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Cor
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7
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4 Tubas
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19
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2 Violons (duo)
13
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11
Harpe
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9
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8
2 Violoncelles (duo)
7
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6
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6
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5
2 Altos (duo)
5
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4
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4
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3
4 Violoncelles
3
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2
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2
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2
Quintette à cordes: 2 violons, alto, violoncelle, basse
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1
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1
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Alto et Harpe
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
132
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69
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43
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35
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29
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13
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12
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9
Fanfare
9
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AUTRES
Vous avez sélectionné:
Come, Come to Me
Voix haute
Partitions à imprimer
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Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
Voix haute
High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Denni…
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High Voice,Vocal Solo - Digital Download SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.72 €
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Come and Rescue Me Solo with Piano
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.997110 Composed by Jorda…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.997110 Composed by Jordan Grigg. Christian,Gospel,Sacred. 10 pages. Bill Fortenberry #6081209. Published by Bill Fortenberry (A0.997110). Based on the prayer of Jonah, Come and Rescue Me by Bill Fortenberry and Jordan Grigg is an excellent choice for church performances for all occasions. The music is written in an upbeat, epic style to grab the attention of the listeners. It is also very catchy and easy to learn. The words are based on Scripture and would fit well in any church setting. The lyrics include references to sin, prayer, forgiveness, grace, love, and sacrifice.A choir arrangement is also available as well as the orchestral score. Song length: 3 to 4 minutes.
$2.49
2.27 €
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Voix haute
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Jordan Grigg
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Come and Rescue Me Solo with Piano
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Bill Fortenberry
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SheetMusicPlus
I Dream of You, to Wake (Soprano or Tenor and Piano)
Voix haute
High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunt…
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High Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.1013578 Composed by Hunter A. Brown. Concert,Contemporary. 12 pages. Hunter A. Brown #6288243. Published by Hunter A. Brown (A0.1013578). I Dream of You, to Wake (soprano and piano) is an art song adaption of the sonnet by Christina Rossetti (1830-1894). The poem comes from her sonnet of sonnets - Monna Innominata (unknown lady) - in which she laments her lack of religious compatibility with the man she loves.With a duration of 4'00 - this song is perfect for the adept soprano, and would be ideal for a solo and ensemble contest or college recital.Key: B major, F-sharp minorRange: C#4 - G#5 I would love to hear from you! For questions, comments, or information about commissions, please reach out to me at hbrowncomp@gmail.comText: I dream of you to wake: would that I might Dream of you and not wake but slumber on. In happy dreams I hold you full in night. I blush again who waking look so wan; Brighter than sunniest day that ever shone, In happy dreams your smile makes day of night. Thus only in a dream we are at one, Thus only in a dream we give and take The faith that maketh rich who take or give; If thus to sleep is sweeter than to wake, To die were surely sweeter than to live, Though there be nothing new beneath the sun.
$9.99
9.1 €
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Voix haute
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Hunter A
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I Dream of You, to Wake
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Hunter A. Brown
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SheetMusicPlus
If You Never Come To Me (Inutil Paisagem) (High Voice)
Voix haute
(High Voice) - Digital Download SKU: HX.470371 Jazz,Latin,Standards. Real Book - Me…
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(High Voice) - Digital Download SKU: HX.470371 Jazz,Latin,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470371).
$1.99
1.81 €
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Voix haute
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If You Never Come To Me
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Hal Leonard - Digital
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SheetMusicPlus
Echo
Voix haute
High Voice,Vocal Solo - Digital Download SKU: A0.916016 Composed by William Kersten…
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High Voice,Vocal Solo - Digital Download SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti  Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
3.63 €
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Voix haute
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
Birthday
Voix haute
High Voice,Vocal Solo - Digital Download SKU: A0.916015 Composed by William Kersten…
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High Voice,Vocal Solo - Digital Download SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Published by William Kersten (A0.916015). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti (1830-1894)   My heart is like a singing birdWhose nest is in a watered shoot;My heart is like an apple-treeWhose boughs are bent with thick-set fruit;My heart is like a rainbow shellThat paddles in a halcyon sea;My heart is gladder than all theseBecause my love is come to me.Raise me a dais of silk and down;Hang it with vair and purple dyes;Carve it in doves and pomegranates,And peacocks with a hundred eyes;Work it in gold and silver grapes,In leaves and silver fleurs-de-lys;Because the birthday of my lifeIs come, my love is come to me.
$3.99
3.63 €
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Voix haute
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William Kersten
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Birthday
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William Kersten
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.19 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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