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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Second Time
Non classifié
865
Piano & claviers
Piano seul
452
Piano Facile
139
Accompagnement Piano
61
Piano, Voix
61
1 Piano, 4 mains
52
Piano, Voix et Guitare
42
Piano Trio: piano, violon, violoncelle
35
Instruments en Do
33
Orgue
31
2 Pianos, 4 mains
20
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 11 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
39
2 Guitares (duo)
16
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
7
Ukulele
6
Guitare (partie séparée)
6
Mandoline
5
4 Guitares (Quatuor)
4
Mandoline, Guitare (duo)
4
3 Guitares (trio)
2
2 Ukuleles
1
Dulcimer
1
Basse electrique
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
186
Chorale 2 parties
71
Chorale 3 parties
41
Chorale Unison
25
Chorale SSAA
25
Chorale TTBB
18
Voix duo, Piano
15
Voix Soprano, Piano
10
Voix duo
5
Chorale
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix basse, Piano
2
Voix Tenor, Piano
2
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Quatuor de Saxophones: 4 saxophones
50
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière et Piano
42
2 Flûtes traversières (duo)
42
Flûte, Hautbois, Clarinette, Basson
40
Quintette de Saxophone: 5 saxophones
37
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Saxophone Alto et Piano
26
Clarinette et Piano
26
Clarinette
24
Saxophone, Clarinette (duo)
24
Flûte traversière
20
3 Saxophones (trio)
18
Flûte, Clarinette (duo)
17
2 Hautbois (duo)
15
Quintette de Clarinettes: 5 clarinettes
14
Hautbois, Clarinette (duo)
13
Clarinette, Violon (duo)
12
Saxophone (partie séparée)
12
Saxophone Tenor et Piano
12
Hautbois, Flûte
11
Quatuor de Flûtes : 4 flûtes
11
Hautbois (partie séparée)
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Trompette (duo)
10
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
8
Clarinette et Alto
8
Flûte et Guitare
8
Saxophone Alto
8
Cor anglais, Piano
7
Saxophone Soprano et Piano
7
Flûte, Violon, Piano
7
2 Flûte à bec (duo)
7
Flûte, Trompette (duo)
7
Flûte, Violon
7
Flûte, Saxophone (duo)
6
Quatuor de Flûtes à bec
6
Saxophone Baryton, Piano
6
Flûte, Clarinette et Basson
5
Clarinette, Basson (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
Saxophone Tenor
5
3 Flûtes à bec (trio)
5
Ensemble de saxophones
5
Clarinette Basse, Piano
4
Flûte, Hautbois (duo)
4
Flûte à bec Alto
4
Flûte, Alto (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
3
Flute (partie séparée)
3
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Flûte, Violoncelle
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Harpe
1
Saxophone
1
5 Flûtes à bec
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
27
2 Trompettes (duo)
22
Trombone et Piano
22
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
Trompette, Piano
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres
12
Trombone (partie séparée)
11
Cor
10
2 Cors (duo)
9
Trompette (partie séparée)
9
Cor et Piano
8
Ensemble de Trombones
8
Cor anglais, Piano
7
Trombone
7
Tuba
7
Euphonium, Piano (duo)
7
Ensemble de Trompettes
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Trio de Cuivres
3
4 Tubas
3
Tuba et Piano
3
Ensemble de Cors
3
2 Tubas (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
1
Cor Anglais
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Tuba et Orgue
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon, Violoncelle (duo)
180
Violon
160
Trio à Cordes: violon, alto, violoncelle
159
Violon et Piano
68
Violoncelle, Piano
39
Alto, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
29
Violon, Alto (duo)
24
Violoncelle
23
2 Violoncelles (duo)
22
2 Altos (duo)
20
Harpe
18
Alto seul
12
Alto, Violoncelle (duo)
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
8
Alto (partie séparée)
6
Violon (partie séparée)
5
4 Violoncelles
4
Ensemble de Violons
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Guitare (duo)
1
Violoncelle, Basse continue
1
2 Harpes (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
174
Orchestre à Cordes
163
Orchestre
74
Ensemble de cuivres
70
Cloches
43
Ensemble Jazz
36
Orchestre de chambre
33
Fanfare
20
Jazz combo
15
Ensemble de Percussions
12
Batterie
4
Batterie (partie séparée)
3
Piano et Orchestre
1
Percussion
1
Marimba
1
Orchestre, Violon
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
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A Second Time
Alto, Piano
Partitions à imprimer
36 partitions trouvées
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1
26
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00
Away In A Manger: for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
#
Away In A Manger: for Viola &a
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3...
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Piano,Viola - Level 1 - SKU: A0.548482 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386547. Published by jmsgu3 (A0.548482). Traditional Christmas song arranged for Viola & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent accompaniment uses the lyrics to an old Normandy carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
Waltz in A Minor (Chopin) - Viola and Piano - Chamber music
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.760525 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. S...
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Piano,Viola - Level 3 - SKU: A0.760525 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4616163. Published by Raymond Fenech (A0.760525). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Waltz in A Minor (Chopin) - 2 Violas and Piano - Chamber music
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
#
SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.760524 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Clas...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.760524 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and parts. 11 pages. Raymond Fenech #4616161. Published by Raymond Fenech (A0.760524). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
Telemann Sonata in A Minor TWV 41:a3, 1st Movement: Siciliano - Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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Telemann Sonata in A Minor TWV
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Music-Scores.com
#
SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.722339 Composed by Georg Philipp Telemann. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary,Wed...
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Piano,Viola - Level 3 - SKU: A0.722339 Composed by Georg Philipp Telemann. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary,Wedding. Score and part. 4 pages. Music-Scores.com #6421105. Published by Music-Scores.com (A0.722339). Sonata in A minor, 1st movement: Siciliana. A piece in a swaying 12/8 time and dotted rhythms, which give a pastoral feel.For Viola and Piano. Duration about 1 minute, 50 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$4.95
Aldebaran
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Alto, Piano
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INTERMÉDIAIRE
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Emma Theresa
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Aldebaran
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Emma Theresa
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1143425 Composed by Emma Theresa. Chamber,Classical,Contemporary. 9 pages. Emm...
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1143425 Composed by Emma Theresa. Chamber,Classical,Contemporary. 9 pages. Emma Theresa #743758. Published by Emma Theresa (A0.1143425). This score contains the full score and viola part for Aldebaran. My grandmother, Adriana Verdonk-Romijn, was born in 1923, on a ship that was first named Baronie then Spes Salutes. Her family lived on the ship which they used to transport cargo in and around the Netherlands. During World War II, they were carrying a load of straw and were spotted by ally aircraft. The pilots thought that it was a German boat and began firing. The straw caught fire, and to save as much of the boat as possible, the Romijn family pumped it full of water and sunk it. Later, they brought it up again and started to refurbish it. However, the local community was afraid that the Germans would attack via u-boats, and they decided to sink the ship at the mouth of the harbour. After the war, the ship was brought up for a second time and reinhabited by the Romijn family. In 1988 the ship was christened the Aldebaran by a new owner and is now a tourist attraction. This piece is not about these events, but rather, about the ship as it carried my family to various destinations. Although it is only a vessel made of lifeless materials, I almost think of it as a hero and veteran. CREDITS: Performance by Sharon Wei (viola) & Angela Park (piano) Performed on March 4, 2021.
$7.99
No Time To Die - Viola (with piano accompaniment)
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Alto, Piano
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FACILE
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Pop musique
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Billie Eilish
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Adam Kempshall
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No Time To Die - Viola
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Adam Kempshall
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SheetMusicPlus
Viola - Early Intermediate - By Billie Eilish. Arranged by Adam Kempshall. Set of Parts. 5 pages. Published by Adam Kempshall...
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Viola - Early Intermediate - By Billie Eilish. Arranged by Adam Kempshall. Set of Parts. 5 pages. Published by Adam Kempshall
"No Time to Die" is a song by American singer Billie Eilish. It is the theme song of the 2020 James Bond film of the same name, and was released through Darkroom and Interscope Records on February 13, 2020. The song was written by Eilish and her brother Finneas O'Connell, and recorded in a bedroom studio. At age 18, Eilish is the youngest artist in history to write and record a James Bond theme song.
"No Time to Die" debuted atop the Irish Singles Chart and the UK Singles Chart. It became Eilish's first number one single in the UK and made her the first artist born in the 21st century to top the chart. Furthermore, the song became the first James Bond theme by a female artist to top the UK chart, as well as only the second Bond theme ever to top that chart.
This viola arrangement is of an early intermediate level, in the key of E minor and going no higher than D5, but containing some tricky semiquaver rhythms. The piano part is also fairly straightforward. Both the viola part and piano accompaniment are included. About 4 minutes in length and great for your next James Bond themed performance!
$4.99
Silent Night (viola and piano)
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Alto, Piano
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FACILE
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Noël
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Franz Xaver Gruber
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Bernardo Pereira
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Silent Night
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Bernardo Pereira
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1114153 Composed by Franz Xaver Gruber. Arranged by Bernardo Pereira. Christian,Christmas,Holiday,Standards,Traditional....
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Piano,Viola - Level 2 - SKU: A0.1114153 Composed by Franz Xaver Gruber. Arranged by Bernardo Pereira. Christian,Christmas,Holiday,Standards,Traditional. Score and part. 4 pages. Bernardo Pereira #716083. Published by Bernardo Pereira (A0.1114153). This arrangement is an easy-intermediate level score for viola with piano accompaniment of the traditional English Christmas song Silent Night. It is a standard song for children and family play during this Christian holiday. The viola plays the main melody with contrasting dynamics, alternating between mezzo-forte and piano. The piano accompanies the melody with chords in the right-hand and a bass line in the left-hand. In the second time, the viola plays the melody in a higher octave. The piano remains playing the accompaniment with eighth notes in the second beat. Then, the main melody on the viola returns to the lower octave at the beginning of the song. Viola part is attached to the end of the file.
$2.99
What Child is This? (Greensleeves)
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Alto, Piano
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DÉBUTANT
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Traditional
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Dee Braxton-Pellegrino
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What Child is This?
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Dee Braxton-Pellegrino
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1314854 Composed by Traditional. Arranged by Dee Braxton-Pellegrino. Christmas,Folk,Holiday,Religious,Sacred. Score and ...
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Piano,Viola - Level 1 - SKU: A0.1314854 Composed by Traditional. Arranged by Dee Braxton-Pellegrino. Christmas,Folk,Holiday,Religious,Sacred. Score and part. 6 pages. Dee Braxton-Pellegrino #903613. Published by Dee Braxton-Pellegrino (A0.1314854). This arrangement was done for my private string students as a viola solo or duo with a simple piano part that jazzes up the melody. I underscored with the carol lyrics and guitar chords so that it can be played at home during the holidays at family gatherings and at their churches. At the request of a mom, I created a second viola part so she could play with her daughter. The violin and cello arrangements will be available shortly in time for the holidays! This piece also works year round as Greensleeves. Â I also created a Youtube accompaniment video so the kids can play this at home during the holidays. There is also a practice video for violins on my Youtube channel which can be watched because the fingerings have the same challenges for young players!
$7.50
Beauty And The Beast
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Alto, Piano
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INTERMÉDIAIRE
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Film Walt Disney
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Celine Dion & Peabo Bryson
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Tim Crooks
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Beauty And The Beast
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STR:UK String Arrangements
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1038657 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Tim Crooks. Film/TV,Pop. Score and ...
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Piano,Viola - Level 3 - SKU: A0.1038657 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Tim Crooks. Film/TV,Pop. Score and part. 11 pages. STR:UK String Arrangements #643641. Published by STR:UK String Arrangements (A0.1038657). The iconic Beauty & The Beast (Tale as Old as Time) from the Disney film ‘Beauty and the Beast’, by Alan Menken and Howard Ashman, arranged for Viola and Piano by Tim Crooks. This arrangement is great for intermediate players (ABRSM Grade 4+), and with its many modulations it’s a great exercise for students learning to play in different keys! A second, easier viola part (approx grade 2 level, staying in 1st position) is included giving the option to play the piece as a duet with piano accompaniment, as per the original song. This arrangement is also compatible with the STRUK Strings arrangement for Violin & Piano (the solo parts and easy violin / viola parts can be interchanged). About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$5.99
Happy Birthday To You (viola and piano – clean with chords)
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Alto, Piano
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FACILE
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Patty S
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Bernardo Pereira
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Happy Birthday To You
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Bernardo Pereira
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1365986 Composed by Patty S. Hill. Arranged by Bernardo Pereira. Children,Folk,Standards,Traditional. Score and part. 3 ...
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Piano,Viola - Level 2 - SKU: A0.1365986 Composed by Patty S. Hill. Arranged by Bernardo Pereira. Children,Folk,Standards,Traditional. Score and part. 3 pages. Bernardo Pereira #950329. Published by Bernardo Pereira (A0.1365986). This arrangement is an easy-intermediate level adaptation for viola and piano of the traditional folk song Happy Birthday To Youâ€. The song is a standard song for children and family play during festive moments. It is also a clean score without fingering marks on piano staff. Chord symbols are available on piano part. In this arrangement, the viola plays the melody and it is accompanied by the piano with chords on the right-hand and a bass line on the left-hand. In the second time, the main melody is played in a higher octave. The sections also feature contrasting dynamics, alternating between mezzo-forte and piano. Viola part is attached to the end of the file.
$2.99
Happy Birthday To You (viola and piano – clean sheet music)
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Alto, Piano
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FACILE
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Patty S
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Bernardo Pereira
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Happy Birthday To You
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Bernardo Pereira
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1365978 Composed by Patty S. Hill. Arranged by Bernardo Pereira. Children,Folk,Standards,Traditional. Score and part. 3 ...
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Piano,Viola - Level 2 - SKU: A0.1365978 Composed by Patty S. Hill. Arranged by Bernardo Pereira. Children,Folk,Standards,Traditional. Score and part. 3 pages. Bernardo Pereira #950317. Published by Bernardo Pereira (A0.1365978). This arrangement is an easy-intermediate level adaptation for viola and piano of the traditional folk song Happy Birthday To Youâ€. The song is a standard song for children and family play during festive moments. It is also a clean score without chords symbols and fingering marks on the piano staff. In this arrangement, the viola plays the melody and it is accompanied by the piano with chords on the right-hand and a bass line on the left-hand. In the second time, the main melody is played in a higher octave. The sections also feature contrasting dynamics, alternating between mezzo-forte and piano. Viola part is attached to the end of the file.
$2.99
Happy Birthday To You (viola and piano – clean with fingering)
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Alto, Piano
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FACILE
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Patty S
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Bernardo Pereira
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Happy Birthday To You
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Bernardo Pereira
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1365981 Composed by Patty S. Hill. Arranged by Bernardo Pereira. Children,Folk,Standards,Traditional. Score and part. 3 ...
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Piano,Viola - Level 2 - SKU: A0.1365981 Composed by Patty S. Hill. Arranged by Bernardo Pereira. Children,Folk,Standards,Traditional. Score and part. 3 pages. Bernardo Pereira #950322. Published by Bernardo Pereira (A0.1365981). This arrangement is an easy-intermediate level adaptation for viola and piano of the traditional folk song Happy Birthday To Youâ€. The song is a standard song for children and family play during festive moments. It is also a clean score without chord symbols on piano staff. Fingering marks are available on piano part. In this arrangement, the viola plays the melody and it is accompanied by the piano with chords on the right-hand and a bass line on the left-hand. In the second time, the main melody is played in a higher octave. The sections also feature contrasting dynamics, alternating between mezzo-forte and piano. Viola part is attached to the end of the file.
$2.99
Happy Birthday To You (viola and piano)
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Alto, Piano
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FACILE
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Patty S
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Bernardo Pereira
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Happy Birthday To You
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Bernardo Pereira
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1365975 Composed by Patty S. Hill. Arranged by Bernardo Pereira. Children,Folk,Standards,Traditional. Score and part. 3 ...
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Piano,Viola - Level 2 - SKU: A0.1365975 Composed by Patty S. Hill. Arranged by Bernardo Pereira. Children,Folk,Standards,Traditional. Score and part. 3 pages. Bernardo Pereira #950314. Published by Bernardo Pereira (A0.1365975). This arrangement is an easy-intermediate level adaptation for viola and piano of the traditional folk song Happy Birthday To Youâ€. The song is a standard song for children and family play during festive moments.In this arrangement, the viola plays the melody and it is accompanied by the piano with chords on the right-hand and a bass line on the left-hand. In the second time, the main melody is played in a higher octave. The sections also feature contrasting dynamics, alternating between mezzo-forte and piano. Chord symbols and fingering marks are available on piano part. Viola part is attached to the end of the file.
$2.99
Gounod - Ave Maria Meditation in F Major - Intermediate
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Alto, Piano
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INTERMÉDIAIRE
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Charles-François Gounod
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Piacere Music Sheets
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Gounod - Ave Maria Meditation
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Piacere Music Sheets
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1142473 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romanti...
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Piano,Viola - Level 3 - SKU: A0.1142473 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards. Score and part. 12 pages. Piacere Music Sheets #742840. Published by Piacere Music Sheets (A0.1142473). Opus/Catalog Number: CG 89 Key/Tone: F major Movements/Sections: (Andante semplice) Year/Date of Composition: 1853 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for viola and piano in the key of F Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach). The viola part is to be played in the first six positions. Please note that in Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time. Included: Full score and separated parts for each instrument.
$9.95
Viola Sonata No.1
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.1
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518943 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 37 pages. Han-Ki Kim #129615. Published by Han-Ki Kim (A0.518943). Viola Sonata No.1 “KangKangSullae†For Viola and Piano Sonata No. 1 has the name “KangKangSullaeâ€, and the composer is like any other composer. “What does it mean to be Korean music?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the sonata as an element that forms the basic character of this movement. For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest. The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form. But, in this sonata, two contrasting themes, eastern and western, develop. The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, and expresses oriental excellence and emotion. The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time. The fourth movement quoted the theme of “KangKangSullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes solemnly, sometimes sobbing, calmly, etc.
$14.99
Bach: Wachet auf for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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#
Bach: Wachet auf for Viola &am
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Piano,Viola - Level 2 - SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Amazing Grace, Concert Solo for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 p...
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Piano,Viola - Level 3 - SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611387. Published by David McKeown (A0.587645). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Viola with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Viola Sonata No.2
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Alto, Piano
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AVANCÉ
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Han-Ki Kim
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Viola Sonata No.2
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. ...
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Piano,Viola - Level 5 - SKU: A0.518944 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Traditional. Score and part. 34 pages. Han-Ki Kim #129616. Published by Han-Ki Kim (A0.518944). Viola Sonata Sonata No.2 “Ong Hye Ya†The first movement is in 3/4 time, and in normal sonata form, there are two contrasting themes. In this movement, there is a contrast between the oriental and western characteristics. The first theme is oriental and the second theme is characterized by a Western character. The second movement is in 4/4 time, and it is composed in ABA format in which the theme of a slow nature is exchanged between instruments. The third movement is in 3/8 time, and the lively and humorous theme A and the slow B theme are written in ABA format. The 4th movement is in the form of a variation in which the theme of “Ong Heaâ€, the nickname of the sonata seen in 4/4/time, is cited. An exciting conversation continues. The colorful arpeggio and colorful bariolage are used to heighten the musical atmosphere. This theme originated in Kungsangdo province, south Korea. The meanning of “Ong Hye Ya†is the sound of peoples harvesting barleys. Excited reaction word of on old Korean mostly used in traditional folk songs to uplift the hard work of harvesting. Attached music file is recorded by Violin, it's just for a reference.
$14.99
I need Thee Every Hour viola and piano
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Alto, Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Robert Lowry
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Cydney Olson Van Duker
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I need Thee Every Hour viola a
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Cydney Olson Van Duker
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1191096 Composed by Robert Lowry. Arranged by Cydney Olson Van Duker. Christian,Religious,Sacred. Score and part. 4 page...
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Piano,Viola - Level 3 - SKU: A0.1191096 Composed by Robert Lowry. Arranged by Cydney Olson Van Duker. Christian,Religious,Sacred. Score and part. 4 pages. Cydney Olson Van Duker #790613. Published by Cydney Olson Van Duker (A0.1191096). This is a unique arrangement of a beloved hymn with changes in the time signature and key signature several times throughout. The first verse introduces the melody in a simple and comforting manner. The accompaniment is flowing and reverent. The second verse becomes more joyous. In the third verse the piano starts with the melody and the viola plays an obligato. The third verse ends with the viola taking back the melody and finishing the piece as reverently as it began.
$5.00
Beethoven: Adagio from Sonata Pathetique for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Piano,Viola - Level 3 - SKU: A0.549634 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516289. Published by jmsgu3 (A0.549634). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Symphony No. 7 by Beethoven for Viola and Piano
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Alto, Piano
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FACILE
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Classique
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part....
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Piano,Viola - Level 2 - SKU: A0.1240301 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 6 pages. Woods Only, Arrangements #835671. Published by Woods Only, Arrangements (A0.1240301). This arrangement adapted for viola and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions.Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Five Lost Highland Tales 2: Barcarolle
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Alto, Piano
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INTERMÉDIAIRE
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Joanna Borrett
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Five Lost Highland Tales 2: Ba
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Joanna Borrett
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1515846 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090144. Published by Joann...
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Piano,Viola - Level 3 - SKU: A0.1515846 Composed by Joanna Borrett. Classical,Folk. Score and part. 3 pages. Joanna Borrett #1090144. Published by Joanna Borrett (A0.1515846). Barcarolle is the second movement of Five Lost Highland Tales - a prequel to Clan.This is the viola and piano arrangement.Imagine going back in time and watching an ancient Scottish clan sitting round an open fire one night telling stories about their lives. Barcarolle is the second of these stories.Please note that the recording is of the cello and piano arrangement.
$5.99
Deep Purple
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Alto, Piano
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INTERMÉDIAIRE
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Nino Tempo & April Stevens
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Debra E
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Deep Purple
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Standard Time
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1514906 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Debra E. Stempien, Gregory H. T...
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Piano,Viola - Level 3 - SKU: A0.1514906 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards,Traditional. Score and part. 6 pages. Standard Time #1089400. Published by Standard Time (A0.1514906). This beautiful 1930s ballad is arranged is for viola with piano accompaniment. The piano takes a lush turn at the melody on the second pass before handing it back to the soloist. Please note that audio features the soprano sax version of this arrangement.
$7.99
Mixtli
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Juan Guerra González
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Mixtli
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1137268 Composed by Juan Guerra González. Chamber,Classical,Contemporary. Score and part. 31 pages. Juan Carlos Guerr...
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Piano,Viola - Level 4 - SKU: A0.1137268 Composed by Juan Guerra González. Chamber,Classical,Contemporary. Score and part. 31 pages. Juan Carlos Guerra Gonzalez #737470. Published by Juan Carlos Guerra Gonzalez (A0.1137268). Mixtli (Clouds in Nahuat) is a set of 3 small pieces for Viola and Piano. It was written thanks to a collaboration with costarican pianist Rebeca Ordóñez RodrÃguez and costarican violinist/violist Erasmo Solerti who were looking for a piece to premiere in a concert dedicated to the Central American bicentennial. Clouds played a vital role in the lives of our ancestors. Thanks to their observation skills, they were able to achieve a deep understanding of the nature surrounding them. As a kid, one of the games I used to play with my cousins and my mom was finding shapes in the clouds. We spent several hours laying on the ground just looking at clouds changing shapes. Each movement represents a mood involving clouds. The first movement is a dance in 5/8 time signature. It begins with a challenging key that will require a skillful violist. The movement explores the range of the Viola, including harmonics and other techniques. The second movement explores the alto range of the Viola while allowing the player to be very expressive, the combination with the piano creates a musical atmosphere representing a gray cloudy day. The third movement is a fast-paced dance that represents a day with different cloud scenes, for example, rain for one moment and sunny the next minute.
$13.99
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A Second Time
