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AUTRES INST…
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CHARANGO
CITHARE
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COR ANGLAIS
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FLUTE DE PA…
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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
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METHODE : ETUDES
METHODE : TECHNIQUES
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OPERA
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Non classifié
1179
PIANO & CLAVIERS
Piano, Voix
750
Piano seul
513
Piano, Voix et Guitare
186
Piano Facile
132
Orgue
74
2 Pianos, 4 mains
27
1 Piano, 4 mains
17
Instruments en Do
14
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
7
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
3
Orgue, Trompette (duo)
2
Piano grosses notes
1
Orgue, Piano (duo)
1
Clavecin
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
295
Paroles et Accords
42
Guitare
41
Ligne De Mélodie, (Paroles) et Accords
26
Basse electrique
24
Ukulele
12
2 Guitares (duo)
7
Dulcimer
2
Piano, Guitare (duo)
2
Dobro
2
Guitare (partie séparée)
1
Ukulele Baryton
1
Instrumentations suivantes
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VOIX
Chorale SATB
494
Voix Soprano, Piano
59
Chorale 3 parties
46
Chorale 2 parties
37
Chorale TTBB
36
Chorale Unison
31
Voix duo, Piano
22
Voix Alto, Piano
12
Voix Tenor, Piano
12
Voix seule
10
Chorale SSAA
10
Voix haute
10
Voix moyenne, Piano
8
Chorale
5
Chorale SSAATTBB
3
Voix Baryton, Piano
2
Voix duo
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
2
Chorale SATTBB A Cappella
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Quatuor de Saxophones: 4 saxophones
75
Flûte traversière et Piano
67
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
60
Clarinette et Piano
50
Quatuor de Clarinettes: 4 clarinettes
49
2 Saxophones (duo)
44
Saxophone Alto et Piano
44
Ensemble de saxophones
38
Flûte, Hautbois, Clarinette, Basson
37
Hautbois, Piano (duo)
34
Quatuor de Flûtes : 4 flûtes
34
Saxophone Tenor et Piano
33
Quintette de Saxophone: 5 saxophones
31
Saxophone Soprano et Piano
31
Clarinette (partie séparée)
30
Saxophone (partie séparée)
27
2 Clarinettes (duo)
18
2 Flûte à bec (duo)
17
Saxophone Alto
16
Flûte traversière
16
2 Flûtes traversières (duo)
15
3 Saxophones (trio)
14
Saxophone Baryton, Piano
14
Flute (partie séparée)
13
Ensemble de Clarinettes
13
Hautbois (partie séparée)
11
Saxophone Tenor
11
Clarinette
11
Cor anglais, Piano
11
Flûte, Clarinette (duo)
10
Quintette de Clarinettes: 5 clarinettes
9
Saxophone, Clarinette (duo)
8
2 Hautbois (duo)
8
Ensemble de Flûtes
8
Quintette de Flûte : 5 flûtes
8
3 Clarinettes (trio)
7
Clarinette, Violon (duo)
7
Clarinette Basse, Piano
5
Quatuor de Flûtes à bec
5
Flûte, Saxophone (duo)
4
Clarinette, Trompette (duo)
4
Hautbois, Clarinette (duo)
4
Hautbois, Basson (duo)
4
2 Clarinettes, Piano
4
Flûte, Hautbois (duo)
4
5 Flûtes à bec
3
Trio de Flûtes: 3 flûtes
3
Flûte et Guitare
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Clarinette et Alto
3
Flûte, Violon et Violoncelle
2
Flûte, Trompette (duo)
2
Flûte, Violon
2
2 Flûtes traversières, Piano
2
Hautbois, Guitare (duo)
2
Clarinette, Guitare (duo)
2
Clarinette, Basson (duo)
2
Flûte, Violoncelle
2
Flûte à Bec, Piano
2
Flûte à bec Soprano
2
Flûte, Hautbois, Basson
2
Flûte à bec Tenor
2
Hautbois, Violon, Piano
1
Cornemuse
1
Saxophone
1
Flûte à bec Alto
1
2 Saxophones, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec
1
Flûte à bec, Guitare (duo)
1
Harmonica
1
Ensemble De Flûte à bec
1
Flûte, Violon, Piano
1
Flûte, Alto et Piano
1
2 Clarinettes, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Cor Anglais
1
3 Flûtes à bec (trio)
1
Flûte, Basson et Piano
1
Piccolo
1
Flûte irlandaise
1
Hautbois, Flûte
1
Flûte, Violoncelle, Piano (trio)
1
Flûte, Alto (duo)
1
Flûte traversière, Basse continue
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
69
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone et Piano
31
Trompette
29
Trombone (partie séparée)
27
Quatuor de Cuivres
24
Trompette, Piano
22
Cor (partie séparée)
21
Cor et Piano
21
Ensemble de Trombones
19
Trompette (partie séparée)
18
Tuba et Piano
13
Euphonium, Piano (duo)
12
Cor anglais, Piano
11
Ensemble de Trompettes
10
Trombone
10
Tuba (partie séparée)
9
Cor
8
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
4 Tubas
4
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
4
Quatuor de cuivres: 4 cors
3
Trompette, violon (duo)
3
2 Euphoniums et 2 Tubas
3
2 Trombones (duo)
3
Quatuor de cuivres: 4 trompettes
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Cors (duo)
2
Trio de Cuivres
2
Trompette, Trombone (duo)
2
3 Euphoniums
1
2 Tubas (duo)
1
Trombone, Violon (duo)
1
Tuba
1
Cor Anglais
1
Cor, Violoncelle (duo)
1
Trombone, Orgue
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
124
Violon et Piano
87
Alto, Piano
51
Violoncelle, Piano
49
Violon
32
Violoncelle
31
Harpe
28
Violon (partie séparée)
21
Violon, Violoncelle (duo)
18
2 Violons (duo)
17
Alto seul
13
4 Violoncelles
11
2 Altos (duo)
11
2 Violoncelles (duo)
11
Trio à Cordes: violon, alto, violoncelle
10
Violon, Alto (duo)
10
Alto (partie séparée)
9
Violoncelle (partie séparée)
8
Contrebasse (partie séparée)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
4
Trio à cordes: 3 violins
4
Trio à Cordes: 3 violoncelles
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Contrebasse, Piano (duo)
3
Harpe, Voix
3
Violoncelle, Orgue
2
Quatuor à cordes : 4 altos
2
Contre Basse
2
Violoncelle , Guitare (duo)
2
Ensemble d'Altos
2
Trio à Cordes: 2 violons, violoncelle
2
Piano Trio: Violon, Alto, Piano
2
Ensemble de Violons
2
Harpe, Flûte (duo)
2
2 Violons, Piano
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Violon, Guitare (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orchestre
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Trio à cordes
1
Violon, Clarinette, Piano (trio)
1
Violon, Basson (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
257
Orchestre
131
Batterie
51
Ensemble de cuivres
47
Orchestre à Cordes
36
Orchestre de chambre
33
Cloches
23
Percussion (partie séparée)
20
Timbales (partie séparée)
5
Fanfare
5
Ensemble Jazz
5
Percussion
3
Ensemble de Percussions
3
Marimba
3
Quintette de Cuivres: autres combinaisons
2
Batterie (partie séparée)
1
Instrumentations suivantes
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AUTRES
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Death
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Partitions à imprimer
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The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.18 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
If thou art near / Come, gentle death
Voix haute
High voice and piano - advanced - Digital Download SKU: S9.Q23816 Bist du bei mi…
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High voice and piano - advanced - Digital Download SKU: S9.Q23816 Bist du bei mir / Komm, süßer Tod. Composed by Johann Sebastian Bach. This edition: Sheet music. Voice and Keyboard. Downloadable. Op. Nr. 10. Schott Music - Digital #Q23816. Published by Schott Music - Digital (S9.Q23816). English • German.The edition is part of the ABRSM syllabus (grade 7).
$4.99
4.54 €
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Voix haute
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Johann Sebastian Bach
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If thou art near / Come, gentle death
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Schott Music - Digital
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SheetMusicPlus
Whispers from Heavenly Death
Voix haute
High voice and piano - advanced - Digital Download SKU: S9.Q5924 Cantata for hig…
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High voice and piano - advanced - Digital Download SKU: S9.Q5924 Cantata for high voice and piano. Composed by Hans Werner Henze. This edition: score. Downloadable, Score. Duration 7 minutes. Schott Music - Digital #Q5924. Published by Schott Music - Digital (S9.Q5924). English • German.
$19.99
18.18 €
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Voix haute
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Hans Werner Henze
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Whispers from Heavenly Death
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Schott Music - Digital
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SheetMusicPlus
The War Prayer (Downloadable)
Voix haute
High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven …
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High voice and piano - Medium - Digital Download SKU: MQ.8673-E Composed by Steven Mark Kohn. 15 pages. E. C. Schirmer Music Company - Digital #8673-E. Published by E. C. Schirmer Music Company - Digital (MQ.8673-E). English.This text has been adapted from Mark Twain's The War Prayer, which he wrote in 1904-5 to protest America’s involvement in the Spanish-American War. His family convinced him to keep if from publication, fearing it was too controversial. Published after his death, Twain makes the case that if God causes all things to happen and blesses select people, then He must also, willingly, deny others his blessing. It is the other side of prayer, the unspoken side, which Twain so brilliantly characterized in The War Prayer. Duration 8:00.
$10.00
9.1 €
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Voix haute
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Steven Mark Kohn
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The War Prayer
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Three Poems of Christina Rossetti (Downloadable)
Voix haute
High voice, piano - Moderately Difficult - Digital Download SKU: MQ.8056-E Composed…
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High voice, piano - Moderately Difficult - Digital Download SKU: MQ.8056-E Composed by David Conte. 20 pages. E. C. Schirmer Music Company - Digital #8056-E. Published by E. C. Schirmer Music Company - Digital (MQ.8056-E). Christina Rossetti's visionary poetry has a deeply religious quality. Rest describes the soul's journey from physical death to Paradise. Echo describes a passionate attempt to regain a love in dreams that has been lost in reality, and A Hope Carol describes the vigil of a soul who is called to a vision of Paradise and the second coming of Christ.
$12.00
10.92 €
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Voix haute
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David Conte
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Three Poems of Christina Rossetti
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Serenade - Ständchen - Schwanengesang, D. 957 No. 4 (Duet for Voice and Piano)
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio Regis Cunha #5725037. Published by Flavio Regis Cunha (A0.597338). Schwanengesang (swan song), D 957, is a collection of songs written by Franz Schubert towards the end of his life and published posthumously.The collection was named by its first editor, Tobias Haslinger, probably intending to present it as Schubert's final musical testament to the world. Unlike earlier Die schöne Müllerin and Winterreise, it contains settings by three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed in 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.Advanced Intermediate.Format: Concert, 9 x 12.8 pages.
$5.99
5.45 €
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Voix haute
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Franz Schubert
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Flavio Regis Cunha
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Serenade - Ständchen - Schwanengesang, D. 957 No. 4
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Flavio Regis Cunha
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SheetMusicPlus
Echo
Voix haute
High Voice,Vocal Solo - Digital Download SKU: A0.916016 Composed by William Kersten…
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High Voice,Vocal Solo - Digital Download SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti  Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
3.63 €
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Voix haute
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
I See You
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.742248 Composed by Chas …
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.742248 Composed by Chas Hathaway. Christian,Sacred,Spiritual. 5 pages. Chas Hathaway #4765101. Published by Chas Hathaway (A0.742248). Christian vocal/piano ballad, I See You, by Chas Hathaway. Inspired by Sharon Milliman's near-death experience, as shared in her book, A Song in the Wind. .
$4.99
4.54 €
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Voix haute
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Chas Hathaway
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I See You
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Chas Hathaway
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SheetMusicPlus
Dido's Lament [High Voice; key: Am]
Voix haute
High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.795717 Composed by Henry…
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High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.795717 Composed by Henry Purcell. Arranged by Maxence Lasserre-Engberts. Baroque,Classical,Opera,Renaissance,Standards. 4 pages. Maxence Lasserre-Engberts #3575021. Published by Maxence Lasserre-Engberts (A0.795717). Dido's Lament (or When I am laid in earth) is a heartbreaking death aria from Henry Purcell's opera Dido and Æneas. It is definitely amongst the most beautiful baroque music.
$3.99
3.63 €
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Voix haute
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Henry Purcell
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Maxence Lasserre-Engberts
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Dido's Lament [High Voice; key: Am]
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Maxence Lasserre-Engberts
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SheetMusicPlus
David of the White Rock
Voix haute
High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. …
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High voice and piano - Digital Download SKU: S9.Q20009 Dafydd y Garreg Wen. This edition: Sheet music. Downloadable. Duration 2 minutes. Schott Music - Digital #Q20009. Published by Schott Music - Digital (S9.Q20009). Welsh.According to tradition, the Bard David lived in a house called Y Garreg Wen (The White Rock) in a remote situation in North Wales. He was commonly called by his Christian name followed by the name of his house, a common custom in Wales, and one which survives to the present day.Like many other Welsh Bards, David was also a harpist, and is reputed to have had his harp continually at his side. On his death-bed, he is supposed to have asked that his harp be once more placed in his hands in order that he might play just one more tune.The melody he played was afterwards called by his name Dafydd Y Garreg Wen (David of the White Rock), and this same melody was performed on a single Welsh harp at his funeral, as was his dying wish.The Welsh words were subsequently added by Ceiriog Hughes in the nineteenth century. Words and melody are now inseparably linked, and are together widely known and regarded as one of the most popular of Welsh Traditional Songs.Richard Bowen (1963).
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David of the White Rock
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Schott Music - Digital
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