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Modal Mass
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11 partitions trouvées
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Agnus Dei for men's voices (from the Modal Mass) (ATTB)
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.580493 Composed by David …
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.580493 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Octavo. 2 pages. David Warin Solomons #4886941. Published by David Warin Solomons (A0.580493). This is the final section from my Modal Mass, sung here by my one-man choir dwsChorale (multitracking)
$2.00
1.82 €
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Chorale SATB
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David Warin Solomons
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Agnus Dei for men's voices
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David Warin Solomons
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SheetMusicPlus
Modal Mass (ATTB)
Chorale SATB
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.575599 Composed by David …
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Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.575599 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 11 pages. David Warin Solomons #2026271. Published by David Warin Solomons (A0.575599). This setting of the Communion Service (Kyrie, Gloria, Sanctus, Benedictus, Agnus) uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). This version - for men's voices (ATTB) - is sung by the composer A version for mixed choir (SATB) is also available here.
$2.99
2.72 €
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Chorale SATB
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David Warin Solomons
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Modal Mass
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David Warin Solomons
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SheetMusicPlus
Modal Mass (SATB)
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.575600 Composed by David W…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.575600 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 11 pages. David Warin Solomons #2026261. Published by David Warin Solomons (A0.575600). This setting of the Communion Service (Kyrie, Gloria, Sanctus, Benedictus, Agnus) uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). This version - for mixed choir (SATB) - is sung by Matthew Curtis of choraltracks.com The original version, for men's voices (ATTB), is also available here.
$2.99
2.72 €
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Chorale SATB
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David Warin Solomons
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Modal Mass
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David Warin Solomons
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SheetMusicPlus
Missa Solemnis, op. 27 (vocal score)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
80.12 €
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Chorale SATB
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Sanctus (SATB)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.866136 Composed by Franz Schubert. A…
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Choral Choir (SATB) - Digital Download SKU: A0.866136 Composed by Franz Schubert. Arranged by Dorian Kelly. A Cappella,Classical,Concert,Contemporary,Sacred,Spiritual. Octavo. 3 pages. Modal Music #3037699. Published by Modal Music (A0.866136). A setting of Franz Schubert's Sanctus (from the German Mass) for a cappella SATB choir.
$2.50
2.28 €
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Chorale SATB
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Franz Schubert
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Dorian Kelly
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Sanctus
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Modal Music
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SheetMusicPlus
Missa Brevis
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.992437 Composed by Miguel Ãngel S…
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Choral Choir (SATB) - Digital Download SKU: A0.992437 Composed by Miguel Ãngel Santaella. A Cappella,Contemporary,Sacred,Standards. Octavo. 10 pages. MasantaeMusic #3497101. Published by MasantaeMusic (A0.992437). Joyful and lighthearted setting of the Vugata latin catholic rite mass, written for an a cappella SATB choir or vocal group without divisi, with a strong modal harmonic material flowing along with easy melodic structures and modules. It expressly excludes the Credo section, but it can be used both as part of the ecumenical rites or programmed with other luminous sacred works. Composed in 2000, revised for this version.
$4.99
4.54 €
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Chorale SATB
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Miguel Ãngel Santaella
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Missa Brevis
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MasantaeMusic
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SheetMusicPlus
Missa brevis
Chorale SATB
0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir …
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0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - Digital Download SKU: S9.Q19857 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: set of solo parts. Downloadable, Set of solo parts. Op. 5 a. Duration 18 minutes. Schott Music - Digital #Q19857. Published by Schott Music - Digital (S9.Q19857). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.
$29.99
27.31 €
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Chorale SATB
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Bertold Hummel
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Missa brevis
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Schott Music - Digital
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SheetMusicPlus
Missa brevis
Chorale SATB
0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir …
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0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - Digital Download SKU: S9.Q18115 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: score. Downloadable, Score. Op. 5a. Duration 18 minutes. Schott Music - Digital #Q18115. Published by Schott Music - Digital (S9.Q18115). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.
$31.99
29.13 €
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Chorale SATB
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Bertold Hummel
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Missa brevis
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Schott Music - Digital
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SheetMusicPlus
Missa brevis
Chorale SATB
0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir …
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0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - Digital Download SKU: S9.Q19856 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: organ score. Downloadable, Organ reduction. Op. 5 a. Duration 18 minutes. Schott Music - Digital #Q19856. Published by Schott Music - Digital (S9.Q19856). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.
$10.99
10.01 €
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Chorale SATB
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Bertold Hummel
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Missa brevis
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Schott Music - Digital
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SheetMusicPlus
Missa Millennia in Honor of St. Francis (SATB)
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis …
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
9.11 €
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Chorale SATB
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Curtis Hanson
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Missa Millennia in Honor of St. Francis
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Curtis Hanson
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SheetMusicPlus
Madrigal "A Water Nymph", op. 75 no. 2
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1004705 Composed by Adrian…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1004705 Composed by Adrian Gagiu. 20th Century,A Cappella,Contemporary. Octavo. 9 pages. Adrian Gagiu #4804957. Published by Adrian Gagiu (A0.1004705). A madrigal in A minor for choir a cappella, with lyrics from a fragment of Dunt: a poem for a dried up river by English poet Alice Oswald, and based on three themes from ancient Romanian rituals for summoning rain. Neo-Classical and modal harmonies, delicate textures, polyphonic and heterophonic passages, and a repetitive, ritualistic coda with massive and soft divisi. Appropriate for students' choirs. Duration: 5 min. Performing Rights Organization: SOCAN.
$7.00
6.37 €
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Chorale SATB
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Adrian Gagiu
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Madrigal "A Water Nymph", op. 75 no. 2
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Adrian Gagiu
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SheetMusicPlus
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