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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Like It Here
Non classifié
730
Piano & claviers
Piano, Voix et Guitare
395
Piano seul
394
Piano, Voix
105
Piano Facile
72
Instruments en Do
18
Orgue
14
1 Piano, 4 mains
9
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Accompagnement Piano
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano grosses notes
1
Piano (partie séparée)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
54
Guitare notes et tablatures
35
Ukulele
7
Basse electrique
6
2 Guitares (duo)
4
4 Guitares (Quatuor)
4
Banjo
2
Paroles et Accords
2
Ensemble de guitares
2
Ligne De Mélodie, (Paroles) et Accords
1
Mandoline, Guitare (duo)
1
Mandoline
1
Guitare, Violon, Violoncelle (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
101
Chorale 3 parties
32
Chorale TTBB
23
Chorale SSAA
15
Chorale 2 parties
14
Chorale Unison
6
Voix duo
6
Voix Soprano, Piano
5
Voix Baryton, Piano
4
Voix seule
3
Voix Alto, Piano
3
Voix haute
3
Voix duo, Piano
2
Chorale SSATTB
2
Chorale SSAB, Piano
1
Voix Tenor
1
Voix moyenne, Piano
1
Voix Soprano
1
Voix Tenor, Piano
1
+ 14 instrumentations
Retracter
Vents
Ensemble de saxophones
65
Quintette de Saxophone: 5 saxophones
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Ensemble de Clarinettes
31
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière et Piano
23
Hautbois, Piano (duo)
20
Ensemble de Flûtes
20
Flûte traversière
20
2 Saxophones (duo)
19
Clarinette et Piano
18
Flûte, Hautbois, Clarinette, Basson
14
Saxophone Alto et Piano
13
Clarinette
12
Quintette de Flûte : 5 flûtes
12
Quatuor de Clarinettes: 4 clarinettes
11
Saxophone Alto
10
Saxophone Tenor et Piano
10
2 Clarinettes (duo)
9
Hautbois (partie séparée)
8
Saxophone, Clarinette (duo)
7
Saxophone Soprano et Piano
7
Quatuor de Flûtes : 4 flûtes
7
Cor anglais, Piano
7
Saxophone Baryton, Piano
7
Saxophone Tenor
6
2 Flûtes traversières (duo)
6
Flûte et Guitare
6
Clarinette, Violon (duo)
5
Flûte à bec Soprano
5
Saxophone (partie séparée)
4
Clarinette, Trompette (duo)
4
3 Saxophones (trio)
4
Flûte, Clarinette (duo)
4
Clarinette Basse, Piano
4
Clarinette et Alto
3
2 Hautbois (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Hautbois, Clarinette (duo)
3
Flûte à bec Alto, Piano
3
3 Clarinettes (trio)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Alto (duo)
2
Hautbois
2
5 Flûtes à bec
2
Flûte, Trompette (duo)
2
Hautbois, Basson (duo)
2
Clarinette, Guitare (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
2 Flûte à bec (duo)
1
Flûte, Basson et Piano
1
Flûte, Saxophone (duo)
1
Saxophone
1
Piccolo, Piano
1
Hautbois, Violon, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon
1
Flûte, Clarinette, Violon (trio)
1
Flûte à Bec
1
Hautbois, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Quatuor de Flûtes à bec
1
Cor Anglais
1
Flûte à bec Alto
1
+ 59 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
61
Ensemble de Trombones
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
Ensemble de Trompettes
17
Trombone et Piano
15
Quatuor de Cuivres
15
Trompette
13
Trompette, Piano
12
Cor et Piano
8
Cor anglais, Piano
7
Tuba
7
Trombone
7
Euphonium, Piano (duo)
6
Cor
6
Ensemble de Cors
5
Tuba et Piano
5
Trompette, Trombone (duo)
5
2 Trompettes (duo)
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 cors
3
2 Tubas (duo)
2
Trio de Cuivres
2
2 Euphoniums et 2 Tubas
1
2 Cors (duo)
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 4 trombones
1
2 Euphoniums (duo)
1
Cor Anglais
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
103
Violon et Piano
31
Violon
29
Violoncelle
20
Harpe
18
Violoncelle, Piano
15
Trio à Cordes: violon, alto, violoncelle
15
Ensemble d'Altos
14
Ensemble de Violons
13
Alto, Piano
11
2 Violons (duo)
10
Alto seul
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
6
2 Altos (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Harpe, Flûte (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
4 Violoncelles
3
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Violon (duo)
2
Violoncelle, Contrebasse (duo)
2
Violon, Alto (duo)
2
Alto et Harpe
2
Alto (partie séparée)
2
Quatuor à cordes : 4 altos
1
Harpe, Violoncelle (duo)
1
Harpe, Voix
1
4 Contrebasses
1
Violoncelle , Guitare (duo)
1
Ensemble de Violoncelles
1
Trio à cordes: 3 violins
1
Trio à Cordes: 2 violons, alto
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
51
Orchestre d'harmonie
34
Orchestre à Cordes
31
Orchestre
30
Ensemble de cuivres
23
Orchestre de chambre
23
Jazz combo
16
Ensemble de Percussions
7
Fanfare
4
Cloches
2
Marimba
2
Batterie
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
+ 9 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
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avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
I Like It Here
Orchestre à Cordes
Partitions à imprimer
31 partitions trouvées
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1
26
That's What I Like
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Orchestre à Cordes
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INTERMÉDIAIRE
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Bruno Mars
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Ellen Harle
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That's What I Like
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Fireworks Music
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1153450 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Phili...
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String Orchestra - Level 3 - SKU: A0.1153450 By Bruno Mars. By Bruno Mars, Christopher Brody Brown, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Philip Lawrence, Ray Charles McCullough II, and Ray Romulus. Arranged by Ellen Harle. Funk,Hip-Hop,Pop,R & B. Score and parts. 24 pages. Fireworks Music #753711. Published by Fireworks Music (A0.1153450). Bruno Mars' hit song That's What I Like is part slow jam, part funk groove. It is arranged here for String Ensemble or Orchestra. Parts stay in first position throughout, although there are double stops in the violin 2 and violin 3/viola parts. While the key and the range is suitable for beginning string players, the rhythmic difficulty of the song makes it an intermediate level. Purchase includes score and one print of each part. Violin 3 part (Viola in treble clef) is included.
$49.99
"Through It" : for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Britt Andrew Burns
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"Through It" : for S
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Indie Classical Publications
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1149107 Composed by Britt Andrew Burns. Classical,Contemporary. Score and parts. 27 pages. Indie Classical Publicat...
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String Orchestra - Level 4 - SKU: A0.1149107 Composed by Britt Andrew Burns. Classical,Contemporary. Score and parts. 27 pages. Indie Classical Publications #749235. Published by Indie Classical Publications (A0.1149107). This work reflects on the last year, which was when I lost my father as well as other people I knew. When going through a difficult time like this, I remembered what a wise friend once told me: “there is only one way – through itâ€.
$40.00
String Quintet/String Orchestra - It Came Upon the Midnight Clear
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Orchestre à Cordes
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FACILE
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Anon
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Mike Lyons
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String Quintet/String Orchestr
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Lyons Music Services
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.767392 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 12 pages. Lyons Music Servic...
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String Orchestra - Level 2 - SKU: A0.767392 Composed by Anon. Arranged by Mike Lyons. Christian,Christmas. Score and parts. 12 pages. Lyons Music Services #3603257. Published by Lyons Music Services (A0.767392). A brand new setting of this carol for wind quintet (Fl/Ob/Cl/Hn/Bssn).After a short introduction, we hear a fairly normal rendition of the tune with standard harmony. The second verse has the addition of fanfare-like motifs in the top two parts which add some sparkle to the tune. The intention is merely to heighten the feeling of 'announcement' which we get from the words. The melody is also much more decorated and placed into the middle of the ensemble.From Letter C there is an interlude of fanfares before the final verse at the grandioso. This is the loudest part of the setting and needs to sound warm, full and rich.This setting is intended to be played by any ensemble. I have kept the range used reasonable and it does not require any special techniques.
$10.99
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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Orchestre à Cordes
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FACILE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Stand...
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String Orchestra - Level 2 - SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Harmony (string parts – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
#
Mark O'Connor
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Harmony
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Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861939 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 59 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861939 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 59 pages. Mark O'Connor Musik International #6208193. Published by Mark O'Connor Musik International (A0.861939). Harmony (string parts – violin and string orchestra) MO168C-GString Parts (score and parts available)Music by Mark O’Connor39 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168C-GCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$22.50
Harmony (violin solo part – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
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Mark O'Connor
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Harmony
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Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861938 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861938 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208191. Published by Mark O'Connor Musik International (A0.861938). Harmony (violin solo part – violin and string orchestra) MO168BViolin Solo Part (score and parts available)Music by Mark O’Connor6 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168BCopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00
Harmony (score – violin and string orchestra)
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Orchestre à Cordes
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AVANCÉ
#
Mark O'Connor
#
Harmony
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.861937 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik In...
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String Orchestra - Level 5 - SKU: A0.861937 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208189. Published by Mark O'Connor Musik International (A0.861937). Harmony (score – violin and string orchestra) MO168AScore (parts available)Music by Mark O’Connor35 pages - 12:00 minutes in length Harmony Musicians For Harmony, an organization founded in response to the tragic events of 9/11, asked me to compose a chamber orchestra piece for their September 11, 2006 concert in New York City . I have composed Harmony for this remembrance concert. What I wished to do in composing this music was to reveal a more Middle Eastern tonality to my style which is derived from American folk fiddle music. As I become more and more familiar with American music in my own musical journey, I also learn that the music I like so much has many layers. It exposes mystery in its origins when one cares to peel back these layers. It is likely these Middle Eastern cultures play more of a role in American fiddling (and American music in general) than previously thought.In Harmony I use descriptive phrases printed in the score to indicate the temperament and journey of the music. Reaching Out begins the piece with its inviting and inquisitive drones. Throughout the piece there are several interpretations of the material with canonic and fugal writing. The music of Harmony is based on the same material constructed in a slow tempo in the beginning, a moderate tempo in the middle of the piece, and a fast fiddling tempo near the end. With hope in heart and music, I contribute Harmony on this painful day of remembrance. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 Composed by Mark O’ConnorCommissioned by Musicians For HarmonyFor the 5th Anniversary Concert for Peace 2006Merkin Hall, New York, NY – September 11th, 2006 Catalogue Number MO168ACopyright © 2006 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slid...
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String Orchestra - Level 3 - SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00
SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Orchestra, Abridged, Intermediate Level
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Orchestre à Cordes
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Sherry Lewis
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SYMPHONY NO. 5 OP. 67, BEETHOV
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Sherry Lewis Publishing
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.521481 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,Multicultural,Wedding,World. S...
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String Orchestra - Level 3 - SKU: A0.521481 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,Multicultural,Wedding,World. Score and Parts. 32 pages. Sherry Lewis Publishing #6132891. Published by Sherry Lewis Publishing (A0.521481). Symphony No. 5, Mov. I, Allegro con brio (abridged), Beethoven, String Orchestra of 2 violins, viola, cello, string bassThis was a very fun project and I think I caught the important parts and did a fairly seamless cut so that the performance is down to 5'30...I hope you like it. I think it came off really well. Score: 15 pages parts: 14 pages time: 5:30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$9.50
Un Poco Loco
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Orchestre à Cordes
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FACILE
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Film Walt Disney
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Adrian Molina and Germaine Fra
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Michael Linert
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Un Poco Loco
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Michael Linert
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.1233596 Composed by Adrian Molina and Germaine Franco. Arranged by Michael Linert. Film/TV,Mariachi,Multicultural,W...
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String Orchestra - Level 2 - SKU: A0.1233596 Composed by Adrian Molina and Germaine Franco. Arranged by Michael Linert. Film/TV,Mariachi,Multicultural,World. Score and Parts. 81 pages. Michael Linert #829179. Published by Michael Linert (A0.1233596). Play and Sing Un Poco Loco from Disney's Coco!  This Multi-Level Masterpiece arrangement is scored for mariachi and string orchestral ensembles in a festival arrangement with a variety of levels from first-year players and beyond! Watch and Listen on YouTube! --> https://youtu.be/V1wBfV9cxFYEach purchase of this score/parts allows for 40 musicians to use this sheet music for one calendar year from purchase date.Here is some information to help make this arrangement work best! 1.    All parts in this arrangement can be played simultaneously in a festival-style performance. 2.    The most basic way to play this piece and have it sound like the piece would be to have the violin or viola part (normal or advanced) and a bass instrument (guitarrón, bass, or cello) playing while one or more singers play. 3.    Instruments could play the vocal parts, if necessary. 4.    Adding the foundational, normal, or advanced armonia (guitar, vihuela, or other chordal instruments) would enhance quite a bit. 5.    Adding the normal or advanced trumpet parts would add another layer. Their part doubles the violin/viola parts in most places, but there’s a part near the middle where their part varies to add complexity to the counterpoint. 6.    The foundational violin, viola, cello, bass, guitar, and trumpet parts (normal sheet music) are in unison. They are a mixture of melody/harmonic writing and the bass parts. These parts should be played alongside 2 and 3 listed above. (4 and 5 too if you can!) 7.    The Foundational Notes sheets are one note per measure. In this piece, they are the main tonic chord tones. In this piece (but not in all Multi-Level Masterpieces), they also happen to be the basic major chords. These parts should be played alongside 2 and 3 listed above. (4, 5, and 6 too, if you can!)8.    If you have questions or happen to notice mistakes along the way, please do let me know (ML@michaellinert.com). My current terms of use at the time of publishing allow for use of this sheet music for one year from purchase date. This is so that I can continue to enhance these Multi-Level Masterpieces based on feedback from people performing them! I will likely also add additional instrumental parts (mainly band/general music) in the future. Thank you, and I hope you will enjoy!
$49.99
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00
Sea Shanty Dance, for String Orchestra (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Geraldine
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Sea Shanty Dance, for String O
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Geraldine
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1299106 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 18 pages. Ge...
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String Orchestra - Level 3 - SKU: A0.1299106 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 18 pages. Geraldine (Denny) Green at Oakmountmusic #888958. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1299106). ALL PURCHASES COME WITH SCORE AND PARTS2009 – Sea Shanty Dance, for String Orchestra.  Duration: 4 minutes.This short piece began life as a piece of incidental music by the same title in a children’s musical, Sea Shanty For A King, for which I wrote the tunes to the songs. The Musical was the brainchild of Phil Bennett, the head mistress of Herne Hill Primary School in London, and I had the wonderful privilege of writing the music for it in the early 1990s. The show was performed four times to parents of the children of the school and was a huge success at the time.  I decided that many of the melodies could be incorporated into my concert pieces and this piece is one such example. It can be enjoyed by both professionals and students alike. It is rhythmic and tuneful, with  a Russian folk song flavour.There are two arrangements available:No. 1 – School arrangement:  for Violins 1, 2 and 3, cellos 1 and 2 No. 2 – Standard:  for Violins 1 and 2, viola, cello and Double Bass.
$21.00
Sea Shanty Dance, for String Orchestra (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Geraldine Green
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Geraldine Green
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Sea Shanty Dance, for String O
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Geraldine
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1299102 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,...
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String Orchestra - Level 3 - SKU: A0.1299102 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and Parts. 18 pages. Geraldine (Denny) Green at Oakmountmusic #888954. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1299102). ALL PURCHASES COME WITH SCORE AND PARTS2009 – Sea Shanty Dance, for String Orchestra.  Duration: 4 minutes.This short piece began life as a piece of incidental music by the same title in a children’s musical, Sea Shanty For A King, for which I wrote the tunes to the songs. The Musical was the brainchild of Phil Bennett, the head mistress of Herne Hill Primary School in London, and I had the wonderful privilege of writing the music for it in the early 1990s. The show was performed four times to parents of the children of the school and was a huge success at the time.  I decided that many of the melodies could be incorporated into my concert pieces and this piece is one such example. It can be enjoyed by both professionals and students alike. It is rhythmic and tuneful, with  a Russian folk song flavour.There are two arrangements available:No. 1 – School arrangement:  for Violins 1, 2 and 3, cellos 1 and 2 No. 2 – Standard:  for Violins 1 and 2, viola, cello and Double Bass.
$21.00
Humdinger, for String Orchestra (School Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Geraldine
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Humdinger, for String Orchestr
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Geraldine
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1297399 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score and Parts. 34 pa...
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String Orchestra - Level 3 - SKU: A0.1297399 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score and Parts. 34 pages. Geraldine (Denny) Green at Oakmountmusic #887476. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297399). ALL PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$22.00
Humdinger, for String Orchestra (Standard Arrangement)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Geraldine
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Humdinger, for String Orchestr
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Geraldine
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1297404 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score and Parts. 34 pa...
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String Orchestra - Level 3 - SKU: A0.1297404 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical,Comedy. Score and Parts. 34 pages. Geraldine (Denny) Green at Oakmountmusic #887479. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297404). All PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$22.00
Coronation March (Db) (String Orchestra - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Regis Bookshar
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Coronation March
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,...
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String Orchestra - Level 4 - SKU: A0.1087401 Composed by Peter Ilyich Tchaikovsky. Arranged by Regis Bookshar. Classical,Contest,Festival,Instructional,Multicultural,Romantic Period,World. Score and parts. 26 pages. Regis Bookshar #691621. Published by Regis Bookshar (A0.1087401). Coronation March, TH 50, CW 47 by Peter Ilyich Tchaikovsky. String Orchestra - Advanced/Intermediate - . This marvelous arrangement of Peter Tchaikovsky's Coronation March, sometimes called Festival March or Festival Coronation March, would be a fabulous addition to any music library and could be performed for concerts, recitals and other festive occasions. This arrangement keeps all of the intensity and excitement of the original composition and is suitable for high school and college students. Professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (26 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available to the public for the first time. The Coronation March was ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883. It was written during March of 1883 and was performed for the first time on June 4, 1883 in Sokolniky Park in Moscow, conducted by Sergei Taneyev. The music then included excerpts of the anthem, God Save the Tsar. The American premiere was on May 5, 1891, for the opening concert of Carnegie Hall in New York City, conducted by Tchaikovsky himself. During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march, due to an official Soviet ban on the anthem. Starting with Dmitri Medvedev's inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president, and ends well before the playing in this piece of the Tsarist anthem God Save the Tsar. Unlike Tchaikovsky's other major compositions, the Coronation March does not have an opus number. It has been given alternative catalogue designations TH 50 and CW 47. Tchaikovsky's Coronation March was originally scored for a full orchestra and written in the key of D Major. Regis Bookshar has now created an abbreviated version, written in Db Major, and has arranged it for a String Orchestra, with parts for 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass. In addition to this arrangement of Tchaikovsky's Coronation March for a String Orchestra, other arrangements of this festive composition for various instrumental ensembles are also available. Please feel free to search for other arrangements by Regis Bookshar as there are many more arrangements in a variety of styles, also available for purchase. You may find something else which might interest you as well, and please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Tchaikovsky's Coronation March will continue to entertain both audiences and performers alike for years to come.
$26.00
Concertino For Treble Recorder, Strings and Harp
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Orchestre à Cordes
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AVANCÉ
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Geraldine Green
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Concertino For Treble Recorder
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Geraldine
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1310636 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. 80 pages. Geraldi...
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String Orchestra - Level 5 - SKU: A0.1310636 Composed by Geraldine Green. 21st Century,Chamber,Classical,Contemporary,Romantic Period. 80 pages. Geraldine (Denny) Green at Oakmountmusic #899627. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1310636). ALL PURCHASES COME WITH SCORE AND PARTSInstrumentation: Treble Recorder Solo, Harp, Violin1, Violin 2, Viola, Cello and Double BassThere is quite a lot of divisi in all of the string parts, so at least 6 players per part is preferable, except double basses where 2 players minimum are needed.Written in 1990, the Concertino For Treble Recorder, Strings And Harp, was requested by recorder player Ruth Whatley. Ruth and I were at the London College of Music together during this time. We worked together to rehearse the piece and eventually it was given a run-through by a group of string players and harpist, Alice Trentham (also at the college with us at the time). It still awaits its premiere! One day I hope I can post up a recording of this beautiful piece.A friend who attended its “play through†described it as being like “the South American Rain Forestsâ€, which I thought was a beautiful, and very fitting description.Duration: Approximately 15 minutesAll of the parts are challenging so this is not a piece for junior players.
$65.00
Allemande for First Position String Orchestra
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Orchestre à Cordes
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Michael Bomier
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Allemande for First Position S
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Michael Butkus-Bomier
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SheetMusicPlus
String Orchestra - SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Bu...
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String Orchestra - SKU: A0.862525 Composed by Michael Bomier. Baroque,Contemporary,Instructional,Sacred,Standards. Score and parts. 11 pages. Michael Butkus-Bomier #2032899. Published by Michael Butkus-Bomier (A0.862525). The Allemande was a German dance form used in many Baroque Era suites. Its characteristic rhythm was the dotted-eighth-sixteenth figure, which is used throughout this piece. The real substance of this composition is not the dance form, however, but the strict and highly evocative use of the ascending and descending forms of the melodic minor scale. Since this was such a Baroque Era staple, I felt the piece had to use Baroque forms, techniques and structures as well. So, the key is D minor. C and Bb going down, B and C# going up. No accidentals but these were used. D minor is not the happiest of keys, and accordingly the mood here is somber. The orchestral texture is NOT rich and lush, like other pieces in the series, but is thinner and more contrapuntally transparent. There are three internal cadences before the ending sequence. Suspensions, voice leading, and dissonances are all treated in a standard Baroque fashion. Bowings by string pedagogue Lori Sandell Lacey. Running time is approx 3 mins 30 secs.at suggested tempo. The piece could certainly go faster if your group can handle it. Each part is but a single page, for easy management of music in rehearsal and performance. MBB.
$20.00
Cordolium (Cut Version)
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Orchestre à Cordes
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AVANCÉ
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Ashlyn Graham
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Cordolium
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Ashlyn Graham
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1408288 Composed by Ashlyn Graham. 21st Century,Chamber,Classical,Contemporary,Instructional. 17 pages. Ashlyn Grah...
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String Orchestra - Level 5 - SKU: A0.1408288 Composed by Ashlyn Graham. 21st Century,Chamber,Classical,Contemporary,Instructional. 17 pages. Ashlyn Graham #990872. Published by Ashlyn Graham (A0.1408288). This is a shortened version of my original piece Cordolium. The original description is as follows: Cordolium, meaning heartfelt grief; sorrow of the heart, heartache. I wrote this piece with one of my favorite pieces in mind: Barber's Adagio for Strings. I wanted to challenge myself to convey emotion like Barber did, and to write a piece with a lot of emotional potential. Cordolium travels through the stages of grief, allowing the musicans to express denial, agitation, and depression, before it concludes with a dejected acceptance of all the sorrow that came before. I realized the original is too long especially for advanced HS groups so I decided to create this cut version to accomodate. This shortened version forced me to cut some transitions and some beautiful sections out, but it still contains the main motifs and allows all the expression in a shorter time. It also includes more bowing and a few more dynamics to help give student groups more directions. The original work can be found here: Cordolium
$45.00
Vivaldi Concerto RV 93 1st movement
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Orchestre à Cordes
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INTERMÉDIAIRE
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Antonio Vivaldi
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Martin Lass
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Vivaldi Concerto RV 93 1st mov
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 ...
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String Orchestra - Level 3 - SKU: A0.1417819 Composed by Antonio Vivaldi. Arranged by Martin Lass. Baroque,Chamber,Children,Classical,Instructional. 19 pages. MA Lass & I Lass #999240. Published by MA Lass & I Lass (A0.1417819). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing. Vivaldi's Concerto RV 93 was originally written for lute or guitar solo plus strings and basso continuo. Here, the 1st movement of the concerto has been arranged for an intermediate-level student string orchestra without continuo or piano accompaniment. To this end, the work has been simplified: the original key of D major has been changed to C major; some rhythms have been simplified, including doubling all note values and changing the time signature to 2/2; some registers have been changed in order to keep parts in 1st position; and extensive dynamics and articulations have been added to assist students with musical interpretation according to Baroque music conventions. That said, some crescendos have been added for effect. It is anticipated that the one repeat will be done, as is traditional. The upper strings are expected to be able to play low 2nd and 4th fingers, and the cellos have both backward and forward extensions but only leave 1st position in two short identical passages. The main challenge of the piece lies in the bowing style and the articulations, aforementioned.Level: 2.0 - 2.5Duration: 3mParts ListViolin IViolin IIViolin III (from Viola) (optional)ViolaVioloncelloDouble BassFull Score.
$39.00
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Publ...
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String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Published by MA Lass & I Lass (A0.1368923). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Glowworm Tunnel, is about a day trip in Newnes in the state of NSW. Newnes is a former shale mining site, now abandoned. A railway once ran from the entry of the site to the mine itself. A tunnel was bored through a low mountain to gain access. Since then, the railway itself now removed but the path of it remaining, the tunnel has become the home of thousands of glowworms - a magical and awe-inspiring experience to witness. The piece depicts the journey along the former rail line, the experience of the glowworm tunnel, and the journey back.
$39.00
Five Australian Scenes for String Orchestra - 3. The Outback
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Publ...
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String Orchestra - Level 3 - SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Published by MA Lass & I Lass (A0.1368928). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, The Outback, is set in the abandoned gold mining town of Goongarrie in the state WA. It depicts sunrise in the outback, the gradual heating up of the day, the scourge of blow flies, the searing and unbearable heat of midday, a sudden flash thunderstorm, and, as the storm clears, sunset over the abandoned town.
$39.00
Romance for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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Stanley M Hoffman
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Romance for String Orchestra
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stanleymhoffman.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1404778 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,21st Century,Classical. 88 pages...
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String Orchestra - Level 4 - SKU: A0.1404778 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,21st Century,Classical. 88 pages. Stanleymhoffman.com #987840. Published by stanleymhoffman.com (A0.1404778). Written in 2024, Romance for String Orchestra is unabashedly tonal piece based on music from my compositions Romance for Orchestra (1982) and Pasacalle Triste (2024). Romance for Orchestra was composed as my undergraduate thesis at The Boston Conservatory of Music and has since writhed in obscurity. One understands why, though: various passages sound like juvenilia. Still, others sound a good deal stronger, and it is those passages that I have rescued, and which are featured in Romance for String Orchestra. Newly composed passages bracket and are intertwined with older ones, many of which are here transposed. Though just a smattering when compared to the number of passages borrowed from Romance for Orchestra, the ones borrowed from Pasacalle Triste nonetheless provide a meaningful creative arc manifested in one composition, and they provide just the right touches during various sequential passages. Speaking of sequences, Romance for Orchestra contains what is for my oeuvre the most expansive sequence I have composed to date; in both cases that sequence leads to the formal recapitulation of the main theme in the tonic key C Minor. I hope you enjoy Romance for Orchestra. Thank you for your time and attention.
$44.00
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Record...
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String Orchestra - Level 4 - SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records...
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Cello,Double Bass,Viola,Violin - SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) . HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
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