarinette et Alto
6
Flûte, Clarinette (duo)
6
Flûte, Saxophone (duo)
5
Saxophone Alto
5
Flûte, Trompette (duo)
5
Clarinette et Piano
4
Hautbois (partie séparée)
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor
3
Quintette de Flûte : 5 flûtes
3
Saxophone
2
Flûte traversière
2
Saxophone Alto et Piano
2
Ocarina
2
Clarinette
1
Saxophone Baryton, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec
1
3 Clarinettes (trio)
1
Hautbois, Basson (duo)
1
Flûte, Alto (duo)
1
Hautbois, Piano (duo)
1
Clarinette, Violoncelle (duo)
1
Trio de Flûtes: 3 flûtes
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois
1
Cor Anglais
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
29
Quatuor de Cuivres
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trompette
10
Trompette, Trombone (duo)
9
2 Trompettes (duo)
9
Ensemble de Trombones
8
2 Trombones (duo)
7
Ensemble de Trompettes
6
Tuba
5
Trombone
4
Ensemble de Cors
4
Trompette, Piano
4
Cor
3
Trio de Cuivres
3
Cor et Piano
2
3 Trombones (trio)
1
Bass Clef Instruments
1
Trombone et Piano
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Cor Anglais
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
25
Harpe
13
Violoncelle
11
Trio à Cordes: violon, alto, violoncelle
8
2 Violons (duo)
7
2 Altos (duo)
6
2 Violoncelles (duo)
6
Violon
5
Violon, Violoncelle (duo)
5
Violon, Alto (duo)
5
Alto, Piano
4
Violoncelle, Piano
4
Violon et Piano
4
Alto seul
3
Violon (partie séparée)
3
Contre Basse
2
Ensemble d'Altos
2
Ensemble de Violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle , Guitare (duo)
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
4 Violoncelles
1
Alto (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
2 Harpes (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
59
Orchestre à Cordes
27
Orchestre
16
Ensemble Jazz
14
Ensemble de cuivres
13
Ensemble de Percussions
5
Orchestre de chambre
4
Cloches
3
Batterie
2
Ensemble d'École
1
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AUTRES
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You Should Be Here
Ensemble Jazz
Partitions à imprimer
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Over By There----Old Chicago Love Song
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947280 Composed by John Phil…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947280 Composed by John Philips. Jazz. Score and parts. 36 pages. John Philips Music Service #3867733. Published by John Philips Music Service (A0.947280). This is a funky 2 beat built on double (24 bar) blues. It has an optional vocal,( cued in for alto sax) that should be sung thru a megaphone like the old Winchester Cathedral. The title comes from a pattern of speech found only in Chicago where people still say over by here and over by there. It swings well and invites a couple tambourines playing on 2 and 4. This is a fun chart but is very correct musically even if you expect the Blues Brothers to show up when it’s played. It can be opened for solos if needed. Don’t get too serious about the vocal, it’s best with your worst singer, maybe with a clothes-pin on his nose. Enjoy it with your audience.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
13.6 €
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Ensemble Jazz
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John Philips
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Enjoy it with your audience
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Over By There----Old Chicago Love Song
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John Philips Music Service
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SheetMusicPlus
Should I Stay Or Should I Go
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clas…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
45.34 €
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Ensemble Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
The Worm
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.947265 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.947265 Composed by John Philips. Blues,Jazz. Score and parts. 17 pages. John Philips Music Service #3867627. Published by John Philips Music Service (A0.947265). Very easy chart for middle schools on up. Based on 12 bar blues it runs at about 140 and has simple themes that are done with unison sections. It’ funky 2 beat and make you want to clap your hands on 2 & 4. Fun to play, younger players can do it and learn. It usually works to have the horn players that are not playing in the first part of the chat clap their hands over their head on 2 and 4. This will get the people into it. This is a simple funky 2 beat and should be kept that way. Piano has dissonant afterbeats--should be soft.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
13.6 €
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Ensemble Jazz
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John Philips
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4
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The Worm
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John Philips Music Service
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SheetMusicPlus
Blues Every Morning
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.505159 Composed by Kurt Schu…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.505159 Composed by Kurt Schulenburg. Blues,Jazz. Score and parts. 48 pages. Kurt Schulenburg #6565335. Published by Kurt Schulenburg (A0.505159). This is a slow start in the morning sort of blues, meant to be played like the coffee hasn't quite kicked in. It's a simple blues in Concert F (despite the key signature where I've added that flatted seventh!) and is a great vehicle for developing young soloists - or pushing those with more experience to new highs! The mp3 is just a MuseScore3 export, nothing fancy, but it gives you an idea of what to expect. I've not included any solos, making this a good mp3 to give to your soloists to play along with. It's not too tough, should be playable by many advanced grade school and all high school bands - and it's scored to sound good even with pro groups.
$49.99
45.33 €
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Ensemble Jazz
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Kurt Schulenburg
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Blues Every Morning
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Kurt Schulenburg
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SheetMusicPlus
Holland Street Boogie
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.947267 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.947267 Composed by John Philips. Blues,Jazz. Score and parts. 15 pages. John Philips Music Service #3867629. Published by John Philips Music Service (A0.947267). First adjust the tempo...This should run at about 130/140. It’s a Funky 2 beat on I Got Rhythm changes gets into 4 on the first bridge. Ending is multiple tags with big finish. This could be opened for choruses. The idea here is the loose swing and not to concentrate on technique so it bogs down. If you liked Basie you would like this.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
13.6 €
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Ensemble Jazz
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John Philips
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Holland Street Boogie
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John Philips Music Service
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SheetMusicPlus
The Surrey With The Fringe On Top
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.1433756 By Various…
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Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.1433756 By Various Artists. By Oscar Hammerstein and Richard Rodgers. Arranged by Sam Fettig. 20th Century,Broadway,Jazz,Musical/Show. 49 pages. Sam Fettig #1013985. Published by Sam Fettig (A0.1433756). https://www.samfettigmusic.com/JAZZ ENSEMBLE GRADE 1.5PROGRAM NOTESSurrey With the Fringe on Top is a song from the 1943 Rodgers and Hammerstein musical “Oklahoma!”. It became a standard song among jazz musicians, especially after Miles Davis recorded it. There is a wonderful version recorded by saxophonist Cannonball Adderly on his 1955 album “Cannonball Adderly With Strings”. PERFORMANCE NOTESSurrey With the Fringe on Top is a 32-bar AABA form in the key of concert B flat. In this arrangement, the A-section melody features several tongue-in-cheek grand pause moments. These are indicated by fermatas over quarter note rests. Have fun with these spots, varying the length of time you pause, which can done with a comical effect. The solo section at bar 37 is open to any player, and a set of notes is provided for improvisation. The backgrounds at 41 are to be played each time, and the solo section can be repeated as necessary for additional solos. The shout chorus at bar 47 should be played at full volume. Be sure to investigate and balance the chords among the wind instruments. The shout chorus winds down with a call and response between the brass and saxes.I hope you have fun with this classic tune!
$60.00
54.4 €
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Ensemble Jazz
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Various Artists
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Sam Fettig
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The Surrey With The Fringe On Top
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Sam Fettig
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SheetMusicPlus
Hop Off
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletche…
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
45.33 €
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Ensemble Jazz
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Fletcher Henderson And His Orchestra
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Fuddy Duddy
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947273 Composed by John Phil…
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947273 Composed by John Philips Music Service. Jazz. Score and parts. 26 pages. John Philips Music Service #3867651. Published by John Philips Music Service (A0.947273). This is all about your bary player. He should stand in front of the band into a mic. Be careful not to have the band so loud that you cover the soloist. The whole charts revolves around the LOW 'A . Solo has a few notes beyond an eighth. Watch the ending--the Bary does a Basie ending, very high. A happy loose chart.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
13.6 €
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Ensemble Jazz
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John Philips Music Service
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Fuddy Duddy
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John Philips Music Service
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SheetMusicPlus
Rico Vacilon
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.734565 Composed by…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.734565 Composed by Rosendo Ruiz Jr. Arranged by Dennis Ruello. Contemporary. Score and parts. 52 pages. Chicory Music #6414755. Published by Chicory Music (A0.734565). Rico VacilonOriginally written as a Cha - Cha by Rosendo Ruiz Jr. it is offered here as a Moderate Bossa - Rock arrangement. The arrangement is listed here as Advanced Intermediate Level because of an optional 8va passage for Trumpet 1. Some rhythms in the sax parts can be a little tricky but will fall into place with a short rehearsal. You and your group should have a ball with Rico Vacilon. Performance Time: Approx. 2 minutes 6 seconds
$25.99
23.57 €
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Ensemble Jazz
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Rosendo Ruiz Jr
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Dennis Ruello
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because of an
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Rico Vacilon
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Chicory Music
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SheetMusicPlus
What A Wonderful World
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1315813 By Louis A…
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1315813 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Brad Esbensen. Contemporary,Jazz,Pop,Standards. 62 pages. Brad Esbensen Music Services #904588. Published by Brad Esbensen Music Services (A0.1315813). This arrangement, in the key of F major, is a Flugel feature that also has solo space for Alto Sax 1. Brass ranges are moderate with a ensemble shout section requiring E6 from Trumpet 1, although this section may be played down the octave. There are woodwind doubles written in the sax parts, but parts without doubles have also been included should they be unavailable. The rhythm section parts are well notated throughout to assist less experienced players. I hope you enjoy performing this chart and if you would like it transposed into another key or would like alternate parts/instrumental combinations, please e-mail me at brad@bemus.com.au www.bemus.com.au.
$60.00
54.4 €
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Ensemble Jazz
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Louis Armstrong
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Brad Esbensen
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What A Wonderful World
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Brad Esbensen Music Services
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SheetMusicPlus
Nature Boy
Ensemble Jazz
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1317405 By Nat Kin…
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1317405 By Nat King Cole. By Eden Ahbez. Arranged by Neil Boumpani. Jazz,Latin,Multicultural,Standards,World. 47 pages. Boumpani Music Publishing #906067. Published by Boumpani Music Publishing (A0.1317405). Nature Boy was a number 1 hit for Nat Cole in 1948, and soon became a jazz standard. Over the years it was also recorded by Sinatra, Ella Fitzgerald, Sarah Vaughn, Geroge Benson, and more. The song, written by Eden Ahbez, was his song about himself. This Big Band jazz arrangement stays true to the melody, but in a Bossa Nova style. The song seems to be made for this Latin style.  It allows the band to feature the Flugel Horn, which also fits the dark and brooding mood of the piece. A trumpet can be substituted. There are short solos for Tenor Sax and Tronbone, and a Hard-driving Ensemble section before the arrangment returns to the Flugelhorn.  Your drummer should have fun with this- but it is important that the drummer knows how to p0lay the Bossa Bova rhythm, which is written out in the part.
$75.00
68 €
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Ensemble Jazz
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Nat King Cole
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Neil Boumpani
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Nature Boy
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Boumpani Music Publishing
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SheetMusicPlus
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