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Modal Mass
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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Vous avez sélectionné:
Modal Mass
SheetMusicPlus
Partitions à imprimer
31 partitions trouvées
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26
Modaliter for wind quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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David Warin Solomons
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Modaliter for wind quartet
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.576775 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. 25 pages. David War...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.576775 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. 25 pages. David Warin Solomons #431983. Published by David Warin Solomons (A0.576775). Modaliter (an invented Latin word meant to signify by way of modes or modally) is based on my setting of the Communion Service - The Modal Mass - using mainly the Mixolydian and Dorian modes and with short excursions into Lydian and Aeolian and occasionally jazzy modes. The sections (marked Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei) can also be used separately. Versions are available for brass quartet (untransposed and transposed), wind quartet and string quartet. The pdf file contains score and parts. The sound sample is an electronic preview.
$15.00
Modaliter for brass quartet (transposed)
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Ensemble de cuivres
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INTERMÉDIAIRE
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David Warin Solomons
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Modaliter for brass quartet
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David Warin Solomons
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.576772 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. Score and parts. 24 pages. David Warin ...
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Brass Ensemble - Level 3 - SKU: A0.576772 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. Score and parts. 24 pages. David Warin Solomons #431965. Published by David Warin Solomons (A0.576772). Modaliter (an invented Latin word meant to signify by way of modes or modally) is based on my setting of the Communion Service - The Modal Mass - using mainly the Mixolydian and Dorian modes and with short excursions into Lydian and Aeolian and occasionally jazzy modes. The sections (marked Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei) can also be used separately. Versions are available for brass quartet (untransposed and transposed), wind quartet and string quartet. The pdf file contains score and parts. The sound sample is an electronic preview.
$15.00
Modaliter for brass quartet (untransposed)
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Ensemble de cuivres
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INTERMÉDIAIRE
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David Warin Solomons
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Modaliter for brass quartet
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David Warin Solomons
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.576773 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. Score and parts. 24 pages. David Warin ...
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Brass Ensemble - Level 3 - SKU: A0.576773 Composed by David Warin Solomons. 20th Century,Christian,Contemporary. Score and parts. 24 pages. David Warin Solomons #431967. Published by David Warin Solomons (A0.576773). Modaliter (an invented Latin word meant to signify by way of modes or modally) is based on my setting of the Communion Service - The Modal Mass - using mainly the Mixolydian and Dorian modes and with short excursions into Lydian and Aeolian and occasionally jazzy modes. The sections (marked Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei) can also be used separately. Versions are available for brass quartet (untransposed and transposed), wind quartet and string quartet. The pdf file contains score and parts. The sound sample is an electronic preview.
$15.00
Modaliter for string quartet performed by Budapest Scoring (mp3)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Budapest Scoring String Quarte
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Modaliter for string quartet p
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David Warin Solomons
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SheetMusicPlus
Level 4 - SKU: A0.1114062 By Budapest Scoring String Quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 455. David War...
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Level 4 - SKU: A0.1114062 By Budapest Scoring String Quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 455. David Warin Solomons #715963. Published by David Warin Solomons (A0.1114062). Modaliter (an invented Latin word meant to signify by way of modes or modally) is based on my setting of the Communion Service - The Modal Mass - using mainly the Mixolydian and Dorian modes and with short excursions into Lydian and Aeolian and occasionally jazzy modes. Performed by Violin 1: Csongor Veér Violin 2: Anna Fehér Viola: Péter Kondor Cello: Mátyás Ölveti of Budapest Scoring.
$5.50
Modaliter for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Modaliter for string quartet
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David Warin Solomons
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.576774 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 24 pages. David W...
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String Quartet String Quartet - Level 3 - SKU: A0.576774 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 24 pages. David Warin Solomons #431973. Published by David Warin Solomons (A0.576774). Modaliter (an invented Latin word meant to signify by way of modes or modally) is based on my setting of the Communion Service - The Modal Mass - using mainly the Mixolydian and Dorian modes and with short excursions into Lydian and Aeolian and occasionally jazzy modes. The sections (marked Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei) can also be used separately. Versions are available for brass quartet (untransposed and transposed), wind quartet and string quartet. The pdf file contains score and parts. The sound sample is an electronic preview.
$15.00
Agnus Dei for men's voices (from the Modal Mass) (ATTB)
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Chorale SATB
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INTERMÉDIAIRE
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David Warin Solomons
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Agnus Dei for men's voices
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.580493 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Octavo. 2 pages. David War...
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Choral Choir (Mixed) - Level 3 - SKU: A0.580493 Composed by David Warin Solomons. 20th Century,Christian,Contemporary,Sacred. Octavo. 2 pages. David Warin Solomons #4886941. Published by David Warin Solomons (A0.580493). This is the final section from my Modal Mass, sung here by my one-man choir dwsChorale (multitracking)
$2.00
Modal Mass for SATB (mp3)
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David Warin Solomons
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Modal Mass for SATB
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Bass Voice,Soprano voice,Tenor Voice - SKU: A0.1059344 Composed by David Warin Solomons. 20th Century,Contemporary,Sacred. Full Performance. ...
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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - SKU: A0.1059344 Composed by David Warin Solomons. 20th Century,Contemporary,Sacred. Full Performance. Duration 438. David Warin Solomons #2054371. Published by David Warin Solomons (A0.1059344). Setting of the Mass in Latin (Kyrie, Gloria, Sanctus, Benedictus, Agnus Dei) in various modes. Performed by Matthew Curtis.
$3.00
Modal for flute quartet (3 C flutes (or Piccolo, 2 C Flutes) and 1 Alto Flute)
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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David Warin Solomons
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Modal for flute quartet
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.580918 Composed by David Warin Solomons. 20th Century,Contemporary. 31 pages. David Warin S...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 3 - SKU: A0.580918 Composed by David Warin Solomons. 20th Century,Contemporary. 31 pages. David Warin Solomons #6425467. Published by David Warin Solomons (A0.580918). This is based loosely on my Modal Mass (Kyrie, Gloria, Sanctus, Benedictus, Agnus) and uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes).
$15.00
Modal for recorder quartet
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Quatuor de Flûtes à bec
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INTERMÉDIAIRE
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David Warin Solomons
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Modal for recorder quartet
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David Warin Solomons
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.581270 Composed by David Warin Solomons. 20th Century,Contemporary. Recorder Ensemble. 27 pages. David Warin Solomons #6437...
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Recorder - Level 3 - SKU: A0.581270 Composed by David Warin Solomons. 20th Century,Contemporary. Recorder Ensemble. 27 pages. David Warin Solomons #6437235. Published by David Warin Solomons (A0.581270). This is based loosely on my Modal Mass (Kyrie, Gloria, Sanctus, Benedictus, Agnus) and uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes).
$16.00
Modal for wind quartet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Modal for wind quartet
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.580919 Composed by David Warin Solomons. 20th Century,Contemporary. 27 pages. David Warin Solomon...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.580919 Composed by David Warin Solomons. 20th Century,Contemporary. 27 pages. David Warin Solomons #6436799. Published by David Warin Solomons (A0.580919). This is based loosely on my Modal Mass (Kyrie, Gloria, Sanctus, Benedictus, Agnus) and uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes).
$15.00
Modal for 4 clarinets or clarinet quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Modal for 4 clarinets or clari
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David Warin Solomons
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SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.580920 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 31 pages. David Warin Solomo...
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Bass Clarinet Solo - Level 3 - SKU: A0.580920 Composed by David Warin Solomons. 20th Century,Contemporary. Individual part. 31 pages. David Warin Solomons #6437559. Published by David Warin Solomons (A0.580920). This is based loosely on my Modal Mass (Kyrie, Gloria, Sanctus, Benedictus, Agnus) and uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes).
$15.00
Modal Mass (ATTB)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Modal Mass
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David Warin Solomons
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.575599 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 11 pages. David Warin Solomons ...
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Choral Choir (Mixed) - Level 4 - SKU: A0.575599 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 11 pages. David Warin Solomons #2026271. Published by David Warin Solomons (A0.575599). This setting of the Communion Service (Kyrie, Gloria, Sanctus, Benedictus, Agnus) uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). This version - for men's voices (ATTB) - is sung by the composer A version for mixed choir (SATB) is also available here.
$2.99
Modal Mass (SATB)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Modal Mass
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.575600 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 11 pages. David Warin Solomons #...
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Choral Choir (SATB) - Level 4 - SKU: A0.575600 Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 11 pages. David Warin Solomons #2026261. Published by David Warin Solomons (A0.575600). This setting of the Communion Service (Kyrie, Gloria, Sanctus, Benedictus, Agnus) uses mainly the Mixolydian and Dorian modes (with short excursions into Lydian and Aeolian and occasionally jazzy modes). This version - for mixed choir (SATB) - is sung by Matthew Curtis of choraltracks.com The original version, for men's voices (ATTB), is also available here.
$2.99
Agnus Dei for male voice choir from the modal mass (mp3)
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David Warin Solomons
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Agnus Dei for male voice choir
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David Warin Solomons
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SheetMusicPlus
Choir - SKU: A0.1059849 Composed by David Warin Solomons. 20th Century,Christian,Sacred. Full Performance. Duration 101. David Warin Solomons #4890713. ...
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Choir - SKU: A0.1059849 Composed by David Warin Solomons. 20th Century,Christian,Sacred. Full Performance. Duration 101. David Warin Solomons #4890713. Published by David Warin Solomons (A0.1059849). (For the Score enter this reference in the search box) :
$2.50
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Sanctus (SATB)
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Chorale SATB
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Classique
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Franz Schubert
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Dorian Kelly
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Sanctus
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Modal Music
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.866136 Composed by Franz Schubert. Arranged by Dorian Kelly. A Cappella,Classical,Concert,Contemporary,Sacred,Spiritual. O...
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Choral Choir (SATB) - SKU: A0.866136 Composed by Franz Schubert. Arranged by Dorian Kelly. A Cappella,Classical,Concert,Contemporary,Sacred,Spiritual. Octavo. 3 pages. Modal Music #3037699. Published by Modal Music (A0.866136). A setting of Franz Schubert's Sanctus (from the German Mass) for a cappella SATB choir.
$2.50
Missa Brevis, for unison men's choir and organ
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Chorale Unison
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INTERMÉDIAIRE
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Musique Sacrée
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Nigel Williams
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Missa Brevis, for unison men's
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Nigel Williams
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.763271 Composed by Nigel Williams. Concert,Sacred. Octavo. 8 pages. Nigel Williams #3578495. Published by Nige...
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Choral Choir (Unison) - Level 3 - SKU: A0.763271 Composed by Nigel Williams. Concert,Sacred. Octavo. 8 pages. Nigel Williams #3578495. Published by Nigel Williams (A0.763271). The Missa Brevis was commissioned by Thomas Wilson, St Mary's Catholic Cathedral, Sydney NSW Australia in 2010 specifically for a group of Senior High School age teenage boy choristers. The musical style is melodic and strongly modal, and the organ accompaniment is independent throughout. The score contains all three movements, Kyrie, Sanctus - Benedictus, Agnus Dei and runs to eight pages. The vocal range (notated in the bass clef) is comfortable for teenage baritone voices and the difficulty level is intermediate. While specifically written for the Catholic Mass it will suit certain Episcopal liturgies and will make a great concert recital piece.
$2.99
Missa Brevis
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Chorale SATB
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Miguel Ãngel Santaella
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Missa Brevis
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MasantaeMusic
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.992437 Composed by Miguel Ãngel Santaella. A Cappella,Contemporary,Sacred,Standards. Octavo. 10 pages. MasantaeMusic #3...
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Choral Choir (SATB) - SKU: A0.992437 Composed by Miguel Ãngel Santaella. A Cappella,Contemporary,Sacred,Standards. Octavo. 10 pages. MasantaeMusic #3497101. Published by MasantaeMusic (A0.992437). Joyful and lighthearted setting of the Vugata latin catholic rite mass, written for an a cappella SATB choir or vocal group without divisi, with a strong modal harmonic material flowing along with easy melodic structures and modules. It expressly excludes the Credo section, but it can be used both as part of the ecumenical rites or programmed with other luminous sacred works. Composed in 2000, revised for this version.
$4.99
Missa brevis
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Chorale SATB
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INTERMÉDIAIRE
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Bertold Hummel
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Missa brevis
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Schott Music - Digital
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SheetMusicPlus
0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - SKU: S9.Q19857 For ...
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0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - SKU: S9.Q19857 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: set of solo parts. Downloadable, Set of solo parts. Op. 5 a. Duration 18 minutes. Schott Music - Digital #Q19857. Published by Schott Music - Digital (S9.Q19857). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.
$29.99
Missa brevis
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Chorale SATB
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INTERMÉDIAIRE
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Bertold Hummel
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Missa brevis
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Schott Music - Digital
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SheetMusicPlus
0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - SKU: S9.Q18115 For ...
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0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - SKU: S9.Q18115 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: score. Downloadable, Score. Op. 5a. Duration 18 minutes. Schott Music - Digital #Q18115. Published by Schott Music - Digital (S9.Q18115). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.
$31.99
Missa brevis
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Chorale SATB
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INTERMÉDIAIRE
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Bertold Hummel
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Missa brevis
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Schott Music - Digital
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SheetMusicPlus
0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - SKU: S9.Q19856 For ...
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0 · 2 (auch Engl. Hr.) · 0 · 2 - 0 · 2 · 2 (evtl. Tuba) · 0 mixed choir and 8 wind instruments - intermediate - SKU: S9.Q19856 For mixed choir (SATB) and 8 wind instruments. Composed by Bertold Hummel. This edition: organ score. Downloadable, Organ reduction. Op. 5 a. Duration 18 minutes. Schott Music - Digital #Q19856. Published by Schott Music - Digital (S9.Q19856). Latin.Missa brevis for mixed choir and eight wind instruments Op. 5 was created in 1951 and premiered at the Donaueschingen Festival of Contemporary Music the following year. The Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei) was composed using a modal technique drawing on medieval examples. The use of wind instruments adds to the rich sound of the choir, thus expanding the sound spectrum in an interesting way. The piece is suitable for both liturgy and concert. Hummel wrote a music which is easy to play by all performers and delights the listeners immediately.
$10.99
Missa Millennia in Honor of St. Francis (SATB)
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Chorale SATB
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AVANCÉ
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Musique Sacrée
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Curtis Hanson
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Missa Millennia in Honor of St
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Curtis Hanson
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curti...
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Choral Choir (SATB) - Level 5 - SKU: A0.719523 Composed by Curtis Hanson. Christian,Sacred. Octavo. 59 pages. Curtis Hanson #2032867. Published by Curtis Hanson (A0.719523). The Missa Millennia was composed during the spring of 2000 and premiered the following November by the choirs of the John Duss Music Conservatory, Duluth, MN. Scored for a chamber orchestra of strings, keyboard, and solo oboe (full score and instrumental parts available separately), the work is not so much a celebration of the new millennium as it is an assimilation of many of the musical styles, characteristics, and forms of the previous thousand years. The entire piece is in the form of the traditional Mass, a musical form having its origins in the Middle Ages, and is divided into the five movements commonly found in the Mass Ordinary: Kyrie (Lord, have mercy), Gloria (Glory to God in the highest), Credo (the Nicene Creed), Sanctus – Benedictus (Holy, holy, holy – Blessed is he who comes in the name of the Lord), and Agnus Dei (Lamb of God). In the final movement, the Prayer of St. Francis of Assisi (Lord, make me an instrument of thy peace) concludes the work. Although the Missa Millennia as a whole is distinctly contemporary, elements from many earlier musical periods are incorporated into the movements. These include chant, open fifth and parallel fifth harmonic movement (organum), and canonic imitation from the Middle Ages and Renaissance; fugue, word-painting, terraced dynamics, ostinato (a repeated rhythmic or bass accompaniment), Alberti bass accompaniment figures, ABA form, and dominant-tonic harmonic relationships typical of Baroque and Classical music to name but a few. Other significant features are the usage of non-Western modality in the plaintive solo oboe and of pedal point, a sustained tone in the bass over which the melody and harmony evolve. Pedal point, a compositional tool used throughout music history, dates from the Middle Ages about the time of St. Francis. Although not directly based upon the music of any composer, the astute listener may hear musical ideas reminiscent of Vivaldi, Vaughan Williams, Respighi, Duruflé, and others. In the audio file, the 2nd movement (Gloria) can be found at approximately 6'25, the 3rd movement (Credo) at 12'05, the 4th movement (Sanctus) at 21'15, and the final movement (Agnus Dei) at 31'05. The complete Mass is approximately 43 minutes long.
$10.00
St. Paul
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Orchestre d'harmonie
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DÉBUTANT
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Marsha Chusmir Shapiro
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St. Paul
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBS1613-S Composed by Marsha Chusmir Shapiro. Score. 19 pages. Imagine Music - Digital #CBS1613-S. Published by Imagine...
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Concert band - Grade 1 - SKU: IZ.CBS1613-S Composed by Marsha Chusmir Shapiro. Score. 19 pages. Imagine Music - Digital #CBS1613-S. Published by Imagine Music - Digital (IZ.CBS1613-S). 9 x 12 in inches.Composer's NotesFor several years I taught at a private Catholic school, the Bascillica School of St. Paul. I was exposed to some beautiful melodies from the weekly Masses, including one I particularly remembered, but which was under copyright. So I decided to create a similar modal line and open the composition as if it were being sung in a church. I play the French horn which is why I chose that voice to express the theme. The variations which followed were to begin as historically simple, but move toward a more contemporary sound. I have always loved the percussive sound of Vaclav Nelhybell's music and that is what I intended for the ending.
$10.00
St. Paul
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Orchestre d'harmonie
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DÉBUTANT
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Marsha Chusmir Shapiro
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St. Paul
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 1 - SKU: IZ.CBS1613 Composed by Marsha Chusmir Shapiro. Score and Parts. 57 pages. Imagine Music - Digital #CBS1613. Published by I...
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Concert band - Grade 1 - SKU: IZ.CBS1613 Composed by Marsha Chusmir Shapiro. Score and Parts. 57 pages. Imagine Music - Digital #CBS1613. Published by Imagine Music - Digital (IZ.CBS1613). 9 x 12 in inches.Composer's NotesFor several years I taught at a private Catholic school, the Bascillica School of St. Paul. I was exposed to some beautiful melodies from the weekly Masses, including one I particularly remembered, but which was under copyright. So I decided to create a similar modal line and open the composition as if it were being sung in a church. I play the French horn which is why I chose that voice to express the theme. The variations which followed were to begin as historically simple, but move toward a more contemporary sound. I have always loved the percussive sound of Vaclav Nelhybell's music and that is what I intended for the ending.
$40.00
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