English version
Parcourir Free-scores.com
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
3
Partitions
Numériques
27
Librairie
Musicale
0
Matériel
de Musique
750
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
439
PIANO & CLAVIERS
Piano seul
514
Piano, Voix
69
Piano, Voix et Guitare
26
Instruments en Do
13
Orgue
12
2 Pianos, 4 mains
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Accordéon
4
Piano Trio: piano, violon, violoncelle
4
Clavecin
3
Orgue, Piano (duo)
2
1 Piano, 4 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
132
Guitare notes et tablatures
73
Piano, Guitare (duo)
38
2 Guitares (duo)
11
4 Guitares (Quatuor)
6
Mandoline
4
Dulcimer
4
Basse electrique
3
Banjo
3
3 Guitares (trio)
2
Ensemble de guitares
2
Ukulele
1
Ukulele Baryton
1
2 Ukuleles
1
Guitare, Orchestre
1
Guitare (partie séparée)
1
Paroles et Accords
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
149
Chorale TTBB
23
Chorale
16
Chorale 3 parties
15
Voix haute
7
Chorale 2 parties
5
Chorale SSAA
4
Chorale Unison
4
Voix Soprano, Piano
4
Voix duo, Piano
3
Voix basse
3
Voix duo
3
Voix Tenor, Piano
2
Chorale SSATTB
1
Voix Tenor
1
Voix Baryton, Piano
1
Instrumentations suivantes
Retracter
VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
150
Quatuor de Saxophones: 4 saxophones
143
Quintette de Saxophone: 5 saxophones
128
Flûte, Hautbois, Clarinette, Basson
125
Quatuor de Clarinettes: 4 clarinettes
93
Flûte traversière et Piano
89
Clarinette et Piano
71
Hautbois, Piano (duo)
66
Saxophone Alto et Piano
53
Saxophone Tenor et Piano
39
Ensemble de saxophones
36
Clarinette
28
2 Flûtes traversières, Piano
24
Flûte traversière
19
Ensemble de Clarinettes
15
2 Saxophones (duo)
13
Hautbois (partie séparée)
9
Flûte et Guitare
9
Saxophone Alto
7
Flûte à Bec
6
Quatuor de Flûtes : 4 flûtes
6
Quintette de Clarinettes: 5 clarinettes
5
Saxophone (partie séparée)
4
Flûte, Hautbois, Clarinette (trio)
4
Saxophone Tenor
4
2 Flûtes traversières (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
3
Flûte, Violoncelle, Guitare
3
Ensemble de Flûtes
3
3 Saxophones (trio)
3
Trio de Flûtes: 3 flûtes
3
2 Clarinettes (duo)
3
Quintette de Flûte : 5 flûtes
2
Saxophone Soprano et Piano
2
Flûte, Clarinette et Basson
2
Cor anglais, Piano
2
Flûte à bec Alto
2
Saxophone
2
Piccolo
1
Flute, harpe et violon
1
Saxophone, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone Baryton, Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Guitare (duo)
1
Flûte, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Harmonica
1
Clarinette, Violon (duo)
1
3 Clarinettes (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte et Quatuor à Cordes
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
110
Trombone et Piano
62
Quatuor de Cuivres: 2 trompettes, Cor, trombone
59
Trompette
47
Trompette, Piano
35
Quatuor de Cuivres
15
Ensemble de Trompettes
15
Trombone
11
Quatuor de cuivres: 4 trombones
7
Ensemble de Trombones
7
Ensemble de Cors
6
Trompette (partie séparée)
5
Tuba et Piano
4
Euphonium, Piano (duo)
4
Cor et Piano
3
Trompette, Trombone (duo)
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 cors
2
Cor anglais, Piano
2
Trompette, Orchestre
2
Euphonium, Tuba (duo)
1
Cor
1
2 Trombones (duo)
1
Trio de Cuivres
1
Euphonium
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
154
Violon et Piano
94
Alto, Piano
63
Violoncelle, Piano
62
Violon, Violoncelle (duo)
24
Violon
17
Violoncelle
14
Trio à Cordes: violon, alto, violoncelle
13
Contre Basse
11
Alto (partie séparée)
6
Alto seul
5
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violoncelle , Guitare (duo)
4
Alto, Violoncelle (duo)
3
2 Violons (duo)
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 3 violoncelles
3
Ensemble de Violons
2
Ensemble d'Altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Harpe, Voix
1
Violoncelle, Orchestre
1
Autoharp
1
4 Contrebasses
1
2 Violoncelles (duo)
1
Alto et orchestre
1
Quatuor à cordes: 4 violons
1
Violoncelle, Orgue
1
2 Contrebasses (duo)
1
Violon, Guitare (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
109
Ensemble de cuivres
96
Orchestre
77
Fanfare
51
Ensemble Jazz
43
Orchestre de chambre
34
Orchestre à Cordes
27
Ensemble de Percussions
8
Batterie
6
Cloches
6
Marimba
3
Jazz combo
3
Quatuor à Vent : 4 instruments à vents
2
Vibraphone et Marimba
1
Instrumentations suivantes
Retracter
AUTRES
Théorie de la musique
1
Vous avez sélectionné:
Public
avancé
Orchestre à Cordes
Partitions à imprimer
27 partitions trouvées
<
1
26
What Wondrous Love Is This (String Orchestra)
Orchestre à Cordes
String Ensemble - Level 4 - Digital Download SKU: A0.1399684 Composed by Public Dom…
(+)
String Ensemble - Level 4 - Digital Download SKU: A0.1399684 Composed by Public Domain. Arranged by Jeremy Strong. Classical,Religious,Sacred,Spiritual,Traditional. 9 pages. Jeremy Strong #982957. Published by Jeremy Strong (A0.1399684). A few variations for String Orchestra on Wondrous Love, the early American hymn.
$25.00
22.86 €
#
Orchestre à Cordes
#
Public Domain
#
Jeremy Strong
#
What Wondrous Love Is This
#
Jeremy Strong
#
SheetMusicPlus
Fairest Lord Jesus (String Orchestra and Piano)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1131388 Composed by Public Do…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1131388 Composed by Public Domain. Arranged by Jeremy Strong. Christian,Contemporary,Religious,Sacred. Score and Parts. 23 pages. Jeremy Strong #731590. Published by Jeremy Strong (A0.1131388). An arrangement of the hymn Fairest Lord Jesus for strings and piano. This is not the St. Elizabeth/Crusader's Hymn tune that it's usually associated with. This is the lesser well known tune Schönster Herr Jesu, the one in minor, that comes from the Münster Gesangbuch, 1677, but appears in many hymnals.
$25.00
22.86 €
#
Orchestre à Cordes
#
Public Domain
#
Jeremy Strong
#
Fairest Lord Jesus
#
Jeremy Strong
#
SheetMusicPlus
Recordare (from "Requiem") (F) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
Orchestre à Cordes
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.111…
(+)
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1112894 Composed by Wolfgang Amadeus Mozart. Arranged by Regis Bookshar. Chamber,Christian,Classical,Instructional,Religious. 44 pages. Regis Bookshar #714847. Published by Regis Bookshar (A0.1112894). Recordare (from Requiem (K. 626) - Wolfgang Amadeus Mozart/Franz Xaver Sussmayr - String Orchestra - Advanced/Intermediate - Digital Download. Hauntingly beautiful is how the Recordare from Mozart's Requiem is often described. Originally written for an orchestra and four vocal soloists, it has now been transcribed by Regis Bookshar for a String Orchestra, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, and would be a wonderful addition to any music library. This arrangement will provide students with the opportunity to play this beautiful composition, something which they may not have had the opportunity to do, otherwise. This selection could be performed for concerts, recitals and church services and is suitable for high school and college students but professional musicians would also enjoy playing this arrangement. Included are a score and a complete set of parts (44 pages). The Regis Bookshar Trumpet Ensemble has performed the Trumpet Quintet version of the Recordare for funerals, providing beautiful, introspective music for the occasion. There is some controversy surrounding the circumstances of the Requiem's composition because Mozart died before he could complete it. Count Franz von Walsegg had commissioned a Requiem Mass but Mozart had received only half of the payment in advance. So, upon his death on December 5th, 1791, his widow, Constanze, wished to have the work completed secretly by someone else and submit it to the count as having been completed by Mozart to collect the final payment. Joseph von Eybler was one of the first composers to be asked to complete the score and had worked on a number of movements but felt unable to complete the remainder and gave the manuscript back to Constanze Mozart. The task was then given to another composer, Franz Xaver Sussmayr. Sussmayr borrowed some of Eybler's work in making his completion, added his own orchestration to other movements and added several new movements which a Requiem Mass would normally comprise. He then added a final section by adapting the opening two movements which Mozart had written to the different words which finish the Requiem Mass, which according to both Sussmayr and Mozart's wife, was done according to Mozart's directions. The completed score, initially by Mozart but largely finished by Sussmayr, was then dispatched to Count Walsegg complete with a counterfeited signature of Mozart dated 1792. Despite the controversy over how much of the music is actually Mozart's, the commonly performed Sussmayr version has become widely accepted by the public, and is considered one of Mozart's finest compositions. The Recordare is considered by many people to be one of the most beautiful compositions in Mozart's entire catalogue. Regis Bookshar, a trumpet player, has performed the Requiem in concert with a full orchestra, soloists and a chorus and felt that other musicians should have the opportunity to play the hauntingly beautiful Recordare as well. So, in addition to this arrangement for a String Orchestra, he has made quite a few other arrangements of this beautiful composition. There are Quintets, Sextets, Septets and Octets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may fine something else which may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this beautiful arrangement of Mozart's Recordare, will continue to entertain both performers and audiences alike for years to come.
$40.00
36.57 €
#
Orchestre à Cordes
#
Wolfgang Amadeus Mozart
#
Regis Bookshar
#
Recordare
#
Regis Bookshar
#
SheetMusicPlus
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1087401 Composed by Peter Ily…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - Digital Download. This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
23.77 €
#
Orchestre à Cordes
#
Peter Ilyich Tchaikovsky
#
Regis Bookshar
#
Coronation March
#
Regis Bookshar
#
SheetMusicPlus
Concerto for Oboe and Bassoon in C minor.
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Fri…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
27.43 €
#
Orchestre à Cordes
#
George Frideric Handel
#
Arte Nova Music Lab
#
Concerto for Oboe and Bassoon in C minor.
#
Arte Nova Music Lab
#
SheetMusicPlus
Ave Maria - JS Bach - String Chamber Orchestra - minimum 9 players - intermediate to professional e
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.890601 Composed by JS Bach / …
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.890601 Composed by JS Bach / Gounod. Arranged by Adrian Keating. Baroque,Christian,Contemporary,Sacred,Wedding. Score and parts. 11 pages. Adrian Keating #2897259. Published by Adrian Keating (A0.890601). Johann Sebastian Bach (1685-1750)Originally arranged for a Senior School String Ensemble, this has been performed publicly on jobs I run in Sydney, Australia. Preferably minimum of an Octet. Feature of Solo or Front Desk Cellos.Ave Maria (originally Prelude No. 1 by J.S. Bach, adapted by Charles Gounod)Classical Period, Baroque Period, Spiritual, Sacred, Christmas, Easter. Score, Set of Parts.String OrchestraAdrian Keating, sydneylyricorchestra.com.au
$29.95
27.38 €
#
Orchestre à Cordes
#
JS Bach / Gounod
#
Adrian Keating
#
Ave Maria - JS Bach - String Chamber Orchestra - minimum 9 players - intermediate to professional e
#
Adrian Keating
#
SheetMusicPlus
Secrets
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.809231 By OneRepublic. By Rya…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.809231 By OneRepublic. By Ryan Tedder. Arranged by Uesile Prado. Contemporary. Score and parts. 17 pages. BETSUEL UESILE DO PRADO #6356061. Published by BETSUEL UESILE DO PRADO (A0.809231). The Iconic Secrets from One Republic with the 5th Symphony of Beethoven known as Beethoven's 5 Secrets is now here for String Quintet or String Orchestra format. Enjoy!
$24.99
22.85 €
#
Orchestre à Cordes
#
OneRepublic
#
Uesile Prado
#
Secrets
#
BETSUEL UESILE DO PRADO
#
SheetMusicPlus
If I Could I Would
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.942083 Composed by Apostolos …
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.942083 Composed by Apostolos Paraskevas. 20th Century,Contemporary. Score and parts. 12 pages. Silver Sickle Publications #4897941. Published by Silver Sickle Publications (A0.942083). If I Could I Would Chamber Concerto for StringsIn this experimental work for Strings every letter of the title is been represented by a block of music. The score is being performed by creating sentences based on the first two pages of the proportional score notation. The conductor determines the entrances and fade outs of the instruments as well the repetition of blocks of music. Dynamics are provided for specific movements and different other sentences could be also created. Could I? Would I? If I Would? Etc… Duration: approx. 7-10 minutes Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Foss––and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammy's). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences – from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts – amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas Tsougras
$14.99
13.7 €
#
Orchestre à Cordes
#
Apostolos Paraskevas
#
If I Could I Would
#
Silver Sickle Publications
#
SheetMusicPlus
St. Paul's Suite for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1165640 Composed by Gustav Ho…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1165640 Composed by Gustav Holst. Arranged by John Laverty. 20th Century,Classical. Score and parts. 86 pages. Zephyrwindmusic.com #766008. Published by zephyrwindmusic.com (A0.1165640). This new edition is based on the original publication and edited to meet modern publication standards. It can also involve as many string players as a conductor chooses. In order to do so, the owner of this edition is granted an unlimited Legal Copy License for individual parts, thus removing any copyright issues.Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded to a website so players can more easily access them.
$30.00
27.43 €
#
Orchestre à Cordes
#
Gustav Holst
#
John Laverty
#
St. Paul's Suite for String Orchestra
#
zephyrwindmusic.com
#
SheetMusicPlus
Layla
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.757494 By Eric Clapton. By Er…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.757494 By Eric Clapton. By Eric Clapton and Jim Gordon. Arranged by Jim Bicigo. Contemporary,Rock. Score and parts. 10 pages. Polar Publications #3036757. Published by Polar Publications (A0.757494). A fun rock classic for your string orchestra. This is from the unplugged version. Some key changes and a short written or improvised solo for the first violin.
$40.00
36.57 €
#
Orchestre à Cordes
#
Eric Clapton
#
Jim Bicigo
#
Layla
#
Polar Publications
#
SheetMusicPlus
Pastorale
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.757621 Composed by James Bici…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.757621 Composed by James Bicigo. Concert,Contemporary,Easter,Graduation. Score and parts. 15 pages. Polar Publications #3416303. Published by Polar Publications (A0.757621). This lovely pastorale for string orchestra is perfect for a spring concert.
$15.00
13.71 €
#
Orchestre à Cordes
#
James Bicigo
#
Pastorale
#
Polar Publications
#
SheetMusicPlus
"Through It" : for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1149107 Composed by Britt And…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1149107 Composed by Britt Andrew Burns. Classical,Contemporary. Score and parts. 27 pages. Indie Classical Publications #749235. Published by Indie Classical Publications (A0.1149107). This work reflects on the last year, which was when I lost my father as well as other people I knew. When going through a difficult time like this, I remembered what a wise friend once told me: “there is only one way – through itâ€.
$40.00
36.57 €
#
Orchestre à Cordes
#
Britt Andrew Burns
#
"Through It" : for String Orchestra
#
Indie Classical Publications
#
SheetMusicPlus
Four Novelletten for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1220937 Composed by Samuel Co…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1220937 Composed by Samuel Coldridge-Taylor. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 170 pages. Zephyrwindmusic.com #817278. Published by zephyrwindmusic.com (A0.1220937). All four movements, score and parts. British composer Samuel Coleridge Taylor (1875-1912) published Four Novelletten for String Orchestra in 1903. The term novelletten apears to have been ï¬rst used in reference to music by Robert Schumann in 1838. The four movements, I Allegro moderato, II Larghetto, III Andante con motto, and IV Allegro molto are in effect four separate works, often performed as stand-alone pieces and published as such. With this publication, all four movements are published in a single volume with score and parts. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$40.00
36.57 €
#
Orchestre à Cordes
#
Samuel Coldridge-Taylor
#
John M
#
Four Novelletten for String Orchestra
#
zephyrwindmusic.com
#
SheetMusicPlus
Serenade for Flute, Harp & String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.971803 Composed by Britt Andr…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.971803 Composed by Britt Andrew Burns. 20th Century,Contemporary. Score and parts. 30 pages. Indie Classical Publications #1932753. Published by Indie Classical Publications (A0.971803). Composed in 2008, the Serenade was my first attempt at writing for this type of chamber orchestra ensemble. Written in a loose Sonanta-form, the music was highly inspired by Ralph Vaughan Williams' string and chamber orchestra works. Because of this, the flavor of this work is melancholic. Grade 4. Duration: 5 minutes, 30 seconds.
$30.00
27.43 €
#
Orchestre à Cordes
#
Britt Andrew Burns
#
Serenade for Flute, Harp & String Orchestra
#
Indie Classical Publications
#
SheetMusicPlus
Romanza - for Flute, Harp & String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.971815 Composed by Britt Andr…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.971815 Composed by Britt Andrew Burns. Contemporary. Score and parts. 39 pages. Indie Classical Publications #3420649. Published by Indie Classical Publications (A0.971815). Romanza is as its title suggests, romance music. Completed in the very last week of 2017, almost all of the thematic material is derived from the four-note motive heard at the beginning. While this motive is very common, the inspiration for this work came mostly from Henryk GoÌrecki's Three Pieces in Old Style. The work is also in a theme and variations form. Level: grade 4. Duration: About 6 minutes, 50 secondsÂ
$25.00
22.86 €
#
Orchestre à Cordes
#
Britt Andrew Burns
#
Romanza - for Flute, Harp & String Orchestra
#
Indie Classical Publications
#
SheetMusicPlus
Confluences
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.757488 Composed by James Bici…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.757488 Composed by James Bicigo. Contemporary. Score and parts. 60 pages. Polar Publications #3030949. Published by Polar Publications (A0.757488). This piece was composed for a visit to the Universiti Teknologi Mara in Shah Alam, Malaysia and to Kuala Lumpur, from Fairbanks, Alaska. KL and Fairbanks are both built at the confluence of two rives. In KL the Klang and the Gombek, and in Fairbanks, the Tanana and the Chena. The first movement represents the two faster moving rivers, the second, the two slower flowing rivers, and the third the coming together of slow and fast. More importantly, it represents the coming together of people to understand and share culture and music.
$40.00
36.57 €
#
Orchestre à Cordes
#
James Bicigo
#
Confluences
#
Polar Publications
#
SheetMusicPlus
Polar Synthesis
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.757485 Composed by James Bici…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.757485 Composed by James Bicigo. Contemporary. Score and parts. 46 pages. Polar Publications #3030657. Published by Polar Publications (A0.757485). This work is in five short movements that depict the topics of study for the International Polar Year of 2007-2009. A nice work for your concert or festival.
$50.00
45.71 €
#
Orchestre à Cordes
#
James Bicigo
#
Polar Synthesis
#
Polar Publications
#
SheetMusicPlus
Tálamo e túmulo / Thalamus and tumulus - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1502937 Composed by Rudesindo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1502937 Composed by Rudesindo Soutelo. Arranged by string orchestra. 21st Century,Classical,Contemporary. 50 pages. Publisher by Rudesindo Soutelo #1078615. Published by Publisher by Rudesindo Soutelo (A0.1502937). Rudesindo SouteloTálamo e túmulo / Thalamus and tumulus (Tribute to Ricardo Carvalho Calero)(2000, revised in 2024) for String Orchestra [ca. 34'] 1. Mulher de doce sal e neve mole / Woman of sweet salt and soft snow 2. Aqui me tens, querida, esperando a Godot / Here I am, darling, waiting for Godot 3. Ainda que vivi pouco, muito sonhei / Though I lived little, I dreamed muchISWC: T-045.522.027-5ISMN: 979-0-707704-37-0Info: https://soutelo.euPáginas de amostra / Sample pages: https://www.researchgate.net/publication/383819625-oOo-Esta obra está inspirada nos poemas do polígrafo galego Ricardo Carvalho Calero (Ferrol, 1910 - Santiago de Compostela, 1990) que se incluem aqui, antes de cada andamento.Os complexos que conformam a organização da obra são [7, 8, 6], [6, 2, 6] e [9, 7].--This work is inspired by the poems of Galician polygraph Ricardo Carvalho Calero (Ferrol, 1910 - Santiago de Compostela, 1990), which are included here before each movement, in the original version.The complexes that make up the organisation of the work are [7, 8, 6], [6, 2, 6] and [9, 7].
$30.00
27.43 €
#
Orchestre à Cordes
#
Rudesindo Soutelo
#
string orchestra
#
Tálamo e túmulo / Thalamus and tumulus - Score Only
#
Publisher by Rudesindo Soutelo
#
SheetMusicPlus
Wieniawski Polonaise No. 2 Op 21 for Violin and String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1386062 Composed by Henri Wie…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1386062 Composed by Henri Wieniawski. Arranged by Paul Wood. Romantic Period. 65 pages. MyMusicScores.com #970008. Published by MyMusicScores.com (A0.1386062). Henri Wieniawski composed two Polonaises The Polonaise No. 1, Op.4 in D-major, emerges as a youthful endeavor, while the Op.21 in A-major stands as one of his final compositions.Completed in 1870, the Polonaise in A-major debuted with orchestral accompaniment in St. Petersburg, followed by a piano-accompanied performance in Warsaw, showcasing Wieniawski's adaptability. The piece received critical acclaim from its inception, lauded as a magnificent piece, a sentiment echoed in subsequent reviews across Russian and Western European publications.Published by Schott Publishers in Mainz around 1875, the Polonaise in A-major reveals a well-developed concert piece. The solo violin assumes a dominant role, with the orchestra primarily providing harmonic support. The middle fragment introduces contrast through a change in key and tempo, featuring a balanced dialogue between the instruments.The PDF document includes both the score and individual instrument parts.
$24.99
22.85 €
#
Orchestre à Cordes
#
Henri Wieniawski
#
Paul Wood
#
Wieniawski Polonaise No. 2 Op 21 for Violin and String Orchestra
#
MyMusicScores.com
#
SheetMusicPlus
Concerto Grosso Op. 3 #1 Movement 1
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.646263 Composed by Handel, G.…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.646263 Composed by Handel, G. F. Arranged by theupperstaff.com. Baroque. Score and parts. 29 pages. Theupperstaff #2008333. Published by theupperstaff (A0.646263). I have named this series of publications – Just the Notes, simply because that’s all you get. No dynamics, bowings, phrasings, fingerings, etc. This simplifies your editing. There is not a need to erase from the original, or even worse, try to write over the original print. Also, to save you money movements are sold individually. No need to purchase a multi-movement work when your only desire is to perform one.
$10.95
10.01 €
#
Orchestre à Cordes
#
Handel, G
#
theupperstaff
#
Concerto Grosso Op. 3 #1 Movement 1
#
theupperstaff
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Str…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
3.65 €
#
Orchestre à Cordes
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
