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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ain century
Non classifié
3 234
Piano & claviers
Piano seul
3 111
Piano, Voix
1 276
Piano Facile
725
1 Piano, 4 mains
648
Piano, Voix et Guitare
298
Instruments en Do
280
Orgue
188
2 Pianos, 4 mains
180
Piano Trio: piano, violon, violoncelle
65
Accompagnement Piano
26
Piano Quintette: piano, 2 violons, alto, violoncelle
22
Accordéon
21
1 Piano, 6 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
18
2 Pianos, 8 mains
15
Piano Quatuor: piano, 2 violons, violoncelle
9
Orgue, Trompette (duo)
4
Piano grosses notes
4
Orgue, Piano (duo)
3
Instrument seul et Orgue
2
Clavecin
1
+ 16 instrumentations
Retracter
Guitares
Guitare
346
Guitare notes et tablatures
216
Ligne De Mélodie, (Paroles) et Accords
46
2 Guitares (duo)
45
Ukulele
37
Dulcimer
33
Basse electrique
30
Mandoline
19
4 Guitares (Quatuor)
14
Piano, Guitare (duo)
11
3 Guitares (trio)
9
Paroles et Accords
7
Banjo
6
Guitare, Violon, Violoncelle (trio)
4
Guitare, Orchestre
2
Ensemble de Ukulélés
2
Ensemble de guitares
2
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
Orchestre à Plectres
1
Ukulele Baryton
1
+ 16 instrumentations
Retracter
Voix
Chorale SATB
1 130
Chorale 3 parties
280
Chorale TTBB
133
Chorale 2 parties
132
Chorale SSAA
107
Chorale Unison
42
Voix duo
33
Voix duo, Piano
31
Voix Soprano, Piano
27
Voix haute
20
Voix Alto, Piano
8
Voix Tenor, Piano
7
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix seule
5
Chorale SSAB, Piano
2
Voix basse, Piano
2
Voix Tenor
1
Chorale SSATB
1
Voix Soprano
1
Chorale SSATBB
1
Chorale
1
Voix Baryton
1
Chorale SSAB a cappella
1
Chorale SSAATTBB
1
+ 20 instrumentations
Retracter
Vents
Flûte traversière et Piano
460
Clarinette et Piano
435
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
330
Clarinette
262
Quatuor de Saxophones: 4 saxophones
254
Hautbois, Piano (duo)
252
Flûte traversière
251
Saxophone Alto et Piano
212
2 Saxophones (duo)
197
Quatuor de Clarinettes: 4 clarinettes
192
Flûte, Hautbois, Clarinette, Basson
153
2 Flûtes traversières (duo)
145
Quintette de Saxophone: 5 saxophones
133
Saxophone Tenor et Piano
128
2 Clarinettes (duo)
126
Flûte et Guitare
114
Saxophone Soprano et Piano
111
Quatuor de Flûtes : 4 flûtes
99
Hautbois (partie séparée)
91
Saxophone Alto
87
Ensemble de saxophones
82
Clarinette, Guitare (duo)
80
3 Saxophones (trio)
80
Saxophone Baryton, Piano
69
Saxophone (partie séparée)
67
Flûte, Clarinette (duo)
65
Saxophone Tenor
61
3 Clarinettes (trio)
58
Saxophone
57
Ensemble de Clarinettes
57
Cor anglais, Piano
54
2 Hautbois (duo)
52
2 Flûte à bec (duo)
49
Ensemble de Flûtes
47
Trio de Flûtes: 3 flûtes
40
Clarinette Basse, Piano
40
Hautbois, Clarinette (duo)
37
Hautbois
36
Saxophone, Clarinette (duo)
33
Hautbois, Basson (duo)
32
Quintette de Clarinettes: 5 clarinettes
32
Flûte à Bec
28
Flûte à bec Soprano
27
Clarinette, Violon (duo)
27
Hautbois, Guitare (duo)
26
Clarinette, Basson (duo)
20
Clarinette (partie séparée)
20
Quintette de Flûte : 5 flûtes
20
Flute (partie séparée)
19
Flûte à bec Alto
19
Saxophone Soprano
18
Flûte, Hautbois, Basson
18
Hautbois, Clarinette, Basson (trio d'anches)
17
Clarinette, Trompette (duo)
16
Flûte, Violon
16
Flûte, Alto (duo)
16
Flûte, Clarinette et Basson
15
Hautbois, Flûte
15
Quatuor de Flûtes à bec
15
Ocarina
14
Flûte, Hautbois (duo)
14
Clarinette, Violoncelle (duo)
13
Flûte, Violoncelle
13
Flûte, Hautbois, Piano (trio)
12
Clarinette et Alto
12
Cor anglais, Guitare (duo)
12
Saxophone Baryton
11
Cor Anglais
10
Flûte, Hautbois, Clarinette (trio)
10
Flûte, Saxophone (duo)
10
Flûte à bec Alto, Piano
9
Hautbois, Violoncelle
9
Flûte, Trompette (duo)
8
Harmonica
8
Saxophone et Guitare
8
Piccolo, Piano
8
5 Flûtes à bec
6
Hautbois et alto (duo)
6
Flûte à bec Tenor
6
Ensemble De Flûte à bec
6
3 Flûtes à bec (trio)
6
Flûte, Violon, Piano
6
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
5
Flûte, Clarinette, Cor, Basson (Quartet)
5
Flûte, Tuba (duo)
4
Clarinette, Basson, Piano (trio)
4
Flute, harpe et violon
4
Flûte, Violoncelle, Piano (trio)
4
Flûte, Trombone (duo)
4
Flûte, Clarinette, Piano (trio)
3
4 Hautbois
3
Flûte traversière, Orgue (duo)
3
Flûte et Trio à cordes
3
2 Saxophones, Piano
3
Flûte à bec, Guitare (duo)
2
Hautbois, Clarinette, Basson et Piano
2
Flûte, Clarinette, Violon (trio)
2
Clarinette, Trombone (duo)
2
Piccolo
2
Flûte, alto et harpe
2
Instruments en Mib
2
Hautbois, Clarinette et Piano (Trio)
2
Clarinette, Harpe (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Saxophone et Orgue
2
Saxophone et Piano
2
2 Clarinettes, Piano
2
Hautbois, Trompette (duo)
1
2 Hautbois et Cor anglais
1
Hautbois, violon (duo)
1
Saxophone et Harpe
1
Clarinette, Alto et Piano (trio)
1
Flûte, Basson et Piano
1
Cor anglais et Harpe (duo)
1
Flûte, Violon, Guitare
1
Flûte irlandaise
1
Hautbois, Violon, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Harpe et Violoncelle
1
Hautbois, Harpe
1
Saxophone, Tuba (duo)
1
Ensemble à vent
1
Flûte, Alto et Piano
1
3 Flûtes à bec, Piano
1
Flûte à bec, Harpe
1
Clarinette Basse
1
+ 122 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
280
Trombone et Piano
246
Trompette, Piano
244
Cor et Piano
183
Trompette
163
Trombone
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
140
Cor
128
Tuba et Piano
111
Tuba
110
Euphonium, Piano (duo)
68
Quatuor de Cuivres
67
2 Trombones (duo)
59
Cor anglais, Piano
54
2 Trompettes (duo)
54
Trompette, Trombone (duo)
51
Quatuor de Cuivres: 2 trompettes, Cor, trombone
45
2 Cors (duo)
41
Quatuor de cuivres: 4 cors
37
Quatuor de cuivres: 4 trombones
34
Ensemble de Trombones
33
Trompette (partie séparée)
28
Trompette, Cor (duo)
27
Trompette, Saxophone (duo)
22
Trombone, Cor (duo)
18
Ensemble de Cors
18
Ensemble de Trompettes
16
Quatuor de cuivres: 4 trompettes
15
3 Trombones (trio)
14
Euphonium
14
Tuba et Orgue
12
Trombone, Tuba (duo)
12
Cor anglais, Guitare (duo)
12
Trombone basse
11
Cor Anglais
10
3 Tubas (trio)
10
2 Tubas (duo)
10
Trombone basse et Piano
9
Trio de Cuivres
9
Trompette, Tuba (duo)
9
4 Tubas
8
Trombone (partie séparée)
8
Cor, Tuba (duo)
8
2 Euphoniums et 2 Tubas
7
Euphonium, Tuba (duo)
6
3 Cors (trio)
4
Cor (partie séparée)
4
Trompette, violon (duo)
3
Trompette et Guitare
3
Trombone et orchestre
2
Bass Clef Instruments
2
2 Euphoniums (duo)
2
3 Trompettes (trio)
2
Instruments en Sib
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Tuba (partie séparée)
1
Trombone, Violon (duo)
1
Trompette, Harpe
1
Cor anglais et Harpe (duo)
1
Ensemble de Tubas
1
Cor et Harpe
1
3 Euphoniums
1
Trompette, Basson (duo)
1
Cor et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Trombone, Piano
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
683
Violon et Piano
502
Violoncelle, Piano
384
Alto, Piano
328
Violon
274
Violoncelle
195
Violon, Violoncelle (duo)
124
Alto seul
114
2 Violons (duo)
111
Harpe
107
2 Violoncelles (duo)
106
Trio à Cordes: violon, alto, violoncelle
104
Contrebasse, Piano (duo)
101
Contre Basse
84
Violon, Alto (duo)
83
2 Altos (duo)
62
Violon, Guitare (duo)
54
Violoncelle , Guitare (duo)
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
50
Alto (partie séparée)
44
Alto, Violoncelle (duo)
43
Alto, Guitare (duo)
40
4 Violoncelles
37
Trio à Cordes: 2 violons, violoncelle
26
Trio à Cordes: 3 violoncelles
25
Harpe, Flûte (duo)
19
Trio à cordes: 3 violins
19
Quatuor à cordes : 4 altos
17
Quatuor à cordes: 4 violons
15
Piano Trio: Violon, Alto, Piano
13
Trio à cordes: 3 altos
13
Violon (partie séparée)
13
Violon, Basson (duo)
9
Violoncelle, Contrebasse (duo)
9
Ensemble d'Altos
8
Ensemble de Violons
8
Violoncelle (partie séparée)
8
Trio à Cordes: 2 violons, alto
6
2 Contrebasses (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Harpe, Violon (duo)
3
2 Violons, Piano
2
Harpe et Piano
2
Ensemble de Violoncelles
2
Harpe, Voix
2
Harpe, Violoncelle (duo)
2
Violon, Clarinette, Piano (trio)
2
Contrebasse (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe, Violon, Violoncelle
1
Violon, Basse continue
1
Alto et Harpe
1
Violoncelle, Orgue
1
2 Harpes (duo)
1
2 Violoncelles, Piano
1
+ 50 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
537
Orchestre
423
Orchestre à Cordes
311
Orchestre de chambre
148
Ensemble de cuivres
93
Ensemble Jazz
52
Fanfare
49
Cloches
37
Ensemble de Percussions
25
Xylophone, Piano
22
Batterie
17
Marimba
13
Jazz combo
12
Vibraphone
8
Xylophone
5
Percussion (partie séparée)
3
Caisse Claire
3
Orchestre, Violon
2
Piano et Orchestre
1
Quintette à Vent
1
Quatuor à Vent : 4 instruments à vents
1
Timbales (partie séparée)
1
2 Marimbas
1
Marimba ou Xylophone et Piano
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
Ain century
Voix haute
Partitions à imprimer
20 partitions trouvées
<
1
Moving Up to Higher Ground (Coming out of the Rain)
#
Voix haute
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Jonathan Tauscheck
#
Moving Up to Higher Ground
#
Jonathan Tauscheck
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.915793 Composed by Jonathan Tauscheck. 20th Century,Praise & Worship,Sacred,Standards. 8 pages. Jonathan Tausc...
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High Voice,Vocal Solo - Level 4 - SKU: A0.915793 Composed by Jonathan Tauscheck. 20th Century,Praise & Worship,Sacred,Standards. 8 pages. Jonathan Tauscheck #4758077. Published by Jonathan Tauscheck (A0.915793). Moving Up to Higher Ground is a poem by Larry Burt explaining his struggles in life and, by turning to God, overcoming them. .
$1.99
RACHMANINOFF Sergei: I am alone again, an art song with transcription and translation (C minor)
#
Voix haute
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Sergei RACHMANINOFF
#
Sergei PICHUGIN
#
RACHMANINOFF Sergei: I am alon
#
Really Good Music, LLC.
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868854 Composed by Sergei RACHMANINOFF (1873 â?? 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Ins...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868854 Composed by Sergei RACHMANINOFF (1873 â?? 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Instructional,Standards,World. 6 pages. Really Good Music, LLC. #4794381. Published by Really Good Music, LLC. (A0.868854). The art song/romance I am alone again («Я опÑÑ?Ñ? одинок») (Op. 26, No. 9) was composed by Sergei RACHMANINOFF (1873 â?? 1943) in 1906. In present edition the Russian lyrics by outstanding poet and prose writer, Nobel laureate Ivan BUNIN (translated from Ukrainian poet Taras Shevchenko) with transliteration and English translation are inserted into the score. The romance is available in the key of C minor (D4 â?? Ab5 (G5)) for high voice.
$5.95
RACHMANINOFF Sergei: I am alone again, an art song with transcription and translation (D minor)
#
Voix haute
#
INTERMÉDIAIRE/AVANCÉ
#
Sergei RACHMANINOFF
#
Sergei PICHUGIN
#
RACHMANINOFF Sergei: I am alon
#
Really Good Music, LLC.
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868853 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert...
(+)
High Voice,Vocal Solo - Level 4 - SKU: A0.868853 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Instructional,Standards,World. 6 pages. Really Good Music, LLC. #4794379. Published by Really Good Music, LLC. (A0.868853). The art song/romance I am alone again («Я опÑÑ‚ÑŒ одинок») (Op. 26, No. 9) was composed by Sergei RACHMANINOFF (1873 – 1943) in 1906. In present edition the Russian lyrics by outstanding poet and prose writer, Nobel laureate Ivan BUNIN (translated from Ukrainian poet Taras Shevchenko) with transliteration and English translation are inserted into the score. The romance is available in the original key of D minor (E4 – Bb5 (A5)) for high voice.
$5.95
Hard Times Come Again No More (High Voice)
#
Voix haute
#
INTERMÉDIAIRE/AVANCÉ
#
Stephen Foster
#
Judith L
#
Hard Times Come Again No More
#
Maggs
#
SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pag...
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High Voice,Vocal Solo - Level 4 - SKU: A0.821411 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Folk,Standards,Traditional. 4 pages. Maggs #6345195. Published by Maggs (A0.821411). Stephen Foster wrote this American parlor song in the mid eighteen hundreds. It was very popular in its day, and is still sung. This arrangement is appropriate for a high singer, with an octave range from G to G. It is also available on SMP for medium high voice (Key of Eb - range Eb to Eb) and low voice (Key of C - range C to C).
$2.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Ice! from Songs from the High Sierra
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Voix haute
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Gwyneth W
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Ice! from Songs from the High
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8...
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High voice and piano - Medium - SKU: MQ.8318-4E Composed by Gwyneth W. Walker. Secular, 21st century. 9 pages. E. C. Schirmer Music Company - Digital #8318-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8318-4E). The five letters which provide the lyrics for the songs (adapted by the composer) were selected for their range of topics and sentiments. Some portray the wildlife in the mountains (“Glacier Birds...â€). Others extol the beauty of the Sierra (“Mountain Glory,†“Yosemite Fallsâ€). One expresses the whimsical/temperamental personality of the author (“Ice!â€). And the final letter (“Sequoiaâ€) speaks reverently of the great trees, in a language both naturalistic and sacred. They are the “greatest light in the woods, the greatest light in the world.†The musical settings, especially in the piano accompaniment, are quite programmatic. Glacier birds scamper up and down the keyboard in tone clusters. “Icy†glissandi float off. The great trees take root in large, block chords, and waterfalls cascade down in scales.There is personality in the letters. The bond between John Muir and Mrs. Carr (whom he addresses formally) is one of great kinship- a blending of the souls, a “spiritual romance.†As he marvels at the beauty of the wilderness, he writes ardently, “I wish that you could see this...†When he learns that Mrs. Carr, a botanist (whose plants suffer from the frost), dislikes ice, he chides her, and creates a “mock argument†over the value of glacial ice.The songs begin with an ascent into the mountains. They close with the return to the coast, to the magnificent Sequoia trees, where John Muir camps for the night, in the company of a squirrel. Charmingly, he writes “therefore, my Carr, goodnight.â€.
$7.25
Hear Thou My Prayer (medium high)
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Voix haute
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INTERMÉDIAIRE
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Kenneth Plain
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Hear Thou My Prayer
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Kenneth Plain
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.837229 Composed by Kenneth Plain. 20th Century,Concert,Contemporary,Sacred. 4 pages. Kenneth Plain #5983639. P...
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High Voice,Vocal Solo - Level 3 - SKU: A0.837229 Composed by Kenneth Plain. 20th Century,Concert,Contemporary,Sacred. 4 pages. Kenneth Plain #5983639. Published by Kenneth Plain (A0.837229). Sacred vocal solo. Text is slightly modified from the sample recording. Range E Flat 4-G5.
$5.00
Serenade
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Voix haute
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AVANCÉ
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Christopher Benfield
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Serenade
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Christopher Benfield
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.909882 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. 6 pages. Christopher Benfield #429...
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High Voice,Vocal Solo - Level 5 - SKU: A0.909882 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. 6 pages. Christopher Benfield #4292981. Published by Christopher Benfield (A0.909882). Serenade is the famous poem by the same name by Paul Verlaine set to music for piano accompaniment and soprano soloist. This extremely languid and evocative art song was written with the similarly evocative text in mind, presenting images of love and the praise of beauty. This piece is recommended for advanced singers.
$3.99
Ange Flégier: Mandoline for high voice and piano
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Ange Flégier
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Ange Flégier: Mandoline
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Musik Fabrik Music Publishing
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.534380 Composed by Ange Flégier. Concert,Romantic Period,Standards. 8 pages. Musik Fabrik Music Publishing ...
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High Voice,Vocal Solo - Level 4 - SKU: A0.534380 Composed by Ange Flégier. Concert,Romantic Period,Standards. 8 pages. Musik Fabrik Music Publishing #3399577. Published by Musik Fabrik Music Publishing (A0.534380). A setting of Paul Verlaine's famous poem, which was often set by French composers of the late 19th century.
$11.95
Where ? ART SONG
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Anita Gower ----- Lyricist Car
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(Em). 
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Where ? ART SONG
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Arpeggio Press
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.993555 Composed by Anita Gower ----- Lyricist Carol Lile Mitchell. 20th Century,Film/TV,Musical/Show,World. 5 ...
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High Voice,Vocal Solo - Level 4 - SKU: A0.993555 Composed by Anita Gower ----- Lyricist Carol Lile Mitchell. 20th Century,Film/TV,Musical/Show,World. 5 pages. Arpeggio Press #4569629. Published by Arpeggio Press (A0.993555). VOCAL SOLO- med high/ Piano (Em). This is a song which, at first, reads like a a lonely story that has no recourse. But the questions are searching for meaning, with passion, to retrieve a lost relationship. Talented lyricist Carol Lile Mitchell gracefully places word imagery to the melody, for a convincing search to find. Piano renders a plaintive tone to vocal imperative. Appropriate for concert, recital, contest and musical.
$3.00
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Eurydice to Orpheus
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Voix haute
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INTERMÉDIAIRE
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Robert A
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Eurydice to Orpheus
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Robert A. Howard
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pag...
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High Voice,Vocal Solo - Level 3 - SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Robert A. Howard #6348473. Published by Robert A. Howard (A0.998870). This short song for soprano and piano sets a poem by Robert Browning. The work principally uses the octatonic scale in a series of scalic semiquaver figurations, mainly in the right hand of the piano part. They seek to depict the sense of panic in the protagonist Eurydice as she seeks to see the face of her beloved, Orpheus. The declamatory vocal line develops a small number of key phrases and motifs. Meanwhile, the left hand of the piano part provides rhythmic interplay and interjects with occasional staccato bare fifths and octaves. The piece is appropriate for most standards of solo female voice whilst the piano accompaniment is best suited to advanced players.
$5.99
Thirst
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Voix haute
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AVANCÉ
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William P
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Thirst
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William P. Gorton
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Pub...
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High Voice,Vocal Solo - Level 5 - SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Published by William P. Gorton (A0.999888). Thirst is a powerful outcry against one's inner demons, a rebuttal to the negative thoughts that we all have experienced at times, and a prayer for peace. Broad and dramatic, with a virtuosic and powerful piano accompaniment, this song will provide great dramatic contrast and substance to any vocal program. More appropriate for the advanced singer, this piece would work well as part of a set (see other Gorton compositions for ideas). Your pianist will love this piece!
$6.95
Marietta's Song
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Voix haute
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Erich Wolfgang Korngold
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Marietta's Song
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. O...
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High voice and piano - SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. Op. 12. Duration 5 minutes. Schott Music - Digital #Q475. Published by Schott Music - Digital (S9.Q475). German • English.Marietta’s Lied “Glück, das mir verblieb†from the opera Die tote Stadt is one of the most popular soprano arias of the 20th century. Its sensual, dreamlike atmosphere drenched with a yearning for love allows a beautiful submerged world to resurface before its listeners, and the tender soaring cantilena continues to seduce audiences the world over. In the opera, this vocal scene is actually a duet between the unhappy widower Paul and the attractive Marietta. In Paul’s eyes, Marietta gradually takes on an ever closer resemblance to his deceased wife Marie against the morbid background of Bruges; the figures of the two women merge fatally with each other in the duet.
$7.99
Birthday
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Voix haute
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William Kersten
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Birthday
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Published by William Kersten (A0.916015). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti (1830-1894)   My heart is like a singing birdWhose nest is in a watered shoot;My heart is like an apple-treeWhose boughs are bent with thick-set fruit;My heart is like a rainbow shellThat paddles in a halcyon sea;My heart is gladder than all theseBecause my love is come to me.Raise me a dais of silk and down;Hang it with vair and purple dyes;Carve it in doves and pomegranates,And peacocks with a hundred eyes;Work it in gold and silver grapes,In leaves and silver fleurs-de-lys;Because the birthday of my lifeIs come, my love is come to me.
$3.99
Song of Kabir (high voice)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Kate Moody
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Song of Kabir
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CoCo Lounge Presents
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.846867 Composed by Kate Moody. Contemporary,Spiritual. 4 pages. CoCo Lounge Presents #5709105. Published by Co...
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High Voice,Vocal Solo - Level 4 - SKU: A0.846867 Composed by Kate Moody. Contemporary,Spiritual. 4 pages. CoCo Lounge Presents #5709105. Published by CoCo Lounge Presents (A0.846867). A mystical setting of a poem by Kabir, 15th-century Indian mystic poet and saint.
$3.50
Echo
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Voix haute
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Contemporain
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti  Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
I'd Rather Have Jesus
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Pra...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
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