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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Eventually
Non classifié
226
Piano & claviers
Piano seul
120
Piano, Voix et Guitare
20
Piano Facile
18
Piano, Voix
15
Instruments en Do
10
Orgue
8
1 Piano, 4 mains
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Accordéons
1
+ 5 instrumentations
Retracter
Guitares
Guitare
9
Mandoline
4
Guitare notes et tablatures
4
Ligne De Mélodie, (Paroles) et Accords
3
Dulcimer
2
Ukulele
2
+ 1 instrumentations
Retracter
Voix
Chorale SATB
54
Chorale 3 parties
10
Chorale TTBB
8
Chorale SSAA
7
Chorale 2 parties
3
Voix haute
2
Voix Tenor
2
Chorale SSAATTBB
1
Voix duo
1
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Voix duo, Piano
1
+ 7 instrumentations
Retracter
Vents
Flûte traversière et Piano
29
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Quatuor de Saxophones: 4 saxophones
15
Clarinette et Piano
15
Hautbois, Piano (duo)
14
Quintette de Saxophone: 5 saxophones
13
Saxophone Alto et Piano
12
Saxophone Tenor et Piano
12
Saxophone Baryton, Piano
10
2 Saxophones (duo)
10
Flûte, Hautbois, Clarinette, Basson
10
Clarinette
9
Saxophone Alto
8
Saxophone Soprano et Piano
7
Ensemble de Clarinettes
7
Cor anglais, Piano
7
Quatuor de Clarinettes: 4 clarinettes
7
Ensemble de saxophones
6
Ensemble de Flûtes
6
Clarinette Basse, Piano
6
2 Flûtes traversières (duo)
5
Hautbois (partie séparée)
4
3 Saxophones (trio)
4
Flûte traversière
4
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
3
Saxophone Tenor
3
Trio de Flûtes: 3 flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Flûtes : 4 flûtes
2
Saxophone (partie séparée)
2
2 Flûte à bec (duo)
2
Flûte, Clarinette (duo)
2
Clarinette, Trompette (duo)
2
Quatuor de Flûtes à bec
2
Quintette de Flûte : 5 flûtes
2
Clarinette, Violon (duo)
2
Clarinette, Guitare (duo)
2
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Basson (duo)
1
3 Clarinettes (trio)
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Piccolo, Piano
1
Flûte, Violon, Piano
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle
1
Flûte à bec Alto, Piano
1
Flûte, Violon
1
Ensemble à vent
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois, Flûte
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte et Guitare
1
3 Flûtes à bec (trio)
1
Saxophone
1
+ 57 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
25
Trompette
15
Trombone et Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
Quatuor de Cuivres
11
Cor et Piano
11
Euphonium, Piano (duo)
9
Trombone
8
Cor anglais, Piano
7
Cor
4
Tuba
4
Ensemble de Trombones
4
Trompette, Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trompettes (duo)
2
Tuba et Piano
2
Ensemble de Cors
2
Trompette, Saxophone (duo)
2
4 Tubas
2
3 Trompettes (trio)
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Trompette, Trombone (duo)
1
Trombone basse
1
Ensemble de Trompettes
1
+ 20 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
32
Violon et Piano
26
Violoncelle, Piano
16
Alto, Piano
13
Violon
9
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contre Basse
6
2 Violons (duo)
5
Violon, Guitare (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
4
Alto (partie séparée)
2
Violon, Alto (duo)
2
Alto seul
2
Trio à Cordes: 2 violons, violoncelle
2
2 Altos (duo)
2
Violoncelle , Guitare (duo)
2
Trio à cordes: 3 altos
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
3 Harpes
1
Ensemble d'Altos
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Violon, Orgue
1
Quatuor à cordes : 4 altos
1
Trio à cordes: 3 violins
1
Harpe
1
Harpe, Flûte (duo)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
197
Ensemble de cuivres
27
Orchestre à Cordes
19
Orchestre
18
Ensemble Jazz
9
Orchestre de chambre
6
Cloches
4
Ensemble de Percussions
3
2 Marimbas
1
3 Percussions
1
Jazz combo
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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UKULELE
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VIELLE A RO…
VIOLE DE GA…
VIOLON
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
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COMEDIES MUSICALES -…
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
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débutant
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avec audio
avec vidéo
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Violoncelle, Piano
Partitions à imprimer
16 partitions trouvées
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1
Silent Night for Cello & Piano
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Violoncelle, Piano
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DÉBUTANT
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Noël
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Gruber
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James M
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Silent Night for Cello & P
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 1 - SKU: A0.548485 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387043. Pub...
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Cello,Piano - Level 1 - SKU: A0.548485 Composed by Gruber. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 3 pages. Jmsgu3 #3387043. Published by jmsgu3 (A0.548485). Silent Night arranged for Cello & Piano with new harmony for the third verse. Score: 2 pg. Part: 1 pg. Silent Night Origins Father Joseph Mohr wrote the lyrics for a new Christmas Carol. He wanted the new carol for his Christmas Eve Mass. With only a couple of hours until the service, He asked organist and schoolteacher Franz Gruber to write a melody and simple accompaniment to go with the lyrics. The result is probably the most famous of all Christmas carols – Silent Night. First Performance Perhaps because the organ was undergoing repairs, or to make sure the accompaniment was easy enough, Mohr asked Gruber to write it for the guitar. Mohr played the guitar, and both Mohr and Gruber gave the world premiere performance at the Christmas Eve Mass in 1818 at St. Nicholas Church in Oberndorf in Salzburg. Original Score Eventually, the original score became lost, and consequently, Mohr's name was largely forgotten. Though the public originally recognized Gruber as the composer, many people over time began rumors that a more famous composer was responsible. Thus, they floated the names of Haydn, Mozart, and even Beethoven. Authorities eventually settled the matter when a manuscript in Mohr’s handwriting turned up in 1820. Consequently, we learn that Mohr wrote the lyrics in 1816, and Gruber composed the melody in 1818. Popularity Nonetheless, Silent Night is still very popular. Singers have performed this song in nearly every genre and in multiple languages. Perhaps the most famous version is the one Bing Crosby crafted. This version is the third best-selling physical single recording in the history of recorded music. This particular recording was released in 1935 and sold at least 30 million copies. Only two songs have ever sold more. Elton John released Candle in the Wind in 1997 and sold 33 million copies. The record for most copies ever sold goes to Bing Crosby. He released White Christmas in 1942 and sold 50 million physical copies. Register for free lifetime updates and revisions at www.jamesguthrie.com
$28.95
Fading Embers (Cello)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Dalton Metcalf
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Fading Embers
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Dalton C. Metcalf
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1494951 Composed by Dalton Metcalf. 21st Century,Romantic Period. Score and part. 4 pages. Dalton C. Metcalf #1071516. P...
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Cello,Piano - Level 3 - SKU: A0.1494951 Composed by Dalton Metcalf. 21st Century,Romantic Period. Score and part. 4 pages. Dalton C. Metcalf #1071516. Published by Dalton C. Metcalf (A0.1494951). This piece is the life of an Ember floating in the wind, till eventually it falls to the ground and smolders out. There is a lot of phrasing and movement left up for interpretation. There are two parts one with just Cello and the other with both Cello and Piano, Style is somewhat romantic. If you would like Printed copies please email me at thecontrabassguy@gmail.com.
$10.00
Waltz from Coppelia for Cello and Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Leo Delibes
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Diego Marani
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Waltz from Coppelia for Cello
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Diego Marani
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.1486204 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Scor...
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Cello,Piano - Level 3 - SKU: A0.1486204 Composed by Leo Delibes. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Wedding. Score and part. 8 pages. Diego Marani #1063263. Published by Diego Marani (A0.1486204). Coppélia is a comic ballet from 1870 originally choreographed by Arthur Saint-Léon to the music of Léo Delibes. The ballet's first flush of success was interrupted by the Franco-Prussian War and the siege of Paris, but eventually it became the most-performed ballet at the Opéra.In this arrangement for cello with piano accompaniment we have the most famous waltz (valse) of the opera, a beautiful composition full of charm and lightness at the same time. It is suitable for any occasion: classroom, repertoire and recital.
$7.99
Variations on Gilderoy for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Traditional
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David Warin Solomons
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it shakes my heart
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Variations on Gilderoy for cel
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David Warin Solomons
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SheetMusicPlus
Cello,Piano - Level 4 - SKU: A0.1436332 Composed by Traditional. Arranged by David Warin Solomons. Classical,Contemporary,Traditional. Score and part. 6...
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Cello,Piano - Level 4 - SKU: A0.1436332 Composed by Traditional. Arranged by David Warin Solomons. Classical,Contemporary,Traditional. Score and part. 6 pages. David Warin Solomons #1016440. Published by David Warin Solomons (A0.1436332). Based on the old Scottish ballad Gilderoy, about a handsome highwayman who was eventually betrayed by his mistress.The pdf contains score and separate cello part.The last, the dreaded hour is come,That bears my love from me:I hear the dead note of the drum,I mark the fatal tree.The bell has toll'd; it shakes my heart;The trumpet speaks thy name:And must my Gilderoy depart,To bear a death of shame!No bosom trembles for thy doom;No mourner wipes a tear;The gallows' foot is all they tomb,The sledge is all thy bier.Oh Gilderoy! I bethought we thenSo soon, so sad to part,When first in Roslin's lovely glenYou triumph'd o'er my heart?Your locks they glitter'd to the sheen,Your hunter garb was trim;And graceful was the ribbon green,That bound your many limb!Ah! little thought I to deploreThose limbs in fetters bound;Or hear, upon the scaffold floor,The midnight hammer sound.Ye cruel, cruel, that combinedThe guiltless to pursue;My Gilderoy was ever kind,He could not injure you!A long adieu! but where shall flyThy widow all forlorn,When ev'ry mean and cruel eyeRegards my wo with scorn?Yes! they will mock thy widow's tears,And hate thine orphan boy;Alas! his infant beauty wearsThe form of Gilderoy.Then will I seek the dreary moundThat wraps thy mouldering clay,And weep and linger on the ground,And sigh my heart away.
$5.00
Arioso from Cantata No. 156
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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Aaron Sinnett
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Arioso from Cantata No. 156
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Aaron Sinnett
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1434238 Composed by Johann Sebastian Bach. Arranged by Aaron Sinnett. Baroque,Chamber,Classical,Religious. Score and par...
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Cello,Piano - Level 2 - SKU: A0.1434238 Composed by Johann Sebastian Bach. Arranged by Aaron Sinnett. Baroque,Chamber,Classical,Religious. Score and part. 9 pages. Aaron Sinnett #1013961. Published by Aaron Sinnett (A0.1434238). Arioso is a movement from J.S. Bach Cantata No. 156 Ich Steh mit einem Fuß im Grabe. Originally, Bach composed it in F major with the oboe being the solo instrument, accompanied by strings. In the early 20th century, it was arranged for cello and piano in G major. This is a beautiful arrangement but is much too difficult for many students who desire to play great music earlier in their journey of cello learning. There is a distinct lack of great music specifically arranged for cello students who are just getting their bearings in the lower positions (up to fourth). After playing this Arioso in C major, transposing directly from the printed G major cello arrangement, I made the decision right then and there to make my own arrangement for this wonderfully sublime piece of music. Transposing it down to C major takes away all the higher positions and reduces the number of accidentals that need to be attended to, thus giving the student a slight advantage in reading the music and eventually performing it, at a higher level of competence. I have opted, in this version, to leave in all of the ornamentation and intricate rhythms found in the orignal. This version has already been tested out on several of my own students who found it compelling and exciting to be able to participate in music making of the great music composed by the master of all Western Tonal music, Johann Sebestian Bach.
$6.99
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
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Violoncelle, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Cello,Piano - Level 2 - SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Wachet auf for Cello & Piano
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Violoncelle, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Cello &am
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Cello,Piano - Level 2 - SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Aurora's Dream
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Violoncelle, Piano
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FACILE
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Mike J
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Aurora's Dream
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Mike Roberts
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.913543 Composed by Mike J.D. Roberts. Contemporary,Romantic Period. Score and part. 17 pages. Mike Roberts #3663751. Pub...
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Cello,Piano - Level 2 - SKU: A0.913543 Composed by Mike J.D. Roberts. Contemporary,Romantic Period. Score and part. 17 pages. Mike Roberts #3663751. Published by Mike Roberts (A0.913543). I had been wanting to try writing a piano and cello piece for a while now. I knew it would be this sort of style but it look some time for a melody to come to me. Eventually, this came to mind while playing the game Child of Light. The music of that game undoubtedly influenced this piece, and so it's named in honour of the title character, Aurora, and the whole premise of the game is that she is in a dream, so there you go. Not an amazingly inspired title, but hopefully you will enjoy the piece!
$3.99
Lavender's Blue (Fantasy)
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Violoncelle, Piano
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FACILE
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Folklorique/Traditionel
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Traditional
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Christian Morris
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Lavender's Blue
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Hoopla Sheet Music
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1271527 Composed by Traditional. Arranged by Christian Morris. Traditional. Score and part. 7 pages. Hoopla Sheet Music ...
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Cello,Piano - Level 2 - SKU: A0.1271527 Composed by Traditional. Arranged by Christian Morris. Traditional. Score and part. 7 pages. Hoopla Sheet Music #863927. Published by Hoopla Sheet Music (A0.1271527). An expressive arrangement of the beautiful English folk song. It is heard first against a countermelody, before being expanded into a new secondary theme. All three ideas are then taken on a journey through several keys, the piece eventually ending serenely in the opening key.
$6.99
Poème
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Violoncelle, Piano
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INTERMÉDIAIRE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition:...
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Cello and piano - intermediate - SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15267. Published by Schott Music - Digital (S9.Q15267). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99
Continuo, Original Music by Sherry Shieh
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Sherry Shieh
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Continuo, Original Music by Sh
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Sherry Shieh
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.956124 Composed by Sherry Shieh. 20th Century,Baroque,Contemporary,New Age,Romantic ...
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Instrumental Duet Cello,Instrumental Duet,Piano - Level 4 - SKU: A0.956124 Composed by Sherry Shieh. 20th Century,Baroque,Contemporary,New Age,Romantic Period. Score and parts. 8 pages. Sherry Shieh #5771535. Published by Sherry Shieh (A0.956124). CONTINUOInspired by the first of J.S. Bach's unaccompanied six cello suites, CONTINUO is an imaginative take to de-construct Bach and give it a modern face-lift. CONTINUO transforms Bach’s harmony into an electrifying song which with every repetition takes the music into a higher level and eventually climaxes with a cello cadenza at the end (improvised by cellist Adrian Daurov). Its steadfast driving force gives the impetus to keep the crescendo of our lives going, never stopping or pausing, even in dire circumstances. The high-spirited brio of the coda reinstates the powerful strive for life with almost frenetic vigor.DURATION: 3 min 30 secSUITABLE FOR:Any classical/chamber and church concerts. A show stopper, a great opening music. Appropriate for professional performers, teachers & students.ABOUT THE COMPOSER:www.sherryshieh.comABOUT THE DUO: www.aninternationalaffair.comIG: www.instagram.com/aninternationalaffairFB: https://www.facebook.com/AIAtheduo/
$12.99
Cello Part- Continuo, Original Music by Sherry Shieh
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Violoncelle, Piano
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New Age
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Contemporain
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Sherry Shieh
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Cello Part- Continuo, Original
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Sherry Shieh
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Piano - SKU: A0.956125 Composed by Sherry Shieh. 20th Century,Baroque,Contemporary,New Age. Score and parts. 3...
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Instrumental Duet Cello,Instrumental Duet,Piano - SKU: A0.956125 Composed by Sherry Shieh. 20th Century,Baroque,Contemporary,New Age. Score and parts. 3 pages. Sherry Shieh #5771549. Published by Sherry Shieh (A0.956125). CONTINUOInspired by the first of J.S. Bach's unaccompanied six cello suites, CONTINUO is an imaginative take to de-construct Bach and give it a modern face-lift. CONTINUO transforms Bach’s harmony into an electrifying song which with every repetition takes the music into a higher level and eventually climaxes with a cello cadenza at the end (improvised by cellist Adrian Daurov). Its steadfast driving force gives the impetus to keep the crescendo of our lives going, never stopping or pausing, even in dire circumstances. The high-spirited brio of the coda reinstates the powerful strive for life with almost frenetic vigor.DURATION: 3 min 30 secSUITABLE FOR:Any classical/chamber and church concerts. A show stopper, a great opening music. Appropriate for professional performers, teachers & students.ABOUT THE COMPOSER:www.sherryshieh.comABOUT THE DUO: www.aninternationalaffair.comIG: www.instagram.com/aninternationalaffairFB: https://www.facebook.com/AIAtheduo/
$6.99
Romance G major
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Violoncelle, Piano
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INTERMÉDIAIRE
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Max Reger
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Wolfgang Birtel
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Romance G major
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q11379 Composed by Max Reger. Arranged by Wolfgang Birtel. This edition: Sheet music. Published in November 190...
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Cello and piano - intermediate - SKU: S9.Q11379 Composed by Max Reger. Arranged by Wolfgang Birtel. This edition: Sheet music. Published in November 1901, 'Romance in G major' is a beautiful occasional work, ideal for music lessons or as a tranquil encore after a concert, also in an arrangement for violoncello and piano. Downloadable. WoO II/10. Schott Music - Digital #Q11379. Published by Schott Music - Digital (S9.Q11379). Born in the village of Brand in the Upper Palatinate, Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden, he moved to Weiden, beset by personal crises, and eventually to Munich. To make himself better known in the musical scene, he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901, a beautiful occasional work, ideal for music lessons or as a tranquil encore after a concert, also in an arrangement for violoncello and piano.
$6.99
Fantaisie sur La Flûte enchantée” de Mozart
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Violoncelle, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Auguste Joseph Franchomme
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Fantaisie sur La Flûte e
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate to advanced - SKU: S9.Q53290 Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ellis and Rainer Mo...
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Cello and piano - intermediate to advanced - SKU: S9.Q53290 Op. 40. Composed by Auguste Joseph Franchomme. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 40. 16 pages. Schott Music - Digital #Q53290. Published by Schott Music - Digital (S9.Q53290). English • German.Auguste Joseph Franchomme was born in Lille on 10.4.1808; he died in Paris in 1884. One of his first cello teachers in Lille was Pierre Baumann, who also taught Edouard Lalo. Giving up the study of Law in favour of the cello, he studied with Jean-Henri Levasseur and Louis-Pierre Norblin from 1825 at the Paris Conservatoire. After that he played in various orchestras until he was eventually able to establish himself as a soloist and chamber musician in Paris. Together with violinist Jean-Delphin Alard he founded the Alard Quartet, one of the few string quartets of the time whose members were all professional musicians. Alongside his concert career, Franchomme was a popular and successful professor at the Conservatoire for almost forty years. His compositions include numerous pieces and studies for the cello, a cello concerto and many transcriptions. Franchomme was a close friend of Chopin: he also composed the cello part to Chopin’s Duo concertante and reworked the cello part for the Polonaise Brillante. Chopin dedicated his Cello Sonata op. 65 to Franchomme. Chopin’s influence is clearly recognisable in Franchomme’s work and particularly evident, for example, in his Étude in C# minor op. 35/11. In 1884 Franchomme was awarded the Légion d’honneur for his services to music. This Fantaisie based on themes from Mozart’s Magic Flute was published in 1873 (plate no. 20425).
$3.99
Cello Sonata
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Violoncelle, Piano
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INTERMÉDIAIRE
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Elena Ruehr
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Cello Sonata
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Cello and piano - Medium - SKU: MQ.8923-E Composed by Elena Ruehr. 37 pages. E. C. Schirmer Music Company - Digital #8923-E. Published by E. C. Schirmer...
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Cello and piano - Medium - SKU: MQ.8923-E Composed by Elena Ruehr. 37 pages. E. C. Schirmer Music Company - Digital #8923-E. Published by E. C. Schirmer Music Company - Digital (MQ.8923-E). Written for Jennifer Kloetzel, Cello Sonata is composed in three sections performed without pause: the first is lyrical and reaches upward, the second is a darker riff on the blues, and the third is a joyous finale. This piece is a story about a young person who is reaching for something that is ephemeral, hoping for the future, finding difficulty, and eventually triumphing.
$28.00
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