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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Have Come
Non classifié
1 359
Piano & claviers
Piano seul
532
Piano, Voix et Guitare
454
Piano, Voix
291
Instruments en Do
277
Piano Facile
101
Orgue
44
Accompagnement Piano
17
1 Piano, 4 mains
16
Piano Trio: piano, violon, violoncelle
10
2 Pianos, 4 mains
7
Orgue, Piano (duo)
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Accordéon
1
2 Pianos, 8 mains
1
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
114
Guitare
48
Guitare notes et tablatures
45
Basse electrique
10
Ukulele
10
2 Guitares (duo)
9
4 Guitares (Quatuor)
6
Ligne De Mélodie, (Paroles) et Accords
5
3 Guitares (trio)
5
Ukulele Baryton
2
Mandoline
2
Paroles et Accords
1
Mandoline, Guitare (duo)
1
Dulcimer
1
+ 9 instrumentations
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Voix
Chorale SATB
161
Chorale 2 parties
64
Chorale 3 parties
45
Chorale TTBB
11
Chorale Unison
11
Voix duo, Piano
10
Voix Soprano, Piano
10
Voix Baryton, Piano
9
Voix seule
8
Chorale SSAA
6
Voix Tenor, Piano
5
Chorale
4
Voix haute
4
Voix duo
3
Voix basse, Piano
2
Voix Alto, Piano
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix moyenne, Piano
1
Voix Tenor
1
+ 15 instrumentations
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Vents
Hautbois, Piano (duo)
205
Clarinette et Piano
191
Flûte traversière et Piano
186
Saxophone Alto et Piano
136
Saxophone Tenor et Piano
130
Quintette de Saxophone: 5 saxophones
111
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
105
Flûte, Hautbois, Clarinette, Basson
79
Quatuor de Saxophones: 4 saxophones
71
Ensemble de saxophones
64
Hautbois (partie séparée)
45
Flûte traversière
43
Clarinette
40
2 Saxophones (duo)
37
2 Flûtes traversières (duo)
30
Ensemble de Clarinettes
27
Ensemble de Flûtes
22
Quatuor de Clarinettes: 4 clarinettes
17
Saxophone Alto
14
2 Clarinettes (duo)
14
Flûte, Clarinette (duo)
13
Quatuor de Flûtes : 4 flûtes
9
Quintette de Flûte : 5 flûtes
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Saxophone Baryton, Piano
8
3 Clarinettes (trio)
8
Flûte et Guitare
7
Quintette de Clarinettes: 5 clarinettes
6
Quatuor de Flûtes à bec
6
Cor anglais, Piano
5
Saxophone Tenor
5
Clarinette (partie séparée)
5
Flûte, Violon, Piano
5
Clarinette, Violoncelle (duo)
5
Clarinette Basse, Piano
4
Saxophone Soprano et Piano
4
Trio de Flûtes: 3 flûtes
4
Flûte à bec Soprano
4
2 Flûtes traversières, Piano
4
Clarinette, Guitare (duo)
4
Clarinette, Basson (duo)
4
Flûte, Trombone (duo)
3
2 Flûte à bec (duo)
3
Flute (partie séparée)
3
Hautbois, Guitare (duo)
3
3 Saxophones (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Hautbois (duo)
2
Saxophone
2
Hautbois, Clarinette (duo)
2
Cor anglais, Guitare (duo)
2
Saxophone (partie séparée)
2
Clarinette, Trombone (duo)
2
Flûte à bec Alto, Piano
2
2 Clarinettes, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Clarinette, Violon (trio)
1
Flûte, Violoncelle
1
Flûte à bec Soprano, Piano
1
2 Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte à Bec
1
Flûte, Hautbois, Violon
1
Clarinette, Tuba
1
Clarinette, Harpe (duo)
1
Ocarina
1
Clarinette, Contrebasse (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Cornemuse
1
Flûte et Quatuor à Cordes
1
Saxophone et Guitare
1
Saxophone, Violon (duo)
1
Ensemble De Flûte à bec
1
Flûte, Alto (duo)
1
Flûte à bec Alto
1
Flûte, Violon
1
Clarinette, Violon (duo)
1
Hautbois, Harpe
1
Flûte, Trompette (duo)
1
2 Flûtes traversières, Harpe
1
Piccolo, Piano
1
+ 76 instrumentations
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Cuivres
Trombone et Piano
154
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
152
Trompette
101
Quatuor de Cuivres
84
Trompette, Piano
71
Ensemble de Trompettes
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
47
Trombone
27
Ensemble de Trombones
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
21
Trompette (partie séparée)
20
Quatuor de cuivres: 4 trombones
16
2 Trombones (duo)
9
2 Trompettes (duo)
9
Trombone (partie séparée)
8
Cor et Piano
8
Tuba et Piano
7
Trio de Cuivres
7
Tuba
7
Ensemble de Cors
6
Cor
6
Euphonium, Piano (duo)
6
2 Tubas (duo)
5
Cor anglais, Piano
5
Trompette, Trombone (duo)
5
Cor (partie séparée)
4
Trompette, Cor (duo)
3
Euphonium, Tuba (duo)
3
2 Cors (duo)
3
Trompette, Saxophone (duo)
2
Cor anglais, Guitare (duo)
2
3 Trompettes (trio)
2
3 Trombones (trio)
2
Quatuor de cuivres: 4 trompettes
2
Tuba (partie séparée)
2
Trompette, violon (duo)
2
Trompette, Violoncelle (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
3 Cors (trio)
1
2 Euphoniums et 2 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
+ 39 instrumentations
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Cordes
Violon et Piano
186
Quatuor à cordes: 2 violons, alto, violoncelle
177
Alto, Piano
174
Violoncelle, Piano
148
Quintette à cordes: 2 violons, alto, violoncelle, basse
64
Violon
61
Violoncelle
50
Alto seul
40
2 Violons (duo)
33
Violon, Violoncelle (duo)
28
Contre Basse
24
Trio à Cordes: violon, alto, violoncelle
19
2 Altos (duo)
16
Violon, Alto (duo)
15
2 Violoncelles (duo)
15
Harpe
14
Ensemble d'Altos
11
Alto (partie séparée)
10
Ensemble de Violons
10
Violoncelle, Contrebasse (duo)
7
Piano Trio: Violon, Alto, Piano
6
Alto, Violoncelle (duo)
6
Trio à cordes: 3 altos
5
Harpe, Voix
5
Trio à Cordes: 2 violons, violoncelle
4
Violon, Guitare (duo)
4
2 Contrebasses (duo)
3
Violon (partie séparée)
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
Contrebasse (partie séparée)
2
Ensemble de Violoncelles
2
Quatuor à cordes: 4 violons
2
Harpe, Violoncelle (duo)
2
Trio à cordes
2
2 Harpes (duo)
2
Trio à cordes: 3 violins
1
Harpe, Violon (duo)
1
Alto et Basson
1
Contrebasse, Piano (duo)
1
Trio à Cordes: 2 violons, alto
1
Quatuor à cordes : 4 altos
1
2 Violons, Piano
1
Flûte, Contrebasse (duo)
1
Violoncelle, Orchestre
1
+ 41 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
103
Orchestre
59
Orchestre à Cordes
44
Batterie
26
Ensemble de cuivres
20
Ensemble Jazz
16
Orchestre de chambre
15
Jazz combo
11
Ensemble de Percussions
6
Cloches
5
Xylophone, Piano
3
Percussion (partie séparée)
3
Fanfare
2
Marimba
2
Piano et Orchestre
1
Vibraphone
1
2 Marimbas
1
+ 12 instrumentations
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COR ANGLAIS
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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HARMONICA
HARPE
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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DULCIMER
EUPHONIUM
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FLUTE A BEC
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FLUTE TRAVERSI…
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MANDOLINE
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I Have Come
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Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
I'd Rather Have Jesus
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Pra...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Echo
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Voix haute
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Contemporain
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti　 Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
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I Have Come
