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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Ten Songs
Non classifié
2 563
Piano & claviers
Piano seul
941
Piano Facile
660
Piano, Voix
624
Piano, Voix et Guitare
490
Instruments en Do
324
Accompagnement Piano
60
Piano Trio: piano, violon, violoncelle
45
Orgue
44
1 Piano, 4 mains
41
Piano grosses notes
27
Accordéon
8
Piano Quatuor: piano, 2 violons, violoncelle
8
2 Pianos, 4 mains
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Clavier
4
Piano (partie séparée)
2
Ensemble d'Accordéons
1
2 Accordéons
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
363
Ukulele
348
Mandoline
273
Guitare notes et tablatures
132
Ligne De Mélodie, (Paroles) et Accords
41
Basse electrique
36
2 Guitares (duo)
16
Banjo
14
Dulcimer
8
Ukulele Baryton
5
Guitare (partie séparée)
4
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
3
Paroles et Accords
3
Ensemble de guitares
3
Guitare Pedal Steel
1
Guitare, Violon, Violoncelle (trio)
1
Dobro
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
517
Chorale 3 parties
214
Chorale 2 parties
150
Voix duo, Piano
84
Voix seule
83
Voix Soprano, Piano
74
Chorale TTBB
74
Voix Alto, Piano
67
Chorale Unison
57
Voix Tenor, Piano
51
Chorale
49
Chorale SSAA
44
Voix Baryton, Piano
41
Voix duo
32
Voix haute
29
Pack Instrumental pour Chorale
21
Voix Tenor
16
Voix moyenne, Piano
14
Voix basse, Piano
12
Voix Mezzo-Soprano, Piano
8
Voix basse
4
Chorale SSAATTBB
3
Voix, Guitare
2
Chorale SSATB
1
Voix Soprano
1
Chorale SATBB
1
Voix Baryton
1
+ 22 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
422
Saxophone
387
Flûte à bec Soprano
272
Saxophone Tenor
226
Saxophone Tenor et Piano
208
2 Saxophones (duo)
201
Quintette de Saxophone: 5 saxophones
169
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
140
Flûte traversière
113
Flûte, Hautbois, Clarinette, Basson
111
Flûte traversière et Piano
100
Saxophone (partie séparée)
93
Clarinette
87
2 Flûtes traversières (duo)
86
Saxophone Alto
82
Clarinette et Piano
74
2 Clarinettes (duo)
72
Saxophone Alto et Piano
71
Quatuor de Clarinettes: 4 clarinettes
67
Hautbois, Piano (duo)
64
Saxophone, Clarinette (duo)
56
Saxophone Soprano et Piano
48
3 Saxophones (trio)
44
Hautbois, Basson (duo)
42
Clarinette, Trompette (duo)
39
Harmonica
37
Clarinette, Violon (duo)
35
Flûte, Clarinette (duo)
34
Hautbois (partie séparée)
34
Cornemuse
33
Saxophone Baryton, Piano
28
Flûte, Trompette (duo)
28
2 Hautbois (duo)
25
Ensemble de Clarinettes
25
Quatuor de Flûtes à bec
25
Quatuor de Flûtes : 4 flûtes
24
Ensemble de saxophones
23
Hautbois
23
Clarinette et Alto
21
Flûte, Violon
21
Flûte à Bec
20
3 Flûtes à bec (trio)
20
Hautbois, Flûte
20
Flûte, Saxophone (duo)
18
Hautbois, Clarinette (duo)
18
Cor Anglais
17
Clarinette, Basson (duo)
17
Quintette de Clarinettes: 5 clarinettes
15
Flûte, Alto (duo)
14
2 Flûte à bec (duo)
14
3 Clarinettes (trio)
14
Saxophone Soprano
13
Ocarina
13
Ensemble de Flûtes
12
Cor anglais, Piano
11
Quintette de Flûte : 5 flûtes
11
Flûte et Guitare
10
Flûte, Violon, Piano
10
Ensemble De Flûte à bec
9
Flûte à bec Alto
6
Saxophone Baryton
5
Clarinette Basse, Piano
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Clarinette (partie séparée)
4
Saxophone et Guitare
4
Flûte, Clarinette et Basson
4
Clarinette, Guitare (duo)
4
Cor anglais, Guitare (duo)
3
Clarinette, Harpe (duo)
3
Flute, harpe et violon
3
5 Flûtes à bec
3
Clarinette, Trombone (duo)
3
Trio de Flûtes: 3 flûtes
3
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte irlandaise
2
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Trombone (duo)
2
Flûte, Violoncelle
2
Flûte à bec Tenor
2
Saxophone, Basson (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Violoncelle
1
Saxophone et violoncelle
1
Hautbois, Harpe
1
2 Flûtes à bec, Piano
1
Ensemble à vent
1
Flûte, Hautbois, Basson
1
Saxophone et Harpe
1
2 Clarinettes, Basson
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Ensemble de Hautbois
1
Flute (partie séparée)
1
2 Flûtes traversières, Harpe
1
Saxophone et Piano
1
Cor anglais et Harpe (duo)
1
2 Saxophones, Piano
1
Flûte de Pan
1
Hautbois et alto (duo)
1
Piccolo, Piano
1
Clarinette, Violoncelle (duo)
1
+ 96 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
123
Trombone et Piano
104
Trompette
99
Trombone
95
Quatuor de Cuivres : 2 trompettes, trombone, tuba
80
Trompette, Piano
61
Quatuor de Cuivres
46
Cor et Piano
45
Trompette, Saxophone (duo)
43
2 Trombones (duo)
32
2 Trompettes (duo)
28
Tuba et Piano
27
Euphonium, Piano (duo)
26
2 Cors (duo)
23
Cor
23
Trompette, Trombone (duo)
23
Trompette (partie séparée)
19
Tuba
19
Cor Anglais
17
Quatuor de cuivres: 4 trombones
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Euphonium
13
Cor anglais, Piano
11
Ensemble de Trombones
11
Trombone (partie séparée)
10
Quatuor de cuivres: 4 cors
9
Ensemble de Trompettes
8
2 Tubas (duo)
6
Trompette, Cor (duo)
3
Cor anglais, Guitare (duo)
3
2 Euphoniums et 2 Tubas
3
Ensemble de Cors
3
Cor (partie séparée)
3
Euphonium, Tuba (duo)
2
Trio de Cuivres
2
Tuba (partie séparée)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
3 Trombones (trio)
1
Cor, Trompette, Trombone (trio)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trompettes
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Tuba (duo)
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Cor anglais et Harpe (duo)
1
Trombone, Cor (duo)
1
Cor et Harpe
1
Trompette, Harpe
1
Tuba et Orgue
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
322
Violon et Piano
178
Violon
131
Violoncelle, Piano
131
Harpe
112
Violoncelle
94
Violon, Violoncelle (duo)
93
Alto, Piano
67
Alto seul
49
Violon, Alto (duo)
45
2 Violoncelles (duo)
40
2 Violons (duo)
39
Trio à Cordes: 2 violons, violoncelle
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
2 Altos (duo)
32
Contre Basse
25
Contrebasse, Piano (duo)
23
Alto (partie séparée)
20
Trio à Cordes: violon, alto, violoncelle
19
Violon (partie séparée)
15
Alto, Violoncelle (duo)
13
2 Harpes (duo)
13
Trio à cordes
12
Violon, Guitare (duo)
12
Piano Trio: Violon, Alto, Piano
7
Ensemble de Violons
7
Harpe, Flûte (duo)
7
Harpe, Voix
7
4 Violoncelles
6
Contrebasse (partie séparée)
6
Ensemble d'Altos
5
Violoncelle , Guitare (duo)
5
Violoncelle (partie séparée)
4
Alto, Guitare (duo)
3
Trio à cordes: 3 violins
2
Violoncelle, Orgue
2
2 Violons, Piano
2
Trio à Cordes: 3 violoncelles
1
Harpe, Violon (duo)
1
Alto et Harpe
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
405
Ensemble de cuivres
121
Orchestre à Cordes
98
Orchestre de chambre
85
Orchestre
83
Ensemble Jazz
52
Fanfare
49
Jazz combo
28
Cloches
16
Batterie
11
Marimba
7
Percussion (partie séparée)
5
Xylophone
4
Xylophone, Piano
2
Batterie (partie séparée)
2
Cajon
1
Vibraphone
1
Ensemble de Percussions
1
Quintette de Cuivres: autres combinaisons
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Ten Songs
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Partitions à imprimer
29 partitions trouvées
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1
26
Ten Thousand Miles Away (Downloadable)
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Voix haute
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INTERMÉDIAIRE
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Steven Mark Kohn
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Ten Thousand Miles Away
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8668-01E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-01E. Published by E...
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High voice and piano - Medium - SKU: MQ.8668-01E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-01E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
The Lamb (William Blake) — high voice (soprano / tenor), keyboard accompaniment
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Voix haute
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FACILE
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the stream and o'er the mead;<
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Todd Marchand
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The Lamb
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Con Spirito Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. P...
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High Voice,Vocal Solo - Level 2 - SKU: A0.1141419 Composed by Todd Marchand. Christian,Christmas,Religious,Sacred. 5 pages. Con Spirito Music #741745. Published by Con Spirito Music (A0.1141419). William Blake (1757-1827), a seminal figure in the history of the poetry and visual art of the Romantic Age, published the lyric poem The Lamb in his collection, Songs of Innocence, in 1789.The Lamb is presented as from the viewpoint of, and in the voice of, a child. In the first stanza, the child asks the lamb if it knows its Creator; in the second, it tells the creature, by means of metaphor, that its Creator is the Lord Jesus Christ, who like the lamb took on the flesh of a created being, “little,†“meek,†and “mild.†The child declares that he/she shares with the creature the name of the One who is, in Christian belief, both the sacrificial Lamb and the Shepherd of his flock. Finally, the child pronounces a benediction: “Little lamb, God bless thee!â€This new setting of The Lamb for voice and keyboard accompaniment is intended to evoke the simplicity of the text, and therefore should be performed simply yet expressively, with subtle rubato (flexibility in tempo) to give emphasis to the text.Little lamb, who made thee? / Dost thou know who made thee,Gave thee life, and bid thee feed / By the stream and o'er the mead;Gave thee clothing of delight, / Softest clothing, woolly, bright;Gave thee such a tender voice, / Making all the vales rejoice?Little lamb, who made thee? / Dost thou know who made thee?Little lamb, I'll tell thee; / Little lamb, I'll tell thee:He is called by thy name, / For He calls Himself a Lamb.He is meek, and He is mild, / He became a little child.I a child, and thou a lamb, / We are called by His name.Little lamb, God bless thee! / Little lamb, God bless thee!Soprano range C4-G5; Tenor range C3-G4©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$4.99
[Karchin] Four Songs on Poems of Seamus Heaney (Orchestral - Piano Reduction)
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Voix haute
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Contemporain
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Louis Karchin
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[Karchin] Four Songs on Poems
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American Composers Alliance Inc.
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.953375 Composed by Louis Karchin. Contemporary. 29 pages. American Composers Alliance Inc. #6199055. Published by Americ...
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High Voice,Vocal Solo - SKU: A0.953375 Composed by Louis Karchin. Contemporary. 29 pages. American Composers Alliance Inc. #6199055. Published by American Composers Alliance Inc. (A0.953375). A piano reduction rehearsal score for the chamber orchestration of the four songs from Karchin's Ancient Scenes on texts by Seamus Heaney. Includes: Lightenings iv, The Rain Stick, Lightenings i, Settings xxiv.Instrumentation: 2121 - 2211 - 2 perc, hp - soprano solo - strings.PDF download includes piano rehearsal score.
$24.95
[Karchin] Two Songs on Poems of Seamus Heaney
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Voix haute
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Contemporain
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Louis Karchin
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[Karchin] Two Songs on Poems o
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American Composers Alliance Inc.
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.952425 Composed by Louis Karchin. Contemporary. 14 pages. American Composers Alliance Inc. #4601717. Published by Americ...
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High Voice,Vocal Solo - SKU: A0.952425 Composed by Louis Karchin. Contemporary. 14 pages. American Composers Alliance Inc. #4601717. Published by American Composers Alliance Inc. (A0.952425). Scored for soprano and piano. Includes: Lightenings i, Settings xxiv.
$12.95
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
The Farmer’s Curst Wife (Downloadable)
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Voix haute
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Steven Mark Kohn
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The Farmer’s Curst Wife
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8668-03E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-03E. Published by E...
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High voice and piano - Medium - SKU: MQ.8668-03E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-03E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
California (Downloadable)
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Voix haute
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Steven Mark Kohn
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California
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8668-10E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-10E. Published by E...
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High voice and piano - Medium - SKU: MQ.8668-10E Composed by Steven Mark Kohn. 9 pages. E. C. Schirmer Music Company - Digital #8668-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-10E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
The Bachelor’s Lay (Downloadable)
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Voix haute
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Steven Mark Kohn
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The Bachelor’s Lay
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8668-06E Composed by Steven Mark Kohn. 7 pages. E. C. Schirmer Music Company - Digital #8668-06E. Published by E...
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High voice and piano - Medium - SKU: MQ.8668-06E Composed by Steven Mark Kohn. 7 pages. E. C. Schirmer Music Company - Digital #8668-06E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-06E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
Down, Down, Down (Downloadable)
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Voix haute
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Steven Mark Kohn
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Down, Down, Down
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8668-07E Composed by Steven Mark Kohn. 5 pages. E. C. Schirmer Music Company - Digital #8668-07E. Published by E...
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High voice and piano - Medium - SKU: MQ.8668-07E Composed by Steven Mark Kohn. 5 pages. E. C. Schirmer Music Company - Digital #8668-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-07E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
The Gallows Tree (Downloadable)
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Voix haute
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INTERMÉDIAIRE
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Steven Mark Kohn
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The Gallows Tree
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Medium - SKU: MQ.8668-11E Composed by Steven Mark Kohn. 7 pages. E. C. Schirmer Music Company - Digital #8668-11E. Published by E...
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High voice and piano - Medium - SKU: MQ.8668-11E Composed by Steven Mark Kohn. 7 pages. E. C. Schirmer Music Company - Digital #8668-11E. Published by E. C. Schirmer Music Company - Digital (MQ.8668-11E). English.Comprised of fifteen songs, each are mini-dramas. Something is happening in each one of them. Someone is travelling, working, or suffering. Their messages are universal to the human experience. They still resonate. Kohn did extensive editing of the available texts to keep the storytelling succinct. I arranged these songs, but I did not write them. Our ancestors, storytellers with great musical talent, did that many years ago. -Steven Mark Kohn, 2000Contents (Click to listen- Medium Voice Version):
$5.00
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Serenade - Ständchen - Schwanengesang, D. 957 No. 4 (Duet for Voice and Piano)
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Voix haute
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Flavio Regis Cunha
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Serenade - Ständchen - Sc
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Flavio Regis Cunha
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio ...
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High Voice,Vocal Solo - Level 3 - SKU: A0.597338 By Franz Schubert. By Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period. 8 pages. Flavio Regis Cunha #5725037. Published by Flavio Regis Cunha (A0.597338). Schwanengesang (swan song), D 957, is a collection of songs written by Franz Schubert towards the end of his life and published posthumously.The collection was named by its first editor, Tobias Haslinger, probably intending to present it as Schubert's final musical testament to the world. Unlike earlier Die schöne Müllerin and Winterreise, it contains settings by three poets, Ludwig Rellstab (1799–1860), Heinrich Heine (1797–1856) and Johann Gabriel Seidl (1804–1875). Schwanengesang was composed in 1828 and published in 1829 just a few months after the composer's death on 19 November 1828.Advanced Intermediate.Format: Concert, 9 x 12.8 pages.
$5.99
IO NON CANTO MAI PIÙ
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Voix haute
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AVANCÉ
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Sonny Rios
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IO NON CANTO MAI PIÙ
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Sonny Rios
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.962896 Composed by Sonny Rios. Contemporary,Holiday,Love,Opera. 8 pages. Sonny Rios #3924619. Published by Son...
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High Voice,Vocal Solo - Level 5 - SKU: A0.962896 Composed by Sonny Rios. Contemporary,Holiday,Love,Opera. 8 pages. Sonny Rios #3924619. Published by Sonny Rios (A0.962896). IO NON CANTO MAI PIÙ: Another of Sonny Rios love songs written and composed in the classical crossover genre for solo High Voice. Its range is C4-C6 and has lyrics in Italian, Spanish and English (you choose the language you want to sing it in). The song has been registered with the US Copyright Office and ASCAP. The song may be obtained in a fully orchestrated accompaniment CD with and without lead Italian/Spanish vocals by emailing: tenor@sonnyrios.com. And if you wish to record the song, please obtain a license by emailing: tenor@sonnyrios.com.
$6.99
"We do lie beneath the grass..."
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Voix haute
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William Kersten
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"We do lie beneath the gr
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916020 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007561. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916020 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007561. Published by William Kersten (A0.916020). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Thomas Lovell Beddoes (1803-1849)   We do lie beneath the grassIn the moonlight, in the shadeOf the yew-tree.They that pass Hear us not.We are afraidThey would envy our delight, in our graves by glow-worm night.Come follow us, and smile as we;We sail to the rock in the ancient waves,Where the snow falls by thousands into the sea,And the drowned and the shipwrecked have happy graves.
$3.99
"There is dew for the flowret..."
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Voix haute
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William Kersten
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"There is dew for the flo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916018 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007559. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916018 Composed by William Kersten. 20th Century,Contemporary. 2 pages. William Kersten #3007559. Published by William Kersten (A0.916018). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Thomas Hood (1799-1845) There is dew for the flowretAnd honey for the bee,And bowers for the wild bird,And love for you and me.There are tears for the manyAnd pleasures for the few;But let the world pass on, dear,There's love for me and you.
$3.99
"My soul is awakened..."
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Voix haute
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William Kersten
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"My soul is awakened...&q
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916017 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007533. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916017 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007533. Published by William Kersten (A0.916017). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten in two versions: wide and normal vocal range Poem by Anne Bronte (1820-1849)  My soul is awakened, my spirit is soaringAnd carried aloft on the wings of the breeze,For above and around me the wild wind is roaringArousing to rapture the earth and the seas.The long withered grass in the sunshine is glancing,The bare trees are tossing their branches on high,The dead leaves beneath them are merrily dancingThe white clouds are scudding across the blue sky.I wish I could see how the ocean is lashingThe foam of its billows to whirlwinds of spray,I wish I could see how its proud waves are dashing,And hear the wild roar of their thunder today.
$3.99
Birthday
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Voix haute
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William Kersten
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Birthday
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916015 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007519. Published by William Kersten (A0.916015). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti (1830-1894)   My heart is like a singing birdWhose nest is in a watered shoot;My heart is like an apple-treeWhose boughs are bent with thick-set fruit;My heart is like a rainbow shellThat paddles in a halcyon sea;My heart is gladder than all theseBecause my love is come to me.Raise me a dais of silk and down;Hang it with vair and purple dyes;Carve it in doves and pomegranates,And peacocks with a hundred eyes;Work it in gold and silver grapes,In leaves and silver fleurs-de-lys;Because the birthday of my lifeIs come, my love is come to me.
$3.99
Echo
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Voix haute
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Contemporain
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti  Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
Arise, my love (Downloadable)
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Voix haute
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Mariage/Ballade
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Julian Wachner
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Song of Solomon 2
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Arise, my love
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice, piano - Moderately Difficult - SKU: MQ.6181-E Composed by Julian Wachner. Wedding. 5 pages. E. C. Schirmer Music Company - Digital #6181-E. ...
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High voice, piano - Moderately Difficult - SKU: MQ.6181-E Composed by Julian Wachner. Wedding. 5 pages. E. C. Schirmer Music Company - Digital #6181-E. Published by E. C. Schirmer Music Company - Digital (MQ.6181-E). English. Song of Songs 2; Song of Solomon 2.The text is from The Song of Solomon, King James Version of the Bible. The setting uses ascending lines to accentuate bold phrases, and the piano either plays a triplet figure or sustained notes often in blocked chords. Additionally, the ending leaves the audience wondering if the lover ever did arise, as there are four repeated descending figures in the piano followed by the lowest notes in the piece ending the song. It's exciting writing that allows for multiple interpretations.
$7.75
Baby, It's Cold Outside
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Voix haute
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FACILE
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Film/TV
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Ray Charles & Betty Carter
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Stephen DeCesare
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Baby, It's Cold Outside
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Exultet Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 2 - SKU: A0.622269 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Stephen DeCesare. Film/TV. 8 pages. Exulte...
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High Voice,Vocal Solo - Level 2 - SKU: A0.622269 By Ray Charles & Betty Carter. By Frank Loesser. Arranged by Stephen DeCesare. Film/TV. 8 pages. Exultet Music #3618727. Published by Exultet Music (A0.622269). One of the most performed songs during the Christmas season has been freshly arranged as a duet for a Soprano and Tenor Solo with Piano accompaniment. Song starts as usual where the Tenor is asking the Soprano to stay, but in this version, in the second verse, the Soprano turns the tables on the Tenor. Accessible and appropriate for any school or concert program. .
$4.99
Summer Scenes
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Benjamin S
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Summer Scenes
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BlueCircle Press
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.934339 Composed by Benjamin S. Beckman. 20th Century,Contemporary,Standards. 27 pages. BlueCircle Press #32266...
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High Voice,Vocal Solo - Level 4 - SKU: A0.934339 Composed by Benjamin S. Beckman. 20th Century,Contemporary,Standards. 27 pages. BlueCircle Press #3226639. Published by BlueCircle Press (A0.934339). A cycle of three songs describing picturesque summer scenes. All text is in English and is displayed before the pieces. Written in a bright new style with crisp, tonal harmony and elegant vocal line, this piece is perfect for the advanced student to working professional.
$5.00
Du fatter ej Bølgernes evige Gang [High Voice; Key: Am]
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Voix haute
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Classique
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Edvard Grieg
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Maxence Lasserre-Engberts
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Du fatter ej Bølgernes
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Maxence Lasserre-Engberts
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.795763 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxe...
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High Voice,Vocal Solo - SKU: A0.795763 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772005. Published by Maxence Lasserre-Engberts (A0.795763). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: D#4 - A5 (1 ½ tones higher)
$1.99
Min Tanke er et mægtigt Fjeld [High Voice; Key: Em]
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Voix haute
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Classique
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Edvard Grieg
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Maxence Lasserre-Engberts
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Min Tanke er et mægtigt
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Maxence Lasserre-Engberts
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.795774 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxe...
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High Voice,Vocal Solo - SKU: A0.795774 Composed by Edvard Grieg. Arranged by Maxence Lasserre-Engberts. Concert,Romantic Period,Standards. 5 pages. Maxence Lasserre-Engberts #5772147. Published by Maxence Lasserre-Engberts (A0.795774). Hjertets melodier (English: Melodies of the Heart) is a very short song cycle, the original version lasting only 6 minutes. It is one of Grieg's first published works, and contains his most famous song, Jeg elsker Dig!, better known as Ich liebe dich. Dano-Norwegian (original), German and English lyrics are included.1. To brune Øjne / Zwei braune Augen / Two Brown Eyes 2. En Digters Bryst (Du fatter ej Bølgernes evige Gang) / Des Dichters Herz / The Poet's Heart 3. Jeg elsker Dig! / Ich liebe dich / I Love You 4. Min Tanke er et mægtigt Fjeld / Mein Sinn ist wie der mächt'ge Fels / My Mind is Like a Peak Snow-CrownedThis is an Urtext edition; the music is written as seen in the composer's unedited manuscript, transposition aside. Also available from the same publisher: whole song cycle (4 songs) for $5.99 (25% off) Range: D#4 - G5 (2 tones higher)
$1.99
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