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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First impression
Non classifié
104
Piano & claviers
Piano seul
91
Piano, Voix
10
Orgue
7
Piano Facile
5
Piano Trio: piano, violon, violoncelle
5
Piano, Voix et Guitare
1
1 Piano, 4 mains
1
+ 2 instrumentations
Retracter
Guitares
Guitare notes et tablatures
9
Guitare
4
Ukulele
2
Ligne De Mélodie, (Paroles) et Accords
1
Voix
Chorale SATB
6
Chorale 3 parties
4
Chorale TTBB
2
Chorale SSAA
1
Voix Soprano, Orchestre
1
Vents
Flûte traversière et Piano
26
Clarinette et Piano
26
Hautbois, Piano (duo)
17
Saxophone Alto et Piano
15
Quatuor de Flûtes : 4 flûtes
5
Flûte traversière
5
Quatuor de Clarinettes: 4 clarinettes
4
Flûte, Hautbois, Clarinette, Basson
4
Saxophone Baryton, Piano
3
2 Saxophones (duo)
3
2 Hautbois (duo)
3
Saxophone Soprano et Piano
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Quatuor de Saxophones: 4 saxophones
3
Saxophone Tenor et Piano
2
Ensemble de Flûtes
2
2 Clarinettes (duo)
2
2 Flûtes traversières (duo)
1
Clarinette, Basson (duo)
1
Hautbois, Basson (duo)
1
Clarinette, Trompette (duo)
1
Flûte, Violon, Piano
1
Clarinette
1
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Trio de Flûtes: 3 flûtes
1
Flûte, alto et harpe
1
Quintette de Saxophone: 5 saxophones
1
Flûte, Violoncelle
1
Hautbois, Clarinette (duo)
1
+ 25 instrumentations
Retracter
Cuivres
Cor et Piano
21
Trompette, Piano
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette
6
Trombone et Piano
4
Ensemble de Trompettes
3
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
2 Trombones (duo)
3
Tuba
2
2 Trompettes (duo)
2
Ensemble de Cors
1
Clarinette, Cor (duo)
1
2 Tubas (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 9 instrumentations
Retracter
Cordes
Violon et Piano
32
Alto, Piano
32
Violoncelle, Piano
24
Quatuor à cordes: 2 violons, alto, violoncelle
13
2 Violons (duo)
3
Violon, Violoncelle (duo)
3
Violon
3
Harpe
3
Trio à Cordes: violon, alto, violoncelle
2
Alto (partie séparée)
1
Violon, Alto (duo)
1
2 Violoncelles (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Alto seul
1
Harpe, Violon (duo)
1
Contrebasse, Piano (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violoncelle
1
+ 16 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
92
Orchestre
19
Ensemble de cuivres
7
Orchestre à Cordes
6
Ensemble Jazz
5
Vibraphone
3
Orchestre de chambre
3
Marimba
2
Piano et Orchestre
1
Xylophone
1
2 Marimbas
1
Orchestre, Violon
1
Batterie
1
Cloches
1
+ 9 instrumentations
Retracter
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DOBRO - GUI…
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EUPHONIUM
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FLUTE A DIX…
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GUITARE PED…
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HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
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SYNTHE
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TROMPETTE
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Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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Vous avez sélectionné:
First impression
2 Violons (duo)
Partitions à imprimer
3 partitions trouvées
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1
The First Noel
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2 Violons (duo)
#
FACILE
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Noël
#
Traditional English Carol
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Gary D
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The First Noel
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DR GARY D BELSHAW
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.796733 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Cont...
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Violin Duet Violin - Level 2 - SKU: A0.796733 Composed by Traditional English Carol. Arranged by Gary D. Belshaw (ASCAP). Baroque,Christmas,Concert,Contemporary. 6 pages. DR GARY D BELSHAW #3675769. Published by DR GARY D BELSHAW (A0.796733). 2018 Holiday Contest EntryThe famous Traditional English Carol is here arranged for two Early Intermediate level Violins. At a little over a minute in duration, this carol will make an impressive contribution to a holiday recital or social event. Naturally, it's ideal for any and all church functions during which younger or less-experienced players may participate. Fashioned after the early intermediate level character pieces found the famous Anna Magdalena Bach books, the melody is accompanied by an original counterpoint. The repetition (second verse) of the carol allows each instrument to play the counterpoint.Follow us on Twitter. Like this song on our Facebook page. Your reviews here in Sheet Music Plus are also incredibly valuable to us. We are also ready at any time to create something just for you.
$3.99
Six Violin Duets, Op. 1
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2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 1
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Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
#
2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
William Shield
#
Robert Hoskins
#
Six Violin Duets, Op. 2
#
Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
(+)
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
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