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You're So Good To Me
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Vous avez sélectionné:
You're So Good To Me
Chorale SATB
Partitions à imprimer
4 partitions trouvées
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An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
We Should Glory
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Tom Dwight
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We Should Glory
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Tom Dwight
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.921644 Composed by Tom Dwight. A Cappella,Christian,Sacred. Octavo. 2 pages. Tom Dwight #3024455. Published by T...
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Choral Choir (SATB) - Level 3 - SKU: A0.921644 Composed by Tom Dwight. A Cappella,Christian,Sacred. Octavo. 2 pages. Tom Dwight #3024455. Published by Tom Dwight (A0.921644). We Should Glory is a simple, beautiful Sacred Choral antiphon that is perfect for use as an entrance hymn for Holy Thursday (Maundy Thursday). It is also appropriate as a meditation hymn or for any liturgical celebration that glorifies the Cross of Christ. While it is written to be sung a capella, chords are included so that a simple piano, organ and/or guitar may accompany the singers.I am in the process of building my website. In the meantime, if you wish to contact me with any questions, please email me at tommy1take@gmail.com or by phone at 984.212.7890.If you have access to equipment and wish to provide a good quality recording of this or any of my other titles, I will be happy to compensate you or your organization in some equitable way. Please let me know if you're interested!A NOTE ABOUT THE RECORDING:While you are welcome to purchase the recording, it is merely meant to be a representation of the piece (without the harmonies, of course! This is exactly why I'd like to get others to record it for me!)
$1.99
I'll Be Home For Christmas
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Chorale SATB
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FACILE
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Jazz
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Rascal Flatts
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Michael Pilley
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I'll Be Home For Christmas
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Michael Pilley Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Micha...
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Choral Choir (SATB) - Level 2 - SKU: A0.746225 By Rascal Flatts. By Kim Gannon and Walter Kent. Arranged by Michael Pilley. Jazz. Octavo. 9 pages. Michael Pilley Music #4849749. Published by Michael Pilley Music (A0.746225). One of the most loved Christmas tunes made famous by the ultimate crooner, Bing Crosby, I'll Be Home For Christmas resonates with me every year as I have been living in the UK since 2012. It speaks of the desire to return home for the special time of year to share in the celebration with family and friends. But in a small twist, the last line of the song is if only in my dreams, leaving us to consider those around the world who are displaced from their loved ones.This arrangement is in a simple ballad style and features the melody in the soprano and tenor voices. The harmony is chromatic in parts, but with good voice leading to assist with the learning of this jazz-infused tune. The bass part mainly anchors down the harmony, with a dm consonant aiming to recreate a jazz double bass sound. Soft consonants and sweet do sounds will ensure a smooth ballad style. Ranges are within a standard choir set, so this should be performable by most community choirs with basic reading ability. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$4.50
Five Lyrics of Robert Herrick - Roger Quilter
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Chorale SATB
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FACILE
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and by
Ye do lie,
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Roger Quilter
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Five Lyrics of Robert Herrick
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Forsyth Brothers Ltd
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Publi...
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Choral Choir (SATB) - Level 2 - SKU: A0.1171401 Composed by Roger Quilter. 20th Century,Classical. Octavo. 24 pages. Forsyth Brothers Ltd #771738. Published by Forsyth Brothers Ltd (A0.1171401). A delightful early opus from one of the most individual English songwriters of the Twentieth Century, Roger Quilter (1877-1953). The texts are taken from the works of Seventeenth Century English poet Robert Herrick (ca 1591-1674) whose lyrics Quilter also set to music in his Opus 8 song-cycle To Julia (1905). The Opus 7 settings are dedicated to Quilter's friend Percy Grainger.FIVE LYRICS OF ROBERT HERRICK (SATB & Piano): Cupid A Dirge Morning Song To Electra To Violets  CupidLove, like a beggar came to meWith hose and doublet torn;His shirt bedangling from his knee,With hat and shoes outworn. He asked an alms; I gave him bread,And meat too for his need,Of which, when he had fully fed,He wished me all good speed.Away he went, but as he turned,In faith I know not how,He touched me so, as that I burnedAnd am tormented now. Love’s silent flames and fires obscureThen crept into my heart;And though I saw no bow, I’m sureHis finger was the dart. A DirgeHere she lies, in bed of spice,Fair as Eve in ParadiseFor her beauty was suchPoets could not praise too much.Virgins come, and in a ringHer supremest requiem sing.Then depart but see ye treadLightly, lightly o’er the dead.Morning Song Let's now take our time,While we're in our prime,And old, old age is afar off:For the evil, evil daysWill come on apace,Before we can be aware of. To ElectraI dare not ask a kiss;I dare not beg a smile;Lest, having that or this,I might grow proud the while. No, no, the utmost shareOf my desire shall beOnly to kiss the airThat lately kissèd thee. To VioletsWelcome, maids of honour!You do bringIn the SpringAnd wait upon her She has virgins manyFresh and fair;Yet you areMore sweet than anyY'are the maiden posiesAnd so graced,To be placed'Fore damask roses.Yet though thus respectedBy and byYe do lie,Poor girls, neglected.
$9.99
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You're So Good To Me
