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You Should Be Here
Non classifié
361
Piano & claviers
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3 296
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1 530
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124
Piano Facile
115
Clavier
59
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26
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24
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5
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2
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2
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2
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1
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18
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11
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11
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3
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1
4 Guitares (Quatuor)
1
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79
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25
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17
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16
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4
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1
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37
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30
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21
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17
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13
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13
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12
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11
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10
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9
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7
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7
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7
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6
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6
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6
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6
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5
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5
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5
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4
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3
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2
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1
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Cor Anglais
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1
Clarinette
1
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29
Quatuor de Cuivres
16
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14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
11
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10
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10
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9
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9
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8
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7
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6
Tuba
5
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4
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3
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2
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1
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11
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8
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6
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5
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3
Alto seul
3
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Violoncelle , Guitare (duo)
2
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1
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Vous avez sélectionné:
You Should Be Here
Violoncelle , Guitare (duo)
Partitions à imprimer
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Wish You Were Here
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Violoncelle , Guitare (duo)
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INTERMÉDIAIRE/AVANCÉ
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Incubus
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Jonathan Godfrey
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Wish You Were Here
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Jonathan Godfrey
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SheetMusicPlus
Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.1289574 By Incubus. By Alex Katunich, Brandon Boyd, Chris Kilmore, Jose Pasillas II, and Michael Einz...
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Cello,Guitar,Instrumental Duet - Level 4 - SKU: A0.1289574 By Incubus. By Alex Katunich, Brandon Boyd, Chris Kilmore, Jose Pasillas II, and Michael Einziger. Arranged by Jonathan Godfrey. 21st Century,Chamber,Grunge,Rock,Wedding. 16 pages. Jonathan Godfrey #880282. Published by Jonathan Godfrey (A0.1289574). 🎼 Discover the exceptional blend of guitar and cello in this arrangement of Wish You Were Here by Incubus 🎸🎻This arrangement is professionally transcribed by Dr. Jonathan Godfrey (www.TampaBayGuitar.com), capturing the nuance and subtlety of Brandon Boyd's melismatic vocals and using creative fingerings to make Mike Einzinger's classic riffs speak fluidly on acoustic guitar. Score and parts included.About the Song:Wish You Were Here by Incubus is a poignant ballad from Incubus's 2001 seminal album Morning View known for its meditative lyrics and dreamy atmosphere. This arrangement preserves the original's essence while introducing a fresh organic take through the guitar and cello. The guitarist should be able to play both fingerstyle and pick style and can perform the arrangement on either steel-string acoustic or nylon are possibly.Order Your Copy Today and Start Making Magic Through the S.C.I.E.N.C.E. of music!
$8.99
A Sunny Day in Hell (cello and guitar)
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Violoncelle , Guitare (duo)
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Apostolos Paraskevas
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A Sunny Day in Hell
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and...
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Instrumental Duet Cello,Guitar,Instrumental Duet - SKU: A0.942094 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Score and parts. 29 pages. Silver Sickle Publications #6092705. Published by Silver Sickle Publications (A0.942094). A Sunny Day in Hell - for Guitar and Cello A small introduction from the guitar opens the work which brings the introductory material as a feeling of a sluggish and almost joyful day, an opening with a dark feeling. Almost like a sunny day in hell, I could say. This opening material gives its turn to a fast-fierce agitated section in where the guitar mostly plays 16th triplets and the cello introduces an exotic dance-like tune. A limping dance, I must add given the title’s influence. Almost like a small party in hell. The following slow section brings up a sad melancholic mood where both instruments share new material with an evocation of a past happy life. The work ends with the main fast material in a variation form. It was my intention to compose a friendly work for performers and audiences.First twist:Performers: prepare audience for an upcoming performance twist/surprise which will not come (at least not during performance). If or when members of the audience later ask about it, performers should assure them that the twist is still an upcoming great event. Have them re-live the performance as they wonder for years to come...If members of the audience should coerce or threaten you by force, you may reveal the twist: In the unfortunate event that you may later end up in hell, this performance guarantees that you will have at least one Sunny Day in HellOptional Second twist:Performers, could as an extra touch, wear fangs (teeth of a vampire or devil) and after performance could reveal them by either biting the lip or casually smiling or yawning at the audience. No audience preparation is needed for this twist. Although wearing Fangs during the performance, could be a nuisance to some performers, they could give to the work a special extra bite. As a variation, fangs could be wore after the end of the performance. Apostolos Paraskevas, Boston 2008
$14.99
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You Should Be Here
