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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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CLARINETTE
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278
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Piano Facile
215
Piano seul
166
Instruments en Do
40
Piano, Voix
26
Orgue
18
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16
1 Piano, 4 mains
12
Accompagnement Piano
4
Piano Trio: piano, violon, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 5 instrumentations
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Guitares
Guitare notes et tablatures
36
Guitare
12
Ukulele
11
Basse electrique
3
Ligne De Mélodie, (Paroles) et Accords
2
3 Guitares (trio)
1
+ 1 instrumentations
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Voix
Chorale SATB
59
Chorale Unison
41
Chorale 3 parties
25
Chorale 2 parties
20
Chorale TTBB
17
Chorale SSAA
3
Voix duo
2
Voix duo, Piano
1
+ 3 instrumentations
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Vents
2 Saxophones (duo)
88
Hautbois, Piano (duo)
77
Flûte traversière et Piano
65
Saxophone Alto et Piano
65
Flûte, Hautbois, Clarinette, Basson
60
Clarinette et Piano
57
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
55
Flûte traversière
53
Clarinette
52
Quatuor de Saxophones: 4 saxophones
52
Quintette de Saxophone: 5 saxophones
51
Saxophone Tenor et Piano
48
Saxophone Soprano et Piano
46
Saxophone Alto
43
Saxophone Baryton, Piano
42
Saxophone Tenor
39
Saxophone (partie séparée)
34
Hautbois (partie séparée)
25
Hautbois
25
2 Clarinettes (duo)
22
Flûte à bec Soprano
22
Saxophone Baryton
20
Saxophone Soprano
20
2 Flûtes traversières (duo)
18
2 Hautbois (duo)
14
Flûte à Bec
10
Flûte à bec Tenor
9
Flûte à bec Alto
9
Hautbois, Basson (duo)
9
Hautbois, Violoncelle
9
Clarinette, Basson (duo)
8
Flûte, Violoncelle
8
Cor anglais, Piano
7
Clarinette, Violoncelle (duo)
7
Quatuor de Clarinettes: 4 clarinettes
7
Flûte, Clarinette (duo)
6
3 Saxophones (trio)
5
Flûte, Violon
5
Trio de Flûtes: 3 flûtes
5
Clarinette, Violon (duo)
5
Flûte à bec Soprano, Piano
4
3 Clarinettes (trio)
3
2 Flûte à bec (duo)
3
Saxophone, Clarinette (duo)
3
Clarinette et Alto
3
Clarinette Basse, Piano
3
Flûte, Trombone (duo)
2
Clarinette, Trombone (duo)
2
Flûte, Alto (duo)
2
Quintette de Flûte : 5 flûtes
2
Quatuor de Flûtes : 4 flûtes
2
Hautbois et alto (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
3 Flûtes à bec (trio)
2
Clarinette, Trompette (duo)
2
Hautbois, violon (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Contrebasse (duo)
1
Ensemble de Flûtes
1
Flûte et Trio à cordes
1
Ensemble De Flûte à bec
1
Clarinette, Tuba
1
Flûte, Trompette (duo)
1
Flûte, Hautbois (duo)
1
Flûte, Tuba (duo)
1
Hautbois, trombone (duo)
1
Flûte à Bec, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, Flûte
1
Cor anglais et Harpe (duo)
1
+ 67 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
53
Trompette
49
Trompette, Piano
48
Trombone et Piano
48
Trombone
44
Cor et Piano
44
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43
Cor
42
Tuba et Piano
42
Tuba
39
2 Trompettes (duo)
14
2 Trombones (duo)
13
2 Cors (duo)
10
Cor anglais, Piano
7
2 Tubas (duo)
7
Euphonium, Piano (duo)
6
Quatuor de Cuivres
4
Cor, Violoncelle (duo)
4
Trompette, Violoncelle (duo)
3
Trompette, Trombone (duo)
3
Trompette, Saxophone (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium
2
Quatuor de cuivres: 4 trombones
2
Trompette et Guitare
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Trompette (partie séparée)
1
Cor et Basson (duo)
1
Quatuor de cuivres: 4 cors
1
Clarinette, Cor (duo)
1
Trombone, Violon (duo)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor anglais et Harpe (duo)
1
Trompette, Basson (duo)
1
+ 30 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violon et Piano
85
Alto, Piano
65
Violoncelle, Piano
57
Violoncelle
54
Violon
52
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
Contre Basse
41
Alto seul
40
Contrebasse, Piano (duo)
36
Trio à Cordes: violon, alto, violoncelle
23
2 Violons (duo)
22
2 Violoncelles (duo)
19
Violon, Violoncelle (duo)
16
2 Altos (duo)
14
Violon, Basson (duo)
8
Alto, Violoncelle (duo)
8
Harpe
7
Quatuor à cordes: 4 violons
7
Violon, Alto (duo)
6
Alto (partie séparée)
6
2 Contrebasses (duo)
6
Trio à Cordes: 2 violons, violoncelle
5
Trio à cordes: 3 violins
5
Quatuor à cordes : 4 altos
5
Trio à Cordes: 3 violoncelles
5
Alto et Basson
4
Violon, Guitare (duo)
3
Harpe, Flûte (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Flûte, Contrebasse (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle , Guitare (duo)
1
Trio à cordes: 3 altos
1
Violon, Tuba (duo)
1
4 Violoncelles
1
Violoncelle, Contrebasse (duo)
1
+ 32 instrumentations
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Orchestre d'harmonie
72
Orchestre à Cordes
72
Cloches
8
Xylophone, Piano
5
Orchestre de chambre
4
Percussion
3
Fanfare
3
Marimba
3
Ensemble Jazz
3
Orchestre
3
Ensemble de cuivres
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Ensemble de Percussions
1
Xylophone
1
Batterie
1
Vibraphone
1
+ 11 instrumentations
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facile
Quatuor de cuivres: 4 trombones
Partitions à imprimer
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Ave Regina (for Trombone Quartet)
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Quatuor de cuivres: 4 trombones
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FACILE
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Musique Sacrée
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Laurent de Rillé
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Andrew Lamb
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Ave Regina
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Andrew Lamb
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SheetMusicPlus
Trombone Quartet Bass Trombone - Level 2 - SKU: A0.1274463 Composed by Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Praise & Worship. 13 p...
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Trombone Quartet Bass Trombone - Level 2 - SKU: A0.1274463 Composed by Laurent de Rillé. Arranged by Andrew Lamb. 19th Century,Praise & Worship. 13 pages. Andrew Lamb #866606. Published by Andrew Lamb (A0.1274463). Introducing Ave Regina – a sacred hymn and religious work arranged for Trombone Quartet. Immerse yourself in the divine sounds of this beautiful piece composed by the talented Frenchman, Laurent de Rillé.Designed specifically for a Trombone Quartet, this arrangement features three trombones and one bass trombone, combining their voices to create a rich and resonant ensemble. The piece strikes a perfect balance between ease and challenge, making it ideal for both intermediate and experienced trombonists.Ave Regina exudes a profound sense of spirituality, capturing the essence of devotion and reverence. Its emotive melodies and harmonies will undoubtedly resonate with both performers and listeners alike, elevating any religious or sacred performance.Beyond its spiritual applications, this arrangement holds great value for educational purposes. As an easy-to-intermediate level piece, it provides a wonderful opportunity for trombonists to develop their skills in ensemble playing and expressiveness.Moreover, Ave Regina is equally well-suited for concert use, offering a refreshing addition to any program with its sacred ambiance and soul-stirring melodies. It holds the power to enrich the atmosphere of any performance, leaving a lasting impression on the audience.Whether you seek to add a touch of spirituality to a religious ceremony, enhance your educational repertoire, or elevate your concert performances, the Ave Regina arrangement for Trombone Quartet is a must-have musical gem. Experience the beauty of this sacred hymn as it resonates through the harmonious blend of trombone voices, sure to uplift and inspire all who hear it.
$4.00
Solage: Le basile for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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FACILE
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Solage
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James M
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Solage: Le basile for Trombone
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jmsgu3
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SheetMusicPlus
Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...
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Trombone Quartet Trombone - Level 2 - SKU: A0.1266548 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 8 pages. Jmsgu3 #859221. Published by jmsgu3 (A0.1266548). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
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