English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
If Not for Christ
Sheetmusicplus
Non classifié
483
Piano & claviers
Piano, Voix et Guitare
447
Piano, Voix
258
Piano seul
184
Piano Facile
91
Accompagnement Piano
86
Orgue
32
Instruments en Do
14
Orgue, Piano (duo)
6
Piano Trio: piano, violon, violoncelle
5
1 Piano, 4 mains
3
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Trompette (duo)
1
1 Piano, 6 mains
1
Clavecin
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
+ 11 instrumentations
Retracter
Guitares
Ukulele
19
Guitare notes et tablatures
19
Guitare
10
Guitare, Violon, Violoncelle (trio)
1
4 Guitares (Quatuor)
1
Basse electrique
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
193
Chorale 3 parties
47
Voix Tenor, Piano
18
Chorale 2 parties
18
Voix Soprano, Piano
17
Chorale TTBB
15
Chorale Unison
13
Chorale SSAA
9
Voix duo, Piano
8
Voix Alto, Piano
7
Voix duo
5
Voix Tenor
3
Voix haute
2
Voix seule
1
Voix basse, Piano
1
Chorale SSATTB
1
Voix Mezzo-Soprano, Piano
1
Voix Baryton, Piano
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
38
Clarinette et Piano
37
Flûte traversière et Piano
33
Flûte irlandaise
33
Flûte traversière
26
Hautbois, Piano (duo)
26
2 Flûtes traversières, Piano
25
Quatuor de Saxophones: 4 saxophones
23
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Saxophone Tenor et Piano
21
Flûte, Hautbois, Clarinette, Basson
21
Saxophone Alto et Piano
19
2 Flûtes traversières (duo)
18
Saxophone Soprano et Piano
17
Clarinette
17
Quintette de Saxophone: 5 saxophones
16
Saxophone Baryton, Piano
15
Cor anglais, Piano
14
Saxophone Alto
14
Hautbois, Basson (duo)
12
Saxophone (partie séparée)
11
Clarinette, Trompette (duo)
8
Clarinette Basse, Piano
7
Saxophone, Clarinette (duo)
7
Clarinette, Violon (duo)
7
Hautbois (partie séparée)
6
2 Clarinettes (duo)
6
2 Hautbois (duo)
6
Saxophone Tenor
5
Flûte, Clarinette (duo)
5
Ensemble de Flûtes
5
Ensemble de Clarinettes
4
Flûte, Alto (duo)
4
Clarinette et Alto
4
Hautbois
4
Flûte à bec Soprano, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Flûte à bec Alto, Piano
3
Trio de Flûtes: 3 flûtes
3
Hautbois, Clarinette (duo)
2
3 Saxophones (trio)
2
Ensemble de saxophones
2
Ensemble à vent
2
Flûte, Violon, Piano
2
Flûte, Trompette (duo)
2
Flûte à bec Tenor
1
Saxophone
1
Quatuor de Flûtes : 4 flûtes
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Soprano
1
Saxophone Baryton
1
3 Clarinettes (trio)
1
Saxophone Soprano
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette de Flûte : 5 flûtes
1
Hautbois, Flûte
1
5 Flûtes à bec
1
+ 52 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Trombone et Piano
23
Cor et Piano
21
Trompette, Piano
16
Euphonium, Piano (duo)
14
Cor anglais, Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor
11
Tuba et Piano
11
Trompette
11
Trombone
9
Trompette, Trombone (duo)
9
Tuba
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
2 Trompettes (duo)
7
2 Trombones (duo)
4
2 Cors (duo)
4
Quatuor de Cuivres
3
Trompette, Saxophone (duo)
2
2 Tubas (duo)
2
Trompette (partie séparée)
1
Trio de Cuivres
1
Ensemble de Trompettes
1
Ensemble de Cors
1
Ensemble de Trombones
1
4 Tubas
1
+ 21 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
82
Violon
57
Violon, Violoncelle (duo)
43
Alto seul
34
Violon et Piano
29
Trio à Cordes: violon, alto, violoncelle
27
Violoncelle, Piano
25
Alto, Piano
19
Violoncelle
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
17
Harpe
13
Contre Basse
11
2 Violoncelles (duo)
10
Contrebasse, Piano (duo)
9
Alto (partie séparée)
9
2 Altos (duo)
7
2 Violons (duo)
7
Violon, Alto (duo)
6
2 Contrebasses (duo)
3
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
1
4 Violoncelles
1
Violoncelle , Guitare (duo)
1
Violoncelle, Orgue
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à cordes: 3 violins
1
4 Contrebasses
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
41
Orchestre d'harmonie
36
Orchestre
31
Cloches
27
Ensemble de cuivres
12
Ensemble Jazz
8
Orchestre de chambre
8
Ensemble de Percussions
7
Fanfare
4
Jazz combo
3
Vibraphone
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble d'École
1
Xylophone, Piano
1
+ 9 instrumentations
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CITHARE
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COR ANGLAIS
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
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HAUTBOIS
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LUTH, THEOR…
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MARIMBA
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
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If Not for Christ
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Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95
23.92 €
#
Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson …
(+)
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95
18.39 €
#
Chorale SATB
#
Carson Cooman
#
Carson Cooman: Ascensions
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
1.83 €
#
Chorale SATB
#
Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
#
SheetMusicPlus
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by…
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
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Chorale SATB
#
Todd Marchand
#
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
#
Con Spirito Music
#
SheetMusicPlus
Wilt Thou Forgive?
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.965556 Composed by Ron Anderson. A C…
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Choral Choir (SATB) - Digital Download SKU: A0.965556 Composed by Ron Anderson. A Cappella,Christian,Contemporary,Sacred. Octavo. 9 pages. Ron James Anderson #5994791. Published by Ron James Anderson (A0.965556). Wilt Thou Forgive? is a setting of the John Donne poem, A Hymn to God the Father. John Donne (1572 – 1631) was one of the greatest of the metaphysical poets in England, a group that included George Herbert, Andrew Marvell, and possibly John Milton. An Anglican priest with a less than perfect moral reputation, Donne expressed through his poetry (notably, the Holy Sonnets) the incongruities of human attempts at living the Christian life.In the present poem, the speaker reveals his struggles with sin-the sin he was born with, the sin he commits daily, the sin through which he influences others to sin, and the sin he has quit for a short while, only to take up again for many more years. He confesses yet another sin: the fear that he will perish on the shore, presumably to die with unforgiven sins, consigned to eternal damnation. His desperate plea is that God’s Son shall shine as he shines now and heretofore. If God answers this prayer, he will fear no more, and will know that all his sins, including the sin of fear, are finally forgiven.This musical setting uses subtle inflection of rhythm and meter to mirror the text, aiming for natural prosody of speech and expressive accentuation. Melodic contours emphasize important words, while harmonic placement projects the various moods throughout the poem. The key relationships involve mostly shifts of minor 3rds; starting in D minor, the piece moves through several keys, reaching its final statement in D major. A variety of textures maintains aural interest: clusters and close harmony, full divisi chords, and an imitative passage painting the words, won others to sin, and made my sin their door. A series of shimmering major chords brings the work to a close, declaiming the words, Thy Son shall shine as he shines now and heretofore, and, I fear no more.
$2.50
2.3 €
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Chorale SATB
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Ron Anderson
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Wilt Thou Forgive?
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Ron James Anderson
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SheetMusicPlus
It Is Not Death to Die
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.976710 Composed by Robert Myers. Christian,Concert,Contemporary,Easter,Sacred. Octavo. 10 pages. WheatMyer Music #4767525. Published by WheatMyer Music (A0.976710). It Is Not Death to Die is a new setting of French poet Henri Abraham César Malan's Non, ce n'est pas mourir as translated by George Washington Bethune and adapted for this work. Why this text? It first came to my notice shortly after the passing of Billy Graham, who was known to paraphrase D. L. Moody, Someday you will read or hear that Billy Graham is dead. Don’t you believe a word of it. I shall be more alive than I am now. I will just have changed my address. I will have gone into the presence of God.Graham's bold proclamation and Malan's poetry motivated me to focus anew on the resurrection, re-remembering it as the pivotal element of the Christian faith. For if there is no resurrection, Paul says in 1 Cor 15, our faith is useless. But Christ has indeed been raised from the dead! Unfortunately, singing about heaven has, perhaps, been neglected of recent decades. We seem to have focused more on the already to the detriment of the not yet. But it is important to remember that this life is not all there is! Quoting Paul again, the sufferings of this present time are not worth comparing with the glory that is to be revealed to us (Rom 8:18). Yet, if Christ delays, the grim inevitability of our transition into eternity is a certain experience we all face. Malan's poetry so poignantly and eloquently captures this tension that it compelled me to compose a fresh musical setting that attempts to captures the mixture of dread and hope borne out in the acclamation that death is swallowed up in victory! I pray that this setting aids the Church to remember the great hope and promise Christ has granted us: O Death, where is your victory? O Death, where is your sting?_______________________________________________________________________________________________The music opens with a C# diminished chord in a very still and somber texture reflective of grief. The text is introduced with the first of two main motives, a rising 4-note outline of B minor in a triple repetition of It Is Not Death. As each stanza proceeds the music concludes on the second motive, a 5-note descending span of a minor 7th in Bb Lydian. The energy and mood of the music gradually shift over the five stanzas, as the focus moves from this life to the next; the texture thickens, the harmony expands, and the dynamic grows into the music’s pinnacle on reign with You on high! The music closes on a reprise of the opening section, simultaneously mindful of our mortality and our eternity.
$2.25
2.07 €
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Chorale SATB
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Robert Myers
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It Is Not Death to Die
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WheatMyer Music
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SheetMusicPlus
AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926660 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 112 pages. M.A. Morizio #3588371. Published by M.A. Morizio (A0.926660). During the late spring of 2017, I began composing a new choral piece based on the 1 Timothy 3:16 text. I was studying Paul's first letter to Timothy at the time when this particular passage jumped out at me. Not only was it an efficient summary of the Gospel message, but it was also a textual grouping, or form, such as might be found in a traditional hymn. What I was reading were indeed lyrics to an actual 1st Century Hymn to Christ, the music of which has since been lost. I entitled my piece, Great is the Mystery. I composed the anthem for SATB (a cappella), and set it to the ESV translation of the scripture. Based on its context, I suspected the song would work great for Ascension Sunday. Our choir sang the piece beautifully, crescendoing at the finish to the words, Believed on in the world and taken up in glory! Later that spring, I played the piece for a dear friend of mine who is Pastor at Immanuel Church in Manchester, New Hampshire. What he told me was actually a bit stunning. He informed me that there were (at least) seven specific known Hymns to Christ written into the New Testament Scriptures, whose text is found among the writings of the apostles’ Paul and John. The 1 Timothy 3:16 verse that I had selected for my piece was indeed one of those texts. At that moment, Pastor Don and I made a pact. If he were to supply me with the literal Greek translations of the other six known Hymns to Christ, I would set out to compose brand new anthems for them all. A new musical collaboration had begun. With this short introduction serving as the genesis of my new song cycle, I offer you these new Seven Anthems to Christ based on the seven known ancient ‘Hymns to Christ' texts found in the New Testament.
$9.99
9.21 €
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Chorale SATB
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Michael A
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AND THE WORD BECAME FLESH - SEVEN ANTHEMS TO CHRIST
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M.A. Morizio
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SheetMusicPlus
For Us There Is No Other Help but Thee (Nye ímamï inïya pómoshchi) (Downloadable)
Chorale SATB
SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.82…
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SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.8248-E Composed by Anthony Antolini and Pavel Grigorievich Chesnokov. Arranged by Anthony Antolini. Advanced/Collegiate. 20th Century, Communion. Instrument parts. 8 pages. E. C. Schirmer Music Company - Digital #8248-E. Published by E. C. Schirmer Music Company - Digital (MQ.8248-E). English, Slavonic.Nye Ãmamï inïya pómoshchi comes from a set of ten communion hymns, Opus 25. It is technically a kontakion, (a hymn sung in commemoration of a feast day, whether referring to Christ, the Virgin Mary, or to a saint). Nye Ãmamï inïya pómoshchi is intended to be sung for the feast day commemorating an icon of the Virgin entitled “The joy of all who sorrow,†(Ð’Ñех ÑкорбÑщих РадоÑÑ‚ÑŒ|Vsekh skorbyashchikh Radost') observed on October 24 in the Orthodox Church calendar. The author of the text is unknown. In contemporary church practice, this work is sometimes sung during the communion of the clergy. Although other pieces in Opus 25 are based on traditional church chants, Nye Ãmamï inïya pómoshchi contains original music that is not based on any preexisting chant. The present edition is based on the first edition published in Moscow by Pyotr Ivanovich Jurgenson. The keyboard reduction has been modified from the Jurgenson edition. Russian Orthodox performance practice forbids the use of musical instruments to accompany church singing. Organ accompaniment, if used, should be unobtrusive. The Jurgenson edition includes Chesnokov's use of a quarter note without metronome marking. This indicates that the pulse is in a moderato tempo in quarter notes. A tempo of approximately 69 to the quarter note is suggested. The Jurgenson edition has inconsistent dynamic markings in various parts and text appears only below the soprano and tenor parts. For clarity and convenience, these indications have been included in each staff in the present edition. This scholarly performance edition includes notes concerning the history of Chesnokov and this piece, performance notes, the editorial method of the English singing version, and a pronunciation guide for the Slavonic transliteration.
$2.25
2.07 €
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Chorale SATB
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Anthony Antolini and Pavel Grigorievich Chesnokov
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Anthony Antolini
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For Us There Is No Other Help but Thee
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
On Christmas Day - SATB divisi Ensemble
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1169891 Composed by…
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1169891 Composed by English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Religious,Traditional. Octavo. 23 pages. Mark R Lewis #770256. Published by Mark R Lewis (A0.1169891). On Christmas Day is a medley of I Heard the Bells on Christmas Day and I Saw Three Ships by Mark R Lewis. John Baptiste Calkin wrote the music for I Heard the Bells in 1872 as an adaptation of the earlier poem Christmas Bells by Henry Wadsworth Longfellow. I Saw Three Ships is an English carol thought to originate from the 17th century, though the lyrics used is most modern arrangements come from later published versions.This arrangement is intended to be performed by SATB divisi choir and accompanied by a 3-5 octave handbell choir. All four voice parts pass the melody back and forth and are featured at different times and explore different vocal and accompaniment styles throughout the piece. Most intermediate choirs should be able to perform this piece, although the basses and alto should be able to sing down to a D2 or an F3 respectively (there are optional notes if this is too low). The handbell part is not particularly difficult but is active across the whole ensemble and uses mallets through one of the middle verses. There are also several key changes that will require quick bell changes or sharing of bells. It is also worth noting that I Heard the Bells is in 4/4 and I Saw Three Ships is in 6/8.This download includes a piano and choir score for when handbells are not an option as well as the handbell sheet music. Handbells are the preferred accompaniment, although it will still sound good with just piano.
$1.99
1.83 €
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Chorale SATB
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English Folk Song, Henry Wadsworth Longfellow, and John Baptiste Calkin
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Mark R Lewis
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On Christmas Day - SATB divisi Ensemble
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Mark R Lewis
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SheetMusicPlus
We're Forgiven (God of Grace) SATB Choral Version
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921768 Composed by Lisa Wa…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921768 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Servant Song Music and Ministry #6629007. Published by Servant Song Music and Ministry (A0.921768). We're Forgiven (God of Grace) was originally scored in a Piano/Guitar/Voice format, but for this Advent/Christmas season, Servant Song Music & Ministry has produced this full SATB Choral arrangement, as well! This particular arrangement is suitable for Beginner and Early Intermediate Church Choirs and Worship Teams, including very small ensembles. If you don't have any men in your choir, you can turn the score into a Soprano/Alto 2-part version pretty easily, too. This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing the Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Please don't make illegal copies of this score; it is the primary way I recover the costs of arranging, engraving and publishing new music. I work on the honour system. If you truly can't afford to purchase copies of this piece for each of your singers/musicians, please contact me via email or my Facebook music page, and I'll make sure your group is taken care of. To God be the glory!
$4.59
4.23 €
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Chorale SATB
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Lisa Waites
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We're Forgiven
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Servant Song Music and Ministry
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SheetMusicPlus
I Stand the Watch Before the Dawn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.971687 Composed by Michael…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.971687 Composed by Michael E. Ropp. 20th Century,A Cappella,Christian,Sacred. Octavo. 11 pages. Michael E. Ropp #2034327. Published by Michael E. Ropp (A0.971687). I Stand the Watch Before the Dawn is a dramatic piece for SATB choir and tenor and soprano soloists, for the season of Advent. The piece begins with the solo tenor and piano, in which the tenor plays the part of the night watchman and expresses longing for the light, and anguish at the condition of the people in the darkness. The tenor solo ends with the words Why have you forsaken us? The choir then enters a cappella (in performance, the choir can be doubled on organ using soft strings if necessary--it's difficult for the choir to get its starting pitches), and a soaring solo soprano provides the answer: the Light has come, but more than that, You were never alone; you are never alone; you will never be alone. One staging idea for this piece is to have the solo tenor up front, and the choir and soprano unseen in the rear, especially if there is a rear balcony that will hold the choir. However it is staged, this piece provides worshipers with a powerful and unforgettable reassurance that they do not face their darkest hours alone. (Please note that the MP3 file has some oddities in the dynamics; the sudden changes are artifices of how the MP3 is rendered from Finale and should not be interpreted literally.).
$2.99
2.76 €
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Chorale SATB
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Michael E
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you are never alone
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I Stand the Watch Before the Dawn
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Michael E. Ropp
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SheetMusicPlus
The Christmas Song (Chestnuts Roasting On An Open Fire)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.909686 By John Denver. By …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.909686 By John Denver. By Mel Torme, Melvin H Torme, and Robert Wells. Arranged by D. Kim Clayton. A Cappella,Jazz. Octavo. 6 pages. HarmonyPlus Publications #3682649. Published by HarmonyPlus Publications (A0.909686). SATB - A Cappella music at it's best! The classic Christmas song - The Christmas Song (Chestnuts Roasting On An Open Fire), is a MUST song for Christmas! This A Cappella arrangement has a twist and style all it's own. It creates warmth, beauty and meaning with a uniques A Cappella sound. If your choir revels in the A Cappella music, this piece is perfect for you! This song and arrangement are for advanced, serious choirs. The available recording we have placed on this site does NOT come from a live performance or in the studio. It's not perfect...but we think you will feel the deep and rich nature of This Very Child. Also available is The HarmonyPlus Trax CD that is a teaching CD. The CD includes: Full version (all parts), Soprano version, Alto version, Tenor version, Bass version. Perfect for all members of the choir to learn his/her individual parts. Duration: 2:23.
$1.99
1.83 €
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Chorale SATB
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John Denver
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D
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The Christmas Song
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HarmonyPlus Publications
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SheetMusicPlus
All I Want For Christmas Is You
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1516182…
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Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1516182 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Cassy Gress. Christmas,Pop. 11 pages. Cassy Gress #1090408. Published by Cassy Gress (A0.1516182). This is the cheesy SATB acapella arrangement you've been looking for. Let your altos and tenors ham it up in the background, the soprano 1s get a note at the end higher than Mariah's thanks to a modulation, and your basses can strut in the third verse. If you're worried it's not close enough to the original, Mariah's backup singers make an appearance in the third verse as well, and since an acapella group can't realistically do a fade-out, this ends on a gentle tone cluster.
$2.99
2.76 €
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Chorale SATB
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Mariah Carey
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Cassy Gress
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All I Want For Christmas Is You
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Cassy Gress
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SheetMusicPlus
Frederick Frahm: From East to West, a cantata for Christmas for Soprano and Tenor soloists, SATB Ch
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.535393 Composed by Frederi…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.535393 Composed by Frederick Frahm. Christmas,Contemporary,Sacred. Octavo. 24 pages. Musik Fabrik Music Publishing #3096627. Published by Musik Fabrik Music Publishing (A0.535393). A cantata for Christmas, with original text by Lucy Shaw and also traditional biblical text. This is the score only. The score and complete parts are available as another item. Choral scores are also available for sale as well as a rehearsal piano part. I. Introit: From East to West, II. Chorale: Behold the World's Creator,III. Aria: Across the Purple, Patterned Snow,IV. ChorusV. Arioso: As if Until That Moement,VI. Chorus,VII. Aria with Chorus: Winter and Very Cold, VIII. Chorale: Alleluia! Most Blessed One,
$19.95
18.39 €
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Chorale SATB
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Frederick Frahm
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This is the score only.
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Frederick Frahm: From East to West, a cantata for Christmas for Soprano and Tenor soloists, SATB Ch
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Musik Fabrik Music Publishing
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SheetMusicPlus
Hold On Your Way - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701729 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701729 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3258917. Published by Kevin G. Pace (A0.701729). An original hymn based on Doctrine and Covenants 122:5-9. Text by Kathryn Hales below.YouTube video: https://youtu.be/IepzQCsQc5Q If through tribulation you pass through today, Do not despair; hold on your way. If thou art in perils on every side, The Lord will give you strength to abide. If your life’s in a pit, or you’re cast in the deep, The Lord will watch o’er you. His vigilance keep. If blackness surrounds you from billowing waves, The Lord is nearby, your soul to save. If all hell gapes open its mouth after you, Do not give up, He’ll see you through. No man need you fear so don’t go astray, Just cling to the Rod and hold on your way. Christ is the Life, the Truth, and the Way; Your years are known, yea even your days. Trial give you experience, to your goodness display, Look to the Lord and hold on your way.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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hold on your way
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Hold On Your Way - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
THERE IS A SPIRIT for SATB Choir a Capella, Poem by James Nayler (2021 Revision)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939724 Composed by Richard…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939724 Composed by Richard St. Clair. 20th Century,A Cappella,Christian,Praise & Worship,Sacred. Octavo. 12 pages. Richard St. Clair #3002395. Published by Richard St. Clair (A0.939724). This choral setting of Quaker James Nayler's (17th c.) dying statement (c. 1660) is a profoundly spiritual outpouring. Duration: 5 minutes. Lyrics: There Is a SpiritThere is a spirit which I feel that delights to do no evil, nor to revenge any wrong, but delights to endure all things, in hope to enjoy its own in the end. Its hope is to outlive all wrath and contention, and to weary out all exaltation and cruelty, or whatever is of a nature contrary to itself. It sees to the end of all temptations. As it bears no evil in itself, so it conceives none in thoughts to any other. If it be betrayed it bears it for its ground and spring is the mercies and forgiveness of God. Its crown is meekness, its life is everlasting love unfeigned; it takes its kingdom with entreaty and not with contention, and keeps it with lowliness of mind. In God alone it can rejoice though none else regard it or can own its life. It's conceived in sorrow, and brought forth without any to pity it, nor doth it murmur at grief and oppression. When I was weak thou staydest me with thy hand that in thy hand, that in thy time thou mightst present me to the world in thy strength in which I stand, and cannot be moved. Praise the Lord, O my soul.
$4.50
4.15 €
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Chorale SATB
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Richard St
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THERE IS A SPIRIT for SATB Choir a Capella, Poem by James Nayler
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Richard St. Clair
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SheetMusicPlus
Songs of Worship for Choir, Sacred Choral Music
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1379267 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1379267 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 158 pages. Kevin G. Pace #963943. Published by Kevin G. Pace (A0.1379267). Songs of Worship for Choir is a collection of 19 sacred choral compositions with piano accompaniment. 17 of these are for SATB, one for SAA, and one for TTBB. Music composed by Kevin G. Pace. Text by Mary Ann W. Snowball.This music could be used by any Christian choir. Though written from the perspective of the Church of Jesus Christ of Latter-day Saints, the themes in many of these compositions are non-specific to any single creed,praising God and His Son, Jesus Christ, with unique fervor and beauty appropriate for any congregation.Titles:If I Had Knelt at CalvaryFather, Dear FatherTarry a Little LongerOfferingsWith Open ArmsWho Is This God?Dear Holy Father Spare These Thy Children, TTBBWhy Did the Savior Die For Me?Psalm of Mercy Let All Creation Praise His Coming May We Be One Awake and Arise No Other Gift Until the Perfect Day I Was Not There Saving Love Awake, My Soul in Christ For Such a Time as This, SSA.
$18.99
17.51 €
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Chorale SATB
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Kevin G
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Songs of Worship for Choir, Sacred Choral Music
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Kevin G. Pace
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SheetMusicPlus
Come Forth, sacred music for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1203284 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 10 pages. Kevin G. Pace #801959. Published by Kevin G. Pace (A0.1203284). An epic, sacred choral composition with music by Kevin G. Pace and text by Mary Ann W. Snowball. Depicting the miracle of Jesus in raising Lazarus from the dead.Text:Lord, if thou hadst been here, our brother had not died.Lord, if thou hadst been here, our brother had not died.â€Word was sent to Jesus . . . “Lazarus lay sick.He to whom thou lovest, he is very sick.â€Martha and her sister loved this brother dear.Though their Lord was absent, He would soon be near.Consciously He waited in Jerusalem,‘Til four days had ended; death was sure by then.Jesus told the sisters: “Lazarus shall rise.He is only sleeping.†Still, with them He cried.Coming to the gravesite where the dead was laid,One large stone was taken; Jesus knelt and prayed.When He thus had spoken, causing to restore,He affirmed with loudness: “Lazarus, come forth.â€Now he had arisen, God’s most holy will.Jesus is Messiah! Miracles are real!Whosoever liveth, they shall never die.To all men He beckons: “Come forth, it is I.â€.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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death was sure by then
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Come Forth, sacred music for SATB choir
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Kevin G. Pace
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SheetMusicPlus
Gaudete for SATB choir
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.748682 Composed by Anonymo…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.748682 Composed by Anonymous. Arranged by Mark Reeves. A Cappella,Christmas,Classical,Latin,Praise & Worship,Sacred. Octavo. 9 pages. Mark Reeves #3638835. Published by Mark Reeves (A0.748682). Gaudete for SATB choir and pianoThis Christmas Carol first appeared in print in a Finnish publication of 1582 entitled Piæ Cantiones Ecclesiasticæ et Scholasticæ Veterum Episcoporum. The æolian modal polyphony and Medieval Latin text suggest a much earlier date of composition originating from central Europe; the plainsong melody of the verses is derived from liturgical sources of the same period and was not included in the original document.This new arrangement of Gaudete is based closely on the original music and text. However, the original key of G minor has been transposed to D minor to create more variety in the voicing, yet remaining faithful to the original vocal parts.The piano accompaniment in the refrain is simply an amalgamation of the voices and therefore, in order to create a pure a cappella sound in performance, the piano part may be omitted and used solely for rehearsal purposes. As the verses were originally sung unaccompanied, the piano part in this arrangement has been devised to compliment the plainsong melody, but of course may be omitted in performance if preferred.Originally, each verse would probably have been sung by a solo tenor voice. However, in this arrangement, each of the four verses has been allocated to a different soloist. This should create the effect of a gradual build-up in the intensity of sound, culminating in the final fortissimo refrain.About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: https://www.sheetmusicplus.com/publishers/mark-reeves-sheet-music/3001850Further informationWeb: http://www.markreeves.co.uk/Email: info@markreeves.co.ukYouTube: https://www.youtube.com/channel/UCpySKWz7dvreLSmqUXvoXhATwitter: @MarkReeves001
$2.99
2.76 €
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Chorale SATB
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Anonymous
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Mark Reeves
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Gaudete for SATB choir
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Mark Reeves
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SheetMusicPlus
A Believing Heart, sacred music for choir
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1287904 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1287904 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Christian,Praise & Worship,Religious,Sacred,Spiritual. 14 pages. Kevin G. Pace #878991. Published by Kevin G. Pace (A0.1287904). A wonderful, sacred choral arrangement for mixed choir.  Music by Kevin G. Pace.  Text by Kathryn W. Hales. I often wonder if I’d been there On the shores of Galilee, Would I have stopped and listened toA stranger I happened to see,A man called Jesus, from Nazareth,Whose words right from the startMight come to my ears as something sweet’Would I have had a believing heart?Chorus:A believing heart, a special giftOf faith that I might seeEternal truths from God above,That I might say and do and beA willing servant committed toThe Master’s work below;A believing heart, a willing mind,To Him I’d like to show.I often wonder if I’d been thereIn another time and place,Would I have listened to Alma’s words:Or with a multitude seen the faceAnd touched the feet of Jesus Christ,Of His people been a part?From pages of Book of MormonI learn of those with believing hearts.I often wonder if I’d been thereIn Ohio or Missouri,Would I have listened to Joseph Smith,Or a jeering scorner beBecause of tradition or fear of men,Would I have quickly turned apart?Or would I have stayed and heard his words?Would I have had a believing heart?And now I live in the latter daysGod’s message I have always knownThroughout my days of mortal life,Gospel truths from parents at home,Or from missionaries bold and strong,Yet I must still choose to testify.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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A Believing Heart, sacred music for choir
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Kevin G. Pace
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SheetMusicPlus
Darkness as Light for SATB and pedal or lever harp or keyboard
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.953617 Composed by Adrienn…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.953617 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 15 pages. Adrienne Inglis (ASCAP) #4569683. Published by Adrienne Inglis (ASCAP) (A0.953617). Ideal for contemplative, Lenten, memorial services, easy/moderate for SATB (no divisi) with harp or keyboard Darkness As Light is loosely based on a Venezuelan pasaje rhythm with modified Dorian modality typical of Andean mestizo music. Psalm 139:1-12, 23-24 occurs in the 16th Sunday in Ordinary Time in Year A of the Common Lectionary. Psalm 139: 7-12 Where can I go from your spirit? Or where can I flee from your presence? If I ascend to heaven, you are there; if I make my bed in Sheol, you are there. If I take the wings of the morning and settle at the farthest limits of the sea, even there your hand shall lead me, and your right hand shall hold me fast. If I say, ‘Surely the darkness shall cover me, and the light around me become night,’ even the darkness is not dark to you; the night is as bright as the day, for darkness is as light to you. Scripture quotations are from the New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved worldwide. Duration: about 2:00 Third Edition with revised harp/keyboard part February 2019 Second Edition 31 July 2005 Third Edition 26 Apr 2018 Founder, award-winning composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. Frequently drawing on her family history and Ojibwe, Venezuelan, and Scottish ethnicities, Inglis composes choral, chamber, and orchestral music. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.https://adrienneinglis.com/
$2.99
2.76 €
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Chorale SATB
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Adrienne Inglis
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Darkness as Light for SATB and pedal or lever harp or keyboard
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Adrienne Inglis
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SheetMusicPlus
Shouldest Not the Heavens Weep? sacred music for SATB choir wth Baritone soloist
Chorale SATB
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349477 Comp…
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1349477 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 11 pages. Kevin G. Pace #934234. Published by Kevin G. Pace (A0.1349477). An epically beautiful, sacred choral work with baritone soloist.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.Text:Shouldst Not the Heavens Weep?“ . . . for He loveth the world . . .† (2 Nephi 26:24)In a striking prophecy and opened to his view,Enoch saw mortality as a glorious truth.Curtains of creation birthed God’s pure holy race.Yet what Enoch saw were tears on His saddened face.How is it that Thou canst weep? Thou art God of all!All eternity is thine . . . this thy sacred call.Mercy goes before thy eyes, truth before thy throne.How is it that Thou canst weep? All thy worlds are known.Of my soul pure children came, from my very hands.I gave mankind agency so all love could stand.But, behold, their sins I see; mis’ry is their doom.Seeing some shall suffer much, my heart feels entombed.Shouldest not the heavens weep for these ofmy own?Suff’ring for each child of mine, I for them atoned.Tears that fall are for their souls; these must suffer too.If they choose not to repent, my love seems untrue.Chorus:Shouldst not the heavens weep? God gave life to all.Shouldst not the heavens weep? His love covers all.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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mis’ry is their doom
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Shouldest Not the Heavens Weep? sacred music for SATB choir wth Baritone soloist
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Kevin G. Pace
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SheetMusicPlus
Shouldest Not the Heavens Weep? a sacred hymn
Chorale SATB
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1321618 Composed by…
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1321618 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #910095. Published by Kevin G. Pace (A0.1321618). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Shouldst Not the Heavens Weep?“ . . . for He loveth the world . . .â€Â (2 Nephi 26:24)In a striking prophecy and opened to his view,Enoch saw mortality as a glorious truth.Curtains of creation birthed God’s pure holy race.Yet what Enoch saw were tears on His saddened face.How is it that Thou canst weep? Thou art God of all!All eternity is thine . . . this thy sacred call.Mercy goes before thy eyes, truth before thy throne.How is it that Thou canst weep? All thy worlds are known.Of my soul pure children came, from my very hands.I gave mankind agency so all love could stand.But, behold, their sins I see; mis’ry is their doom.Seeing some shall suffer much, my heart feels entombed.Shouldest not the heavens weep for these ofmy own?Suff’ring for each child of mine, I for them atoned.Tears that fall are for their souls; these must suffer too.If they choose not to repent, my love seems untrue.Chorus:Shouldst not the heavens weep? God gave life to all.Shouldst not the heavens weep? His love covers all.
$1.99
1.83 €
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Chorale SATB
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Kevin G
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mis’ry is their doom
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Shouldest Not the Heavens Weep? a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
You Make It Feel Like Christmas
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178123 By Gwen Stefani. B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1178123 By Gwen Stefani. By Blake Shelton, Gwen Stefani, Justin Tranter, and Michael Busbee. Arranged by Jay Dougherty. A Cappella,Barbershop,Christmas,Contemporary,Pop. Octavo. 8 pages. Jay Dougherty #778085. Published by Jay Dougherty (A0.1178123). This catchy song was written and performed by pop icons Blake Shelton and Gwen Stefani. Featured here for SATB voices in the a cappella (non-contestable) barbershop style, Jay Dougherty's arrangement is sure to bring the holiday spirit to rehearsals and performances. Learning tracks are available at www.jmdougherty.com. The TTBB voicing is also available on SheetMusicPlus!NOTE: There is a 10-copy minimum purchase. However, the per-copy price is set to the lowest possible setting at $1.99. If you want this song for a quartet, please understand that with the 10-copy minimum (10 x $1.99), you're still paying only $20 for legal access to this music. The arranger gets nearly nothing, and you're getting great legal music for $5 per quartet member. Learning tracks are available at: www.jmdougherty.comFor more information on arrangements and compositions by Jay Dougherty, visit www.jmdougherty.com.
$2.49
2.3 €
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Chorale SATB
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Gwen Stefani
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Jay Dougherty
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You Make It Feel Like Christmas
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Jay Dougherty
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SheetMusicPlus
Jingle Bells for Choir and piano in G major
Chorale SATB
Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1476300 Compos…
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Choral Choir,Choral,SATB Chorus - Level 1 - Digital Download SKU: A0.1476300 Composed by James Lord Pierpont. Arranged by Jps Arrangements. Christmas,Holiday,Traditional. 5 pages. Jps Arrangements #1053813. Published by Jps Arrangements (A0.1476300). Jingle Bells for Choir and piano in G major is a classic Christmas song that brings joy and festive spirit. Here are some reasons why you should consider purchasing choral sheet music:Christmas Tradition: Jingle Bells is one of the best known and sung songs during Christmas. It evokes memories of celebrations, snow and gifts.Versatility: The score can be adapted for different choral formations. Captivating Harmonies: Jingle Bells' lively, infectious harmonies are perfect for creating a festive mood. They engage listeners and encourage participation.Universal Appeal: Music transcends cultures and languages. It is known around the world, which makes Jingle Bells an excellent choice for choirs looking to connect with diverse audiences.Performance Opportunity: With sheet music in hand, your choir can perform Jingle Bells at concerts, community events, schools and churches. It's a way to spread Christmas joy.If you're looking for an accessible and exciting sheet music for your choir, Jingle Bells is an excellent option. Download the sheet music in PDF and start rehearsing with enthusiasm.The arrangement is in G major and does not have the numbers.
$2.99
2.76 €
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Chorale SATB
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James Lord Pierpont
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Jps Arrangements
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Jingle Bells for Choir and piano in G major
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Jps Arrangements
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SheetMusicPlus
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