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--INSTRUMENTS--
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ALTO
AUTOHARPE
BANJO
BASSE
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Four Voices
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235
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27
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14
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9
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8
1 Piano, 4 mains
5
Piano Facile
5
Clavecin
1
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1
Accompagnement Piano
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3
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318
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105
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76
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59
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31
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11
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18
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9
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4
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13
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8
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6
Quatuor de cuivres: 4 trombones
5
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Quatuor de cuivres: 4 cors
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
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1
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1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
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121
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14
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3
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3
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2
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2
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1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
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4 Contrebasses
1
Violoncelle
1
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19
Orchestre à Cordes
19
Orchestre d'harmonie
8
Orchestre
6
Orchestre de chambre
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Ensemble de Percussions
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2
Piano et Orchestre
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Marimba
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Cloches
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
CLAVECIN
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Vous avez sélectionné:
Four Voices
Quatuor de cuivres: 4 trombones
Partitions à imprimer
5 partitions trouvées
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1
Ave Verum Corpus for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE/AVANCÉ
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William Byrd
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James Haynor
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Ave Verum Corpus for Trombone
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.782216 Composed by William Byrd. Arranged by James Haynor. Renaissance,Sacred,Spiritual. Score and parts. 13...
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Brass Ensemble Trombone - Level 4 - SKU: A0.782216 Composed by William Byrd. Arranged by James Haynor. Renaissance,Sacred,Spiritual. Score and parts. 13 pages. James Haynor #3571413. Published by James Haynor (A0.782216). William Byrd (birth date variously given as c.1539/40 or 1543 – 4 July 1623), was an English composer of the Renaissance. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Ave Verum Corpus written for four voices is a great example of his work and transcribes well for trombone quartet. ( Duration 3:30 )
$10.00
Six Songs, Op. 50 for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
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Classique
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Felix Bartholdy Mendelssohn
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Ralph Sauer
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Six Songs, Op. 50 for Trombone
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Gordon Cherry
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SheetMusicPlus
Small Ensemble Bass Trombone,Tenor Trombone - Level 3 - SKU: A0.811181 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Roman...
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Small Ensemble Bass Trombone,Tenor Trombone - Level 3 - SKU: A0.811181 Composed by Felix Bartholdy Mendelssohn. Arranged by Ralph Sauer. Classical,Romantic Period. Score and parts. 68 pages. Gordon Cherry #5902569. Published by Gordon Cherry (A0.811181). Felix Mendelssohn composed the Six Songs, Opus 50 for men's chorus of four voices between 1837 and 1840. The titles are self-descriptive and each movement has a lot of character: 1. Turkish Drinking Song, 2. The Hunter's Farewell, 3. Summer Song, 4. Water Journey, 5. Hiking Song, 6. Love and Wine Trombonists may find these lovely songs have a similar feel and character to the iconic Schubert Suite of Lieder composed also for men's chorus. Mr. Sauer's great arrangement of the Mendelssohn Six Songs, Op. 50 for 4-part Trombone Ensemble is perfect for intermediate level performers as they are all in bass clef and of moderate range and endurance, totaling about 18 minutes of wonderful music.
$27.50
Sicet cervus for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE
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Giovanni Pierluigi da Palestri
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James Haynor
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Sicet cervus for Trombone Quar
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James Haynor
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SheetMusicPlus
Trombone Ensemble Bass Trombone - Level 3 - SKU: A0.1252717 Composed by Giovanni Pierluigi da Palestrina. Arranged by James Haynor. Early Music,Praise &...
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Trombone Ensemble Bass Trombone - Level 3 - SKU: A0.1252717 Composed by Giovanni Pierluigi da Palestrina. Arranged by James Haynor. Early Music,Praise & Worship,Renaissance. 26 pages. James Haynor #846571. Published by James Haynor (A0.1252717). Sicut cervus is a motet for four voices by Giovanni Pierluigi da Palestrina. It sets the beginning of Psalm 42, Psalmus XLII in the Latin version. It was published in 1604 in Motecta festorum, Liber 2, and has become one of Palestrina's most popular motets.Arranged here for Trombone Quartet it makes a great church or reflective piece.( Duration - 5:52 )Â
$10.00
Solage: Plusers gens voy for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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FACILE
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Solage
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James M
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Solage: Plusers gens voy for T
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jmsgu3
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SheetMusicPlus
Trombone Quartet Trombone - Level 2 - SKU: A0.1269033 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Me...
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Trombone Quartet Trombone - Level 2 - SKU: A0.1269033 Composed by Solage. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 6 pages. Jmsgu3 #861565. Published by jmsgu3 (A0.1269033). Plusers gens voy is a ballade by the late 14th-century French composer Solage. The song is written for four voices: tenor, contra tenor, cantus, and triplum. The lyrics of the song are Plusers gens voy qui leur pensee / A leur dame ne sont pas nee / Car ele est de si grant beaute / Que nus ne la puet veoir sans faille which translates to More people have seen in their thoughts / That they were not born for their lady / For she is of such great beauty / That no one can see her without failing.The overall message of Plusers gens voy is a declaration of love and admiration for a lady of great beauty. The lyrics suggest that the lady is so beautiful that no one can see her without failing. The song is a tribute to the lady's beauty and likely reflects the composer's feelings towards her. The song is a beautiful example of medieval French music and poetry and is still performed and studied today.
$24.95
Psalm 1 for Trombone Quartet or Organ and Brass
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Quatuor de cuivres: 4 trombones
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Heinrich Schutz
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Fetter, David
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Psalm 1 for Trombone Quartet o
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and part...
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Brass Ensemble Trombone - Level 4 - SKU: A0.792222 Composed by Heinrich Schutz. Arranged by Fetter, David. Baroque,Classical,Renaissance. Score and parts. 40 pages. Gordon Cherry #4728855. Published by Gordon Cherry (A0.792222). Psalm 1 by Heinrich Schütz (1585-1672), is taken from his collection of choral settings of several of the biblical Psalms of David, in which Schütz continued the polychoral tradition he had absorbed in Venice as a student of Giovanni Gabrieli. Schütz indicated in his preface to the Psalms, published in 1619, that due to limits on performance during the Thirty Years War, alternate instruments or voices could be employed as available. As Psalm 1 was composed for two choirs of voices, it might be an attractive option to double the parts in this version for brass. Also, the choirs might be placed some distance apart. The original version of Psalm I is for two four-part choirs, one of mixed voices and one of tenors and basses. (The original also calls for continuo accompaniment, but, as in similar works of Gabrieli, the choral parts sound complete in themselves.) Composer/arranger David Fetter (b. 1938) is a Trombone faculty member at the Peabody Conservatory of the Johns Hopkins University in Baltimore, Maryland. Also a conductor, his works are performed in concert, at festivals, and in educational settings in the U.S. and Europe and they have been recorded by leading soloists. Mr. Fetter is a former member of the Cleveland Orchestra, the Baltimore Symphony Orchestra, the Radio/Telefis Symphony Orchestra of Ireland, the U.S. Army Band, and other ensembles, where he performed for conductors who included George Szell, Leonard Bernstein, Seiji Ozawa, James Levine, Sergiu Comissiona, and David Zinman. At the Eastman School of Music he was a trombone student of Emory Remington and a member of the Eastman Wind Ensemble under Frederick Fennell. He holds a Master’s in Musicology from The American University. See www.peabody.jhu.edu/David Fetter.
$22.50
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Four Voices
