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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Once I Was
Non classifié
1 181
Piano & claviers
Piano seul
509
Piano, Voix et Guitare
346
Instruments en Do
304
Piano, Voix
216
Piano Facile
46
Orgue
38
1 Piano, 4 mains
12
2 Pianos, 4 mains
11
Accompagnement Piano
8
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Trio: piano, violon, violoncelle
2
Clavecin
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
Clavier
1
Accordéon
1
+ 14 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
58
Guitare
57
Guitare notes et tablatures
28
2 Guitares (duo)
9
Ukulele
5
Piano, Guitare (duo)
5
4 Guitares (Quatuor)
3
Mandoline
3
3 Guitares (trio)
3
Basse electrique
2
Paroles et Accords
2
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
227
Chorale 3 parties
60
Chorale 2 parties
43
Voix duo, Piano
21
Chorale TTBB
21
Chorale Unison
18
Voix Baryton, Piano
11
Chorale SSAA
9
Voix seule
7
Voix haute
6
Pack Instrumental pour Chorale
5
Voix duo
5
Voix Soprano, Piano
5
Voix Tenor, Piano
3
Chorale SSATTB
2
Voix Tenor
2
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Soprano
1
+ 14 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
127
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Ensemble de saxophones
105
Ensemble de Clarinettes
50
Quatuor de Saxophones: 4 saxophones
43
Flûte traversière et Piano
41
Quatuor de Clarinettes: 4 clarinettes
32
Flûte, Hautbois, Clarinette, Basson
32
Saxophone Alto et Piano
31
Clarinette et Piano
31
2 Saxophones (duo)
26
Clarinette
23
Flûte traversière
22
Hautbois, Piano (duo)
21
Saxophone Tenor et Piano
21
2 Clarinettes (duo)
20
Ensemble de Flûtes
19
Quintette de Flûte : 5 flûtes
18
Quatuor de Flûtes : 4 flûtes
17
Saxophone Soprano et Piano
17
2 Flûtes traversières (duo)
17
Hautbois (partie séparée)
14
Saxophone Baryton, Piano
10
Saxophone, Clarinette (duo)
8
Cor anglais, Piano
8
2 Hautbois (duo)
8
Clarinette (partie séparée)
7
Saxophone Alto
7
Saxophone Tenor
6
Clarinette, Guitare (duo)
6
Clarinette, Violon (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Clarinette (duo)
6
Flûte et Guitare
5
Saxophone (partie séparée)
5
Hautbois, Clarinette (duo)
5
Clarinette Basse, Piano
5
Flute (partie séparée)
5
Trio de Flûtes: 3 flûtes
4
Flûte, Violon
3
Hautbois, Basson (duo)
3
3 Saxophones (trio)
3
Flûte, Alto (duo)
3
Flûte à bec Soprano
3
Flûte, Hautbois, Basson
3
Saxophone Soprano
3
Hautbois, Flûte
3
Flûte, Violon, Piano
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
Cor Anglais
3
2 Flûtes traversières, Piano
2
Piccolo
2
Clarinette, Basson (duo)
2
3 Clarinettes (trio)
2
Clarinette, Trompette (duo)
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Violoncelle (duo)
2
Hautbois, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette et Basson
1
Saxophone et Guitare
1
Clarinette, Violoncelle, Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
Ensemble De Flûte à bec
1
Ocarina
1
Flûte, Basson et Piano
1
Flûte à bec Soprano, Piano
1
Saxophone et Orgue
1
Quatuor de Flûtes à bec
1
Clarinette, Trombone (duo)
1
Piccolo, Piano
1
+ 69 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres: 2 trompettes, Cor, trombone
41
Ensemble de Trombones
35
Ensemble de Trompettes
27
Trompette
25
Trombone et Piano
21
Quatuor de Cuivres
20
Trompette, Piano
17
Cor et Piano
12
2 Trombones (duo)
11
2 Trompettes (duo)
10
Trompette (partie séparée)
9
Trombone
9
2 Cors (duo)
9
Cor anglais, Piano
8
Tuba et Piano
8
Trombone (partie séparée)
7
Trio de Cuivres
7
Tuba
7
Cor
7
Trompette, Saxophone (duo)
6
Ensemble de Cors
6
Euphonium, Piano (duo)
6
Trompette, Trombone (duo)
4
Quatuor de cuivres: 4 trombones
4
2 Tubas (duo)
4
Cor (partie séparée)
3
Trombone basse et Piano
3
Cor Anglais
3
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums (duo)
2
Tuba (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Ensemble de Tubas
1
Bass Clef Instruments
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
Trombone basse
1
Cor et Orgue
1
Trombone et orchestre
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
125
Violon et Piano
64
Violon
36
Trio à Cordes: violon, alto, violoncelle
28
Violoncelle, Piano
26
Alto, Piano
26
Harpe
23
2 Violoncelles (duo)
22
Violoncelle
20
Violon, Violoncelle (duo)
19
2 Violons (duo)
19
Ensemble de Violons
19
Ensemble d'Altos
18
Alto seul
12
Violon, Alto (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
2 Altos (duo)
8
Contre Basse
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
2 Harpes (duo)
4
Quatuor à cordes: 4 violons
3
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Violon, Guitare (duo)
3
Harpe, Voix
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Contrebasse, Piano (duo)
2
2 Contrebasses (duo)
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Orchestre
1
Ensemble de Violoncelles
1
Alto et Basson
1
Alto (partie séparée)
1
Contrebasse (partie séparée)
1
Violoncelle (partie séparée)
1
Violon, Clarinette, Piano (trio)
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
594
Orchestre
102
Orchestre à Cordes
94
Ensemble de cuivres
50
Orchestre de chambre
45
Ensemble Jazz
21
Ensemble de Percussions
11
Jazz combo
8
Fanfare
4
Percussion (partie séparée)
4
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
2
Piano et Orchestre
2
Xylophone
1
Batterie (partie séparée)
1
Batterie
1
2 Marimbas
1
Cloches
1
Marimba
1
Orchestre, Violon
1
+ 15 instrumentations
Retracter
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FLUTE A BEC
FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
Once I Was
Trombone et Piano
Partitions à imprimer
21 partitions trouvées
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1
3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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3rd Movement, Rondo, from Moza
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Music-Scores.com
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.729595 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,H...
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Piano,Trombone - Level 4 - SKU: A0.729595 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,Holiday,Instructional,Wedding. Score and part. 15 pages. Music-Scores.com #337856. Published by Music-Scores.com (A0.729595). This Rondo from Mozart's 4th Concerto (originally for Horn) is very well known and adored, for its simple and humorous theme which was immortalised by the comedians Flanders and Swann in their song: I once had a whim and I had to obey it, to buy a french horn in a second-hand shop. For Trombone and Piano. Duration 4 minutes. Transcribed by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$3.95
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
Concerto in D for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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William Pagan-Perez
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Concerto in D for Trombone and
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William Pagan-Perez
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SheetMusicPlus
Piano,Tenor Trombone - Level 5 - SKU: A0.1374004 Composed by William Pagan-Perez. 21st Century. Score and part. 33 pages. William Pagan-Perez #958576. P...
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Piano,Tenor Trombone - Level 5 - SKU: A0.1374004 Composed by William Pagan-Perez. 21st Century. Score and part. 33 pages. William Pagan-Perez #958576. Published by William Pagan-Perez (A0.1374004). Concerto in D is a fresh three-movement piece for trombone solo and the reduction for piano made by composer WIlliam Pagán-Pérez. This concerto was originally for trombone and orchestra.I. ModeratoII. AndantinoIII. ModeratoIt has modern harmonies. With cantabile and motivic phrases. And a danceable twist with a touch of the reggaeton/pop rhythm.
$24.95
Do You Hear What I Hear
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Trombone et Piano
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FACILE
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Noël
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Carrie Underwood
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Stephen DeCesare
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Do You Hear What I Hear
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Exultet Music
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.627181 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Stephen DeCesare. Christmas,Sacred. Score a...
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Piano,Trombone - Level 2 - SKU: A0.627181 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Stephen DeCesare. Christmas,Sacred. Score and part. 10 pages. Exultet Music #5969459. Published by Exultet Music (A0.627181). The Christmas song that was made popular by recording artist Bing Crosby has now been freshly arranged for a Trombone solo with Piano accompaniment. Accessible and appropriate to be sung and played in any church or concert setting.
$4.99
Too Much For Our Thirst (Trombone and Piano)
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Publishe...
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Piano,Tenor Trombone - Level 4 - SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
E lucevan le stelle from "Tosca" (Puccini) - Solo Trombone or Euphonium and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Classique
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Giacomo Puccini
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Rob Bushnell
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E lucevan le stelle from "Tosc
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Rob Bushnell
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SheetMusicPlus
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1490460 Co...
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B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - SKU: A0.1490460 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and individual part. 10 pages. Rob Bushnell #1067302. Published by Rob Bushnell (A0.1490460). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement (for solo euphonium and piano accompaniment) includes an alternative part for euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHYOther searchable terms: Luciano Pavarotti.
$19.99
Blue Skies
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Angela Stone and David Vincent
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John Fries
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Blue Skies
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John Fries
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1102415 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards....
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Piano,Trombone - Level 4 - SKU: A0.1102415 Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. 20th Century,Blues,Jazz,Standards. Score and part. 4 pages. John Fries #705825. Published by John Fries (A0.1102415). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. This is a Trombone Solo arrangement of this old standard. “Blue Skies†was composed by Irving Berlin in 1926. It made its debut in the Rodgers and Hart musical Betsy. According to Philip Furia and Michael Lasser, the song was added at the last minute, and it was thanks to a panicky phone call from vaudevillian Belle Baker to Berlin, who complained that the score lacked a ‘Belle Baker song.’ They also write: “Berlin resented the interpolation of songs by other composers into the score of his shows, but he must have been delighted at the chance to work one of his songs into a score by the young songwriting team who were already being compared to Gilbert and Sullivan.â€.
$4.99
Blue Bossa
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Jazz
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Szymon Wysocki
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John Fries
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Blue Bossa
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John Fries
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1103256 Composed by Szymon Wysocki. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Score and part. 4 page...
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Piano,Trombone - Level 4 - SKU: A0.1103256 Composed by Szymon Wysocki. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Score and part. 4 pages. John Fries #706542. Published by John Fries (A0.1103256). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Blue Bossa is an instrumental jazz composition by Kenny Dorham . It was introduced on Joe Henderson's 1963 album Page One. A blend of hard bop and bossa nova, the tune was possibly influenced by Dorham's visit to the Rio de Janeiro Jazz Festival in 1961. The tune has since been recorded numerous times by different artists, making it a jazz standard.
$4.99
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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Trombone et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. S...
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Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95
Bach-Gounod: Ave Maria for Trombone & Piano
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Trombone et Piano
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FACILE
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Bach-Gounod
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James M
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Piano - S0
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Bach-Gounod: Ave Maria for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and...
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Piano,Trombone - Level 2 - SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3491299. Published by jmsgu3 (A0.549368). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
TROMBONE SONATA
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ron Levy
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TROMBONE SONATA
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Thinkling Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1024003 Composed by Ron Levy. Contemporary. Score and part. 54 pages. Thinkling Music #5733147. Published by Thinklin...
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Piano,Trombone - Level 4 - SKU: A0.1024003 Composed by Ron Levy. Contemporary. Score and part. 54 pages. Thinkling Music #5733147. Published by Thinkling Music (A0.1024003). I. Da Dee gets its title onomatopoeically from the nursery rhyme-like quality of its opening measures. It is a playground taunt, a nursery rhyme - the Millennial Whoop in augmentation? The movement is in sonata form. II. Waiting for Sunrise emerged from a snippet of melody originally conceived for a solo bassoon piece. (It may show up in my Bassoon Sonata, in another form. I like to reuse and recycle). The way the movement unfolds was inspired perhaps by the grotto scene from Ravel’s Daphnis and Chloe. III. Clown Car The movement opens with a Surprise! gesture - a sort of musical clowning around. The second theme is a mambo bass line accompanying a soaring and hopeful horn line. There is some blues too, before a contemplative coda brings all to a reassuring, if slightly melancholic, close.
$15.00
Band Of Brothers - Main Title
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Trombone et Piano
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INTERMÉDIAIRE
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Michael Kamen
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John Fries
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Band Of Brothers - Main Title
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John Fries
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1238319 Composed by Michael Kamen. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score and part. 2 pag...
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Piano,Trombone - Level 3 - SKU: A0.1238319 Composed by Michael Kamen. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score and part. 2 pages. John Fries #833785. Published by John Fries (A0.1238319). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Band of Brothers is a 2001 American war drama miniseries based on historian Stephen E. Ambrose's 1993 non-fiction book of the same name. The theme music was composed by the late Michael Kamen, known for his scores for titles such as the Die Hard films, X-Men, Memento as well as several HBO series. He had also collaborated previously with Tom Hanks, who produced the score for Band of Brothers. The bold, evocative soundtrack to the series was very well received, with critics calling it Kamen's best work to date.
$4.99
Can't Help Falling In Love
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Trombone et Piano
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INTERMÉDIAIRE
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Mariage/Ballade
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Rock
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Elvis Presley
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Phil Beaman
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Can't Help Falling In Love
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Phil Beaman
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.845290 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Po...
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Piano,Trombone - Level 3 - SKU: A0.845290 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Phil Beaman. Film/TV,Pop,Rock,Wedding. Score and part. 4 pages. Phil Beaman #6681709. Published by Phil Beaman (A0.845290). Can't Help Falling In Love was made famous by Elvis Presley on his album and film Blue Hawaii. My arrangement takes it from a 60's pop song to a gentle jazz ballad. It is totally reharmonized and has a fresh new feel. The melody is the same, except it has a new Time Signature. The song was originally in 6/8 but I have set it in 1/2 in order to get the pulse and phrasing I want. (Yes, 1 minim/half note per bar.) The original accompaniment was broken arpeggios, but now it is all about the rich new blocked chords. With repeats and a D.S. I have covered all 4 verses and bridges. Enjoy a fresh take on this forever classic. Great for weddings and nostalgic concerts. solo range 10th solo part, Early Intermediate; piano part, Intermediateavailable for several different instrument solos3 pages score, 1 page part2:00 minutes
$5.99
Luther: Out of the Depths for Trombone & Piano
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Trombone et Piano
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DÉBUTANT
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part...
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Piano,Trombone - Level 1 - SKU: A0.548722 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411759. Published by jmsgu3 (A0.548722). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
Golden Hour
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Trombone et Piano
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INTERMÉDIAIRE
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Rock
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Jvke
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Langanho
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Golden Hour
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Avery Lynn Jordan
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1188991 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Langanho. Pop,Rock. Score and part. 8 pages. Avery Ly...
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Piano,Trombone - Level 3 - SKU: A0.1188991 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Langanho. Pop,Rock. Score and part. 8 pages. Avery Lynn Jordan #788604. Published by Avery Lynn Jordan (A0.1188991). This transcription was made for Trombone and Piano, of which is intended for music students who already have some prior knowledge of instrumental performance, which does not prevent it from being played by professionals in the area, and can be used in various events such as concerts, weddings or didactic events as well. Golden Hour is the third song released from JVKE's debut album, where before announcing the title and pre-save link, JVKE shared on his Instagram story on July 12, 2022, This song has a special place in my heart and I can't wait to share it with all of you. I did my best to incorporate the beauty in every detail of the production..
$6.99
Marble Halls, from "The Bohemian Girl" - Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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Balfe, Michael
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Marble Halls, from "The B
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Music-Scores.com
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.721522 Composed by Balfe, Michael. Arranged by Anne L Christopherson GRSM ARCM. Concert,Opera,Romantic Period,Wedding...
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Piano,Trombone - Level 3 - SKU: A0.721522 Composed by Balfe, Michael. Arranged by Anne L Christopherson GRSM ARCM. Concert,Opera,Romantic Period,Wedding. Score and part. 4 pages. Music-Scores.com #4747065. Published by Music-Scores.com (A0.721522). I Dreamt I dwelt in Marble Halls from the opera, The Bohemian Girl. Also known as The Gypsy Girls Dream. A little girl was abducted and raised by gypsies, from her father the wealthy Count Arnheim. This dream was actually a flashback to her original palatial home. For trombone and piano.Duration 1 minute, 15 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$5.95
Free At Last (Trombone solo and Piano)
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Trombone et Piano
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FACILE
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Spiritual
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Stephen DeCesare
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Free At Last
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Exultet Music
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.628779 Composed by Spiritual. Arranged by Stephen DeCesare. Sacred,Spiritual. Score and part. 10 pages. Exultet Music...
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Piano,Trombone - Level 2 - SKU: A0.628779 Composed by Spiritual. Arranged by Stephen DeCesare. Sacred,Spiritual. Score and part. 10 pages. Exultet Music #6215013. Published by Exultet Music (A0.628779). The Spiritual that was quoted by Rev. Martin Luther King, Jr. in his famous 1963 I Have a Dream speech has now been freshly arranged for a Trombone solo with Piano accompaniment. Accessible and appropriate for any church, school or concert setting.
$4.99
Free At Last (Trombone Duet)
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Trombone et Piano
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FACILE
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Spiritual
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Stephen DeCesare
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Free At Last
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Exultet Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 2 - SKU: A0.628759 Composed by Spiritual. Arranged by Stephen DeCesare. Sacred,Spiritua...
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 2 - SKU: A0.628759 Composed by Spiritual. Arranged by Stephen DeCesare. Sacred,Spiritual. Score and parts. 13 pages. Exultet Music #6213649. Published by Exultet Music (A0.628759). The Spiritual that was quoted by Rev. Martin Luther King, Jr. in his famous 1963 I Have a Dream speech has now been freshly arranged as a duet for Trombone with Piano accompaniment. Accessible and appropriate for any church, school or concert setting.
$4.99
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Once I Was
