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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
as
Non classifié
23 952
Piano & claviers
Piano seul
16 528
Piano, Voix
5 841
Piano Facile
3 625
Piano grosses notes
3 323
Orgue
3 046
Piano, Voix et Guitare
2 566
Instruments en Do
1 189
1 Piano, 4 mains
485
Piano Trio: piano, violon, violoncelle
436
Accompagnement Piano
392
Piano Quatuor: piano, 2 violons, violoncelle
177
Accordéon
166
2 Pianos, 4 mains
130
Piano Quatuor: piano, violon, alto, violoncelle
83
Piano (partie séparée)
67
Clavier
66
Orgue, Piano (duo)
43
Piano Quintette: piano, 2 violons, alto, violoncelle
42
Orgue, Trompette (duo)
42
Clavecin
30
1 Piano, 6 mains
28
2 Pianos, 8 mains
6
2 Accordéons
3
Ligne De Mélodie, Piano
3
Ensemble d'Accordéons
2
Accordéon et Orchestre
2
Orgue et Orchestre
1
Fake Book
1
Accordéon, Voix
1
+ 24 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1 908
Guitare
1 563
Ligne De Mélodie, (Paroles) et Accords
616
Basse electrique
488
Mandoline
325
Ukulele
308
2 Guitares (duo)
224
Piano, Guitare (duo)
192
Guitare (partie séparée)
135
Paroles et Accords
116
4 Guitares (Quatuor)
89
Dulcimer
63
Banjo
44
3 Guitares (trio)
41
Ensemble de guitares
26
2 Dulcimers (duo)
8
Ukulele Baryton
6
Mandoline, Guitare (duo)
5
2 Ukuleles
4
Guitare, Violon, Violoncelle (trio)
4
2 Mandolines (duo)
3
Guitare Pedal Steel
3
Mandoline, Piano (duo)
3
Guitare, Quatuor à cordes
2
Guitare, Orchestre
2
Cithare
1
Orchestre à Plectres
1
Ensemble de Ukulélés
1
Dobro
1
Luth
1
+ 25 instrumentations
Retracter
Voix
Chorale SATB
7 396
Voix duo, Piano
2 329
Chorale 3 parties
2 044
Chorale 2 parties
1 584
Chorale TTBB
1 199
Chorale Unison
918
Voix duo
813
Chorale SSAA
635
Voix Soprano, Piano
187
Voix Alto, Piano
119
Voix Tenor, Piano
110
Voix haute
95
Voix seule
86
Voix Baryton, Piano
83
Pack Instrumental pour Chorale
78
Chorale
56
Voix moyenne, Piano
29
Voix basse, Piano
28
Chorale SSAATTBB
23
Voix Tenor
16
Voix basse
15
Chorale SSATTB
12
Chorale SSATB
12
Voix Mezzo-Soprano, Piano
10
Soli, choeur mixte et accompagnement
7
Voix, Guitare
5
Voix Soprano
4
Chorale SSAB, Piano
3
Male Voice
2
Chorale SSAB a cappella
2
Chorale SATTBB A Cappella
2
Chorale, Orgue
1
Voix Baryton
1
Chorale SAATB A Cappella
1
Chorale SSATBB
1
+ 30 instrumentations
Retracter
Vents
Flûte traversière et Piano
2 079
2 Saxophones (duo)
1 744
Quatuor de Saxophones: 4 saxophones
1 675
Clarinette et Piano
1 549
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1 537
Hautbois, Piano (duo)
1 514
Flûte, Hautbois, Clarinette, Basson
1 322
Saxophone Alto et Piano
1 315
Quatuor de Clarinettes: 4 clarinettes
1 084
Saxophone Tenor et Piano
1 067
2 Flûtes traversières (duo)
930
Flûte traversière
866
2 Clarinettes (duo)
840
Quintette de Saxophone: 5 saxophones
785
Saxophone Soprano et Piano
757
Clarinette
690
Saxophone (partie séparée)
657
Saxophone Alto
654
Flûte, Clarinette (duo)
553
Saxophone Tenor
475
Quatuor de Flûtes : 4 flûtes
466
Ensemble de Clarinettes
403
Saxophone, Clarinette (duo)
378
3 Saxophones (trio)
337
Ensemble de saxophones
325
Hautbois (partie séparée)
311
Saxophone Baryton, Piano
311
Clarinette, Violon (duo)
307
2 Hautbois (duo)
274
Ensemble de Flûtes
256
3 Clarinettes (trio)
244
Hautbois, Basson (duo)
220
Clarinette, Trompette (duo)
213
Cor anglais, Piano
211
Flûte et Guitare
208
Flûte, Violon
203
Trio de Flûtes: 3 flûtes
197
Quintette de Clarinettes: 5 clarinettes
196
Hautbois, Clarinette (duo)
170
Clarinette et Alto
145
Hautbois, Flûte
137
Flûte, Saxophone (duo)
137
Clarinette Basse, Piano
130
Clarinette (partie séparée)
126
Flûte, Violon, Piano
123
2 Flûte à bec (duo)
121
Flûte, Alto (duo)
119
Flûte, Trompette (duo)
116
Quintette de Flûte : 5 flûtes
108
Quatuor de Flûtes à bec
107
Clarinette, Basson (duo)
102
Saxophone Soprano
100
Hautbois
99
Flûte, Hautbois, Clarinette (trio)
91
Flûte, Clarinette et Basson
88
2 Flûtes traversières, Piano
88
Flûte à bec Soprano
83
Flûte, Violoncelle
80
Flute (partie séparée)
78
Flûte, Clarinette, Piano (trio)
74
Ensemble De Flûte à bec
69
Hautbois, Clarinette, Basson (trio d'anches)
67
Saxophone
67
Flûte, Violon et Violoncelle
66
Clarinette, Guitare (duo)
66
Clarinette, Violoncelle (duo)
66
Flûte à Bec
59
Flûte, Violoncelle, Piano (trio)
54
Saxophone Baryton
54
2 Clarinettes, Piano
53
Flûte, Hautbois (duo)
48
Clarinette, Violoncelle, Piano (trio)
46
Hautbois, Violoncelle
43
Cor Anglais
42
5 Flûtes à bec
40
Flûte à bec Alto
39
Flûte, Hautbois, Basson
37
Flûte, Basson et Piano
36
Flûte à bec Soprano, Piano
36
3 Flûtes à bec (trio)
34
Flûte, Alto et Piano
32
Flûte, trombone et piano
30
Flûte, Hautbois, Piano (trio)
29
Flûte à bec Alto, Piano
25
Flûte, Trombone (duo)
24
Flûte à bec Tenor
23
2 Saxophones, Piano
19
Hautbois, violon (duo)
19
Flûte, Clarinette, Cor, Basson (Quartet)
18
Cor anglais, Guitare (duo)
17
Clarinette, Harpe (duo)
17
Flute, harpe et violon
16
Saxophone et Guitare
16
Hautbois et alto (duo)
15
Flûte, Violon, Violoncelle et Piano
15
Ocarina
13
Piccolo, Piano
13
Clarinette, Trombone (duo)
13
Clarinette, Basson, Piano (trio)
12
Clarinette, trompette et piano
12
Saxophone et Harpe
12
Flûte traversière, Orgue (duo)
11
Ensemble à vent
10
Clarinette, Alto et Piano (trio)
10
Harmonica
10
Hautbois, Harpe
10
Hautbois, Guitare (duo)
10
Hautbois, Clarinette et Piano (Trio)
9
Flûte, Tuba (duo)
9
2 Clarinettes, Basson
9
Flûte et Trio à cordes
9
Clarinette, Contrebasse (duo)
8
Flûte, Violoncelle, Guitare
8
2 Cors Anglais Et Pianoforte
7
4 Hautbois
7
Flûte, Harpe et Violoncelle
7
Piccolo
7
Hautbois, Violon, Piano
6
Clarinette Basse
6
Ensemble de Hautbois
5
Hautbois, Violoncelle et Piano
5
Clarinette, Tuba
5
Flûte irlandaise
5
Saxophone, Violon (duo)
5
Hautbois, Basson et Piano
5
Saxophone et Orgue
5
Flûte traversière, Basse continue
4
3 Hautbois
4
Flûte à bec, Guitare (duo)
4
Hautbois, trombone (duo)
4
Instruments en Mib
4
Flute, Cor (duo)
4
Clarinette, Orgue
3
Flûte de Pan
3
Hautbois, Violin, Alto et Violoncelle (Quatuor)
3
Cornemuse
3
Flûte, Alto et Violoncelle
2
Flûte, alto et harpe
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte à Bec, Piano
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
2
2 Flûtes à bec, Piano
2
Flûte, Violon, Guitare
2
Flûte, Hautbois, Violon
2
Flûte à bec Alto, Basse continue
2
Flûte traversière, Orchestre
1
Flûte, Clarinette, Violon (trio)
1
Saxophone, Tuba (duo)
1
Clarinette, Orchestre
1
2 Hautbois et Basson
1
2 Flûtes à bec, Guitare
1
Flute, alto, violoncelle et guitare
1
Cor anglais et Harpe (duo)
1
Clarinette, Saxophone, Piano
1
Hautbois, Trompette (duo)
1
Flûte à bec Soprano, Basse continue
1
Flûte à bec, Harpe
1
2 Flûtes traversières, Harpe
1
Flûte et Quatuor à Cordes
1
2 Hautbois, 2 Cors et 2 Bassons
1
+ 155 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1 741
Trombone et Piano
1 297
Trompette, Piano
1 169
Quatuor de Cuivres : 2 trompettes, trombone, tuba
958
Trompette
899
Cor et Piano
684
2 Trompettes (duo)
522
Trombone
508
2 Trombones (duo)
493
Trombone (partie séparée)
423
Trompette (partie séparée)
408
Tuba et Piano
359
Quatuor de Cuivres: 2 trompettes, Cor, trombone
354
Quatuor de Cuivres
326
Cor
326
Trompette, Saxophone (duo)
273
Trompette, Trombone (duo)
264
2 Cors (duo)
251
Euphonium, Piano (duo)
238
Trompette, Cor (duo)
237
Quatuor de cuivres: 4 trombones
229
Tuba
218
Cor anglais, Piano
211
Ensemble de Trompettes
131
Ensemble de Trombones
129
Quatuor de cuivres: 4 cors
121
Cor (partie séparée)
91
2 Tubas (duo)
76
Tuba (partie séparée)
59
Quatuor de cuivres: 4 trompettes
56
Ensemble de Cors
51
2 Euphoniums et 2 Tubas
51
Euphonium
47
4 Tubas
47
3 Trombones (trio)
47
Cor Anglais
42
Trio de Cuivres
33
Euphonium, Tuba (duo)
31
3 Trompettes (trio)
28
Quatuor de cuivres: 2 trompettes, 2 trombones
27
Trompette, Violoncelle et Piano
24
Trompette, Violoncelle (duo)
22
Trombone, Orgue
22
Cor, Violoncelle (duo)
21
Tuba et Orgue
20
Trombone, Cor (duo)
19
Cor anglais, Guitare (duo)
17
Trombone, Tuba (duo)
17
Trompette, Tuba (duo)
16
Trompette, violon (duo)
14
3 Cors (trio)
14
Cor, Tuba (duo)
13
3 Tubas (trio)
12
Cor et Harpe
11
Trombone basse
11
Trompette, Basson (duo)
10
Bass Clef Instruments
10
Trombone basse et Piano
10
Trompette et Guitare
8
2 Trompettes, Clavier (piano ou orgue)
8
Trompette, Harpe
8
3 Euphoniums
7
2 Cors Anglais Et Pianoforte
7
2 Euphoniums (duo)
7
Instruments en Sib
6
Clarinette, Cor (duo)
6
Cor et Basson (duo)
5
Trompette, Trombone, Piano
5
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
5
Trombone et orchestre
5
2 Trombones, Piano
4
Trombone, Violon (duo)
4
Cor et Orgue
4
2 Cors, Piano
2
Instruments en Fa
1
Trompette, Euphonium (duo)
1
Cor anglais et Harpe (duo)
1
Cornet et orchestre
1
Ensemble de Tubas
1
Cor, Violoncelle et Piano
1
Cor, Trompette, Trombone (trio)
1
+ 76 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
4 024
Violon et Piano
2 626
Violoncelle, Piano
1 539
Alto, Piano
1 508
Violon
1 317
Violon, Violoncelle (duo)
1 122
Violoncelle
866
Harpe
777
Trio à Cordes: violon, alto, violoncelle
776
2 Violons (duo)
733
2 Violoncelles (duo)
617
Violon, Alto (duo)
492
Quintette à cordes: 2 violons, alto, violoncelle, basse
473
Alto seul
430
2 Altos (duo)
396
Piano Trio: Violon, Alto, Piano
320
Contrebasse, Piano (duo)
296
Trio à Cordes: 2 violons, violoncelle
286
Violon (partie séparée)
211
Contre Basse
199
Alto (partie séparée)
169
Contrebasse (partie séparée)
158
4 Violoncelles
135
Violon, Guitare (duo)
123
2 Harpes (duo)
110
Alto, Violoncelle (duo)
106
Trio à cordes: 3 violins
105
Quatuor à cordes: 4 violons
82
Trio à cordes
65
Trio à Cordes: 3 violoncelles
63
Violoncelle, Contrebasse (duo)
58
Harpe, Violon (duo)
56
Harpe, Flûte (duo)
54
Violoncelle , Guitare (duo)
53
Quatuor à cordes : 4 altos
48
Violoncelle (partie séparée)
48
2 Contrebasses (duo)
46
Alto, Guitare (duo)
44
Violon, Basson (duo)
44
Trio à cordes: 3 altos
39
Ensemble de Violons
32
Harpe, Violoncelle (duo)
31
Ensemble d'Altos
28
Trio à Cordes: 2 violons, alto
28
4 Contrebasses
28
Alto et Harpe
27
Harpe, Voix
26
Violon, Clarinette, Piano (trio)
26
Quintette à cordes: 2 violons, 2 altos, violoncelle
23
Flûte, Contrebasse (duo)
21
Alto et Basson
17
3 Contrebasses
13
2 Violons, Piano
11
Violon, Orgue
10
Harpe, Violon, Violoncelle
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Violoncelle, Orgue
9
Ensemble de Violoncelles
8
2 Violoncelles, Piano
7
Violon, Tuba (duo)
6
Violoncelle, Orchestre
6
Alto, Orgue
4
Violon, Violoncelle, Clarinette
4
Violon, Basse continue
4
Violoncelle, Basse continue
4
Autoharp
3
Harpe (partie séparée)
3
Harpe et Piano
3
Harpe, Trombone (duo)
3
Violon, Trompette et Piano
3
Harpe et mandoline
3
Harpe, Quatuor à cordes
1
2 Violons et Basse continue
1
3 Harpes
1
Alto et orchestre
1
2 Altos, Piano
1
4 Harpes
1
+ 72 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
6 857
Orchestre à Cordes
2 048
Orchestre
1 618
Ensemble Jazz
1 387
Ensemble de cuivres
1 134
Cloches
1 114
Orchestre de chambre
626
Fanfare
509
Jazz combo
436
Batterie
209
Ensemble de Percussions
183
Batterie (partie séparée)
85
Percussion (partie séparée)
75
Marimba
69
Xylophone, Piano
48
Vibraphone
23
Xylophone
19
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
15
Piano et Orchestre
12
2 Xylophones
10
Big band
10
Ensemble d'École
8
Percussion
8
Timbales (partie séparée)
7
Instrumentation Flexible
6
Orchestre, Violon
6
Vibraphone et Marimba
5
Quintette de Cuivres: autres combinaisons
3
Marimba, Piano (duo)
2
Caisse Claire
2
Bongos
1
Trio à Vent: 3 instruments à vents
1
2 Caisses Claires (duo)
1
Quatuor à Vent : 4 instruments à vents
1
Conga
1
Quintette à Vent
1
2 Marimbas
1
+ 32 instrumentations
Retracter
Autres
Théorie de la musique
7
Formation musicale - Solfège
3
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
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VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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76
Waltz of the Roses (Think of My Love As A Rose), for High Voice Piano, Theme from The Snow Queen, A
#
Voix haute
#
INTERMÉDIAIRE
#
James Nathaniel Holland
#
Waltz of the Roses
#
James Nathaniel Holland
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #33...
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High Voice,Vocal Solo - Level 3 - SKU: A0.730413 Composed by James Nathaniel Holland. Contemporary,Holiday,Wedding. 8 pages. James Nathaniel Holland #3369761. Published by James Nathaniel Holland (A0.730413). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American composer James Nathaniel Holland. Â Here arranged for high voice (key of C), piano, and with guitar chords. Intermediate level. Perfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year! Orchestral accompaniment sold separately.Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: Â https://youtu.be/9dgnKajSsE8Facebook page: Â https://www.facebook.com/jamesnathanielholland/.
$4.95
RACHMANINOFF Sergei: She is fair as a noon, an art song with transcription and translation (F major)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Sergei RACHMANINOFF
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Sergei PICHUGIN
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RACHMANINOFF Sergei: She is fa
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Really Good Music, LLC.
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.868857 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert...
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High Voice,Vocal Solo - Level 4 - SKU: A0.868857 Composed by Sergei RACHMANINOFF (1873 – 1943). Arranged by Sergei PICHUGIN. 20th Century,Concert,Instructional,Standards,World. 6 pages. Really Good Music, LLC. #4796265. Published by Really Good Music, LLC. (A0.868857). The art song (romance) She is fair as a noon («Она, как полдень, хороша») (Op. 14, No. 9) was composed by Sergei RACHMANINOFF (1873 – 1943) in 1896. In present edition the Russian lyrics by Nikolai MINSKY with transliteration and English translation are inserted into the score. The romance is available in the key of F major (C4 – Ab5) for high voice.
$5.95
As Long As He Needs Me (High Voice) (from Oliver)
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Voix haute
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As Long As He Needs Me
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470283 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470283).
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(High Voice) - SKU: HX.470283 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470283).
$1.99
As Long As I'm Singing (High Voice)
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Voix haute
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Jazz
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Bobby Darin
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As Long As I'm Singing
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470577 By Bobby Darin. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470577).
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(High Voice) - SKU: HX.470577 By Bobby Darin. Jazz. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470577).
$1.99
As I Walked Forth One Summer Day
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Voix haute
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As I Walked Forth One Summer D
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Hal Leonard - Digital
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SheetMusicPlus
Piano,Vocal,Voice (High Voice) - SKU: HX.1490105 Edited by Richard Walters and Steven Stolen. This edition: scorch. Baroque,Classical,Renaissance. Score...
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Piano,Vocal,Voice (High Voice) - SKU: HX.1490105 Edited by Richard Walters and Steven Stolen. This edition: scorch. Baroque,Classical,Renaissance. Score. 1 pages. Hal Leonard - Digital #14727. Published by Hal Leonard - Digital (HX.1490105).
$4.99
I Want to Walk as a Child of the Light (HOUSTON), High Voice, arr. Brenda Portman
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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Kathleen Thomerson
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Brenda Portman
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I Want to Walk as a Child of t
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Brenda Portman
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.782961 Composed by Kathleen Thomerson. Arranged by Brenda Portman. Classical,Praise & Worship,Religious,Sacred...
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High Voice,Vocal Solo - Level 3 - SKU: A0.782961 Composed by Kathleen Thomerson. Arranged by Brenda Portman. Classical,Praise & Worship,Religious,Sacred,Traditional. 8 pages. Brenda Portman #390366. Published by Brenda Portman (A0.782961). A lyrical, lilting melody combined with a shimmering, joyful piano part to deliver an uplifting text about Christ, the light of the world. For Solo Voice and Piano. Vocal Range D to F#. Words and Music by Kathleen Thomerson. Used by permission. http://brendaportman.com.
$4.25
Just As I Am, Soprano and Piano
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Voix haute
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AVANCÉ
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Musique Sacrée
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Christian contemporain
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Julia Tsien
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Just As I Am, Soprano and Pian
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Julia Tsien
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.944849 Arranged by Julia Tsien. Christian,Concert,Sacred. 6 pages. Julia Tsien #6531201. Published by Julia Ts...
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High Voice,Vocal Solo - Level 5 - SKU: A0.944849 Arranged by Julia Tsien. Christian,Concert,Sacred. 6 pages. Julia Tsien #6531201. Published by Julia Tsien (A0.944849). In the creative way, four verses are arranged according to the meaning of text. The third verse is modulated to the minor key to express the conflict, doubt and fearful feelings. The final verse is peaceful because one is being pardoned, cleansed relieved.
$5.99
Just As I Am (WOODWORTH), High Voice, arr. Brenda Portman
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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William B
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Brenda Portman
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Just As I Am
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Brenda Portman
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.753074 Composed by William B. Bradbury. Arranged by Brenda Portman. Christian,Classical,Praise & Worship,Relig...
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High Voice,Vocal Solo - Level 3 - SKU: A0.753074 Composed by William B. Bradbury. Arranged by Brenda Portman. Christian,Classical,Praise & Worship,Religious,Sacred. 8 pages. Brenda Portman #3115825. Published by Brenda Portman (A0.753074). An old favorite invitational hymn, set in a beautiful and creative way for solo voice and piano. Vocal range F to G. Hymn Tune: WOODWORTHFor more vocal arrangements by Brenda Portman, visit: https://brendaportman.com/compositions-vocal
$4.25
It Might As Well Be Spring [Jazz version] (arr. Brent Edstrom)
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Voix haute
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Comédie Musicale
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Jazz
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Brent Edstrom
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It Might As Well Be Spring [Ja
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.454099 Arranged by Brent Edstrom. Broadway,Jazz,Standards. Piano Vocal. 4 pages. Published by Hal Leonard - Digital (HX.454099). ...
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(High Voice) - SKU: HX.454099 Arranged by Brent Edstrom. Broadway,Jazz,Standards. Piano Vocal. 4 pages. Published by Hal Leonard - Digital (HX.454099).
$4.99
Close As Pages In A Book (High Voice) (from Up In Central Park)
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Voix haute
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Comédie Musicale
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Jazz
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Benny Goodman, Dick Haymes Dea
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Close As Pages In A Book
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470305 By Benny Goodman, Dick Haymes Deanna Durbin, and Maureen Cannon, Wilbur Evans. Broadway,Jazz,Standards. Real Book - Melody...
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(High Voice) - SKU: HX.470305 By Benny Goodman, Dick Haymes Deanna Durbin, and Maureen Cannon, Wilbur Evans. Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.470305).
$1.99
Softly As I Leave You (High Voice)
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Voix haute
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Jazz
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Elvis Presley and Frank Sinatr
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Softly As I Leave You
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470482 By Elvis Presley and Frank Sinatra. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - ...
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(High Voice) - SKU: HX.470482 By Elvis Presley and Frank Sinatra. Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470482).
$1.99
Who Cares? (So Long As You Care For Me) (High Voice)
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Voix haute
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Who Cares?
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Hal Leonard - Digital
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SheetMusicPlus
(High Voice) - SKU: HX.470774 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470774).
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(High Voice) - SKU: HX.470774 Broadway,Jazz,Standards. Real Book - Melody/Chords/Lyrics. 1 pages. Published by Hal Leonard - Digital (HX.470774).
$1.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (D major, extra-high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.99
Strauss - Zueignung from Acht Gedichte, op. 10 - Small Hand Edition (C major, high key)
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Voix haute
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AVANCÉ
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Classique
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Richard Strauss
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Nicole Elyse DiPaolo
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Strauss - Zueignung from Acht
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Nicole Elyse DiPaolo
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period....
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High Voice,Vocal Solo - Level 5 - SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,†from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small†is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding†(erroneously labeled “simplified†on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!
$6.95
Idylls - five songs for solo high voice (soprano or tenor) and piano, based upon poems by Alfred, Lo
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Idylls - five songs for solo h
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Stuart Brown Music
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. P...
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High Voice,Vocal Solo - Level 4 - SKU: A0.835449 Composed by Stuart Brown. 20th Century,Contemporary,Spiritual. 37 pages. Stuart Brown Music #4285583. Published by Stuart Brown Music (A0.835449). If you are looking for a genuinely beautiful and rewarding work for solo voice and piano, to fill a 20-minute time slot, then Idylls is for you. It provides an opportunity for both singer and pianist to demonstrate an ability to communicate a wide range of emotions. It is particularly satisfying for the pianist, whose part is anything but subservient to the vocal line and provides an opportunity to shine. At notated tempo the work lasts just under 18 minutes; the concert première performance (in January 2019) lasted just short of 20 minutes because of the slower tempo at which the performers chose to take the fourth song.While intended primarily for the concert platform, Idylls contains some profoundly Christian themes that may make it suitable also for church use in an appropriate context.Although intended for professional use, Idylls may be within the technical capability of advanced high school students, noting that the third song ('Of old sat Freedom on the heights') has a piano part that was described as 'challenging' by the professional pianist who first performed it in public (Jonathan Ellis, January 12th, 2019).As noted above, Idylls can work for church services in various contexts, although not all of the songs are necessarily appropriate to the same context. The lyrics themselves provide the best guidance in this respect.From observing the rehearsal sessions of the two professionals who first performed the work (Chen Wang and Jonathan Ellis), the composer suggests that none of the songs - however apparently straightforward - should be taken for granted. There are nuances in all of them that require careful attention to timing and pitch. The vocal entries in the opening song require careful attention to pitch. In the second song concentrate on the timing and making it sound as light and dance-like as possible. The third song requires the singer to keep an E-flat in mind at all times (in order to pitch entries) and to sing to strict meter regardless of what the pianist is playing. The fourth song requires both grace and intensity. Pitch is the main issue, particularly some of the B-natural entries; pay special attention to timing in the first verse. The fifth and final song is melodically straightforward; pay attention to timing in the second verse.Stuart Brown composed Idylls in early 2015 specifically for the London-based Chinese soprano Chen Wang. She performed it in public for the first time, accompanied by Manchester-based pianist Jonathan Ellis, at a concert in the southwest of England in January 2019.Performing rights are handled in the UK by PRS for Music, in Canada by SOCAN, in the USA by ASCAP, BMI and SESAC. The full list of arrangements can be found at www.prsformusic.com/our-global-network/partnersAll contact and other information (including lyrics) can be found on the composer's website at https://stuartbrownmusic.com/discover-11.html
$7.74
Echo
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Voix haute
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Contemporain
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William Kersten
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Echo
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William Kersten
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William K...
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High Voice,Vocal Solo - SKU: A0.916016 Composed by William Kersten. 20th Century,Contemporary. 6 pages. William Kersten #3007529. Published by William Kersten (A0.916016). Individual song from Five Songs for Soprano - Song-Cycle by William Kersten Poem by Christina Rossetti  Come to me in the silence of the night;Come in the speaking silence of a dream;Come with soft rounded cheeks and eyes as brightAs sunlight on a stream;Come back in tears,Oh memory, hope, love of finished years.Oh dream how sweet, too sweet, too bitter sweet,Whose wakening should have been in Paradise,Where souls brimfull of love abide and meet;Where thirsting longing eyesWatch the slow doorThat opening, letting in, lets out no more.Yet come to me in dreams, that I may liveMy very life again though cold in death.Come back to me in dreams, that I may givePulse for pulse, breath for breath:Speak low, lean low,As long ago, my love, how long ago.
$3.99
The Unquiet Grave from American Death Ballads (Downloadable)
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Voix haute
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
Come Lie with Me (King David and Bathsheba) from "The Kings" - ACT 2:Song 5
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Voix haute
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McCorkle, Dennis F
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Come Lie with Me
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBoo...
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High Voice,Vocal Solo - SKU: A0.784831 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 25 pages. DF McCorkle Music and eBook Publications #11753. Published by DF McCorkle Music and eBook Publications (A0.784831). ACT TWO: Song 5. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:2-4… - And it came to pass at eventide, that David arose from off his bed, and walked upon the roof of the king's house; and from the roof he saw a woman bathing; and the woman was very beautiful to look upon. 3 And David sent and inquired after the woman. And one said: ‘Is not this Bath-sheba, the daughter of Eliam, the wife of Uriah the Hittite?’ 4 And David sent messengers, and took her; and she came in unto him, and he lay with her;…] Once settled into Jerusalem and after a tiff with MICHAL, DAVID looks around his magnificent palace and as he walks on his balcony, he sees a lovely young woman bathing herself in the moonlight. Giving in to his impulses, orders his men to have her brought to the palace on the pretense of speaking to her about her husband, URIAH who is in the field with the troops. DAVID, seeing her beauty and rationalizing his own importance, proceeds to seduce her and lies with her [Come Lie with Me – David and Bathsheba]. BATHSHEBA, also lonely is seduced by his presence and gives in to his wishes. Leaving before daylight to escape notice, DAVID goes about business as usual, trying to forget what has happened. A few weeks later, a messenger arrives with a note from BATHSHEBA, DAVID, I'm pregnant! Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
I'd Rather Have Jesus
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Voix haute
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INTERMÉDIAIRE
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Musique Sacrée
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George Beverly Shea and Rhea F
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David Neff
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I'd Rather Have Jesus
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David Neff
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Pra...
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High Voice,Vocal Solo - Level 3 - SKU: A0.1115658 Composed by George Beverly Shea and Rhea F. Miller. Arranged by David Neff. 20th Century,Christian,Praise & Worship,Religious,Sacred. 6 pages. David Neff #717430. Published by David Neff (A0.1115658). Here’s a fresh high-voice arrangement of the classic gospel song written by bass-baritone George Beverly Shea. It is appropriate for any setting where sacred music is welcomed. This arrangement is also available on this site for medium voice. Shea wrote the tune for “I’d Rather Have Jesus†at age 23. He’d been offered a well-paying job as a singer on NBC’s Your Hit Parade, and he was struggling with whether to choose a secular singing career or to stick with singing in churches and on Christian radio. He turned down the job offer, stuck with sacred music, and eventually took a role as the main vocalist with the Billy Graham Evangelistic Crusades. “I’d Rather Have Jesus†became his signature tune. It was featured on his first release from RCA records, and because of his role with Billy Graham, it is thought that he sang live before more people than anyone else in history.
$4.99
Does It Matter?
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Voix haute
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AVANCÉ
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by...
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High Voice,Vocal Solo - Level 5 - SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99
Silent Night (arr. D. Howell - Tenor/Soprano - C)
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Voix haute
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INTERMÉDIAIRE
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Noël
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Music by Franz Gruber, Words b
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Doug Howell
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Silent Night
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Creative Measures
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell....
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High Voice,Vocal Solo - Level 3 - SKU: A0.896322 Composed by Music by Franz Gruber, Words by Joseph Mohr (v. 4 by Doug Howell). Arranged by Doug Howell. Christmas,Pop,Sacred,Spiritual. 8 pages. Creative Measures #4992825. Published by Creative Measures (A0.896322). For me-like many of you, I’m sure-this is my very favorite Christmas carol. And under normal circumstances it is probably the one that I’d least want to meddle with, as it is so simply sacred, just as it is. But for me this project began to mean a lot more than just meddling. I lay awake several nights in a row, imagining the holy scene, and myself standing there. What would I have felt, and done? What was my response to the babe in the manger? What could I possibly have to say? What does his birth mean for me?
$1.99
Master, the Tempest is Raging (Vocal Solo - High)
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Voix haute
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Christian contemporain
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H
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Rebecca Belliston
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Master, the Tempest is Raging
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Rebecca Belliston
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SheetMusicPlus
High Voice,Vocal Solo - Level 4 - SKU: A0.726946 Composed by H. R. Palmer, Mary Ann Baker. Arranged by Rebecca Belliston. Christian,Contemporary,Praise ...
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High Voice,Vocal Solo - Level 4 - SKU: A0.726946 Composed by H. R. Palmer, Mary Ann Baker. Arranged by Rebecca Belliston. Christian,Contemporary,Praise & Worship,Sacred,Spiritual. 9 pages. Rebecca Belliston #6292129. Published by Rebecca Belliston (A0.726946). â–º Vocal Solo - High: Also available in medium and low, as well as piano solo: bit.ly/MastertheTempestSMP
$4.99
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