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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
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TUBA
UKULELE
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VIOLON
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XYLOPHONE
Love, Love, Love century
Non classifié
1 713
Piano & claviers
Piano seul
1 841
Piano, Voix
1 782
Piano Facile
457
Instruments en Do
266
Piano, Voix et Guitare
244
Accompagnement Piano
109
Orgue
75
1 Piano, 4 mains
45
Piano Trio: piano, violon, violoncelle
37
2 Pianos, 4 mains
32
Piano Quintette: piano, 2 violons, alto, violoncelle
11
Accordéon
6
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue, Trompette (duo)
1
Clavier
1
2 Pianos, 8 mains
1
+ 12 instrumentations
Retracter
Guitares
Guitare
139
Guitare notes et tablatures
101
Ligne De Mélodie, (Paroles) et Accords
49
Ukulele
27
2 Guitares (duo)
22
4 Guitares (Quatuor)
13
Basse electrique
11
Mandoline
11
3 Guitares (trio)
8
Piano, Guitare (duo)
7
Dulcimer
6
Banjo
2
Ensemble de guitares
1
Mandoline, Piano (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
890
Chorale 3 parties
207
Chorale TTBB
159
Chorale SSAA
112
Chorale 2 parties
88
Voix Soprano, Piano
59
Voix Alto, Piano
53
Voix Tenor
39
Voix Tenor, Piano
37
Voix Baryton, Piano
28
Voix Soprano
27
Voix haute
24
Voix duo
19
Chorale Unison
19
Voix duo, Piano
19
Voix basse, Piano
13
Voix moyenne, Piano
7
Voix seule
6
Chorale
4
Voix Mezzo-Soprano, Piano
4
Voix haute, Piano
2
Chorale SSAB, Piano
2
Voix duo, Orgue
1
Voix Baryton
1
Chorale SSAATTBB
1
Chorale SSATB
1
Chorale SSAB a cappella
1
Soli, choeur mixte et accompagnement
1
+ 23 instrumentations
Retracter
Vents
Flûte traversière et Piano
252
Clarinette et Piano
187
Hautbois, Piano (duo)
173
Flûte traversière
173
Clarinette
172
2 Flûtes traversières (duo)
132
Saxophone Alto
117
Quatuor de Saxophones: 4 saxophones
116
2 Saxophones (duo)
114
Saxophone Alto et Piano
111
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
109
2 Clarinettes (duo)
83
Flûte, Hautbois, Clarinette, Basson
77
Hautbois (partie séparée)
72
Saxophone Tenor
65
Quatuor de Clarinettes: 4 clarinettes
62
Saxophone Tenor et Piano
61
Hautbois
55
Flûte et Guitare
45
Quintette de Saxophone: 5 saxophones
44
Quintette de Clarinettes: 5 clarinettes
41
Flûte, Clarinette (duo)
36
2 Hautbois (duo)
34
Saxophone Soprano et Piano
34
Saxophone (partie séparée)
32
Quatuor de Flûtes : 4 flûtes
30
Saxophone, Clarinette (duo)
29
Clarinette, Guitare (duo)
28
Saxophone Soprano
27
Saxophone Baryton, Piano
27
Cor anglais, Piano
25
Hautbois, Basson (duo)
23
3 Clarinettes (trio)
23
Clarinette, Violon (duo)
22
Quintette de Flûte : 5 flûtes
22
3 Saxophones (trio)
21
Flûte à Bec
21
Hautbois, Clarinette (duo)
18
Ensemble de Clarinettes
17
Saxophone Baryton
17
Trio de Flûtes: 3 flûtes
16
Flûte, Violon
15
Clarinette, Trompette (duo)
14
Ensemble de Flûtes
12
Clarinette et Alto
12
Ensemble de saxophones
11
Flûte, Alto (duo)
11
Flûte à bec Soprano
10
Flûte à bec Alto
10
Cor anglais, Guitare (duo)
10
Hautbois, Flûte
10
Clarinette, Basson (duo)
9
Cor Anglais
9
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Saxophone (duo)
9
Flûte, Clarinette et Basson
9
Flûte, Trompette (duo)
8
Clarinette Basse, Piano
8
Clarinette, Violoncelle (duo)
7
Quatuor de Flûtes à bec
6
Clarinette (partie séparée)
6
Flûte, Violon, Piano
6
5 Flûtes à bec
5
Saxophone et Piano
5
Flûte, Hautbois, Piano (trio)
5
Flute (partie séparée)
5
Hautbois, Violoncelle
5
2 Flûte à bec (duo)
4
Flûte, Hautbois (duo)
4
Flûte, Clarinette, Cor, Basson (Quartet)
4
2 Flûtes traversières, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Piccolo
4
Flûte, Hautbois, Basson
4
Saxophone et Guitare
3
Hautbois, violon (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle
2
Hautbois et alto (duo)
2
2 Clarinettes, Piano
2
Flûte à bec Soprano, Piano
2
Clarinette Basse
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Basson et Piano
2
Piccolo, Piano
2
Saxophone
2
Flute, harpe et violon
2
Flûte à bec Tenor
2
2 Saxophones, Piano
2
3 Flûtes à bec (trio)
2
Clarinette, Alto et Piano (trio)
1
Hautbois, Violon, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec, Piano
1
Flûte, Hautbois, Violon
1
Clarinette, Basson, Piano (trio)
1
Flûte, Alto et Piano
1
Saxophone et Orgue
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violoncelle et Piano
1
2 Hautbois, Piano
1
Hautbois, Basson et Piano
1
Ensemble De Flûte à bec
1
+ 99 instrumentations
Retracter
Cuivres
Trombone et Piano
133
Trompette
130
Trompette, Piano
121
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
120
Trombone
118
Cor
109
Cor et Piano
99
Tuba
87
Tuba et Piano
50
2 Trompettes (duo)
38
2 Trombones (duo)
37
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Trompette, Trombone (duo)
28
Cor anglais, Piano
25
Quatuor de Cuivres
23
2 Cors (duo)
23
Trompette, Saxophone (duo)
20
Euphonium, Piano (duo)
20
Quatuor de cuivres: 4 trombones
16
Quatuor de cuivres: 4 cors
12
Trompette, Cor (duo)
12
Trompette (partie séparée)
11
2 Tubas (duo)
10
Cor anglais, Guitare (duo)
10
Cor Anglais
9
Ensemble de Cors
7
3 Trombones (trio)
6
Euphonium
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trombones
5
Quatuor de cuivres: 4 trompettes
3
Trombone basse
3
Trombone basse et Piano
3
Ensemble de Trompettes
3
2 Euphoniums et 2 Tubas
3
Tuba et Orgue
2
4 Tubas
2
Trompette, Trombone, Piano
2
Trombone, Orgue
1
3 Cors (trio)
1
Trombone, Tuba (duo)
1
Trombone (partie séparée)
1
Trompette, Violoncelle (duo)
1
Ensemble de Tubas
1
Cornet et orchestre
1
3 Euphoniums
1
2 Cors, Piano
1
Cor, Tuba (duo)
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
Cor (partie séparée)
1
Trompette, Basson (duo)
1
+ 47 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
368
Violon et Piano
306
Violon
187
Violoncelle
166
Violoncelle, Piano
161
Alto, Piano
122
Alto seul
114
Harpe
108
Violon, Violoncelle (duo)
82
2 Violons (duo)
72
Contre Basse
59
Trio à Cordes: violon, alto, violoncelle
50
2 Violoncelles (duo)
49
Violon, Alto (duo)
45
Contrebasse, Piano (duo)
40
2 Altos (duo)
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
31
Trio à Cordes: 2 violons, violoncelle
28
Violon, Guitare (duo)
20
Alto (partie séparée)
20
2 Harpes (duo)
13
Trio à cordes: 3 violins
11
Violoncelle , Guitare (duo)
11
Trio à Cordes: 3 violoncelles
11
4 Violoncelles
11
Alto, Guitare (duo)
10
Alto, Violoncelle (duo)
9
Harpe, Voix
8
Piano Trio: Violon, Alto, Piano
7
Violoncelle, Contrebasse (duo)
6
2 Contrebasses (duo)
6
Trio à cordes: 3 altos
5
Trio à Cordes: 2 violons, alto
4
Quatuor à cordes : 4 altos
4
Harpe, Violon (duo)
3
Violon, Clarinette, Piano (trio)
3
Violon, Basson (duo)
3
Harpe, Flûte (duo)
3
Violon (partie séparée)
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
Quatuor à cordes: 4 violons
2
Trio à cordes
2
Violoncelle, Orgue
2
Violon, Orgue
1
Violon, Violoncelle, Clarinette
1
2 Violoncelles, Piano
1
Harpe, Violon, Violoncelle
1
Contrebasse (partie séparée)
1
+ 44 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
218
Orchestre
148
Orchestre à Cordes
91
Ensemble Jazz
42
Orchestre de chambre
39
Cloches
33
Fanfare
28
Ensemble de cuivres
25
Ensemble de Percussions
23
Batterie
20
Jazz combo
14
Marimba
5
Xylophone, Piano
4
Percussion (partie séparée)
3
Xylophone
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba, Piano (duo)
2
Vibraphone
2
Quintette à Vent
1
Orchestre, Violon
1
2 Xylophones
1
+ 16 instrumentations
Retracter
Autres
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ACCORDEON
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CHANT - CHO…
CHARANGO
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CLAIRON
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CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
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FLUTE
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FLUTE A DIX…
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▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
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SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
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NOUVEAUTÉS
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GENRES
|
20eme siecle
Bluegrass
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Methodes
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2 parties
Voix
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Voix seule
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Rock
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Intermédiaire
Intermédiaire/avancé
Avancé
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|
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2
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NOUVEAUTÉS
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Tout Piano
Piano Débutant
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Piano Seul
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Meilleures Ventes
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Guitare avec TABLATURE
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Chorale 2 Parties
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Chorale UNISON
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CHANT - CHORALE
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VIOLE DE GAMBE
VIOLON
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FLUTE
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ACCORDEON
ALTO
AUTOHARPE
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BASSE
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CHORALE - CHAN…
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Crtitères actifs :
Love, Love, Love century
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Partitions à imprimer
24 partitions trouvées
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God So Loved the World (Solo voice version)
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INTERMÉDIAIRE
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Musique Sacrée
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contrast, the verse is almost
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Robert A
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God So Loved the World
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Robert A. Howard
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howa...
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High Voice,Vocal Solo - Level 3 - SKU: A0.998804 Composed by Robert A. Howard. 21st Century,Easter,Lent,Praise & Worship,Sacred. 3 pages. Robert A. Howard #6064397. Published by Robert A. Howard (A0.998804). This is a simple E minor setting of the familiar Good Friday words, using a repeated binary structure, almost in the manner of an alternating verse/chorus form. The piece is a counterpart to Howard's own 2016 setting of the Ave Verum Corpus, with which it shares the same key (also available via Sheet Music Plus). The chorus displays a clearly morose yearning in its appoggiaturas, upward leap and consequent falling phrase. By contrast, the verse is almost a recitative, featuring tense repetitions on one tone above a series of chromatically descending triads and pedal point. The piece is appropriate for most standards of solo soprano or tenor. The accompaniment can be on piano or organ. Two other versions of this piece, for SATB choir, and for SA choir, are also available from Sheet Music Plus.
$2.99
Contemporary Soprano Aria, "They Say You Can Find Love" from the opera "Menkaure"
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Voix haute
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AVANCÉ
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James Nathaniel Holland
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Contemporary Soprano Aria, &qu
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James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holla...
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High Voice,Vocal Solo - Level 5 - SKU: A0.730207 Composed by James Nathaniel Holland. Contemporary,Holiday,Opera,Wedding. 9 pages. James Nathaniel Holland #37039. Published by James Nathaniel Holland (A0.730207). They say you can find Love Contemporary Soprano aria in English from 21st Century opera (Duration: 4'30) Music and Libretto by American Costa Rican composer James Nathaniel Holland Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlVideo: https://www.youtube.com/watch?v=br_0U00Ck4Q From the American Opera MENKAURE Full opera YouTube: https://www.youtube.com/playlist?list=PLEcbVsA36MCuT1hxkTAyLuChFGJjtj4Ia Lyrics: They say you can find love, but in truth it is love who finds you! No matter how you force things, no matter what you do. You may sit patiently waiting, As months or years pass you by, and then one day it happens, A glance, a smile, you spy. Yes, I want love to find me, To tangle and entwine me, And it will, I know it will in its own sweet time. (Entire Opera duration: 2 hours) BRIEF SYNOPSIS: 6,000 years ago an almighty ruler died in Aksum. But today he lives for one woman, Trista,who falls in love with his statue at the Metropolitan Museum of Art in New York City. She is pulled deep into obsession, and her family is unable to rescue her; she tries to kiss the statue's face, and is arrested. With a quest to find the statue's twin, she flees to the country Joondor, site of the ancient city of Aksum where she is ultimately consumed by her love for Menkaure. Opera Website Page: http://www.lacoronadelossantos.net/menkaureopera.html Composer's website: http://www.lacoronadelossantos.net/jamesnathanielholland.html
$3.95
This Is Love (Voice and Piano)
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Voix haute
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INTERMÉDIAIRE
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Joseph Hasper
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This Is Love
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Joseph Hasper
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.734961 Composed by Joseph Hasper. 20th Century,Contemporary,Standards. 9 pages. Joseph Hasper #6502539. Publis...
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High Voice,Vocal Solo - Level 3 - SKU: A0.734961 Composed by Joseph Hasper. 20th Century,Contemporary,Standards. 9 pages. Joseph Hasper #6502539. Published by Joseph Hasper (A0.734961). This solo vocal piece takes a light hearted look at the subject of love from a literal viewpoint. Duration: 3'50.The text is kind of amusing:Oh, this is how love is spelled:
$7.99
Love Is Little (high voice)
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Voix haute
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INTERMÉDIAIRE
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David Neff
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David Neff
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Love Is Little
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. D...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1202547 Composed by David Neff. Arranged by David Neff. 19th Century,Folk,Religious,Sacred,Wedding. 4 pages. David Neff #801287. Published by David Neff (A0.1202547). This delicate and gentle Shaker tune from 1834 is appropriate for weddings, Maundy Thursday services, and any time we gather to celebrate love. There are several beautiful choral arrangements available, but I was unable to find any setting for solo voice and piano. This arrangement, available in three ranges, gives vocal soloists the opportunity to sing it as well.
$4.99
A Song of Divine Love: Lord when the sense of thy sweet grace
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Voix haute
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Classique
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Anonymous
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Early Music Scores
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A Song of Divine Love: Lord wh
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Early Music Scores
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.1161728 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762104. Published b...
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High Voice,Vocal Solo - SKU: A0.1161728 Composed by Anonymous. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #762104. Published by Early Music Scores (A0.1161728). Voice and continuo: composed by Anonymous, 17th century. From Oxford, MS Don.c.57, ff.35v. Edited by Felipe Dias. 2 pages.
$6.99
[Froom] Three Love Songs
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Voix haute
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Contemporain
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David Froom
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[Froom] Three Love Songs
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American Composers Alliance Inc.
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.952348 Composed by David Froom. 20th Century,Contemporary. 24 pages. American Composers Alliance Inc. #4597155. Publishe...
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High Voice,Vocal Solo - SKU: A0.952348 Composed by David Froom. 20th Century,Contemporary. 24 pages. American Composers Alliance Inc. #4597155. Published by American Composers Alliance Inc. (A0.952348). Three songs for soprano and piano on poems by Sue Standing. Includes: Aubade: Portrait with Shadows, Hummingbird, Flamboyan.
$13.95
[Adams] Love Rejoices (from the Wider View)
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Voix haute
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Contemporain
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H
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[Adams] Love Rejoices
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American Composers Alliance Inc.
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.953272 Composed by H. Leslie Adams. 20th Century. 16 pages. American Composers Alliance Inc. #4756049. Published by Amer...
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High Voice,Vocal Solo - SKU: A0.953272 Composed by H. Leslie Adams. 20th Century. 16 pages. American Composers Alliance Inc. #4756049. Published by American Composers Alliance Inc. (A0.953272). Song from the cycle The Wider View for high voice and piano with text by James Dillet Freeman - PDF download includes score.
$18.95
"We do lie beneath the grass..."
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Voix haute
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William Kersten
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"We do lie beneath the gr
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916020 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007561. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916020 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007561. Published by William Kersten (A0.916020). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Thomas Lovell Beddoes (1803-1849)   We do lie beneath the grassIn the moonlight, in the shadeOf the yew-tree.They that pass Hear us not.We are afraidThey would envy our delight, in our graves by glow-worm night.Come follow us, and smile as we;We sail to the rock in the ancient waves,Where the snow falls by thousands into the sea,And the drowned and the shipwrecked have happy graves.
$3.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Slumber, My Darling (High Voice)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stephen Foster
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Judith L
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Slumber, My Darling
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.821409 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 5 pages. Maggs #6342...
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High Voice,Vocal Solo - Level 4 - SKU: A0.821409 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 5 pages. Maggs #6342611. Published by Maggs (A0.821409). This lovely lullaby by the 19th century American songwriter, Stephen Foster, is arranged for piano and high voice. (Range: G to G) Versions are also available for medium low voice (C to C) and medium high voice (Eb to Eb).
$2.99
The Lord's Prayer
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Albert Hay Malotte
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Jantz A
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The Lord's Prayer
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Jantz A. Black
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.867700 Composed by Albert Hay Malotte. Arranged by Jantz A. Black. 20th Century. 5 pages. Jantz A. Black #3549...
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High Voice,Vocal Solo - Level 4 - SKU: A0.867700 Composed by Albert Hay Malotte. Arranged by Jantz A. Black. 20th Century. 5 pages. Jantz A. Black #3549213. Published by Jantz A. Black (A0.867700). Albert H. Malotte's beloved setting of The Lord's Prayer gets a refreshing piano-vocal treatment - for today - with new harmonies and flourishes, bringing an old standard into the 21st century. The piano accompaniment is challenging but rewarding, and the familiar vocal line gets a few new treatments. Suitable for church or concert hall.(A piano solo and four piano-vocal editions of this arrangement available: Low, Medium Low, Medium High, and High).
$7.99
There Was a Time - High voice
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Voix haute
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INTERMÉDIAIRE
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Stephen Foster
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Judith L
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There Was a Time - High voice
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th Century,Tradition...
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High Voice,Vocal Solo - Level 3 - SKU: A0.821426 Composed by Stephen Foster (Words: James D. Byrne). Arranged by Judith L. Maggs. 19th Century,Traditional. 4 pages. Maggs #6443939. Published by Maggs (A0.821426). This is a lesser known, but lovely song written by American composer Stephen Foster, with lyrics by James D. Byrne. This arrangement, in the key of C, is appropriate for a high singer, with a range of an octave (G to G). It is also available on SMP for medium low voice (Key of F - range C to C) and medium high voice (Key of Ab - range Eb to Eb).
$2.99
Beautiful Dreamer (High voice)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stephen Foster
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Judith L
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Beautiful Dreamer
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.821422 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Standards,Traditional. 5 pages. M...
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High Voice,Vocal Solo - Level 4 - SKU: A0.821422 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Standards,Traditional. 5 pages. Maggs #6349087. Published by Maggs (A0.821422). This is one of the most well-known and well-loved songs of American composer Stephen Foster This arrangement, in the key of F, is appropriate for a high singer, with a range from E above middle C to high G. (An octave lower for the male voice.) It is also available on SMP for medium high voice (Key of Eb - range D to F) and medium low voice (Key of C - range B to D).
$2.99
Jeanie with the Light Brown Hair - High Voice/piano
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stephen Foster
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Judith L
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Jeanie with the Light Brown Ha
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Maggs
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.821406 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 5 pages. Maggs #6340...
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High Voice,Vocal Solo - Level 4 - SKU: A0.821406 Composed by Stephen Foster. Arranged by Judith L. Maggs. 19th Century,Traditional. 5 pages. Maggs #6340897. Published by Maggs (A0.821406). Jeanie with the Light Brown Hair is one of Stephen Fosters best loved songs. This arrangement could be performed as a piano solo (advanced intermediate level) or as a vocal solo with accompaniment. The arrangement is in G major, which is high for the singer and reaches from D above middle C to high G. (An octave lower for the male singer.) Versions are also available for Medium-high voice (Key of F: range C to F) and medium low voice. (Key of D: range A to D)
$2.99
Eurydice to Orpheus
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Voix haute
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INTERMÉDIAIRE
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Robert A
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Eurydice to Orpheus
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Robert A. Howard
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pag...
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High Voice,Vocal Solo - Level 3 - SKU: A0.998870 Composed by Robert A. Howard. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Robert A. Howard #6348473. Published by Robert A. Howard (A0.998870). This short song for soprano and piano sets a poem by Robert Browning. The work principally uses the octatonic scale in a series of scalic semiquaver figurations, mainly in the right hand of the piano part. They seek to depict the sense of panic in the protagonist Eurydice as she seeks to see the face of her beloved, Orpheus. The declamatory vocal line develops a small number of key phrases and motifs. Meanwhile, the left hand of the piano part provides rhythmic interplay and interjects with occasional staccato bare fifths and octaves. The piece is appropriate for most standards of solo female voice whilst the piano accompaniment is best suited to advanced players.
$5.99
Echo
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Voix haute
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Contemporain
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti  Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
"There is dew for the flowret..."
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Voix haute
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William Kersten
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"There is dew for the flo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916018 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007559. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916018 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007559. Published by William Kersten (A0.916018). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Thomas Hood (1799-1845) There is dew for the flowretAnd honey for the bee,And bowers for the wild bird,And love for you and me.There are tears for the manyAnd pleasures for the few;But let the world pass on, dear,There's love for me and you.
$3.99
Birthday
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Voix haute
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William Kersten
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Birthday
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Published by William Kersten (A0.916015). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti (1830-1894)   My heart is like a singing birdWhose nest is in a watered shoot;My heart is like an apple-treeWhose boughs are bent with thick-set fruit;My heart is like a rainbow shellThat paddles in a halcyon sea;My heart is gladder than all theseBecause my love is come to me.Raise me a dais of silk and down;Hang it with vair and purple dyes;Carve it in doves and pomegranates,And peacocks with a hundred eyes;Work it in gold and silver grapes,In leaves and silver fleurs-de-lys;Because the birthday of my lifeIs come, my love is come to me.
$3.99
[Adams] The Wider View - Full Collection
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Voix haute
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Contemporain
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H
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[Adams] The Wider View - Full
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American Composers Alliance Inc.
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.952083 Composed by H. Leslie Adams. 20th Century. 89 pages. American Composers Alliance Inc. #4408849. Published by Amer...
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High Voice,Vocal Solo - SKU: A0.952083 Composed by H. Leslie Adams. 20th Century. 89 pages. American Composers Alliance Inc. #4408849. Published by American Composers Alliance Inc. (A0.952083). Seven songs for high voice and piano. Includes: To the Road! (Paul Laurence Dunbar), Homesick Blue (Langston Hughes), Li'l' Gal (Paul Laurence Dunbar), My Man (Paul Laurence Dunbar), Love Come and Gone (Georgia Douglas Johnson), The Wider View (R.H Grenville), Love Rejoices (James Dillet Freeman). All songs for high voice.
$49.95
Thirst
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Voix haute
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AVANCÉ
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William P
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Thirst
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William P. Gorton
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Pub...
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High Voice,Vocal Solo - Level 5 - SKU: A0.999888 Composed by William P. Gorton. 20th Century,Concert,Spiritual. 6 pages. William P. Gorton #6116907. Published by William P. Gorton (A0.999888). Thirst is a powerful outcry against one's inner demons, a rebuttal to the negative thoughts that we all have experienced at times, and a prayer for peace. Broad and dramatic, with a virtuosic and powerful piano accompaniment, this song will provide great dramatic contrast and substance to any vocal program. More appropriate for the advanced singer, this piece would work well as part of a set (see other Gorton compositions for ideas). Your pianist will love this piece!
$6.95
Serenade
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Voix haute
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AVANCÉ
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Christopher Benfield
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Serenade
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Christopher Benfield
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.909882 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. 6 pages. Christopher Benfield #429...
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High Voice,Vocal Solo - Level 5 - SKU: A0.909882 Composed by Christopher Benfield. 20th Century,Concert,Contemporary. 6 pages. Christopher Benfield #4292981. Published by Christopher Benfield (A0.909882). Serenade is the famous poem by the same name by Paul Verlaine set to music for piano accompaniment and soprano soloist. This extremely languid and evocative art song was written with the similarly evocative text in mind, presenting images of love and the praise of beauty. This piece is recommended for advanced singers.
$3.99
Marietta's Song
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Voix haute
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Erich Wolfgang Korngold
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Marietta's Song
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Schott Music - Digital
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SheetMusicPlus
High voice and piano - SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. O...
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High voice and piano - SKU: S9.Q475 From the opera The Dead City. Composed by Erich Wolfgang Korngold. This edition: Sheet music. Downloadable. Op. 12. Duration 5 minutes. Schott Music - Digital #Q475. Published by Schott Music - Digital (S9.Q475). German • English.Marietta’s Lied “Glück, das mir verblieb†from the opera Die tote Stadt is one of the most popular soprano arias of the 20th century. Its sensual, dreamlike atmosphere drenched with a yearning for love allows a beautiful submerged world to resurface before its listeners, and the tender soaring cantilena continues to seduce audiences the world over. In the opera, this vocal scene is actually a duet between the unhappy widower Paul and the attractive Marietta. In Paul’s eyes, Marietta gradually takes on an ever closer resemblance to his deceased wife Marie against the morbid background of Bruges; the figures of the two women merge fatally with each other in the duet.
$7.99
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