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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Second Time
Non classifié
865
Piano & claviers
Piano seul
452
Piano Facile
139
Accompagnement Piano
61
Piano, Voix
61
1 Piano, 4 mains
52
Piano, Voix et Guitare
42
Piano Trio: piano, violon, violoncelle
35
Instruments en Do
33
Orgue
31
2 Pianos, 4 mains
20
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 11 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
39
2 Guitares (duo)
16
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
7
Ukulele
6
Guitare (partie séparée)
6
Mandoline
5
4 Guitares (Quatuor)
4
Mandoline, Guitare (duo)
4
3 Guitares (trio)
2
2 Ukuleles
1
Dulcimer
1
Basse electrique
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
186
Chorale 2 parties
71
Chorale 3 parties
41
Chorale Unison
25
Chorale SSAA
25
Chorale TTBB
18
Voix duo, Piano
15
Voix Soprano, Piano
10
Voix duo
5
Chorale
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix basse, Piano
2
Voix Tenor, Piano
2
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Quatuor de Saxophones: 4 saxophones
50
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière et Piano
42
2 Flûtes traversières (duo)
42
Flûte, Hautbois, Clarinette, Basson
40
Quintette de Saxophone: 5 saxophones
37
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Saxophone Alto et Piano
26
Clarinette et Piano
26
Clarinette
24
Saxophone, Clarinette (duo)
24
Flûte traversière
20
3 Saxophones (trio)
18
Flûte, Clarinette (duo)
17
2 Hautbois (duo)
15
Quintette de Clarinettes: 5 clarinettes
14
Hautbois, Clarinette (duo)
13
Clarinette, Violon (duo)
12
Saxophone (partie séparée)
12
Saxophone Tenor et Piano
12
Hautbois, Flûte
11
Quatuor de Flûtes : 4 flûtes
11
Hautbois (partie séparée)
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Trompette (duo)
10
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
8
Clarinette et Alto
8
Flûte et Guitare
8
Saxophone Alto
8
Cor anglais, Piano
7
Saxophone Soprano et Piano
7
Flûte, Violon, Piano
7
2 Flûte à bec (duo)
7
Flûte, Trompette (duo)
7
Flûte, Violon
7
Flûte, Saxophone (duo)
6
Quatuor de Flûtes à bec
6
Saxophone Baryton, Piano
6
Flûte, Clarinette et Basson
5
Clarinette, Basson (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
Saxophone Tenor
5
3 Flûtes à bec (trio)
5
Ensemble de saxophones
5
Clarinette Basse, Piano
4
Flûte, Hautbois (duo)
4
Flûte à bec Alto
4
Flûte, Alto (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
3
Flute (partie séparée)
3
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Flûte, Violoncelle
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Harpe
1
Saxophone
1
5 Flûtes à bec
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
27
2 Trompettes (duo)
22
Trombone et Piano
22
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
Trompette, Piano
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres
12
Trombone (partie séparée)
11
Cor
10
2 Cors (duo)
9
Trompette (partie séparée)
9
Cor et Piano
8
Ensemble de Trombones
8
Cor anglais, Piano
7
Trombone
7
Tuba
7
Euphonium, Piano (duo)
7
Ensemble de Trompettes
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Trio de Cuivres
3
4 Tubas
3
Tuba et Piano
3
Ensemble de Cors
3
2 Tubas (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
1
Cor Anglais
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Tuba et Orgue
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon, Violoncelle (duo)
180
Violon
160
Trio à Cordes: violon, alto, violoncelle
159
Violon et Piano
68
Violoncelle, Piano
39
Alto, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
29
Violon, Alto (duo)
24
Violoncelle
23
2 Violoncelles (duo)
22
2 Altos (duo)
20
Harpe
18
Alto seul
12
Alto, Violoncelle (duo)
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
8
Alto (partie séparée)
6
Violon (partie séparée)
5
4 Violoncelles
4
Ensemble de Violons
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Guitare (duo)
1
Violoncelle, Basse continue
1
2 Harpes (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
174
Orchestre à Cordes
163
Orchestre
74
Ensemble de cuivres
70
Cloches
43
Ensemble Jazz
36
Orchestre de chambre
33
Fanfare
20
Jazz combo
15
Ensemble de Percussions
12
Batterie
4
Batterie (partie séparée)
3
Piano et Orchestre
1
Percussion
1
Marimba
1
Orchestre, Violon
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
A Second Time
Flûte traversière et Piano
Partitions à imprimer
42 partitions trouvées
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1
26
Un Automne a Paris
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Flûte traversière et Piano
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Alain Lopez
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Un Automne a Paris
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Flute, Piano - Grade 2 - SKU: FX.FX071922 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #...
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Flute, Piano - Grade 2 - SKU: FX.FX071922 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071922. Published by FLEX Editions - Digital Sheet Music (FX.FX071922). The wind carries away the yellow leaves fallen on the pavement, the cafes put tables and chairs in... I evoke here a fall tour that is difficult to do quietly in Paris. How to take your time in this city with so many streets to cross (musical phrases of 3 measures), cars or buses to avoid (musical phrases starts on the second time). While the chestnut vendors are on subway entrances, how not to hurry like others (theme B) to 'catch' the subway...
$7.95
Away In A Manger: for Flute & Piano
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Flûte traversière et Piano
#
DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Flute &a
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published...
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Flute,Piano - Level 1 - SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published by jmsgu3 (A0.548476). Traditional Christmas song arranged for Flute & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.
$24.95
Waltz in A Minor - Alto Flute and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
#
Waltz in A Minor - Alto Flute
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Raymond Fenech
#
SheetMusicPlus
Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.760543 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holida...
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Alto Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.760543 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional. Score and individual part. 9 pages. Raymond Fenech #4623543. Published by Raymond Fenech (A0.760543). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Waltz in A Minor - Flute and Piano - Chamber music
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Raymond Fenech
#
Waltz in A Minor - Flute and P
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Raymond Fenech
#
SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.760513 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Per...
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Flute,Piano - Level 3 - SKU: A0.760513 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Period. Score and part. 9 pages. Raymond Fenech #4609271. Published by Raymond Fenech (A0.760513). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Waltz in A Minor (Chopin) - 2 Flutes and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
#
Classique
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Frederic Chopin
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Raymond Fenech
#
Waltz in A Minor
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Raymond Fenech
#
SheetMusicPlus
Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760514 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Clas...
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Instrumental Duet,Piano Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760514 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and parts. 11 pages. Raymond Fenech #4609275. Published by Raymond Fenech (A0.760514). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
Waltz in A Minor - 2 Alto Flutes and Piano - Chamber music
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
#
Waltz in A Minor - 2 Alto Flut
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Raymond Fenech
#
SheetMusicPlus
Instrumental Duet,Piano Alto Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760541 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas...
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Instrumental Duet,Piano Alto Flute,Instrumental Duet,Piano - Level 3 - SKU: A0.760541 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional. Score and parts. 11 pages. Raymond Fenech #4623539. Published by Raymond Fenech (A0.760541). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
Shenandoah - a Memorial Day duet for flute and piano
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Flûte traversière et Piano
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FACILE
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American Folk Song
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c
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Shenandoah - a Memorial Day du
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C.E. Walz
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SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.767663 Composed by American Folk Song. Arranged by c.e. walz. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pag...
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Flute Solo - Level 2 - SKU: A0.767663 Composed by American Folk Song. Arranged by c.e. walz. Contemporary,Folk,Holiday,Patriotic. Individual part. 4 pages. C.E. Walz #4596003. Published by C.E. Walz (A0.767663). My friend Maestro says that Shenandoah is one of the most moving and haunting melodies to come out of American folk music. No wonder it has been associated with American patriotic music for sometime, and specifically, Memorial Day music. It is a beautiful tribute to those who gave everything for America's freedom. My arrangement is geared to early intermediate for the piano accompaniment and moderately easy for flute. The performance is 1:35 seconds and is very moving as a Memorial Day call to worship or call to prayer. Key of C, no key changes, three pages of piano accompaniment with one page of flute part at the end. .
$4.99
Telemann Sonata in A Minor TWV 41:a3, 1st Movement: Siciliano - Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Georg Philipp Telemann
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Telemann Sonata in A Minor TWV
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Music-Scores.com
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.722336 Composed by Georg Philipp Telemann. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary,Wed...
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Flute,Piano - Level 3 - SKU: A0.722336 Composed by Georg Philipp Telemann. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary,Wedding. Score and part. 4 pages. Music-Scores.com #6421093. Published by Music-Scores.com (A0.722336). Sonata in A minor, 1st movement: Siciliana. A piece in a swaying 12/8 time and dotted rhythms, which give a pastoral feel.For Flute and Piano. Duration about 1 minute, 50 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$4.95
Amazing Grace - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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John Henry Newton
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Nick Raspa
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Amazing Grace - Flute & Pi
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NJR Music
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.754387 Composed by John Henry Newton. Arranged by Nick Raspa. Christmas,Easter,Praise & Worship,Sacred. Score and part. ...
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Flute,Piano - Level 3 - SKU: A0.754387 Composed by John Henry Newton. Arranged by Nick Raspa. Christmas,Easter,Praise & Worship,Sacred. Score and part. 11 pages. NJR Music #3904273. Published by NJR Music (A0.754387). Amazing Grace begins with the piano playing through the hymn followed by the entrance of the Flute which plays the hymn a second time with piano accompaniment.  The key changes and the flute performs the hymn one more time but with more virtuosic ornamentation. There is a piano backing track available at: Sheet Music Plus https://www.sheetmusicplus.com/title/amazing-grace-flute-piano-backing-track-digital-sheet-music/21402084?ac=1 ASCAP.
$9.95
Invention #1 for Flute and Piano
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Flûte traversière et Piano
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AVANCÉ
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New Age
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Contemporain
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Felix Rivera
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Invention #1 for Flute and Pia
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Felix Rivera
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #8...
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Flute,Piano - Level 5 - SKU: A0.1299446 Composed by Felix Rivera. 21st Century,Classical,Contemporary,New Age. Score and part. 28 pages. Felix Rivera #889315. Published by Felix Rivera (A0.1299446). Invention #1 is a captivating exploration of musical landscapes, seamlessly blending elements of fantasia and the subtle structure of sonata form. With a nod to the past while firmly rooted in a modern tonal harmonic system, this composition takes listeners on a journey through evocative melodies and intricate harmonies.The piece opens with a dynamic contrast between the two instruments, setting the stage for the unfolding musical narrative. The piano introduces a percussive motif atop a flute drone, its rhythmic intensity driving the initial thematic material. This is contrasted later with a second thematic idea which is more gloomy and chorale like with the flute presenting the material over changing harmonies in the piano.Throughout the composition, another thematic idea emerges as a reprieve or time of reflection to balance the two contrasting ideas. The themes interweave, creating a tapestry of evolving musical ideas. The composer skillfully employs repetition and thematic development to weave a complex yet accessible musical fabric.With its fusion of traditional forms and innovative harmonic language, Invention #1 invites audiences to embark on a musical journey that transcends time and genre, leaving a lasting impression long after the final notes have faded.
$14.99
Grant Us Your Peace (Easy Flute Solo with Piano Accompaniment)
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Flûte traversière et Piano
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FACILE
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Sharon Wilson
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Sharon Wilson
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Grant Us Your Peace
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Sharon Wilson
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.565905 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Classical,Contemporary,Renaissance,Sacred. Score and...
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Flute,Piano - Level 2 - SKU: A0.565905 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Classical,Contemporary,Renaissance,Sacred. Score and part. 5 pages. Sharon Wilson #6574341. Published by Sharon Wilson (A0.565905). Here is an easy instrumental duet arrangement (for FLUTE solo with PIANO accompaniment) of the traditional praise chorus Grant Us Your Peace. Many will also recognize this ancient tune by its Latin lyrics Dona Nobis Pacem. Since this song is so short, the PIANO introduction is the first verse. For the second time through the song, the FLUTE plays the melody followed by playing harmony while the PIANO again leads with the melody. The song concludes with the FLUTE playing the melody again while the PIANO adds another unique accompaniment.The purchase price includes a combined score (grand staff, 3-stave) with both parts (FLUTE and PIANO) on each page, plus a 1-staff solo part. The range for the FLUTE solo is F4 (first F above middle C) to G5 (second G above middle C).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
"Juliet's Waltz" Original romantic waltz for Flute and Piano.
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Grant Horsley
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Grant Horsley
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"Juliet's Waltz" Ori
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Grant Horsley
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1300103 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV. ...
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Flute,Piano - Level 3 - SKU: A0.1300103 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contemporary,Contest,Festival,Film/TV. Score and part. 15 pages. Grant Horsley #889858. Published by Grant Horsley (A0.1300103). Juliet's Waltz (named after Juliet in Romeo and Juliet to depict innocence, grace and charm) It is romantic in nature- originally intended as a piece for classical ballet, however it was decided on a concert piece. It is written in the key of G minor for the first two sections. The first time through the flute has the melody and the second time the piano takes the melody whilst the flute embellishes the theme. After a short link it arrives in G major and the same format takes place with variations of the embellishments before a small coda section to finish.I wanted the piece to sound through-composed with just the two sections. It is also more of a duet between flute and piano with both sharing the material. Would make a lovely concert piece or addition to the repertoire. It is 4 minutes long -Intermediate level, but the whole score is o the youtube link for you to assess suitability.Price is for score and parts.
$5.99
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Douglas Knehans
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Tempest-Concerto for Flute and
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Armadillo Edition
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Ar...
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Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00
Gounod - Ave Maria Meditation in C Major - Intermediate
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Charles-François Gounod
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Piacere Music Sheets
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Gounod - Ave Maria Meditation
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Piacere Music Sheets
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.1143080 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romanti...
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Flute,Piano - Level 3 - SKU: A0.1143080 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards,Wedding. Score and part. 12 pages. Piacere Music Sheets #743444. Published by Piacere Music Sheets (A0.1143080). Opus/Catalog Number: CG 89 Key/Tone: C major Movements/Sections: Andante semplice Year/Date of Composition: 1853 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for Flute and piano, remaining in the original key of C Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach). In Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time. Included: Full score and separated parts for each instrument.
$9.95
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Sonata for Flute and Piano, Op. 12
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Flûte traversière et Piano
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AVANCÉ
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Tyler J
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Sonata for Flute and Piano, Op
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. ...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.
$20.00
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Pe...
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Flute,Piano - Level 3 - SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacre...
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Flute,Piano - Level 3 - SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Bach: Wachet auf for Alto Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Alto Flut
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. ...
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Flute,Piano - Level 2 - SKU: A0.549847 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554865. Published by jmsgu3 (A0.549847). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$24.95
Bach: Wachet auf BWV 140 for Flute & Piano
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Flûte traversière et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf BWV 140 for F
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jmsgu3
#
SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score an...
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Flute,Piano - Level 2 - SKU: A0.549839 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554485. Published by jmsgu3 (A0.549839). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings,or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &nb.
$26.95
Amazing Grace, Concert Solo for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.587640 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 p...
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Flute,Piano - Level 3 - SKU: A0.587640 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611377. Published by David McKeown (A0.587640). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Flute with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Beethoven: Adagio from Sonata Pathetique for Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacr...
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Flute,Piano - Level 3 - SKU: A0.549636 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516309. Published by jmsgu3 (A0.549636). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.
$24.95
Symphony No. 7 by Beethoven for Flute
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Flûte traversière et Piano
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Flute,Piano - Level 1 - SKU: A0.1158443 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional...
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Flute,Piano - Level 1 - SKU: A0.1158443 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758729. Published by Woods Only, Arrangements (A0.1158443). This arrangement adapted for flute e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Selected Pieces Vol. 1
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Ernest Tomlinson
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Selected Pieces Vol. 1
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Forton Music - Digital
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SheetMusicPlus
Fl. Pft. - Intermediate-Advanced - SKU: F2.FM493 Composed by Ernest Tomlinson. Flute and Piano. Score and part. 33 pages. Forton Music - Digital #FM493....
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Fl. Pft. - Intermediate-Advanced - SKU: F2.FM493 Composed by Ernest Tomlinson. Flute and Piano. Score and part. 33 pages. Forton Music - Digital #FM493. Published by Forton Music - Digital (F2.FM493). ISBN 9790570483921.All four of these pieces were arranged for concert flute and piano at the request of his daughter Hilary, who is a flautist. Pourquoi Pas? - This piece started life as a violin and piano piece written whilst Tomlinson was on active service in northern France during the Second World War serving as a wireless mechanic in the RAF. His commanding office was a good violinist and had found a local French family who had a grand piano. Hearing that Ernest was studying composition he was challenged to write a piece to entertain the French family. The piece was named after a local cafe much frequented by the troops. Chadkirk Idyll - Written in 2002, this was originally for recorder and guitar and then rescored in 2003 for recorder and string quartet. Naturally, it works very well for flute and piano so this arrangement was made at about the same time. Ernest wrote On receiving the request to write this piece, the description of Chadkirk and it's history conjured up for me an imaginary picture back in history. The mental image of a small and lonely chapel in the river valley at the base of a windswept hillside inspired the melodies around which the Idyll was shaped. Air - This piece started life as a cello and piano piece and has also been arranged for violin and piano. Linda's Dance - During the late 1950's and all through the 1960's Tomlinson wrote much orchestral music intended for use as background music in radio, films and tv. The piece was part of a suite that was eventually published as his first Light Music Suite. He always found titles a difficulty but his youngest daughter, Linda, was very fond of dancing so he simply called this movement Linda's Dance. The original orchestration was for alto flute but the composer was prevailed upon to make this concert flute and piano arrangement.
$12.95
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