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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
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HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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73
Piano & claviers
Piano seul
51
Piano, Voix et Guitare
36
Piano, Voix
16
Piano Facile
12
Instruments en Do
9
Orgue
3
Piano (partie séparée)
2
Piano grosses notes
1
2 Pianos, 4 mains
1
Clavecin
1
Piano Trio: piano, violon, violoncelle
1
+ 6 instrumentations
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Guitares
Guitare notes et tablatures
13
Ligne De Mélodie, (Paroles) et Accords
13
Guitare (partie séparée)
4
Paroles et Accords
4
Guitare
4
2 Guitares (duo)
2
Ukulele
2
4 Guitares (Quatuor)
2
Banjo
1
+ 4 instrumentations
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Voix
Chorale SATB
32
Chorale TTBB
10
Chorale 2 parties
4
Chorale 3 parties
4
Chorale SSAA
3
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix seule
1
+ 3 instrumentations
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Vents
Flûte, Violon, Piano
30
Saxophone (partie séparée)
10
Quatuor de Clarinettes: 4 clarinettes
3
Quatuor de Saxophones: 4 saxophones
3
Ensemble de Flûtes
3
Ensemble de Clarinettes
2
Flute (partie séparée)
2
Quatuor de Flûtes : 4 flûtes
2
Saxophone Alto et Piano
2
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2
Saxophone Soprano et Piano
2
Quintette de Saxophone: 5 saxophones
2
Quintette de Flûte : 5 flûtes
2
Clarinette et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Ensemble à vent
1
Saxophone et Orgue
1
Flûte et Guitare
1
Cor Anglais
1
Flûte traversière et Piano
1
Piccolo
1
Clarinette
1
Saxophone
1
+ 18 instrumentations
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Trombone (partie séparée)
11
Trompette (partie séparée)
8
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Cor
4
Trompette, Trombone (duo)
3
Trombone et Piano
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Trompette
2
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trombones
1
Cor Anglais
1
Trombone
1
4 Tubas
1
Cor et Piano
1
Tuba
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
8
2 Violoncelles (duo)
4
Violon et Piano
3
Violon
3
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
Violon, Violoncelle (duo)
2
Violon, Alto (duo)
2
Alto, Piano
2
Violoncelle
2
Contrebasse (partie séparée)
2
Contre Basse
1
Harpe
1
2 Violons (duo)
1
Harpe, Flûte (duo)
1
Violoncelle (partie séparée)
1
Alto (partie séparée)
1
Violoncelle, Piano
1
Alto seul
1
Violon (partie séparée)
1
Trio à Cordes: violon, alto, violoncelle
1
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Orchestre & Percussions
Fanfare
20
Orchestre d'harmonie
15
Ensemble Jazz
15
Orchestre
11
Orchestre à Cordes
11
Orchestre de chambre
7
Jazz combo
7
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2
Cloches
2
Ensemble de cuivres
2
Ensemble de Percussions
1
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--INSTRUMENTS--
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Trombone et Piano
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Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
TROMBONE SONATA
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Ron Levy
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TROMBONE SONATA
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Thinkling Music
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.1024003 Composed by Ron Levy. Contemporary. Score and part. 54 pages. Thinkling Music #5733147. Published by Thinklin...
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Piano,Trombone - Level 4 - SKU: A0.1024003 Composed by Ron Levy. Contemporary. Score and part. 54 pages. Thinkling Music #5733147. Published by Thinkling Music (A0.1024003). I. Da Dee gets its title onomatopoeically from the nursery rhyme-like quality of its opening measures. It is a playground taunt, a nursery rhyme - the Millennial Whoop in augmentation? The movement is in sonata form. II. Waiting for Sunrise emerged from a snippet of melody originally conceived for a solo bassoon piece. (It may show up in my Bassoon Sonata, in another form. I like to reuse and recycle). The way the movement unfolds was inspired perhaps by the grotto scene from Ravel’s Daphnis and Chloe. III. Clown Car The movement opens with a Surprise! gesture - a sort of musical clowning around. The second theme is a mambo bass line accompanying a soaring and hopeful horn line. There is some blues too, before a contemplative coda brings all to a reassuring, if slightly melancholic, close.
$15.00
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