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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
A Second Time
Non classifié
865
Piano & claviers
Piano seul
452
Piano Facile
139
Accompagnement Piano
61
Piano, Voix
61
1 Piano, 4 mains
52
Piano, Voix et Guitare
42
Piano Trio: piano, violon, violoncelle
35
Instruments en Do
33
Orgue
31
2 Pianos, 4 mains
20
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano (partie séparée)
3
2 Pianos, 8 mains
2
Orgue, Piano (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
+ 11 instrumentations
Retracter
Guitares
Guitare
70
Guitare notes et tablatures
39
2 Guitares (duo)
16
Ligne De Mélodie, (Paroles) et Accords
7
Paroles et Accords
7
Ukulele
6
Guitare (partie séparée)
6
Mandoline
5
4 Guitares (Quatuor)
4
Mandoline, Guitare (duo)
4
3 Guitares (trio)
2
2 Ukuleles
1
Dulcimer
1
Basse electrique
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
186
Chorale 2 parties
71
Chorale 3 parties
41
Chorale Unison
25
Chorale SSAA
25
Chorale TTBB
18
Voix duo, Piano
15
Voix Soprano, Piano
10
Voix duo
5
Chorale
2
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Voix Tenor
2
Voix basse, Piano
2
Voix Tenor, Piano
2
Voix haute
1
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
+ 13 instrumentations
Retracter
Vents
2 Saxophones (duo)
69
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Quatuor de Saxophones: 4 saxophones
50
Quatuor de Clarinettes: 4 clarinettes
43
Flûte traversière et Piano
42
2 Flûtes traversières (duo)
42
Flûte, Hautbois, Clarinette, Basson
40
Quintette de Saxophone: 5 saxophones
37
2 Clarinettes (duo)
35
Hautbois, Piano (duo)
34
Saxophone Alto et Piano
26
Clarinette et Piano
26
Clarinette
24
Saxophone, Clarinette (duo)
24
Flûte traversière
20
3 Saxophones (trio)
18
Flûte, Clarinette (duo)
17
2 Hautbois (duo)
15
Quintette de Clarinettes: 5 clarinettes
14
Hautbois, Clarinette (duo)
13
Clarinette, Violon (duo)
12
Saxophone (partie séparée)
12
Saxophone Tenor et Piano
12
Hautbois, Flûte
11
Quatuor de Flûtes : 4 flûtes
11
Hautbois (partie séparée)
10
Trio de Flûtes: 3 flûtes
10
Clarinette, Trompette (duo)
10
Ensemble de Clarinettes
10
Ensemble de Flûtes
9
Hautbois, Basson (duo)
9
Quintette de Flûte : 5 flûtes
8
Clarinette et Alto
8
Flûte et Guitare
8
Saxophone Alto
8
Cor anglais, Piano
7
Saxophone Soprano et Piano
7
Flûte, Violon, Piano
7
2 Flûte à bec (duo)
7
Flûte, Trompette (duo)
7
Flûte, Violon
7
Flûte, Saxophone (duo)
6
Quatuor de Flûtes à bec
6
Saxophone Baryton, Piano
6
Flûte, Clarinette et Basson
5
Clarinette, Basson (duo)
5
Hautbois, Clarinette, Basson (trio d'anches)
5
3 Clarinettes (trio)
5
Saxophone Tenor
5
3 Flûtes à bec (trio)
5
Ensemble de saxophones
5
Clarinette Basse, Piano
4
Flûte, Hautbois (duo)
4
Flûte à bec Alto
4
Flûte, Alto (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Hautbois, Guitare (duo)
3
Flûte à Bec, Piano
3
Flute (partie séparée)
3
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Harpe (duo)
2
Flûte, Hautbois, Basson
2
2 Clarinettes, Piano
2
Flûte, Basson et Piano
2
Flûte, Violoncelle
1
Ensemble de Hautbois
1
Flûte à bec Soprano
1
Clarinette, Violoncelle (duo)
1
Hautbois, Violoncelle
1
Cor Anglais
1
Ensemble De Flûte à bec
1
Flûte, Violon et Violoncelle
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Saxophone et Piano
1
Hautbois, Harpe
1
Saxophone
1
5 Flûtes à bec
1
+ 74 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
125
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette
27
2 Trompettes (duo)
22
Trombone et Piano
22
Trompette, Trombone (duo)
19
2 Trombones (duo)
17
Trompette, Piano
16
Trompette, Saxophone (duo)
14
Quatuor de Cuivres
12
Trombone (partie séparée)
11
Cor
10
2 Cors (duo)
9
Trompette (partie séparée)
9
Cor et Piano
8
Ensemble de Trombones
8
Cor anglais, Piano
7
Trombone
7
Tuba
7
Euphonium, Piano (duo)
7
Ensemble de Trompettes
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Quatuor de cuivres: 4 cors
5
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
3
Trio de Cuivres
3
4 Tubas
3
Tuba et Piano
3
Ensemble de Cors
3
2 Tubas (duo)
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
2 Euphoniums et 2 Tubas
2
Cor (partie séparée)
1
Cor Anglais
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
3 Trompettes (trio)
1
Tuba et Orgue
1
Trombone basse et Piano
1
Tuba (partie séparée)
1
Trombone, Cor (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
274
Violon, Violoncelle (duo)
180
Violon
160
Trio à Cordes: violon, alto, violoncelle
159
Violon et Piano
68
Violoncelle, Piano
39
Alto, Piano
36
Quintette à cordes: 2 violons, alto, violoncelle, basse
33
2 Violons (duo)
29
Violon, Alto (duo)
24
Violoncelle
23
2 Violoncelles (duo)
22
2 Altos (duo)
20
Harpe
18
Alto seul
12
Alto, Violoncelle (duo)
10
Contre Basse
9
Trio à Cordes: 2 violons, violoncelle
8
Alto (partie séparée)
6
Violon (partie séparée)
5
4 Violoncelles
4
Ensemble de Violons
3
Contrebasse (partie séparée)
3
Quatuor à cordes : 4 altos
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 violins
3
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
3
Contrebasse, Piano (duo)
2
Harpe, Flûte (duo)
2
Harpe, Violon (duo)
2
Trio à cordes: 3 altos
2
2 Violons, Piano
1
Violon, Violoncelle, Clarinette
1
Violon, Guitare (duo)
1
Violoncelle, Basse continue
1
2 Harpes (duo)
1
Violoncelle, Contrebasse (duo)
1
2 Altos, Piano
1
Violon, Clarinette, Piano (trio)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Trombone (duo)
1
Ensemble d'Altos
1
+ 39 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
174
Orchestre à Cordes
163
Orchestre
74
Ensemble de cuivres
70
Cloches
43
Ensemble Jazz
36
Orchestre de chambre
33
Fanfare
20
Jazz combo
15
Ensemble de Percussions
12
Batterie
4
Batterie (partie séparée)
3
Piano et Orchestre
1
Percussion
1
Marimba
1
Orchestre, Violon
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
A Second Time
Hautbois, Piano (duo)
Partitions à imprimer
34 partitions trouvées
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1
26
Away In A Manger: for Oboe & Piano
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Hautbois, Piano (duo)
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DÉBUTANT
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Noël
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the 1880’s the cradle s
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Mueller
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James M
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Piano
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Away In A Manger: for Oboe &am
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #33...
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Oboe,Piano - Level 1 - SKU: A0.548478 Composed by Mueller. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386539. Published by jmsgu3 (A0.548478). Traditional Christmas song arranged for Oboe & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther. Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$24.95
The Ragtime Dance - Scott Joplin - OBOE SOLO with piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Robert Stevens
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The Ragtime Dance - Scott Jopl
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SAXpress.com
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.901457 Composed by Scott Joplin. Arranged by Robert Stevens. Ragtime,Standards. Score and part. 14 pages. SAXpress.com #6...
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Oboe,Piano - Level 3 - SKU: A0.901457 Composed by Scott Joplin. Arranged by Robert Stevens. Ragtime,Standards. Score and part. 14 pages. SAXpress.com #6287599. Published by SAXpress.com (A0.901457). The Ragtime Dance (1906)Scott Joplin (1867/8 – 1917)Oboe Solo with pianoLength: 3.5 minutes (all repeats)Difficulty: Grade 3-4 (Moderate)This arrangement is is for oboe solo with piano accompaniment and is in the original key. What everyone always remembers about The Ragtime Dance is the moment when Joplin asks the performers to vigorously stomp the floor in rhythm! This is the stop-time feature mentioned in the subtitle.The Ragtime Dance oboe solo with piano, by Scott Joplin. Joplin wrote two works with the title The Ragtime Dance. The first, written in 1899 and published in 1902, is something like a ballet with songs and a speaking part for narrator. It was a failure on stage and is now forgotten. The second and much better known work is a piano rag based on some of the tunes in the stage show. This little piano rag is one of the genre’s most loved pieces and has been transcribed for many different ensembles. It has been used in many films, most notably in the 1973 movie The Sting.
$6.95
Waltz in A Minor (Chopin) - Oboe and Piano - Chamber music
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.760519 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Peri...
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Oboe,Piano - Level 3 - SKU: A0.760519 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Easter,Holiday,Instructional,Love,Romantic Period. Score and part. 9 pages. Raymond Fenech #4609607. Published by Raymond Fenech (A0.760519). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$3.99
Waltz in A Minor (Chopin) - 2 Oboes and Piano - Chamber music
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Frederic Chopin
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Raymond Fenech
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Waltz in A Minor
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Raymond Fenech
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.760518 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Class...
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.760518 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and parts. 11 pages. Raymond Fenech #4609599. Published by Raymond Fenech (A0.760518). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert.
$4.99
Shenandoah - a Memorial Day duet for oboe and piano
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Hautbois, Piano (duo)
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FACILE
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American Folk Song
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c
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Shenandoah - a Memorial Day du
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C.E. Walz
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.767661 Composed by American Folk Song. Arranged by c.e. walz. Contemporary,Folk,Holiday,Patriotic. Score and part. 4 page...
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Oboe,Piano - Level 2 - SKU: A0.767661 Composed by American Folk Song. Arranged by c.e. walz. Contemporary,Folk,Holiday,Patriotic. Score and part. 4 pages. C.E. Walz #4596251. Published by C.E. Walz (A0.767661). Maestro says Shenandoah, a haunting American folk tune, was made for the oboe! What a perfect gathering music or prelude for a memorial service or a Memorial Day tribute to those who gave the ultimate sacrifice in the service to our country. Performance time is 1:35 seconds. Key of Eb. The piano accompaniment is early intermediate level, and the oboe is late beginner. Four pages (three for piano accompaniment, one for oboe part). .
$4.99
Telemann Sonata in A Minor TWV 41:a3, 1st Movement: Siciliano - Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Georg Philipp Telemann
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Telemann Sonata in A Minor TWV
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Music-Scores.com
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.721341 Composed by Georg Philipp Telemann. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary,Wedd...
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Oboe,Piano - Level 3 - SKU: A0.721341 Composed by Georg Philipp Telemann. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary,Wedding. Score and part. 4 pages. Music-Scores.com #4327043. Published by Music-Scores.com (A0.721341). Sonata in A minor, 1st movement: Siciliana. A piece in a swaying 12/8 time and dotted rhythms, which give a pastoral feel.For Oboe and Piano. Duration about 1 minute, 50 seconds.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$2.95
Gounod - Ave Maria Meditation in G Major - Intermediate
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Charles-François Gounod
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Piacere Music Sheets
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Gounod - Ave Maria Meditation
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Piacere Music Sheets
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1143122 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic...
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Oboe,Piano - Level 3 - SKU: A0.1143122 Composed by Charles-François Gounod. Arranged by Piacere Music Sheets. Instructional,Praise & Worship,Romantic Period,Standards,Wedding. Score and part. 12 pages. Piacere Music Sheets #743484. Published by Piacere Music Sheets (A0.1143122). Opus/Catalog Number: CG 89 Key/Tone: G major Movements/Sections: Andante semplice Year/Date of Composition: 1853 Difficulty: Grade 6/12 (Intermediate) Obs.: This piece is based on Gounod's original 1853 instrumental version of Ave Maria.Gounod's original instrumental version was set for violin and piano in the key of C Major. This score is a transcription for Oboe and piano, set in the key of G Major. Gounod entitled this instrumental version Méditation sur le 1er Prélude de piano de J.S. Bach (Meditation on the first Piano Prelude by J.S. Bach). In Gounod's original edition, the diminuendo and piano in measures 28 and 29 are replaced by a sempre crescendo upon playing the piece for the second time. Included: Full score and separated parts for each instrument.
$9.95
Mendelssohn: Wedding March for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. S...
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Oboe,Piano - Level 3 - SKU: A0.549890 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602933. Published by jmsgu3 (A0.549890). Score: 12 pages, piano part: 6 pages, oboe part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Be.
$24.95
Mendelssohn: Song Without Words Op. 109 for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Felix Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Per...
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Oboe,Piano - Level 3 - SKU: A0.549488 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500659. Published by jmsgu3 (A0.549488). Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Bach: Wachet auf for Oboe & Piano
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Hautbois, Piano (duo)
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Oboe &
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards...
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Oboe,Piano - Level 2 - SKU: A0.549840 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Concert,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554807. Published by jmsgu3 (A0.549840). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
Amazing Grace, Concert Solo for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Musique Sacrée
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Gospel Spirituel
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John Newton
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David McKeown
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Amazing Grace, Concert Solo fo
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.587642 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pa...
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Oboe,Piano - Level 3 - SKU: A0.587642 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611381. Published by David McKeown (A0.587642). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Oboe with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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piano concertos 1-5
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Beethoven: Adagio from Sonata
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standa...
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Oboe,Piano - Level 3 - SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano. Â
$24.95
Trio for oboe, cello, piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Francis Kayali
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Trio for oboe, cello, piano
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Francis Kayali
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.973042 Composed by Francis Kayali. 20th Century,Concert. Score and parts....
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Instrumental Duet,Piano Cello,Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.973042 Composed by Francis Kayali. 20th Century,Concert. Score and parts. 15 pages. Francis Kayali #6066271. Published by Francis Kayali (A0.973042). With its plaintive oboe solo over sometimes dissonant harmonies, the autumnal slow first movement pays homage to Mahler, echoing for instance Das Lied von der Erde. In the second movement, the mood shifts to a java, a popular dance akin to a fast waltz that flourished in France between 1920 and 1960. Remaining in the minor, this movement’s circus-like levity also conveys the grittier side of mid-century Parisian nightlife. Rather inconspicuously, the java incorporates in the piano accompaniment four measures from Rachmaninoff’s Prelude in G minor (Op. 23 No. 5), ironically subverting the aristocratic march into the fold of the plebeian dance. Thus, the second movement also constitutes a nod to Mahler, who famously used klezmer music as a disruption in his First Symphony.
$7.00
Symphony No. 7 by Beethoven for Oboe
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Hautbois, Piano (duo)
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 7 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.1158447 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional....
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Oboe,Piano - Level 1 - SKU: A0.1158447 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Film/TV,Instructional,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #758733. Published by Woods Only, Arrangements (A0.1158447). This arrangement adapted for oboe e piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change of key, so that it is comfortable for all the instruments in the formation, as well as for use in ensemble practice between musicians of different traditions. Ludwig van Beethoven began concentrated work on his Symphony No. 7 in A major Op. 92 in 1811, it was completed in 1812, and was dedicated to Count Moritz von Fries, and premiered in Vienna on December 8, 1813. It is considered a remarkable example of the more ebullient side of Beethoven's compositional personality and evidence that even after the onset of deafness, he still found cause for musical optimism. The second movement Allegretto is a funeral march in everything but name. Often several contrasting melodic ideas are made to coexist, as if Beethoven were imagining several processions converging on the cemetery at the same time. As he was working on this symphony during the years of the Napoleonic Wars, this experience was probably within his experience. It was also used as the soundtrack to the film Knowing, by director Alex Proyas and starring Nicolas Cage, where it is used in the final scene of the film. Beethoven called Symphony No. 7 his most excellent symphony, and a music critic of the time reported, this symphony is the most melodically rich and the most pleasing and comprehensible of all Beethoven's symphonies..
$1.99
Sullivan: The Lost Chord for Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for O
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred...
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Oboe,Piano - Level 4 - SKU: A0.549448 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497149. Published by jmsgu3 (A0.549448). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Requires sensitivity & dynamic control.Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$26.95
Deep Purple
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Nino Tempo & April Stevens
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Debra E
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Deep Purple
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Standard Time
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1514902 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Debra E. Stempien, Gregory H. Tu...
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Oboe,Piano - Level 3 - SKU: A0.1514902 By Nino Tempo & April Stevens. By Mitchell Parish and Peter De Rose. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards,Traditional. Score and part. 6 pages. Standard Time #1089396. Published by Standard Time (A0.1514902). This beautiful 1930s ballad is arranged is for oboe with piano accompaniment. The piano takes a lush turn at the melody on the second pass before handing it back to the soloist. Please note that audio features the soprano sax version of this arrangement.
$7.99
Still, Still, Still for Oboe Solo with Piano Accompaniment (Austrian Christmas Carol)
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Noël
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Traditional
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Debra E
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Still, Still, Still for Oboe S
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Standard Time
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.761704 Composed by Traditional (Austria). Arranged by Debra E. Stempien, Gregory H. Turner. Christmas,Contemporary,Jazz,M...
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Oboe,Piano - Level 3 - SKU: A0.761704 Composed by Traditional (Austria). Arranged by Debra E. Stempien, Gregory H. Turner. Christmas,Contemporary,Jazz,Multicultural,Sacred,World. Score and part. 5 pages. Standard Time #6091157. Published by Standard Time (A0.761704). This traditional Austrian Christmas carol is arranged for oboe solo with piano accompaniment. Â The melody is first stated completely intact with a backdrop of contemporary extended harmonies. Â The second statement varies the melody in the solo part, while the piano presents the third statement with oboe backgrounds. The original setting of the melody returns for the fourth statement. Â Please note that the recording and the video feature the soprano sax version of this arrangement.
$7.99
Morning Has Broken
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Hautbois, Piano (duo)
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548742 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #34152...
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Oboe,Piano - Level 1 - SKU: A0.548742 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415209. Published by jmsgu3 (A0.548742). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Morning Has Broken
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Hautbois, Piano (duo)
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DÉBUTANT
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Rock
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Cat Stevens
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James M
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Morning Has Broken
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jmsgu3
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SheetMusicPlus
Oboe,Piano - Level 1 - SKU: A0.548743 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #34152...
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Oboe,Piano - Level 1 - SKU: A0.548743 By Cat Stevens. By Cat Stevens. Arranged by James M. Guthrie, ASCAP. Rock. Score and part. 11 pages. Jmsgu3 #3415211. Published by jmsgu3 (A0.548743). Very strong arrangement for Easter. Duration: 2:48. 84 ms. Score: 7 pg. Solo part 1 pg. piano part 3 pg. Morning Has Broken is a popular and well-known Christian hymn first published in 1931. It has words by English author Eleanor Farjeon and was inspired by the village of Alfriston in East Sussex, then set to a traditional Scottish Gaelic tune known as Bunessan [1] (it shares this tune with the 19th century Christmas Carol Child in the Manger[2]). It is often sung in children's services and in Funeral services.[3] English pop musician and folk singer Cat Stevens included a version on his 1971 album Teaser and the Firecat. The song became identified with Stevens due to the popularity of this recording. It reached number six on the U.S. Billboard Hot 100, number one on the U.S. easy listening chartin 1972,[4] and number four on the Canadian RPM Magazine charts. The hymn originally appeared in the second edition of Songs of Praise (published in 1931), to the tune Bunessan, composed in the Scottish Islands. In Songs of Praise Discussed, the editor, Percy Dearmer, explains that as there was need for a hymn to give thanks for each day, English poet and children's author Eleanor Farjeon had been asked to make a poem to fit the lovely Scottish tune. A slight variation on the original hymn, also written by Eleanor Farjeon, can be found in the form of a poem contributed to the anthology Children's Bells, under Farjeon's new title, A Morning Song (For the First Day of Spring), published by Oxford University Press in 1957. The song is noted in 9/4 time but with a 3/4 feel. Bunessan had been found in L. McBean's Songs and Hymns of the Gael, published in 1900.[5] Before Farjeon's words, the tune was used as a Christmas carol, which began Child in the manger, Infant of Mary, translated from the Scottish Gaelic lyrics written by Mary MacDonald. The English-language Roman Catholic hymnal also uses the tune for the James Quinn hymns, Christ Be Beside Me and This Day God Gives Me, both of which were adapted from the traditional Irish hymn St. Patrick's Breastplate. Another Christian hymn, Baptized In Water, borrows the tune. -Wikipedia
$47.95
Craters of the Moon for Oboe, Clarinet, Bassoon, and Piano
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Sy Brandon
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Craters of the Moon for Oboe,
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Sy Brandon
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SheetMusicPlus
Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon ...
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Small Ensemble Clarinet,Oboe,Piano - Level 5 - SKU: A0.755293 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 101 pages. Sy Brandon #5770547. Published by Sy Brandon (A0.755293). This composition was composed for Trio De Bois (Oboe, Clarinet, Bassoon) and Piano. There are three movements that are inspired by Craters of the Moon National Monument and Preserve. It is especially appropriate during this 50th anniversary of the moon walk as the astronauts trained at this location. The first movement is called Violent Past. Much of this movement is built around the dissonant intervals of a half step and the tritone.These intervals are used both melodically and harmonically. The second movement is called Lunar Landscape and is more evocative rather than descriptive. It creates a feeling of vastness and openness.This movement is a tribute to the 50th anniversary of landing on the moon that is being celebrated at the same time that this movement was created. The Apollo 14 astronauts trained at Craters of the Moon in 1969 in order to learn more about volcanic geology. The movement is built around a walking passacaglia theme that is mainly in the left hand of the piano. After its initial statement, the passacaglia theme is accompanied by open 4ths and 5ths in the piano that later appear in the oboe and clarinet, and then in imitation between the piano and high winds. A more melodic variant of the passacaglia theme occurs in the bassoon over the original in the piano. All this material is developed before the opening material returns in the original key and tempo before eventually fading into the distance. Forces of Nature is the title of the third movement. There are five natural phenomena in the park that are represented musically, The Great Rift, Lava Flow, Vents, Cinder Cones, and Lava Tubes. Each of these have a motif that is descriptive and the motifs transform and combine as the movement progresses.
$14.99
Sonatina for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alan Bullard
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Sonatina for Oboe and Piano
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Colne Edition / BullardMusic
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.1213274 Composed by Alan Bullard. 20th Century. Score and part. 24 pages. Colne Edition / BullardMusic #810456. Published...
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Oboe,Piano - Level 4 - SKU: A0.1213274 Composed by Alan Bullard. 20th Century. Score and part. 24 pages. Colne Edition / BullardMusic #810456. Published by Colne Edition / BullardMusic (A0.1213274). Alan Bullard’s Sonatina for Oboe and Piano was written when the composer was in his early twenties, and it has received many performances from students and professionals.Its three movements are in an unashamedly neo-classical style, with the two instruments seen as equal partners: in the first, flowing melodies are shared between the two instruments: in the second, a romantic oboe solo is presented over a simple repetitive accompaniment, later growing into a duet in which the piano takes the lead for a time: and the third movement is characterised by a witty sense of rhythmic interplay between the two instruments.The pdf contains the score and the separate oboe part.More details: https://www.alanbullard.co.uk/score/sonatina-oboe-piano/  or  www.colneedition.co.uk.
$6.99
Symphony No. 5 by Beethoven for Oboe
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Ander
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Symphony No. 5 by Beethoven fo
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Woods Only, Arrangements
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.1154893 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. S...
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Oboe,Piano - Level 3 - SKU: A0.1154893 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,Opera,Romantic Period,Traditional. Score and part. 7 pages. Woods Only, Arrangements #755169. Published by Woods Only, Arrangements (A0.1154893). This adaptation was intended for a small group of oboe and piano, where the original essence of the piece was kept, however, with a reduction in the duration, where only the main themes of the opening were extracted. As it is simplified, it is intended for beginner students of instrumental music who want to enter orchestral music, even in a simplified and reduced form, and can be used by music teachers with their students in ensemble practice in situations such as academic recitals, didactic concerts, or assessment tests. The Symphony No. 5 in C minor, Op. 67, known as the Symphony of Destiny, by Ludwig van Beethoven, written between 1804 and 1808, is one of the most popular and best known compositions in the entire repertoire of European music. The four movements are characterized by orchestral homogeneity, being, at the same time, an example of alternation: the first movement, revealing great tension, denounced by the strings and raised to an extreme drama; the second movement reveals solemnity, in a funeral march that rises by its emotion and beauty; the third movement, a crispness; the fourth movement expresses triumph and magnificence.
$1.99
The Sleeping Beauty Waltz by Tchaikovsky, for Oboe and Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by T
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David McKeown
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SheetMusicPlus
Oboe,Piano - Level 4 - SKU: A0.587748 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standard...
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Oboe,Piano - Level 4 - SKU: A0.587748 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839885. Published by David McKeown (A0.587748). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Oboe and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
Song Without Words, "Twilight"
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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Contemporain
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Caelan Chan
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Song Without Words, "Twil
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Caelan Chan Music
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.529307 Composed by Caelan Chan. Contemporary. Score and part. 7 pages. Caelan Chan Music #139706. Published by Caelan Cha...
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Oboe,Piano - Level 3 - SKU: A0.529307 Composed by Caelan Chan. Contemporary. Score and part. 7 pages. Caelan Chan Music #139706. Published by Caelan Chan Music (A0.529307). Duration: ca. 4' Song Without Words, “Twilight†is inspired by Felix Mendelssohn’s Songs Without Words, collections of lyrical piano pieces by the composer. There is nothing overly new, unusual or complicated in this piece. I chose, instead, to focus on lyricism, the main element that made me love Mendelssohn’s Songs Without Words so much. The subtitle, “Twilightâ€, came from my fascination with the time between sunset and evening. The piece is essentially divided into three sections; the first being a calm and warm melody, the second being more somber and melancholy, and the third being a triumphant return to the original calm and warm melody.
$7.99
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