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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
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CHORALE - CHAN…
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I Will century
Non classifié
546
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338
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170
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82
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52
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31
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26
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10
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5
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4
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3
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3
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3
+ 8 instrumentations
Retracter
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47
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41
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1
+ 7 instrumentations
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162
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35
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28
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14
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+ 13 instrumentations
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80
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69
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58
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19
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15
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15
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11
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Trompette
9
Quatuor de Cuivres
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Cor
7
Tuba
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6
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3
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Trombone
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3 Trombones (trio)
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1
Quatuor de cuivres: 4 cors
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Euphonium
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Cor et Basson (duo)
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87
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31
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23
Harpe
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17
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17
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16
Violon
15
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11
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8
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5
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5
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4
2 Altos (duo)
3
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Contre Basse
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4 Violoncelles
1
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1
Alto (partie séparée)
1
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1
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68
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58
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40
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35
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14
Ensemble Jazz
11
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7
Cloches
5
Ensemble de Percussions
4
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Jazz combo
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Xylophone
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Crtitères actifs :
I Will century
Voix haute
Partitions à imprimer
7 partitions trouvées
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1
I Will Lift up Mine Eyes unto the Hills (Psalm 121) for Tenor and Keyboard
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Richard St
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I Will Lift up Mine Eyes unto
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Richard St. Clair
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.939897 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Jewish,Praise & Worship. 7 pages. Ri...
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High Voice,Vocal Solo - Level 4 - SKU: A0.939897 Composed by Richard St. Clair. 20th Century,Christian,Contemporary,Jewish,Praise & Worship. 7 pages. Richard St. Clair #6644845. Published by Richard St. Clair (A0.939897). This dynamic 3'30 setting of the famous 121st Psalm can be performed by Tenor or Soprano, with Piano or Organ accompaniment.
$12.99
Periwinkle
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Alicia Willard
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Periwinkle
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Alicia Santee-Davis
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.1027761 Composed by Alicia Willard. 20th Century,Blues,Contemporary. 34 pages. Alicia Santee-Davis #2923157. Published by Alicia Santee-Davis (A0.1027761). Periwinkle is a song cycle that was originally composed for mezzo-soprano and piano, but has been arranged for soprano and piano; it is a collection of character pieces using original poetry by Alicia Willard. High High Shoes is an upbeat, rhythmically active piece that illustrates the exhilaration and anxiety in reaching for one’s desires. Wings is a hauntingly slow array of uneasy dissonances, using only one line of text that is chopped into fragments and slowly arranged into a comprehensible statement. Boulders on Our Shoulders has a lilting jazz feel, including several piano solos that incorporate many aspects of the blues. Follow the Borrowers is much more introspective, with the music vividly conveying what the text colorfully provides in such lines as I’ll caress the tongue shapes. The title of the cycle is taken from a line of poetry in which the periwinkle dirt in the sky is introduced, providing one of many colors that are portrayed in the pieces. Periwinkle was written in 2009 and premiered at the University of North Carolina School of the Arts by Stephanie McAllister, mezzo-soprano, and the composer at the piano. After its recomposition, the soprano edition was premiered in Fairbanks, Alaska in 2016 by Amy Ingram, soprano, with the composer at the piano.
$16.95
"My soul is awakened..."
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Voix haute
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William Kersten
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"My soul is awakened...&q
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916017 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007533. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916017 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007533. Published by William Kersten (A0.916017). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten in two versions: wide and normal vocal range Poem by Anne Bronte (1820-1849)　 My soul is awakened, my spirit is soaringAnd carried aloft on the wings of the breeze,For above and around me the wild wind is roaringArousing to rapture the earth and the seas.The long withered grass in the sunshine is glancing,The bare trees are tossing their branches on high,The dead leaves beneath them are merrily dancingThe white clouds are scudding across the blue sky.I wish I could see how the ocean is lashingThe foam of its billows to whirlwinds of spray,I wish I could see how its proud waves are dashing,And hear the wild roar of their thunder today.
$3.99
Echo
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Voix haute
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Contemporain
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti　 Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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Voix haute
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AVANCÉ
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James Nathaniel Holland
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Contemporary Soprano Aria, &qu
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holla...
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High Voice,Vocal Solo - Level 5 - SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Does It Matter?
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Voix haute
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AVANCÉ
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by...
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High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
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