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AUTRES INST…
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BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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FLAMENCO
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HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
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Non classifié
899
PIANO & CLAVIERS
Piano seul
697
Piano, Voix
643
Piano, Voix et Guitare
229
Piano Facile
198
Instruments en Do
48
Orgue
20
Accordéon
17
Piano grosses notes
13
1 Piano, 4 mains
10
Piano (partie séparée)
8
Piano Trio: piano, violon, violoncelle
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Orgue, Trompette (duo)
3
2 Pianos, 4 mains
3
Accompagnement Piano
3
Piano Quatuor: piano, 2 violons, violoncelle
1
Ligne De Mélodie, Piano
1
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GUITARES
Ligne De Mélodie, (Paroles) et Accords
2138
Guitare
187
Guitare notes et tablatures
133
Ukulele
28
Paroles et Accords
21
Basse electrique
16
Guitare (partie séparée)
8
Banjo
3
Basse électrique (partie séparée)
3
Dulcimer
2
2 Guitares (duo)
2
3 Guitares (trio)
1
Guitare Pedal Steel
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
237
Chorale 3 parties
96
Chorale TTBB
49
Chorale SSAA
30
Chorale 2 parties
25
Chorale Unison
12
Voix seule
8
Voix duo
7
Voix duo, Piano
5
Chorale
3
Voix haute
1
Voix Moyenne
1
Voix Tenor
1
Chorale SSAATB
1
Voix basse, Piano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
69
Saxophone (partie séparée)
64
Saxophone
54
Clarinette
52
Quintette de Saxophone: 5 saxophones
52
Flûte traversière
41
Clarinette et Piano
41
Hautbois, Piano (duo)
40
Quatuor de Saxophones: 4 saxophones
35
Saxophone Alto et Piano
29
2 Saxophones (duo)
27
Clarinette (partie séparée)
27
Saxophone Tenor et Piano
27
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Alto
19
Saxophone Soprano et Piano
19
2 Flûtes traversières (duo)
18
Quatuor de Clarinettes: 4 clarinettes
18
Flute (partie séparée)
16
Saxophone Baryton, Piano
16
Ensemble de Clarinettes
16
Ensemble de saxophones
16
Cor anglais, Piano
16
2 Clarinettes (duo)
14
Clarinette Basse, Piano
13
Hautbois (partie séparée)
12
Saxophone, Clarinette (duo)
9
Quatuor de Flûtes : 4 flûtes
9
Flûte, Clarinette (duo)
8
Clarinette, Violon (duo)
7
2 Hautbois (duo)
6
Ensemble de Flûtes
5
Saxophone Soprano
5
Hautbois
5
Flûte, Violon
5
Flûte et Guitare
5
Saxophone Tenor
5
Hautbois, Clarinette (duo)
5
Trio de Flûtes: 3 flûtes
5
Quintette de Flûte : 5 flûtes
4
Clarinette, Trompette (duo)
4
Instruments en Mib
4
Hautbois, Flûte
3
Clarinette et Alto
3
3 Saxophones (trio)
3
5 Flûtes à bec
3
Harmonica
3
Hautbois, Basson (duo)
3
Flûte, Saxophone (duo)
3
Saxophone et Guitare
3
Clarinette, Harpe (duo)
2
Piccolo, Piano
2
Flûte, Alto (duo)
2
Flûte, Trompette (duo)
2
Clarinette, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
3 Clarinettes (trio)
2
2 Flûte à bec (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
2 Flûtes traversières, Piano
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Quatuor de Flûtes à bec
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Violon
1
Flûte à bec Soprano, Piano
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Soprano
1
Flûte, Alto et Violoncelle
1
Flûte, Clarinette, Violon (trio)
1
2 Cors Anglais Et Pianoforte
1
Flûte traversière, Orchestre
1
Flûte, Hautbois, Basson
1
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CUIVRES
Trompette
54
Trompette (partie séparée)
52
Trombone (partie séparée)
45
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trombone
39
Trombone et Piano
35
Trompette, Piano
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Cor et Piano
21
Tuba et Piano
19
Euphonium, Piano (duo)
16
Cor anglais, Piano
16
Trompette, Saxophone (duo)
11
Cor (partie séparée)
10
2 Trombones (duo)
10
2 Trompettes (duo)
7
Tuba (partie séparée)
7
Ensemble de Trombones
6
Cor
5
Trompette, Trombone (duo)
5
Trio de Cuivres
4
Quatuor de Cuivres
4
Tuba
4
Ensemble de Trompettes
4
Trombone, Cor (duo)
3
Quatuor de cuivres: 4 cors
3
Instruments en Sib
3
Bass Clef Instruments
3
2 Cors (duo)
2
Trompette, Cor (duo)
2
Cornet A Pistons
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Euphoniums (duo)
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
108
Violon et Piano
54
Violon
45
Violon, Violoncelle (duo)
42
Violoncelle, Piano
40
Alto, Piano
37
Violoncelle (partie séparée)
29
Alto seul
26
Trio à Cordes: violon, alto, violoncelle
25
Harpe
22
Violoncelle
16
2 Violons (duo)
15
Violon, Alto (duo)
15
Contrebasse (partie séparée)
14
Violon (partie séparée)
14
Trio à Cordes: 2 violons, violoncelle
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contrebasse, Piano (duo)
9
2 Violoncelles (duo)
9
Alto (partie séparée)
8
Ensemble de Violons
5
Ensemble d'Altos
5
Contre Basse
5
2 Altos (duo)
4
Harpe (partie séparée)
3
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violoncelles
2
Violon, Guitare (duo)
2
Harpe, Flûte (duo)
2
Violon, Tuba (duo)
1
Harpe, Violon (duo)
1
Harpe, Orchestre
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
2 Contrebasses (duo)
1
Trio à cordes: 3 violins
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
175
Ensemble Jazz
61
Orchestre
53
Orchestre à Cordes
37
Fanfare
26
Orchestre de chambre
22
Percussion (partie séparée)
18
Ensemble de cuivres
15
Batterie (partie séparée)
12
Jazz combo
11
Cloches
10
Timbales
9
Vibraphone
7
Batterie
6
Ensemble de Percussions
5
Timbales (partie séparée)
2
Percussion
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
John M
Orchestre à Cordes
Partitions à imprimer
37 partitions trouvées
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Impressions of the Middle East - John M. Licari (String Orchestra with Percussion)
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.908408 Composed by John M. Li…
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String Orchestra - Level 2 - Digital Download SKU: A0.908408 Composed by John M. Licari. Contemporary,Folk,Instructional,Standards,World. Score and parts. 20 pages. Music Preparation Services #5311331. Published by Music Preparation Services (A0.908408). Impressions of the Middle East - John M. LicariWritten for String Orchestra with Percussion Music Preparation Services www.musicprepservices.com I wrote this piece after listening to the Herbie Mann album Impressions of the Middle East from 1967. I was intrigued with the sounds and styles he was able to blend together for that album. Since my compositions are marketed for school-based ensembles, I wanted to try my hand at creating a piece that had a Middle-Eastern vibe, by using a harmonic minor mode. This piece is written in D-Phrygian Dominant mode (scale degrees are as follows: 1, b2, 3, 4, 5, b6, b7). Look out for low 1, 2, and low 4 fingerings.
$25.00
23.1 €
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Orchestre à Cordes
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John M
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Impressions of the Middle East - John M. Licari
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Music Preparation Services
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SheetMusicPlus
I'm Moving To England
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1306169 Composed by Hans Zimm…
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String Orchestra - Level 2 - Digital Download SKU: A0.1306169 Composed by Hans Zimmer, Johnny Marr, Mark Andrew Wherry, Melissa Lynne Muik, Michael Aaron Einziger, Pharrell, Robert Badami, and Steve Mazzaro. Arranged by Nathan Morson. Film/TV. 10 pages. Nathan Morson #895562. Published by Nathan Morson (A0.1306169). I'm Moving to England for String Orchestra - Score and PartsDuration: 2:05.
$55.00
50.81 €
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Orchestre à Cordes
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Hans Zimmer, Johnny Marr, Mark Andrew Wherry, Melissa Lynne Muik, Michael Aaron Einziger, Pharrell, Robert Badami, and Steve Mazzaro
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Nathan Morson
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I'm Moving To England
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Nathan Morson
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SheetMusicPlus
You May Say I'm A Dreamer
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.976552 Composed by Tim Hill. …
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String Orchestra - Level 5 - Digital Download SKU: A0.976552 Composed by Tim Hill. Contemporary. Score and parts. 20 pages. Tim Hill Arrangements #6710111. Published by Tim Hill Arrangements (A0.976552). String Quintet piece based on the John Lennon tune, Imagine.
$50.00
46.19 €
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Orchestre à Cordes
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Tim Hill
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You May Say I'm A Dreamer
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Tim Hill Arrangements
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SheetMusicPlus
Divertimento for Strings: FULL SCORE
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010888 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010888 Composed by John McNeil Johnston. Contemporary,Standards. Score and parts. 18 pages. John M. Johnston #2914155. Published by John M. Johnston (A0.1010888). Johnston: Divertimento for Strings: Full Score OnlyDivertimento for Strings was written for advanced Youth or High School string orchestra. It is an exploration of counterpoint, chromaticism, and texture within a construct of playability. As a ‘teaching piece’, it can be useful to point out the various forms: I. Allegro is in a bare-bones Sonata Allegro form. II. Adagio is reminiscent in the latter bars of a Habanera. III. Waltz is just that, a wistful, swirling dance movement. IV. Gigue hearkens back to the Baroque style in compound meter, and is embellished with 19th century chromatic harmonies. This piece was originally written for the Wilton High School Orchestra • Wilton, CT, USA under the direction of, and at the suggestion of Marshall Meade in 2016. I hope you enjoy it! - Mac Johnston Instrumentation: Violins 1A & B, Violins 2 A & B, Violas, Violoncellos 1 & 2, and Double Basses. Copyright © 2016 John McNeil Johnston • all rights reserved.
$75.00
69.29 €
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Orchestre à Cordes
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John McNeil Johnston
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Divertimento for Strings: FULL SCORE
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John M. Johnston
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SheetMusicPlus
Divertimento for Strings - All Movements; All Parts
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010893 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010893 Composed by John McNeil Johnston. Contemporary. Score and parts. 67 pages. John M. Johnston #2914169. Published by John M. Johnston (A0.1010893). Johnston, Divertimento For Strings: Complete PARTS [All Movements, All Parts](Score separate).
$50.00
46.19 €
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Orchestre à Cordes
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John McNeil Johnston
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Divertimento for Strings - All Movements; All Parts
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John M. Johnston
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SheetMusicPlus
Divertimento for Strings: II. Adagio - Parts
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010891 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010891 Composed by John McNeil Johnston. Contemporary. Score and parts. 16 pages. John M. Johnston #2914163. Published by John M. Johnston (A0.1010891). Divertimento for Strings - II. Adagio - All Parts.
$39.99
36.95 €
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Orchestre à Cordes
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John McNeil Johnston
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Divertimento for Strings: II. Adagio - Parts
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John M. Johnston
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SheetMusicPlus
Articulations - All Parts
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010895 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010895 Composed by John McNeil Johnston. Contemporary. Score and parts. 10 pages. John M. Johnston #2928789. Published by John M. Johnston (A0.1010895). Articulations was written for intermediate school string orchestra. My hope is that it will be useful in starting young musicians on the path to discovering the vast variety of articulations they are capable of as string players!
$19.99
18.47 €
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Orchestre à Cordes
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John McNeil Johnston
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Articulations - All Parts
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John M. Johnston
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SheetMusicPlus
Divertimento for Strings: IV. Gigue - Parts
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010892 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010892 Composed by John McNeil Johnston. Contemporary. Score and parts. 16 pages. John M. Johnston #2914167. Published by John M. Johnston (A0.1010892).
$39.99
36.95 €
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Orchestre à Cordes
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John McNeil Johnston
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Divertimento for Strings: IV. Gigue - Parts
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John M. Johnston
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SheetMusicPlus
Divertimento For Strings: I. Allegro - Parts
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010889 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010889 Composed by John McNeil Johnston. Contemporary. Score and parts. 19 pages. John M. Johnston #2914159. Published by John M. Johnston (A0.1010889). Divertimento for Strings: I. Allegro - All Parts.
$39.99
36.95 €
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Orchestre à Cordes
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John McNeil Johnston
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Divertimento For Strings: I. Allegro - Parts
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John M. Johnston
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SheetMusicPlus
Articulations - Score
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010894 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010894 Composed by John McNeil Johnston. Contemporary. Score and parts. 8 pages. John M. Johnston #2928787. Published by John M. Johnston (A0.1010894). Articulations was written for intermediate school string orchestra. My hope is that it will be useful in starting young musicians on the path to discovering the vast variety of articulations they are capable of as string players!
$19.99
18.47 €
#
Orchestre à Cordes
#
John McNeil Johnston
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Articulations - Score
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John M. Johnston
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SheetMusicPlus
Divertimento for Strings: III. Waltz- Parts
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.1010890 Composed by John McNeil Johnsto…
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String Orchestra - Digital Download SKU: A0.1010890 Composed by John McNeil Johnston. Contemporary. Score and parts. 16 pages. John M. Johnston #2914165. Published by John M. Johnston (A0.1010890). Divertimento for Strings: III. Waltz- All Parts.
$39.99
36.95 €
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Orchestre à Cordes
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John McNeil Johnston
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Divertimento for Strings: III. Waltz- Parts
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John M. Johnston
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SheetMusicPlus
Top Gun Anthem
Orchestre à Cordes
Composed by Harold Faltermeyer. Arranged by John M. Pasternak. Contemporary. Score a…
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Composed by Harold Faltermeyer. Arranged by John M. Pasternak. Contemporary. Score and parts. 21 pages. John Michael Pasternak #6433635. Published by John Michael Pasternak
$49.99
46.18 €
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Orchestre à Cordes
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Harold Faltermeyer
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John M
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Top Gun Anthem
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John Michael Pasternak
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SheetMusicPlus
Four Novelletten for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1220937 Composed by Samuel Co…
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String Orchestra - Level 4 - Digital Download SKU: A0.1220937 Composed by Samuel Coldridge-Taylor. Arranged by John M. Laverty. 19th Century,Classical. Score and Parts. 170 pages. Zephyrwindmusic.com #817278. Published by zephyrwindmusic.com (A0.1220937). All four movements, score and parts. British composer Samuel Coleridge Taylor (1875-1912) published Four Novelletten for String Orchestra in 1903. The term novelletten apears to have been ï¬rst used in reference to music by Robert Schumann in 1838. The four movements, I Allegro moderato, II Larghetto, III Andante con motto, and IV Allegro molto are in effect four separate works, often performed as stand-alone pieces and published as such. With this publication, all four movements are published in a single volume with score and parts. As with all Zephyrwindmusic publications, parts come with an Unlimited Copy License, thus removing any copyright issues in the way parts are used. Parts can be used in analog form – printed on paper – or uploaded as a digital part onto a reading device such as an iPad for performance. Parts can also be legally uploaded onto a website for players to download.
$40.00
36.95 €
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Orchestre à Cordes
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Samuel Coldridge-Taylor
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John M
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Four Novelletten for String Orchestra
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zephyrwindmusic.com
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SheetMusicPlus
Fantasia on a Theme by Thomas Tallis for Double String Orchestra
Orchestre à Cordes
Composed by Ralph Vaughan Williams (1872-1958). Arranged by John M. Laverty. 20th Ce…
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Composed by Ralph Vaughan Williams (1872-1958). Arranged by John M. Laverty. 20th Century, Classical. Score and parts. 118 pages. Zephyrwindmusic.com #741224. Published by zephyrwindmusic.com
$30.00
27.72 €
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Orchestre à Cordes
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Ralph Vaughan Williams
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Fantasia on a Theme by Thomas Tallis for Double String Orchestra
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zephyrwindmusic.com
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SheetMusicPlus
Andante Cantabile
Orchestre à Cordes
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by John M. Laverty. 150, …
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Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by John M. Laverty. 150, 158, Romantic Period. Score and parts. 26 pages. Zephyrwindmusic.com #741176. Published by zephyrwindmusic.com
$20.00
18.48 €
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Orchestre à Cordes
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Peter Ilyich Tchaikovsky
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John M
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Andante Cantabile
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zephyrwindmusic.com
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SheetMusicPlus
D'un matin de printemps
Orchestre à Cordes
Composed by Juliette Marie Olga (Lili) Boulanger (1893- 1918). Arranged by John M. La…
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Composed by Juliette Marie Olga (Lili) Boulanger (1893- 1918). Arranged by John M. Laverty. 158, Classical. Score and parts. 72 pages. Zephyrwindmusic.com #742493. Published by zephyrwindmusic.com
$25.00
23.1 €
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Orchestre à Cordes
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Juliette Marie Olga
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John M
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D'un matin de printemps
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zephyrwindmusic.com
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SheetMusicPlus
The Edmund Fitzgerald - Concerto for Piano and Strings
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey P…
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String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99
9.23 €
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Orchestre à Cordes
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Geoffrey Peterson
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The Edmund Fitzgerald - Concerto for Piano and Strings
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Geoffrey Peterson
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John …
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String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$36.95
34.14 €
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Orchestre à Cordes
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Dr
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James M
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Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
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jmsgu3
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SheetMusicPlus
Bull: Salvator mundi for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.98 €
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Orchestre à Cordes
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Dr
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James M
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Bull: Salvator mundi for String Orchestra
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull…
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String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30.44 €
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Orchestre à Cordes
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John Bull
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James M
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Bull: In Nomine CXIX for String Orchestra - Score Only
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jmsgu3
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SheetMusicPlus
Bull: In Nomine CXIX for String Orchestra
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. Score and Parts. 38 pages. Jmsgu3 #883018. Published by jmsgu3 (A0.1292447). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
35.98 €
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Orchestre à Cordes
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Dr
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James M
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Bull: In Nomine CXIX for String Orchestra
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jmsgu3
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SheetMusicPlus
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John …
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String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30.44 €
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Orchestre à Cordes
#
Dr
#
James M
#
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
Bull: Salvator mundi for String Orchestra - Score Only
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John …
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String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance,Traditional. 23 pages. Jmsgu3 #882313. Published by jmsgu3 (A0.1291707). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
30.44 €
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Orchestre à Cordes
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Dr
#
James M
#
Bull: Salvator mundi for String Orchestra - Score Only
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jmsgu3
#
SheetMusicPlus
The Thunderer (March)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1392366 Composed by John Phil…
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String Orchestra - Level 4 - Digital Download SKU: A0.1392366 Composed by John Philip Sousa. Arranged by Joel Jacklich (ASCAP) or. Holiday,March,Patriotic. 28 pages. Joel Jacklich #975894. Published by Joel Jacklich (A0.1392366). The Thunderer (1889) is one of John Philip Sousa's most beloved marches. It is knot known to what, or more likely to whom, the title refers. Paul E. Bierley suggests that since the work was dedicated the the Columbia Commandery No. 2, Knights Templar, of Washington, D.C., and composed for its Twenty-fourth Triennial Conclave of the Grand Encampment, that the title may refer to Myron M. Parker, one of the principal men responsible for the success of the conclave.(1)Sousa is so universally loved, that it seems a shame to restrict his performance only to marching bands and concert bands. Â Here The Thunderer is arranged for string orchestra by Joel Jacklich (A.S.C.A.P.). Perfect for that next patriotic concert.(1)Paul E. Bierley, The Works of John Philip Sousa (Westerville, Ohio: Integrity Press, 1984), 89.
$30.00
27.72 €
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Orchestre à Cordes
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John Philip Sousa
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Joel Jacklich (ASCAP) or
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The Thunderer
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Joel Jacklich
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SheetMusicPlus
Conversations In The Dark
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521760 By John Legend. By Cha…
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String Orchestra - Level 3 - Digital Download SKU: A0.521760 By John Legend. By Chance Pena, Gregg Wattenberg, Jesse Finkelstein, John Stephens, and Kellen Pomeranz. Arranged by Sherry Lewis. Hip-Hop,R & B. Score and Parts. 30 pages. Sherry Lewis Publishing #6434149. Published by Sherry Lewis Publishing (A0.521760). CONVERSATIONS IN THE DARK String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: Yes Parts: 10 pages Time: 4'50 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
12 €
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Orchestre à Cordes
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John Legend
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Sherry Lewis
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https://www
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Conversations In The Dark
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Sherry Lewis Publishing
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SheetMusicPlus
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