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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In Tempo Music
Non classifié
841
Piano & claviers
Piano seul
671
Piano Facile
107
Piano, Voix
93
Piano, Voix et Guitare
80
Orgue
66
Piano (partie séparée)
40
Instruments en Do
18
1 Piano, 4 mains
14
2 Pianos, 4 mains
10
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
8
Accordéon
3
Clavier
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavecin
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
Piano grosses notes
1
1 Piano, 6 mains
1
+ 14 instrumentations
Retracter
Guitares
Ukulele
328
Guitare
322
Mandoline
268
Guitare notes et tablatures
90
Guitare (partie séparée)
74
Basse electrique
13
Banjo
6
Ligne De Mélodie, (Paroles) et Accords
6
Piano, Guitare (duo)
5
4 Guitares (Quatuor)
2
3 Guitares (trio)
2
2 Guitares (duo)
2
Ensemble de guitares
2
Dulcimer
1
2 Dulcimers (duo)
1
+ 10 instrumentations
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Voix
Chorale SATB
159
Chorale 3 parties
49
Chorale TTBB
46
Chorale 2 parties
32
Chorale SSAA
29
Chorale Unison
16
Voix duo, Piano
10
Voix seule
4
Voix Soprano, Piano
3
Voix Baryton, Piano
3
Voix haute
3
Voix Alto, Piano
2
Voix Tenor
2
Chorale
1
Voix duo
1
Chorale SSAATTBB
1
Voix Tenor, Piano
1
+ 12 instrumentations
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Vents
Ocarina
263
Flûte à bec Soprano
254
Harmonica
192
Saxophone (partie séparée)
191
Flûte à bec Alto
183
Quatuor de Saxophones: 4 saxophones
122
2 Saxophones (duo)
116
Clarinette
82
Flûte, Hautbois, Clarinette, Basson
79
Flûte traversière et Piano
61
2 Clarinettes (duo)
60
Saxophone, Clarinette (duo)
57
Saxophone Alto et Piano
49
2 Flûtes traversières (duo)
46
Clarinette et Piano
44
Clarinette, Violon (duo)
41
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
39
Clarinette, Trompette (duo)
34
Hautbois, Piano (duo)
33
Flûte à bec Alto, Piano
31
Quatuor de Clarinettes: 4 clarinettes
30
Flûte traversière
29
Saxophone Tenor et Piano
27
Flûte, Clarinette (duo)
24
2 Hautbois (duo)
24
Flûte, Violon
22
Flute (partie séparée)
21
Clarinette et Alto
21
Flûte, Saxophone (duo)
20
Saxophone Soprano et Piano
20
Hautbois, Flûte
19
Hautbois, Basson (duo)
19
Hautbois, Clarinette (duo)
19
Flûte, Alto (duo)
17
3 Saxophones (trio)
16
Quintette de Saxophone: 5 saxophones
16
Clarinette (partie séparée)
16
Quatuor de Flûtes : 4 flûtes
15
Flûte, Trompette (duo)
15
Ensemble de Clarinettes
14
Ensemble de saxophones
10
Ensemble de Flûtes
10
Trio de Flûtes: 3 flûtes
10
Saxophone Alto
9
Flûte, Clarinette, Piano (trio)
8
Saxophone Tenor
7
3 Clarinettes (trio)
7
Cor anglais, Piano
6
Quintette de Clarinettes: 5 clarinettes
6
Flûte, Violoncelle, Piano (trio)
5
Clarinette Basse, Piano
5
Saxophone Baryton, Piano
5
3 Flûtes à bec (trio)
4
2 Clarinettes, Piano
4
Flûte, Hautbois, Piano (trio)
4
Hautbois
4
2 Flûtes traversières, Piano
4
Flûte à Bec
4
Flûte, Clarinette et Basson
4
Flûte, Violon et Violoncelle
4
Flûte, trombone et piano
3
Hautbois (partie séparée)
3
Flûte, Violon, Piano
3
Piccolo, Piano
2
Clarinette, trompette et piano
2
Hautbois, violon (duo)
2
Clarinette Basse
2
Flûte, Hautbois (duo)
2
Flûte, Violoncelle
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Alto et Piano
2
Ensemble à vent
1
Flûte à bec Soprano, Piano
1
Quintette de Flûte : 5 flûtes
1
Saxophone et Harpe
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Harpe (duo)
1
Flûte traversière, Orchestre
1
Clarinette, Saxophone, Piano
1
Clarinette, Basson (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Basson
1
Flûte traversière, Orgue (duo)
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 80 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
159
Trompette (partie séparée)
129
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
Quatuor de Cuivres : 2 trompettes, trombone, tuba
63
Trompette, Piano
43
Trompette, Saxophone (duo)
40
Trombone et Piano
38
Cor (partie séparée)
27
2 Trombones (duo)
25
Tuba (partie séparée)
23
Quatuor de Cuivres
23
2 Trompettes (duo)
23
Trompette
22
Trompette, Trombone (duo)
22
Cor et Piano
19
Tuba et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trombone
8
Cor anglais, Piano
6
Euphonium, Piano (duo)
6
Trio de Cuivres
6
Cor
6
Ensemble de Trombones
5
Tuba
4
2 Cors (duo)
3
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
3
Quatuor de cuivres: 4 trombones
3
Trompette, Violoncelle et Piano
3
Quatuor de cuivres: 4 trompettes
3
Trombone, Orgue
1
Cor et Orgue
1
Cor et Harpe
1
Ensemble de Cors
1
2 Cors Anglais Et Pianoforte
1
2 Tubas (duo)
1
2 Euphoniums et 2 Tubas
1
Trombone basse
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
243
Violon et Piano
144
Violon
58
Contrebasse (partie séparée)
46
Violoncelle, Piano
38
Alto, Piano
35
Violon, Violoncelle (duo)
33
2 Violons (duo)
32
2 Violoncelles (duo)
28
Violon, Alto (duo)
24
2 Altos (duo)
24
Harpe
20
Violoncelle
15
Violon (partie séparée)
13
Trio à Cordes: 2 violons, violoncelle
11
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
10
Contrebasse, Piano (duo)
7
Contre Basse
6
Alto (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Violoncelle, Contrebasse (duo)
4
Alto, Violoncelle (duo)
3
Violoncelle (partie séparée)
3
Harpe et mandoline
3
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
2
Trio à Cordes: 3 violoncelles
2
2 Harpes (duo)
2
4 Violoncelles
2
Ensemble de Violons
1
Harpe, Violoncelle (duo)
1
Autoharp
1
Violon, Basson (duo)
1
Harpe, Violon (duo)
1
2 Contrebasses (duo)
1
Violon, Trompette et Piano
1
Violon, Clarinette, Piano (trio)
1
Alto, Orgue
1
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Violon, Orgue
1
Violoncelle, Orgue
1
Alto et Harpe
1
Violoncelle, Orchestre
1
+ 40 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
301
Ensemble Jazz
174
Orchestre à Cordes
78
Ensemble de cuivres
51
Orchestre
49
Batterie (partie séparée)
36
Cloches
34
Jazz combo
17
Orchestre de chambre
15
Ensemble de Percussions
10
Batterie
9
Percussion (partie séparée)
2
Fanfare
2
Marimba
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Xylophone, Piano
1
2 Xylophones
1
Piano et Orchestre
1
Orchestre, Violon
1
+ 14 instrumentations
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Instruments
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CHARANGO
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
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METAL - HARD
METHODE : ACCORDS ET…
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METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POLKA
POP ROCK - POP MUSIC
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The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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Voix haute
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FACILE
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. P...
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High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
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