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Is it too late?
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Is it too late?
Flûte traversière et Piano
Partitions à imprimer
4 partitions trouvées
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D'amore Si Muore (Milva Version)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Milva
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Eileen Gilligan
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D'amore Si Muore
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The Flautist
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan....
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Piano,Soprano Flute - Level 3 - SKU: A0.1437015 By Milva. By Carlo Carunchio, Ennio Morricone, and Giuseppe Patroni Griffi. Arranged by Eileen Gilligan. 21st Century,Classical,Film/TV,Instructional,Traditional. Score and part. 9 pages. The Flautist #1017083. Published by The Flautist (A0.1437015). D'Amore Si Muore is an excellent way to practice words, expression and phrasing. In this case variations on “love you ” all the way through.Relates brilliantly to Melodious Studies number 11, 13, 14 and also 8.I am a big fan of playing slowly and having absolute control of everything I do down to the last detail and a melody like this is a great tool to practice this. I don’t believe one can play fast before control over slow playing and expression is mastered.Our most natural instrument is our voice . Singing and playing this melody is a terrific way to bridge the gap between the metal flute and one’s voice. The outcome is an amazing resonance ,musical quality in the tone and natural phrasing.Moyse was asked what he thought the French School of flute playing was and he answered” being able to sound like other instruments”. We have to start with the first port of call – our voice.The words you can use for phrasing are ” love you , love you , love you , love you, love you so.” “I really love you so much” ” I really love you so” etc all the way through . You can make up your own.It is worth singing and playing this through. By that I mean play 2 notes, sing 2 and play 2 all the way through without interrupting the musical flow, resonance and tone quality. Great for practising going between singing and playing quickly.Love was a favourite word of Moyse and Wibb. I see why!. It innately has so much expression, warmth, opens up the mouth and in Moyse’s words “scoops the last spoonful of mayonnaise from the jar. ” You definitely can’t say it with “an ugly nasal voice”- Moyse quote.The tone has to have life and expression. I hear so often soft playing as the player blowing softly but that gives such a dull lifeless outcome.
$6.95
Let All Mortal Flesh Keep Silence - Flute solo
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Brian Buda
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Brian Buda
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Let All Mortal Flesh Keep Sile
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budaful music
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1038721 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 ...
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Flute,Piano - Level 4 - SKU: A0.1038721 By Brian Buda. By French carol. Arranged by Brian Buda. Christmas,Holiday,Sacred,Traditional. Score and part. 8 pages. Budaful music #643710. Published by budaful music (A0.1038721). This haunting tune, arranged for piano and solo instrument, tells the awe-inspiring Christmas story of God becoming man. It is perfect for Advent/Christmas concerts, programs, recitals, and offertories. It runs approximately at 3:24. This PDF includes a 5 page accompaniment part as well as a 2-page flute part. Lyrics from Hymnary.org: Let all mortal flesh keep silence, and with fear and trembling stand; ponder nothing earthly minded, for with blessing in His hand Christ our God to earth descendeth, our full homage to demand. King of kings, yet born of Mary, as of old on earth He stood, Lord of lords, in human vesture - in the body and the blood. He will give to all the faithful His own self for heavenly food. At His feet the six-winged seraph, cherubim, with sleepless eye, veil their faces to the Presence, as with ceaseless voice they cry, Alleluia, alleluia! Alleluia, Lord most high! SoundCloud: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence Practice with an isolated piano accompaniment track: https://soundcloud.com/brian_buda/let-all-mortal-flesh-keep-silence-accompaniment-track.
$3.99
Morning Journals - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Andrew Middleton
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Morning Journals - Flute &
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Andrew Middleton
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.735932 Arranged by Andrew Middleton. Romantic Period. Score and part. 6 pages. Andrew Middleton #5828883. Published by A...
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Flute,Piano - Level 3 - SKU: A0.735932 Arranged by Andrew Middleton. Romantic Period. Score and part. 6 pages. Andrew Middleton #5828883. Published by Andrew Middleton (A0.735932). Morning Journals was composed in 1863 by Johann Strauss, as a friendly rival to the composer Jacques Offenbach who composed a waltz around the same time titled Evening Papers. As this is one of Strauss's early waltzes it demonstrates how he developed the waltz style into his later works. This arrangement for flute and piano is also available for oboe, clarinet, saxophone and bassoon too!For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$4.99
Scarborough Fair
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Flûte traversière et Piano
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Traditional
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Joan Bujacich
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Garfunkel
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Scarborough Fair
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Joan Bujacich
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SheetMusicPlus
Piano,Soprano Flute - SKU: A0.1433845 By Traditional. By Traditional. Arranged by Joan Bujacich. Celtic,Folk,Irish,Pop,Traditional. Score and part. 10 p...
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Piano,Soprano Flute - SKU: A0.1433845 By Traditional. By Traditional. Arranged by Joan Bujacich. Celtic,Folk,Irish,Pop,Traditional. Score and part. 10 pages. Joan Bujacich #1014054. Published by Joan Bujacich (A0.1433845). The piano and flute score is 7 pages in length, but Ms. Bujacich extracted the flute alone as well which is only 2 pages. This entire PDF then is 10 pages total with the cover. Clean, professionally notated.This arrangement by Joan Bujacich is in D Dorian mode. The flute plays the melody for the first two verses and then in the third verse it goes up an octave and the piano imitates some of the melodic lines, making for a nice dialogue between the two instruments. This medieval folk song uses the melody later used by Simon & Garfunkel. It was first sung by Mark Anderson (1874–1953), a retired lead miner from Middleton-in-Teesdale, County Durham, England to Ewan MacColl in 1947.Scarborough Fair, was popularized in the United States by the 1960s singer-songwriting duo Simon & Garfunkel.The folk song is about a market fair that took place in the town of Scarborough in Yorkshire during medieval times. Like any fair, it attracted traders, entertainers and food vendors, along with other hangers-on. The fair peaked in the late 14th century but continued to operate until the end of the 1700s. Now, several fairs are held in remembrance of the original.Be sure to check out Ms. Bujacich's arrangement page. She has many other great arrangements for Flute and Piano and solo piano.
$3.99
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Is it too late?
