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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once I Was
Non classifié
1 181
Piano & claviers
Piano seul
509
Piano, Voix et Guitare
346
Instruments en Do
304
Piano, Voix
216
Piano Facile
46
Orgue
38
1 Piano, 4 mains
12
2 Pianos, 4 mains
11
Accompagnement Piano
8
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Clavier
1
Accordéon
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
58
Guitare
57
Guitare notes et tablatures
28
2 Guitares (duo)
9
Ukulele
5
Piano, Guitare (duo)
5
4 Guitares (Quatuor)
3
Mandoline
3
3 Guitares (trio)
3
Basse electrique
2
Paroles et Accords
2
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
227
Chorale 3 parties
60
Chorale 2 parties
43
Voix duo, Piano
21
Chorale TTBB
21
Chorale Unison
18
Voix Baryton, Piano
11
Chorale SSAA
9
Voix seule
7
Voix haute
6
Pack Instrumental pour Chorale
5
Voix duo
5
Voix Soprano, Piano
5
Voix Tenor, Piano
3
Chorale SSATTB
2
Voix Tenor
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
127
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Ensemble de saxophones
105
Ensemble de Clarinettes
50
Quatuor de Saxophones: 4 saxophones
43
Flûte traversière et Piano
41
Quatuor de Clarinettes: 4 clarinettes
32
Flûte, Hautbois, Clarinette, Basson
32
Saxophone Alto et Piano
31
Clarinette et Piano
31
2 Saxophones (duo)
26
Clarinette
23
Flûte traversière
22
Hautbois, Piano (duo)
21
Saxophone Tenor et Piano
21
2 Clarinettes (duo)
20
Ensemble de Flûtes
19
Quintette de Flûte : 5 flûtes
18
Quatuor de Flûtes : 4 flûtes
17
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
17
Hautbois (partie séparée)
14
Saxophone Baryton, Piano
10
Saxophone, Clarinette (duo)
8
Cor anglais, Piano
8
2 Hautbois (duo)
8
Clarinette (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor
6
Clarinette, Guitare (duo)
6
Clarinette, Violon (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette (duo)
6
Flûte et Guitare
5
Saxophone (partie séparée)
5
Hautbois, Clarinette (duo)
5
Clarinette Basse, Piano
5
Flute (partie séparée)
5
Trio de Flûtes: 3 flûtes
4
Flûte, Violon
3
Hautbois, Basson (duo)
3
3 Saxophones (trio)
3
Flûte, Alto (duo)
3
Flûte à bec Soprano
3
Flûte, Hautbois, Basson
3
Saxophone Soprano
3
Hautbois, Flûte
3
Flûte, Violon, Piano
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
Cor Anglais
3
2 Flûtes traversières, Piano
2
Piccolo
2
Clarinette, Basson (duo)
2
3 Clarinettes (trio)
2
Clarinette, Trompette (duo)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Ocarina
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Saxophone et Orgue
1
Quatuor de Flûtes à bec
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
+ 69 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Ensemble de Trombones
35
Ensemble de Trompettes
27
Trompette
25
Trombone et Piano
21
Quatuor de Cuivres
20
Trompette, Piano
17
Cor et Piano
12
2 Trombones (duo)
11
2 Trompettes (duo)
10
Trompette (partie séparée)
9
Trombone
9
2 Cors (duo)
9
Cor anglais, Piano
8
Tuba et Piano
8
Trombone (partie séparée)
7
Trio de Cuivres
7
Tuba
7
Cor
7
Trompette, Saxophone (duo)
6
Ensemble de Cors
6
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Tubas (duo)
4
Cor (partie séparée)
3
Trombone basse et Piano
3
Cor Anglais
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
2
Tuba (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Ensemble de Tubas
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trombone basse
1
Cor et Orgue
1
Trombone et orchestre
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
125
Violon et Piano
64
Violon
36
Trio à Cordes: violon, alto, violoncelle
28
Violoncelle, Piano
26
Alto, Piano
26
Harpe
23
2 Violoncelles (duo)
22
Violoncelle
20
Violon, Violoncelle (duo)
19
2 Violons (duo)
19
Ensemble de Violons
19
Ensemble d'Altos
18
Alto seul
12
Violon, Alto (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
8
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
4
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
3
Harpe, Voix
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Alto et Basson
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
594
Orchestre
102
Orchestre à Cordes
94
Ensemble de cuivres
50
Orchestre de chambre
45
Ensemble Jazz
21
Ensemble de Percussions
11
Jazz combo
8
Fanfare
4
Percussion (partie séparée)
4
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
2
Piano et Orchestre
2
Xylophone
1
Batterie (partie séparée)
1
Batterie
1
2 Marimbas
1
Cloches
1
Marimba
1
Orchestre, Violon
1
+ 15 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
Once I Was
Alto, Piano
Partitions à imprimer
26 partitions trouvées
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1
26
What can wash away my sin (For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE
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R
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Han-Ki Kim
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What can wash away my sin
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.511613 Composed by R.Lowry. Arranged by Han-Ki Kim. Contemporary,Sacred,Standards. Score and part. 8 pages. Han-Ki Kim #...
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Piano,Viola - Level 3 - SKU: A0.511613 Composed by R.Lowry. Arranged by Han-Ki Kim. Contemporary,Sacred,Standards. Score and part. 8 pages. Han-Ki Kim #3619329. Published by Han-Ki Kim (A0.511613). What can wash away my sin is an arrangement for Viola and Piano of a popular old hymn tune. It works great for offertories, special music for a worship service, or for the Concert where inspirational music is desired. Arranger is very experienced(with I Musici), and his works are very loved world widely. And, especially, Shown Bowing sign and Fingering will be very helpful to player.
$5.90
How Far I'll Go
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Alto, Piano
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INTERMÉDIAIRE
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Film/TV
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Alessia Cara
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Tim Crooks
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How Far I'll Go
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STR:UK String Arrangements
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1039009 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Tim Crooks. Film/TV. Score and part. 10 pages. STR:UK String...
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Piano,Viola - Level 3 - SKU: A0.1039009 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Tim Crooks. Film/TV. Score and part. 10 pages. STR:UK String Arrangements #644010. Published by STR:UK String Arrangements (A0.1039009). How Far I’ll Go from the Disney film ‘Moana’, by Lin-Manuel Miranda, arranged for Viola & Piano by Tim Crooks. This arrangement is great for intermediate players (ABRSM Grade 4+), and also contains optional easier part for Viola (approx grade 2 level), so it can be played as a duet with piano accompaniment. This arrangement is also compatible with the Violin & Piano version, available separately. About the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com twitter.com@strukstrings Facebook@Strukstrings.
$5.99
Do You Hear What I Hear
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Alto, Piano
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FACILE
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Carrie Underwood
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Stephen DeCesare
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Do You Hear What I Hear
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.628434 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Stephen DeCesare. Christmas,Contemporary,Sacre...
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Piano,Viola - Level 2 - SKU: A0.628434 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Stephen DeCesare. Christmas,Contemporary,Sacred. Score and part. 10 pages. Exultet Music #6135209. Published by Exultet Music (A0.628434). The Christmas song that was made popular by recording artist Bing Crosby has now been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate to be sung and played in any church or concert setting.
$4.99
Trois pièces : Andante, Sérénade et Chant Serbe
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Paul Wehage
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Trois pièces : Andante,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Scor...
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Piano,Viola - Level 4 - SKU: A0.1493034 Composed by Clémence de Grandval. Arranged by Paul Wehage. 19th Century,Chamber,Classical,Romantic Period. Score and part. 33 pages. Musik Fabrik Music Publishing #1069724. Published by Musik Fabrik Music Publishing (A0.1493034). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studies privately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns, who remember their first meeting: “I was 12 when I heard the vicomtesse de Grandval for the first time, who was 18. It was at a musical morning concert at the home of the violinist de Cuvillon. She sang a song of her own composition ‚La Source, in which she accompanied herself. I was struck by the fluidity of her playing, which purely and without useless inflections, was quite close to my way of viewing music. This unified and tranquil style came out of her studies with Chopin.” Camille Saint-Saëns: Quelques mots sur l’exécution des œuvres de Chopin, in: “Le courrier musical de Paris” 13 [1910], S. 386). At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chiefly known today for her music for wind instruments, especially for the oboe.
$18.95
Elgar - Nimrod from 'Enigma Variations', - Viola and Piano
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Alto, Piano
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AVANCÉ
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Classique
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Edward Elgar
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Len Rhodes
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Elgar - Nimrod from 'Enigma Va
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Len Rhodes Music
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.739949 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Graduation,Holiday,Romantic Period,Wedding. Score and p...
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Piano,Viola - Level 5 - SKU: A0.739949 Composed by Edward Elgar. Arranged by Len Rhodes. Concert,Graduation,Holiday,Romantic Period,Wedding. Score and part. 4 pages. Len Rhodes Music #3494487. Published by Len Rhodes Music (A0.739949). In recognition of the 150th anniversary of the birth of Sir Edward Elgar in 2007, I was able to celebrate one of my favorite composers with transcriptions of the ninth (and probably the most famous and best-loved) variation, Nimrod, from his orchestral work, ENIGMA VARIATIONS - My Friends Pictured Within. Here is an additional transcription for Viola and Piano. In the opening bars, Elgar suggests the slow movement of Beethoven's Pathetique sonata. Download includes part and score.
$5.99
Nocturne. Original For Clarinet, Viola and Piano.
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Alto, Piano
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INTERMÉDIAIRE
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Grant Horsley
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Grant Horsley
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Nocturne. Original For Clarine
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Grant Horsley
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1255345 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley...
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Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 3 - SKU: A0.1255345 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848860. Published by Grant Horsley (A0.1255345). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive. I have tried to keep these elements in this Nocturne. Written here for Clarinet in B flat, Viola and Piano, the parts are equally divided. Highest note top D flat ( clarinet once). Bowing for the viola has been left to the performer. It is written in the key of concert B flat minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece. It is 4 mins 20 in length. Price is for the full score and parts.Set to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available, as is Flute, Bassoon and Piano ensemble.
$7.25
Vitali's Chaconne in C Minor, for Viola & Accompaniment
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Tomaso Antonio Vitali, L&eac
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Austin Harning
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Vitali's Chaconne in C Minor,
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Austin Harning
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SheetMusicPlus
Composed by Tomaso Antonio Vitali, Leopold Charlier. Arranged by Austin Harning. Baroque, Concert, Instructional, Standards, World. Score and part. 21...
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Composed by Tomaso Antonio Vitali, Leopold Charlier. Arranged by Austin Harning. Baroque, Concert, Instructional, Standards, World. Score and part. 21 pages. Austin Harning #5307723. Published by Austin Harning
Tomaso Antonio Vitali (1663 - 1745) was an Italian composer and violinist during the Baroque Era who is generally known for his Chaconne in G Minor for violin and basso continuo.
Chaconnes are a type of musical composition that consists of variations on a repeating harmonic progression. Vitali's Chaconne in particular is interesting because of its unorthodox features. Although it opens with a step-wise bass line that introduces the primary harmonic progression, it features multiple modulations into the far-flung keys of Eb-minor and Bb-minor (Ab-minor and Eb-minor in my arrangement), among others. These modulations (or key-signature changes) and other romanticisms would not begenerally seen until the Romantic Era roughly a century later.This created musicological doubts as to whether the originalmanuscript belonged to Vitali, although there is some evidenceof its authenticity.
This arrangement is based on Lopold Charlier's (1867 - 1936) arrangement of the piece, though I took inspirations from other composers and wrote some original voices. Enjoy!
$7.99
Korean Simple Suite No.3 "Happy Wedding"(For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Han-Ki Kim
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Korean Simple Suite No.3 "
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.557046 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Wedding. Score and part. 36 pages. Han-...
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Piano,Viola - Level 4 - SKU: A0.557046 Composed by Han-Ki Kim. 20th Century,Classical,Contemporary,Instructional,Wedding. Score and part. 36 pages. Han-Ki Kim #166508. Published by Han-Ki Kim (A0.557046). “Korean Simple Suite†No.3 For Viola and Piano Op.273C As far as melodies are concerned, the traditional 5 notes of Korean “Do.Re.Mi.Sol.La†are mainly used. It consists of five movements as follows: I tried to express the wedding ceremony of the bride and groom held in a traditional Korean front yard and the surrounding scenery. So, this piece's nick name is Happy Wedding. And Attached music file is only 1st mov. played by Violin just for a reference. 1. The Front Yard 2. Yeonji Gonzi 3. Joyful Dance 4. Waiting (Longing) 5. The Bride and Groom Movement 1, The Front Yard: In G minor in 8/12 time, it is a short song with a bright atmosphere. The front yard is a friendly place for villagers' gatherings and events. Movement 2, Yeonzi – Gonzi: In G major in 4/4 time, natural harmonics are used to describe the mysterious oriental atmosphere. The meaning of Yeonji Gonji is the red dot on the cheeks and forehead of the bride in a traditional wedding ceremony. Movement 3, Joyful Dance: 3/4 time B flat major, composed in ABA format, expressed the joy of dancing in Korea. Movement 4, Longing: In G minor in 6/4 time, we tried to express oriental waiting. Movement 5, The Bride and Groom : It is composed of 4/4 time and 6/4 time, and like the title of the title of Groom and Bride, it shows the contrasting character of liveliness and calm. It was composed in a rondo style that goes back and forth between D minor and F major.
$14.90
Bach: Bist du bei mir BWV 508 for Viola & Piano
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Alto, Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score ...
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Piano,Viola - Level 2 - SKU: A0.549217 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468034. Published by jmsgu3 (A0.549217). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Viola & Piano
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Alto, Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Scor...
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Piano,Viola - Level 2 - SKU: A0.550913 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888187. Published by jmsgu3 (A0.550913). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 2 pages, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Can't Help Falling In Love
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Alto, Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.845299 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,R...
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Piano,Viola - Level 3 - SKU: A0.845299 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6683871. Published by Phil Beaman (A0.845299). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
The Holly, The Ivy And The Three Ships
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Evelyn R
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Evelyn Larter Music
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The Holly, The Ivy And The Thr
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Evelyn R Larter
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.749838 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christmas,Concert,Jazz. Score and part. 8 p...
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Piano,Viola - Level 4 - SKU: A0.749838 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christmas,Concert,Jazz. Score and part. 8 pages. Evelyn R Larter #3859959. Published by Evelyn R Larter (A0.749838). This is a medley of two old English carols, The Holly and The Ivy and I Saw Three Ships Come Sailing In, in a jazz style arrangement. It was originally part of the two volume clarinet collection, Carols For The King From Around The World, also available at Sheet Music Press. For advanced intermediate performers, this is sheer fun from start to finish, and very suitable for Christmas concerts. The opening measures can be omitted, and the song commence where the piano enters. The piano left hand plays a walking bass throughout and can be performed with a double bass player, as in the recording provided - contact me for the extracted part, or if interested in a recorded piano accompaniment. See also versions for violin solo and flute solo. More information on my music may be found on my website, www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!
$6.99
Luther: Out of the Depths for Viola & Piano
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Alto, Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4...
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Piano,Viola - Level 1 - SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Marble Halls, from "The Bohemian Girl" - Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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Balfe, Michael
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Marble Halls, from "The B
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Music-Scores.com
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.721527 Composed by Balfe, Michael. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Opera,Romantic Period. S...
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Piano,Viola - Level 3 - SKU: A0.721527 Composed by Balfe, Michael. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Opera,Romantic Period. Score and part. 3 pages. Music-Scores.com #4747391. Published by Music-Scores.com (A0.721527). I Dreamt I dwelt in Marble Halls from the opera, The Bohemian Girl. Also known as The Gypsy Girls Dream. A little girl was abducted and raised by gypsies, from her father the wealthy Count Arnheim. This dream was actually a flashback to her original palatial home.For viola and piano.Duration 1 minute, 15 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$5.95
Come, All Christians, Be Committed
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Alto, Piano
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Musique Sacrée
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Christian contemporain
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Evelyn R
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Evelyn Larter Music
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Come, All Christians, Be Commi
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Evelyn R Larter
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SheetMusicPlus
Piano,Viola - SKU: A0.749788 Composed by Evelyn R. Larter. Arranged by Evelyn Larter Music. Christian,Concert,Sacred. Score and part. 6 pages. Evelyn R ...
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Piano,Viola - SKU: A0.749788 Composed by Evelyn R. Larter. Arranged by Evelyn Larter Music. Christian,Concert,Sacred. Score and part. 6 pages. Evelyn R Larter #3077899. Published by Evelyn R Larter (A0.749788). This is the Early American melody Beach Spring arranged for solo viola with piano. The setting was originally an anthem with instrumental obbligato which I rearranged for solo instrument. It is also available for violin or flute and for cello. For advanced intermediate performers, it is suitable for church prelude or offertory, wedding prelude and also for recitals. This is the MIDI recording - I will post a live recording when I have one. More information on my music may be found on my website, www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Please leave feedback!
$6.99
Alla Hornpipe from Water Music for viola and easy piano
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Alto, Piano
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INTERMÉDIAIRE
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G
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Klas Krantz
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Alla Hornpipe from Water Music
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Amadeus Music
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1247374 Composed by G. F. Handel. Arranged by Klas Krantz. Baroque,Classical,Wedding. Score and part. 4 pages. Amadeus M...
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Piano,Viola - Level 3 - SKU: A0.1247374 Composed by G. F. Handel. Arranged by Klas Krantz. Baroque,Classical,Wedding. Score and part. 4 pages. Amadeus Music #842009. Published by Amadeus Music (A0.1247374). The Water Music is a collection of orchestral movements, often considered as three suites, composed by George Frideric Handel. It premiered in the summer of 1717 when King George I requested a concert on the River Thames. The concert was performed by 50 musicians that joined King George I on his barge.
$4.95
BACH: Sonata in C Major BWV 1033 for Viola & Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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James Guthrie, ASCAP
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BACH: Sonata in C Major BWV 10
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jmsgu3
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.551568 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Sco...
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Piano,Viola - Level 4 - SKU: A0.551568 Composed by Johann Sebastian Bach. Arranged by James Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 22 pages. Jmsgu3 #5317551. Published by jmsgu3 (A0.551568). BACH: Sonata in C Major BWV 1033, Duration: 8:30, Score:13 pages.1. Andante - Presto2. Allegro3. Adagio4. Menuet I.5. Menuet II.Johann Sebastian Bach was a German composer, musician, organist, and harpsichordist in the Baroque period of music. He is considered one of the greatest and most influential composers of his time and of all time, and his works form an essential part of the standard concert repertoire. Bach is credited with being largely responsible for the development of the sonata form in the Baroque era. He created several new forms of writing, such as the sinfonia and the prelude, which became popular in the Baroque. Bach also regularly combined two or three voice parts in the form of canons or fugues. His forms were complex and innovative and helped to establish the sonata as a form of composition. He composed some of the most famous and beautiful sonatas in music history. Bach's influence on the sonata form was massive.
$32.95
Mixtli
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Juan Guerra González
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Mixtli
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1137268 Composed by Juan Guerra González. Chamber,Classical,Contemporary. Score and part. 31 pages. Juan Carlos Guerr...
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Piano,Viola - Level 4 - SKU: A0.1137268 Composed by Juan Guerra González. Chamber,Classical,Contemporary. Score and part. 31 pages. Juan Carlos Guerra Gonzalez #737470. Published by Juan Carlos Guerra Gonzalez (A0.1137268). Mixtli (Clouds in Nahuat) is a set of 3 small pieces for Viola and Piano. It was written thanks to a collaboration with costarican pianist Rebeca Ordóñez RodrÃguez and costarican violinist/violist Erasmo Solerti who were looking for a piece to premiere in a concert dedicated to the Central American bicentennial. Clouds played a vital role in the lives of our ancestors. Thanks to their observation skills, they were able to achieve a deep understanding of the nature surrounding them. As a kid, one of the games I used to play with my cousins and my mom was finding shapes in the clouds. We spent several hours laying on the ground just looking at clouds changing shapes. Each movement represents a mood involving clouds. The first movement is a dance in 5/8 time signature. It begins with a challenging key that will require a skillful violist. The movement explores the range of the Viola, including harmonics and other techniques. The second movement explores the alto range of the Viola while allowing the player to be very expressive, the combination with the piano creates a musical atmosphere representing a gray cloudy day. The third movement is a fast-paced dance that represents a day with different cloud scenes, for example, rain for one moment and sunny the next minute.
$13.99
Roadside Inn - Schumann- Viola-Piano
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Alto, Piano
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FACILE
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Robert Schumann
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Phil Beaman
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Roadside Inn - Schumann- Viola
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Phil Beaman
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.844514 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and ...
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Piano,Viola - Level 2 - SKU: A0.844514 Composed by Robert Schumann. Arranged by Phil Beaman. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. Phil Beaman #3489395. Published by Phil Beaman (A0.844514). In 1849 Robert Schumann completed a set of Romantic character pieces for piano which he named Forest Scenes. One of that set was called Roadside Inn, which I have arranged for Instrumental Solo with Piano Accompaniment. In keeping with the characteristics of the Romantic period my arrangement is full of contrasts and constant shifts between dynamics, articulations, and themes. I took themes and fragments of themes from the original and re-ordered them into a bit of a rondo form. There are interpretive marks in every measure making it a great piece for auditions to show your technique and interpretation. Not too difficult to play but sounds quite advanced when all details are observed. Another feature is the beautiful harmonic interplay between the solo and accompaniment. To be played warmly and with passion to welcome people to your Roadside Inn. 2 1/2 minutes, 5 page score, 2 page solo partTemporary MIDI recording; a live performance will be much more expressive and free.
$4.99
Tears of the Heliad for solo viola and piano
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Alto, Piano
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AVANCÉ
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David F Wainwright
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Tears of the Heliad for solo v
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D F Wainwright
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.771527 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 15 pages. D F Wainwr...
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Piano,Viola - Level 5 - SKU: A0.771527 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 15 pages. D F Wainwright #4346451. Published by D F Wainwright (A0.771527). In Greek mythology the Heliades were seven nymph daughters of the sun-god Helios. When their brother Phaethon was struck from the chariot of the sun by Zeus, they gathered around his smoky grave on the banks of the River Eridanos and in their unrelenting grief were transformed into poplar-trees and their tears fell into the river and became drops of golden amber. Having originally written a piece representing Phaethon's chaotic charge around the heavens and his destruction by Zeus as a viola solo for my daughter, Penelope, for her second year performance at University, we decided that I should follow the story to it's (rather beautiful) ending with this longer piece for her degree performance. It is a piece which is of professional performance standard, lasting around 11 minutes
$14.99
Forever Autumn
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Alto, Piano
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INTERMÉDIAIRE
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Rock
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The Moody Blues
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Kevin P Holdgate
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Forever Autumn
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Kevin P Holdgate
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.791179 By The Moody Blues. By Jeff Wayne. Arranged by Kevin P Holdgate. Rock. Score and part. 4 pages. Kevin P Holdgate ...
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Piano,Viola - Level 3 - SKU: A0.791179 By The Moody Blues. By Jeff Wayne. Arranged by Kevin P Holdgate. Rock. Score and part. 4 pages. Kevin P Holdgate #5347099. Published by Kevin P Holdgate (A0.791179). KPHMS 'Solo' CollectionI did this arrangement originally for a 'Sci-Fi' inspired proms concert in Derbyshire. The organisers had hired two full-sized Daleks which stood on the sides of the stage through the performance and never moved, but pointed their 'exterminate' weapons in my direction throughout the performance. An experience that many conductors may feel they have experienced.The music is from the original 'War of the Worlds' film and was recorded by Justin Heyward and the band 'Moody Blues'.There are solo versions with piano accompaniment of this song available for a variety of instruments in suitable keys. The difficulty level ranges between grade 3 to 5 based on the ABRSM/Trinity scale requirements.A 10 piece version and various solo versions with piano accompaniment are available for this work together with a full brass band version. There are also vocal versions for a male and/or female voice with a standard 3 horn 'Cruise ship' format backing.
$4.99
Free At Last (Viola solo and Piano)
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Alto, Piano
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FACILE
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Spiritual
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Stephen DeCesare
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Free At Last
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Exultet Music
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.628783 Composed by Spiritual. Arranged by Stephen DeCesare. Sacred,Spiritual. Score and part. 10 pages. Exultet Music #6...
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Piano,Viola - Level 2 - SKU: A0.628783 Composed by Spiritual. Arranged by Stephen DeCesare. Sacred,Spiritual. Score and part. 10 pages. Exultet Music #6215347. Published by Exultet Music (A0.628783). The Spiritual that was quoted by Rev. Martin Luther King, Jr. in his famous 1963 I Have a Dream speech has now been freshly arranged for a Viola solo with Piano accompaniment. Accessible and appropriate for any church, school or concert setting.
$4.99
In the Language of Meditation for viola & piano
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Alto, Piano
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AVANCÉ
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Contemporain
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Greg Bartholomew
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In the Language of Meditation
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Burke & Bagley
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SheetMusicPlus
Piano,Viola - Level 5 - SKU: A0.787267 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and part. 32 pages. Burke & Bagley #17405....
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Piano,Viola - Level 5 - SKU: A0.787267 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary. Score and part. 32 pages. Burke & Bagley #17405. Published by Burke & Bagley (A0.787267). IN THE LANGUAGE OF MEDITATION was originally composed in 2013 for violist Brett Deubner and pianist Caroline Fauchet in memory of Ingrid Buschmann (1954 - 2013). Total duration: approx. 14 minutes. IN THE LANGUAGE OF MEDITATION is in three parts: I. Observations from a Rooftop Garden II. Contemplating a Mountain with Love III. Reflecting on a Visit with Birds.
$24.99
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